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James Emmette Neel, Jan. 2017, Sarah Moody Gallery of Art, art.ua.edu/loupe/an-artist-reveals-wars-first-and-last-vi...
This installation started with ideas of environment. Had been looking at direction of light and how it travels, reflects off surfaces and when put in a diagram, creates all sorts of angles and shapes. In the small room, I projected shadows of wooden structures onto the wall, different projections overlapping, some shadows of different strengths. To Add more shadow and depth to the installation I then added structures off the walls, some from paper and some with chicken wire, to make different qualities of shadow. The filters on the lights were all slightly different purities when overlapped and i liked that, like two different environments.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Sounds of improvisation by Tomoya Deguchi immediately become movement of light and distort one’s sight. The tension and vibes of music propagates to audience / player himself, not only as sound but also as light reflected in a mirror, feeding back to the next sound.
Date: February 21 (Mon.), 2011 20:00 (Doors Open 19:30)
Venue: Tokyo Wonder Site Shibuya
Spring 2010 University of Pennsylvania Installation in collaboration with Joe Littrell and Nadine Kashlan: multiple imagery overlay: atmospheric conditions: interference patterns
Installation by H. GEN KOZURU at Uminonakamichi Park, Higashi-ku, Fukuoka, Japan
作：高鶴元 インスタレーション（海の中道公園、福岡市）
撮影：河野利彦（2005/11）
Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
Installation view from "Vessel" a group exhibition curated by Dasha Matsuura at Hashimoto Contemporary
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MFA Exhibition, The Ohio state University
Cosmonauts (background), Untitled (foreground), Foreground: microfilm reel, poured concrete
2000
A video installation for Vitrine08, an exhibition with a focus on sound curated by Senjan Jansen. We designed an installation on the platform between the wooden escalators that bring people to the historic pedestrian tunnel below the Schelde river. The tunnel is the connection for commuters from the other side of Antwerp and is very popular with strollers during the weekend. In combination with the amplified mechanical sounds of the ancient moving staircase, the videos of rotating and morphing objects trying to restore their original forms, transformed the location into a massive machine, a futuristic showcase. The Vitrine08 installation was also presented in the group show “vom gehen in viele richtungen” at KIT in Düsseldorf in combination with the WWW video.
June 2008
More info and video here.