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So goes the age old saying: Why on Earth doesn’t a Fashionista Barbie body get the same amount of motion as her Pivotal cousin, Fashion Royalty rivals or even Monster High despite having a similar system of joints? Well, turns out the only reason why this is so is because there’s WAY too much plastic around the joints. This gives a smoother appearance but it definitely affects the play value of the bodies to me.
I’ve been meaning to test this theory for awhile but in between lacking a good carving knife, moving, and having a lack of test bodies I haven’t been able to properly put to the test.
But then I picked up a Fashionista body from Savers today before crashing at my boyfriend’s house, with the intentions of painting it to match my Wicked Witch doll’s head. But I realised with the current Fashionista joints it would chip really badly, so I figured i put my theory of expanding her motion range AND limiting how much joint friction there would be for this test body.
So I asked my bf if he had any sharp knives I could whittle my doll body with and he whipped out this crazy sharp knife cuz he’s into that kind of hunting biz.
I first turned her upper arm elbow socket from a U shaped socket to a completely straight line so her arm could turn inwards at a 90 degree. I then carved a crescent moon shape on her forearm following her elbow joint so the arm could in deeper. I whittled her upper arms to taper to her lower arms to look nicer aesthetically but to also minimise the amount of plastic between the joint so she could get the maximum fold.
I then carved the plastic around her wrist to expose as much of the hand post as I could without exposing her wrist post so she could get at least a 90 degree bend.
I left the arm on (our) left untouched to show how limited the range of movement is in comparison to what I did to her right arm.
The notorious Burma-Siam railway, built by Commonwealth, Dutch and American prisoners of war, was a Japanese project driven by the need for improved communications to support the large Japanese army in Burma. During its construction, approximately 13,000 prisoners of war died and were buried along the railway. An estimated 80,000 to 100,000 civilians also died in the course of the project, chiefly forced labour brought from Malaya and the Dutch East Indies, or conscripted in Siam (Thailand) and Burma (Myanmar).
Two labour forces, one based in Siam and the other in Burma worked from opposite ends of the line towards the centre. The Japanese aimed at completing the railway in 14 months and work began in October 1942. The line, 424 kilometres long, was completed by December 1943.
The graves of those who died during the construction and maintenance of the Burma-Siam railway (except for the Americans, whose remains were repatriated) were transferred from camp burial grounds and isolated sites along the railway into three cemeteries at Chungkai and Kanchanaburi in Thailand and Thanbyuzayat in Myanmar.
KANCHANABURI WAR CEMETERY is only a short distance from the site of the former 'Kanburi', the prisoner of war base camp through which most of the prisoners passed on their way to other camps. It was created by the Army Graves Service who transferred to it all graves along the southern section of railway, from Bangkok to Nieke.
Some 300 men who died (most from a Cholera epidemic in May/June 1943) at Nieke camp were cremated and their ashes now lie in two graves in the cemetery. The names of these men are inscribed on panels in the shelter pavilion.
There are now 5,085 Commonwealth casualties of the Second World War buried or commemorated in this cemetery. There are also 1,896 Dutch war graves and 1 non-war grave.
I was happy to have found a few of these secretive RED-BILLED PIGEON feeding on the lawn at Pico Bonito Resort in Honduras. I was never able to get close to these guys in the past until now.
An uncommon species in North America (code 2) a decent flight shot of this species is hard to come by.
(Click on image to view X-large size.)
This one is a single photo picked from the previous group of 5 enhanced and adjusted / straightened using Aurora HDR 2019
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One Brown Jay shot from Belize...A place with more Brown Jays than anywhere else on earth. (My observation only, not scientific of course.)
I love it when the sky does this. I’ll have to give this sunrise the “Most Improved” award — considering the way the week started.
From the overlook at Monte Sano State Park in Huntsville, Alabama.
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Seneca Improved View 5x7 with 4x5 reducing back, Osaka Wide Field 120mm f/6.3, New Guy collodion (2 days old), Dark Green Glass Ambrotype
f/11, 10 seconds
Used modified Coffer developer with 20% less ferrous sulfate and 20% more alcohol.
