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Installation "Toki Ori Ori Nasu – Falling Records" von Ei Wada (Japan): Auf Säulen stehen Tonbandmaschinen. Die abgespielten Tonbänder fallen lose nach unten und falten sich in einer Glasvitrine / Quatres magnetoscopes sur des stèles, les bandes tombent dans les espaces creux;
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner
Marianne Nicolson's The Harbingren of Catastrophe at the National Museum of the American Indian, New York City
Hybrid installation. Bathrooms are applications with increased humidity risk. In shower areas, Silencioso can not be installed. Therefore, near to the bath a ceramic floor is installed to which the floating floor is connected through a partial glue down (hybrid installation) All expansion is taken at the opposite side of the floor.
Lt. Governor Rutherford Attends the Installation of HoCo EC Calvin Ball and County Council by Joe Andrucyk at Howard High School, 8700 Old Annapolis Rd, Ellicott City, MD 21043,
Here is a very basic mockup of what I plan to have my installation look like.
I'll be using a brick-patterned curtain/fabric (two pieces) hanging on a rod that'll be coming off of the wall. A red rug will be leading up to the opening where the two curtains meet. My portfolio work will be displayed behind the curtain in mismatched frames hanging on the wall. I want them to fill the space the best I can behind the curtain so that nothing peeks through and becomes visible from the sides, if possible.
Above the curtain, I hope to have a decal of a quote by Aristotle that I felt went well with my concept. I'm still deciding whether or not I want to add anything else.
This exhibition documents international Indigenous artists’ responses to the impacts of radiation and toxic waste on Native peoples and the environment. The work of the 36 artists and collectives, most of whom identify as Indigenous, is centered around the impact that nuclear testing, uranium mining, and the subsequent contamination have had on the colonized peoples and their ancestral, unceded lands of present-day Australia, Canada, Greenland, the US, Japan, and the Pacific Islands. The exhibition presents an interdisciplinary mixture of forms and genres, including sculpture, video installation, photography, collage, glasswork, metalwork, fiber, paintings, and virtual-reality experiences. The works tell personal stories of illness, struggle, and resilience in the face of corporate willfulness and government complicity.
Learn more at armoryarts.org/exposure.
Photo by Milly J. Correa Hernandez. Courtesy Armory Center for the Arts.
Installation at UNM. Papercut, linoleum prints, housepaint. Approx 12 feet by 12 feet by 8 feet tall