View allAll Photos Tagged improvisation
acrylic, one4all, nero lead
65x50cm 250g/m2 paper
GROUP AWARDS/IMAGES/ADDS IN COMMENTS WILL BE DELETED
If you ever wondered if stale pastry shells make decent bread pudding, the answer is yes. (This one used about equal volumes of pastry and sourdough to fill the pan.)
Since I moved to Copenhagen I took tons of pictures but lacked the time to process them. Here's a few.
Foto: Ann-Charlotte Sandelin
Elocution, Ett drömsommarjobb i dans. Föreställning utanför Konstmuseet, Norrköping 2014.
I had a flat tire on my ride today. Here I have improvises a bike work stand using a mailbox, a rusty nail, and a bike helmet.
I'm feeling very zen and the art of bicycle maintenance this morning.
January 17, 2012
Tribute Communities Recital Hall
Two of Canada’s leading classical performers come together for a thrilling concert featuring contemporary Canadian works on January 17, 2012 in the Tribute Communities Recital Hall at York University’s Keele campus. Violinist Jacques Israelievitch and pianist Christina Petrowska Quilico, both professors in York’s Department of Music, offer an evening of repertoire as diverse and inspiring as the Canadian landscape.
The program features a selection of complex but lyrical 20th century works by established Canadian composers. It includes Oskar Morawetz’s Duo ( 1961), James Rolfe’s Drop (1998), Gary Kulesha’s …and dark time flowed by her like a river… (1993) and André Prévost’s Improvisation (1976).
The concert culminates with Raymond Luedeke’s monumental Fancies and Interludes VI (1988). The quick changes of metering in the piano parts are “rhythmically challenging” for a performer, Petrowska Quilico notes, but the artists revel in the work’s “lovely tonal colours” and how they contrast with sections of exciting primal rhythms.
An internationally known violinist, Israelievitch served as concertmaster of the Toronto Symphony Orchestra for two decades before joining York University’s Music Department in 2008. He has appeared as chamber musician with such luminaries as Emanuel Ax, Yefim Bronfman and Yo-Yo Ma, and performs regularly with the Naumburg Award-winning New Arts Trio and in the Israelievitch Duo with his son, percussionist Michael Israelievitch. His extensive discography includes the Juno-nominated Suite Hebraique with pianist John Greer and the first complete recording of Kreutzer’s 42 Etudes for solo violin. An avid performer of contemporary music, he has had works by Canadian composers R. Murray Schafer and Jeffrey Ryan commissioned for him by the Toronto Symphony Orchestra. The Toronto Musicians’ Association presented him with its Lifetime Achievement Award in 2008 in recognition of his distinguished contribution to the performing arts in Canada.
One of Canada’s foremost pianists and a multiple Juno nominee, Petrowska Quilico has appeared in solo recitals, chamber settings and with orchestras on four continents. Widely recognized as an innovative and adventurous artist, she is a longtime champion of contemporary and Canadian music, and has premiered more than 100 works by leading North American and European composers. Eminent Canadian composers she has collaborated with over the course of her stellar career include Ann Southam, Violet Archer, Glenn Buhr, Christos Hatzis, Alexina Louie, Larysa Kuzmenko and John Weinzweig. She was awarded the 2007 Friends of Canadian Music Award through the Canadian Music Centre and Canadian League of Composers in recognition of her dedication to Canadian contemporary classical music and her “unwavering support for Canada’s composing community”. In late 2011 she released her 26th CD, Tapestries, a collection of Canadian concerti. She has taught piano performance and musicology at York since 1987.
Photos by: Judy Karacs
Foto: Ann-Charlotte Sandelin
Elocution, Ett drömsommarjobb i dans. Föreställning utanför Konstmuseet, Norrköping 2014.
I was shooting some products for my wife and found that I had left one of my umbrella swivel brackets at home. Luckily, I had my full bag of lighting gear and was able to fashion one using a magic arm and two superclamps. Sure, the umbrella was limited to horizontal - but at least everything was solidly mounted and it worked well enough for the job.
Greenscreen not available in project - but this method did work quite succesfully
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Please Note!
We are no longer in contact with any individuals pictured, in this album and the pupils will now be adults. If you recognise anyone or are in these photos, please send me a flickrmail, and of course comments will be very welcome. I will also be happy to remove any photo, that you are recognisable in, if you are not happy to be included. I have decided to share these photos because of their historical value in the the use of digital media and technology in schools.
First time developing film since Sandy. The angry old gal took out my Jobo. Bummer. The only thing left other than the tanks and reels was the lift arm (that wasn't really in great shape) and an extra set of rollers. I puled the rollers off the lift arm, bought a length of 3/8" round stock and fashioned the manual roller base. The film is drying now.