So mad at myself for nicking that top piece of collodion off. The plate was thicker than normal glass. Really had to force the rear darkslide closed. It also interfered with sitting nicely in the wet/dry rack; which is how the nick happened.
Improved version of hydrangea box with ribbon going around.
Model combines several ideas together: traditional masu, hydrangea by Shuzo Fujimoto (on top of the box) and color change idea for boxes by Endre Somos. Some people asked me in last months about this box, last time yesterday, and that's the reason why I was playing with it today. I think I found elegant solution for proportions and I am quite happy how the bottom of the box is fixed with square pattern. I made also bigger version, this tiny one is from 15 cm of bicolor kraft paper (of german origin).
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Androgyny is the combination of masculine and feminine characteristics into an ambiguous form. Androgyny may be expressed with regard to biological sex, gender identity, gender expression, or sexual identity.
When androgyny refers to mixed biological sex characteristics in humans, it often refers to intersex people. As a gender identity, androgynous individuals may refer to themselves as non-binary, genderqueer, or gender neutral. As a form of gender expression, androgyny can be achieved through personal grooming or fashion. Androgynous gender expression has waxed and waned in popularity in different cultures and throughout history.
Contents
1Etymology
2History
3Symbols and iconography
4Biological
5Psychological
5.1Bem Sex-Role Inventory
5.2Personal Attribues Questionnaire
6Gender identity
7Gender expression
7.1Androgyny in fashion
8Alternatives
9Contemporary trends
10See also
11References
12External links
Etymology[edit]
Androgyny as a noun came into use c. 1850, nominalizing the adjective androgynous. The adjective use dates from the early 17th century and is itself derived from the older French (14th Century) and English (c. 1550) term androgyne. The terms are ultimately derived from Ancient Greek: ἀνδρόγυνος, from ἀνήρ, stem ἀνδρ- (anér, andr-, meaning man) and γυνή (gunē, gyné, meaning woman) through the Latin: androgynus,[1] The older word form androgyne is still in use as a noun with an overlapping set of meanings.
History[edit]
See also: Sexuality in ancient Rome § Hermaphroditism and androgyny
Androgyny among humans – expressed in terms of biological sex characteristics, gender identity, or gender expression – is attested to from earliest history and across world cultures. In ancient Sumer, androgynous and hermaphroditic men were heavily involved in the cult of Inanna.[2]:157–158 A set of priests known as gala worked in Inanna's temples, where they performed elegies and lamentations.[2]:285 Gala took female names, spoke in the eme-sal dialect, which was traditionally reserved for women, and appear to have engaged in homosexual intercourse.[3] In later Mesopotamian cultures, kurgarrū and assinnu were servants of the goddess Ishtar (Inanna's East Semitic equivalent), who dressed in female clothing and performed war dances in Ishtar's temples.[3] Several Akkadian proverbs seem to suggest that they may have also engaged in homosexual intercourse.[3] Gwendolyn Leick, an anthropologist known for her writings on Mesopotamia, has compared these individuals to the contemporary Indian hijra.[2]:158–163 In one Akkadian hymn, Ishtar is described as transforming men into women.[3]
The ancient Greek myth of Hermaphroditus and Salmacis, two divinities who fused into a single immortal – provided a frame of reference used in Western culture for centuries. Androgyny and homosexuality are seen in Plato's Symposium in a myth that Aristophanes tells the audience.[4] People used to be spherical creatures, with two bodies attached back to back who cartwheeled around. There were three sexes: the male-male people who descended from the sun, the female-female people who descended from the earth, and the male-female people who came from the moon. This last pairing represented the androgynous couple. These sphere people tried to take over the gods and failed. Zeus then decided to cut them in half and had Apollo repair the resulting cut surfaces, leaving the navel as a reminder to not defy the gods again. If they did, he would cleave them in two again to hop around on one leg. Plato states in this work that homosexuality is not shameful. This is one of the earlier written references to androgyny. Other early references to androgyny include astronomy, where androgyn was a name given to planets that were sometimes warm and sometimes cold.[5]
