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Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
September 2013
A1 ink, pen, pencil, and charcoal drawing.
Broken down images from a large scale drawing.
Incorporating elements of the installation piece and my own personal response.
KATY LOUISE UNSWORTH
UCAS ID: 1114349362
Interior and Spatial Design W250
katunsi@hotmail.com
Installation of snow fence for a commercial client to close walkways to reduce liability exposure and snow removal costs.
..this is a shot from my 5 screen, 16mm cine film projection installation, which is being shown at the Anglican Cathedral Liverpool.
You can view a project description as well as some moving clips of these on myspace.com/papersculptures
Siri Jøntvedt and Kristine Øren backstage in " LawHat al-umm" installation and performance, Kunstnernes Hus, Oslo 1997
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
Installation view from "Vessel" a group exhibition curated by Dasha Matsuura at Hashimoto Contemporary