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This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
And for once I wasn't the photographer...I was one of the musicians :D
My friend Jacob (on the right, who i've mentioned previously) is continuing his project on austerity focusing on the re-use of objects (so i've interpreted :P) so brought in myself and a chap called Yellowbelly Flatts to photograph us and our homemade junk guitars.
Well I say junk...Yellowbellys were exquisite pieces of pristinely carved sculpture compared to my effort (in the shot) made from a box file that I finished 10 minutes before the shoot and wouldn't stay in tune >.<
Regardless I had fun being on the other side of the lens (I know i'm doing a self portrait project) and it was fantastic meeting Yellowbelly and his sympathy towards my less than sophisticated efforts.
Also the Media Production studios are very impressive. Considering I came from a dedicated photography course this one studio dwarfed both of ours and even had a very sweet infinity curve.
The Infinity is Villa Infinity designed and built with an intimate resort feeling and spread out over 7500 m2 beautiful land overlooking rice terraces. It is a wonderful retreat and everybody looking for a holiday house offering everything can stop looking! The Infinity, open to magnificent views and a beautiful private Balinese garden, is the essence of luxury tropical living. The Infinity is finished with the finest materials combined with contemporary furnishing and contemporary art.
zeldawasawriter.com/2011/05/to-infinity-and-beyond-di-qua...
www.lefunkymamas.com/2011/05/02/to-infinity-and-beyond-us...
Progetto di Le Funky Mamas www.lefunkymamas.com
Modella: Carolina Brunati
Foto: Camilla - Zelda was a writer
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
Using another camera (in this case the R5 MK II with the 24-105 set at 90 mm), one can put the camera under test (the FrankenPan) into proper infinity focus
The Infinity is Villa Infinity designed and built with an intimate resort feeling and spread out over 7500 m2 beautiful land overlooking rice terraces. It is a wonderful retreat and everybody looking for a holiday house offering everything can stop looking! The Infinity, open to magnificent views and a beautiful private Balinese garden, is the essence of luxury tropical living. The Infinity is finished with the finest materials combined with contemporary furnishing and contemporary art.
I wish I'd have had a better chance to make this picture come out clear and more how I wanted, but I like the idea.
Shelby's record player, and Infinity On High. Summer 2009.
Original Design for Kevin Parlett's G35.
My idea on how his G35 can look after his newly rebuild..
On in my SF now..
Search: AART Soho
The first tower in the Infinity Towers two block complex. It's supposed to be 42 stories, or about 400 feet tall when finished.
I like the curved glass effect, making the building feel like a bit of a ripple.
Infinity Mirrored Room—My Heart Is Dancing into the Universe, by Yayoi Kusama at the Hirshhorm Museum'
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.