Philosophers such as Philo of Alexandria, and early Christian leaders such as Origen and Gregory of Nyssa, continued to promote the idea of androgyny as humans' original and perfect state during late antiquity.”[6] In medieval Europe, the concept of androgyny played an important role in both Christian theological debate and Alchemical theory. Influential Theologians such as John of Damascus and John Scotus Eriugena continued to promote the pre-fall androgyny proposed by the early Church Fathers, while other clergy expounded and debated the proper view and treatment of contemporary “hermaphrodites.”[6]
Western esotericism’s embrace of androgyny continued into the modern period. A 1550 anthology of Alchemical thought, De Alchemia, included the influential Rosary of the Philosophers, which depicts the sacred marriage of the masculine principle (Sol) with the feminine principle (Luna) producing the "Divine Androgyne," a representation of Alchemical Hermetic beliefs in dualism, transformation, and the transcendental perfection of the union of opposites.[7] The symbolism and meaning of androgyny was a central preoccupation of the German mystic Jakob Böhme and the Swedish philosopher Emanuel Swedenborg. The philosophical concept of the “Universal Androgyne” (or “Universal Hermaphrodite”) – a perfect merging of the sexes that predated the current corrupted world and/or was the utopia of the next – also plays a central role in Rosicrucian doctrine[8][9] and in philosophical traditions such as Swedenborgianism and Theosophy. Twentieth century architect Claude Fayette Bragdon expressed the concept mathematically as a magic square, using it as building block in many of his most noted buildings.[10]
Symbols and iconography[edit]
The Caduceus
In the ancient and medieval worlds, androgynous people and/or hermaphrodites were represented in art by the caduceus, a wand of transformative power in ancient Greco-Roman mythology. The caduceus was created by Tiresias and represents his transformation into a woman by Juno in punishment for striking at mating snakes. The caduceus was later carried by Hermes/Mercury and was the basis for the astronomical symbol for the planet Mercury and the botanical sign for hermaphrodite. That sign is now sometimes used for transgender people.
Another common androgyny icon in the medieval and early modern period was the Rebis, a conjoined male and female figure, often with solar and lunar motifs. Still another symbol was what is today called sun cross, which united the cross (or saltire) symbol for male with the circle for female.[11] This sign is now the astronomical symbol for the planet Earth.[12]
Mercury symbol derived from the Caduceus
A Rebis from 1617
"Rose and Cross" Androgyne symbol
Alternate "rose and cross" version
Biological[edit]
See also: Sex differences in humans
Historically, the word androgynous was applied to humans with a mixture of male and female sex characteristics, and was sometimes used synonymously with the term hermaphrodite.[13] In some disciplines, such as botany, androgynous and hermaphroditic are still used interchangeably.
When androgyny is used to refer to physical traits, it often refers to a person whose biological sex is difficult to discern at a glance because of their mixture of male and female characteristics. Because androgyny encompasses additional meanings related to gender identity and gender expression that are distinct from biological sex, today the word androgynous is rarely used to formally describe mixed biological sex characteristics in humans. [14] In modern English, the word intersex is used to more precisely describe individuals with mixed or ambiguous sex characteristics. However, both intersex and non-intersex people can exhibit a mixture of male and female sex traits such as hormone levels, type of internal and external genitalia, and the appearance of secondary sex characteristics.
Psychological[edit]
Though definitions of androgyny vary throughout the scientific community, it is generally supported that androgyny represents a blending of traits associated with both masculinity and femininity. In psychological study, various measures have been used to characterize gender, such as the Bem Sex Role Inventory, the Personal Attributes Questionnaire.[15]
Broadly speaking, masculine traits are categorized as agentic and instrumental, dealing with assertiveness and analytical skill. Feminine traits are categorized as communal and expressive, dealing with empathy and subjectivity.[16] Androgynous individuals exhibit behavior that extends beyond what is normally associated with their given sex.[17] Due to the possession of both masculine and feminine characteristics, androgynous individuals have access to a wider array of psychological competencies in regards to emotional regulation, communication styles, and situational adaptability. Androgynous individuals have also been associated with higher levels of creativity and mental health.[18][19]
Bem Sex-Role Inventory[edit]
The Bem Sex-Role Inventory (BSRI) was constructed by the early leading proponent of androgyny, Sandra Bem (1977).[20][better source needed] The BSRI is one of the most widely used gender measures. Based on an individual's responses to the items in the BSRI, they are classified as having one of four gender role orientations: masculine, feminine, androgynous, or undifferentiated. Bem understood that both masculine and feminine characteristics could be expressed by anyone and it would determine those gender role orientations.[21]
An androgynous person is an individual who has a high degree of both feminine (expressive) and masculine (instrumental) traits. A feminine individual is ranked high on feminine (expressive) traits and ranked low on masculine (instrumental) traits. A masculine individual is ranked high on instrumental traits and ranked low on expressive traits. An undifferentiated person is low on both feminine and masculine traits.[20]
According to Sandra Bem, androgynous individuals are more flexible and more mentally healthy than either masculine or feminine individuals; undifferentiated individuals are less competent.[20] More recent research has debunked this idea, at least to some extent, and Bem herself has found weaknesses in her original pioneering work. Now she prefers to work with gender schema theory.
One study found that masculine and androgynous individuals had higher expectations for being able to control the outcomes of their academic efforts than feminine or undifferentiated individuals.[22]
Personal Attribues Questionnaire[edit]
The Personal Attributes Questionnaire (PAQ) was developed in the 70s by Janet Spence, Robert Helmreich, and Joy Stapp. This test asked subjects to complete to a survey consisting of three sets of scales relating to masculinity, femininity, and masculinity-femininity. These scales had sets of adjectives commonly associated with males, females, and both. These descriptors were chosen based on typical characteristics as rated by a population of undergrad students. Similar to the BSRI, the PAQ labeled androgynous individuals as people who ranked highly in both the areas of masculinity and femininity. However, Spence and Helmreich considered androgyny to be a descriptor of high levels of masculinity and femininity as opposed to a category in and of itself.[15]
Gender identity[edit]
An individual's gender identity, a personal sense of one's own gender, may be described as androgynous if they feel that they have both masculine and feminine aspects. The word androgyne can refer to a person who does not fit neatly into one of the typical masculine or feminine gender roles of their society, or to a person whose gender is a mixture of male and female, not necessarily half-and-half. Many androgynous individuals identify as being mentally or emotionally both masculine and feminine. They may also identify as "gender-neutral", "genderqueer", or "non-binary".[23] A person who is androgynous may engage freely in what is seen as masculine or feminine behaviors as well as tasks. They have a balanced identity that includes the virtues of both men and women and may disassociate the task with what gender they may be socially or physically assigned to.[24] People who are androgynous disregard what traits are culturally constructed specifically for males and females within a specific society, and rather focus on what behavior is most effective within the situational circumstance.[24]
Many non-western cultures recognize additional androgynous gender identities. Jewish culture recognizes the Tumtum and Androgynos genders. In Chinese culture exists the Yinyang ren gender. The Bugis of Indonesia recognize five genders, Bissu representing the androgynous category. In Hawaiian culture, the third gender Māhū is recognized. In Oaxacan Zapotec culture, the Muxe are recognized as a third gender. In India, the Hijra is the third androgynous gender. Samoans accept Fa’afafine as a third gender. Native American culture includes Two Spirit as a general third gender.
Gender expression[edit]
Gender expression, which includes a mixture of masculine and feminine characteristics, can be described as androgynous. The categories of masculine and feminine in gender expression are socially constructed, and rely on shared conceptions of clothing, behavior, communication style, and other aspects of presentation. In some cultures, androgynous gender expression has been celebrated, while in others, androgynous expression has been limited or suppressed. To say that a culture or relationship is androgynous is to say that it lacks rigid gender roles, or has blurred lines between gender roles.
The word genderqueer is often used by androgynous individuals to refer to themselves, but the terms genderqueer and androgynous are neither equivalent nor interchangeable.[25] Genderqueer is not specific to androgynes, and does not denote gender identity. It may refer to any person, cisgender or transgender, whose behavior falls outside conventional gender norms. Furthermore, genderqueer, by virtue of its ties with queer culture, carries sociopolitical connotations that androgyny does not carry. For these reasons, some androgynes may find the label genderqueer inaccurate, inapplicable, or offensive. Androgneity is considered by some to be a viable alternative to androgyn for differentiating internal (psychological) factors from external (visual) factors.[26]
Terms such as bisexual, heterosexual, and homosexual have less meaning for androgynous individuals who do not identify as men or women to begin with. Infrequently the words gynephilia and androphilia are used, and some describe themselves as androsexual. These words refer to the gender of the person someone is attracted to, but do not imply any particular gender on the part of the person who is feeling the attraction.[citation needed]
Louise Brooks exemplified the flapper. Flappers challenged traditional gender roles, had boyish hair cuts and androgynous figures.[27]
Androgyny in fashion[edit]
Throughout most of twentieth century Western history, social rules have restricted people's dress according to gender. Trousers were traditionally a male form of dress, frowned upon for women.[28] However, during the 1800s, female spies were introduced and Vivandières wore a certain uniform with a dress over trousers. Women activists during that time would also decide to wear trousers, for example Luisa Capetillo, a women's rights activist and the first woman in Puerto Rico to wear trousers in public.[29]
Coco Chanel wearing a sailor's jersey and trousers. 1928
In the 1900s, starting around World War I traditional gender roles blurred and fashion pioneers such as Paul Poiret and Coco Chanel introduced trousers to women's fashion. The "flapper style" for women of this era included trousers and a chic bob, which gave women an androgynous look.[30] Coco Chanel, who had a love for wearing trousers herself, created trouser designs for women such as beach pajamas and horse-riding attire.[28] During the 1930s, glamorous actresses such as Marlene Dietrich fascinated and shocked many with their strong desire to wear trousers and adopt the androgynous style. Dietrich is remembered as one of the first actresses to wear trousers in a premiere.[31]
Yves Saint Laurent, the tuxedo suit "Le Smoking", created in 1966
Throughout the 1960s and 1970s, the women's liberation movement is likely to have contributed to ideas and influenced fashion designers, such as Yves Saint Laurent.[32] Yves Saint Laurent designed the Le Smoking suit and first introduced in 1966, and Helmut Newton’s erotized androgynous photographs of it made Le Smoking iconic and classic.[33] The Le Smoking tuxedo was a controversial statement of femininity and has revolutionized trousers.
Elvis Presley, however is considered to be the one who introduced the androgynous style in rock'n'roll and made it the standard template for rock'n'roll front-men since the 1950s.[34] His pretty face and use of eye makeup often made people think he was a rather "effeminate guy",[35] but Elvis Presley was considered as the prototype for the looks of rock'n'roll.[34] The Rolling Stones, says Mick Jagger became androgynous "straightaway unconsciously" because of him.[35]
However, the upsurge of androgynous dressing for men really began after during the 1960s and 1970s. When the Rolling Stones played London's Hyde Park in 1969, Mick Jagger wore a white "man's dress" designed by British designer Mr Fish.[36] Mr Fish, also known as Michael Fish, was the most fashionable shirt-maker in London, the inventor of the Kipper tie, and a principal taste-maker of the Peacock revolution in men's fashion.[37] His creation for Mick Jagger was considered to be the epitome of the swinging 60s.[38] From then on, the androgynous style was being adopted by many celebrities.
Annie Lennox was known for her androgyny in the 1980s
During the 1970s, Jimi Hendrix was wearing high heels and blouses quite often, and David Bowie presented his alter ego Ziggy Stardust, a character that was a symbol of sexual ambiguity when he launched the album The Rise and Fall of Ziggy Stardust and Spiders from Mars.[39] This was when androgyny entered the mainstream in the 1970s and had a big influence in pop culture. Another significant influence during this time included John Travolta, one of the androgynous male heroes of the post-counter-culture disco era in the 1970s, who starred in Grease and Saturday Night Fever.[40]
Continuing into the 1980s, the rise of avant-garde fashion designers like Yohji Yamamoto,[41] challenged the social constructs around gender. They reinvigorated androgyny in fashion, addressing gender issues. This was also reflected within pop culture icons during the 1980s, such as David Bowie and Annie Lennox.[42]
Power dressing for women became even more prominent within the 1980s which was previously only something done by men in order to look structured and powerful. However, during the 1980s this began to take a turn as women were entering jobs with equal roles to the men. In the article “The Menswear Phenomenon” by Kathleen Beckett written for Vogue in 1984 the concept of power dressing is explored as women entered these jobs they had no choice but to tailor their wardrobes accordingly, eventually leading the ascension of power dressing as a popular style for women.[43] Women begin to find through fashion they can incite men to pay more attention to the seduction of their mental prowess rather, than the physical attraction of their appearance. This influence in the fashion world quickly makes its way to the world of film, with movies like "Working Girl" using power dressing women as their main subject matter.
Androgynous fashion made its most powerful in the 1980s debut through the work of Yohji Yamamoto and Rei Kawakubo, who brought in a distinct Japanese style that adopted distinctively gender ambiguous theme. These two designers consider themselves to very much a part of the avant-garde, reinvigorating Japanism.[44] Following a more anti-fashion approach and deconstructing garments, in order to move away from the more mundane aspects of current Western fashion. This would end up leading a change in Western fashion in the 1980s that would lead on for more gender friendly garment construction. This is because designers like Yamamoto believe that the idea of androgyny should be celebrated, as it is an unbiased way for an individual to identify with one's self and that fashion is purely a catalyst for this.[citation needed]
Also during the 1980s, Grace Jones's a famous singer and fashion model gender-thwarted appearance in the 1980s which startled the public, but her androgynous style of heavily derivative of power dressing and eccentric personality has inspired many, and has become an androgynous style icon for modern celebrities.[45] This was seen as controversial but from then on, there was a rise of unisex designers later in the 1990s and the androgynous style was widely adopted by many.
In 2016, Louis Vuitton revealed that Jaden Smith would star in their womenswear campaign. Because of events like this, gender fluidity in fashion is being vigorously discussed in the media, with the concept being articulated by Lady Gaga, Ruby Rose, and in Tom Hooper's film The Danish Girl. Jaden Smith and other young individuals, such as Lily-Rose Depp, have inspired the movement with his appeal for clothes to be non-gender specific, meaning that men can wear skirts and women can wear boxer shorts if they so wish.[46]
Alternatives[edit]
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An alternative to androgyny is gender-role transcendence: the view that individual competence should be conceptualized on a personal basis rather than on the basis of masculinity, femininity, or androgyny.[47]
In agenderism, the division of people into women and men (in the psychical sense), is considered erroneous and artificial.[48] Agendered individuals are those who reject genderic labeling in conception of self-identity and other matters.[49] [50][51][52] They see their subjectivity through the term person instead of woman or man.[49]:p.16 According to E. O. Wright, genderless people can have traits, behaviors and dispositions that correspond to what is currently viewed as feminine and masculine, and the mix of these would vary across persons. Nevertheless, it doesn't suggest that everyone would be androgynous in their identities and practices in the absence of gendered relations. What disappears in the idea of genderlessness is any expectation that some characteristics and dispositions are strictly attributed to a person of any biological sex.[53]
Contemporary trends[edit]
This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (January 2015) (Learn how and when to remove this template message)
Jennifer Miller, bearded woman
X Japan founder Yoshiki is often labelled androgynous, known for having worn lace dresses and acting effeminate during performances[54]
South Korean pop star G-Dragon is often noted for his androgynous looks[55][56]
Androgyny has been gaining more prominence in popular culture in the early 21st century.[57] Both fashion industries[58] and pop culture have accepted and even popularised the "androgynous" look, with several current celebrities being hailed as creative trendsetters.
The rise of the metrosexual in the first decade of the 2000s has also been described as a related phenomenon associated with this trend. Traditional gender stereotypes have been challenged and reset in recent years dating back to the 1960s, the hippie movement and flower power. Artists in film such as Leonardo DiCaprio sported the "skinny" look in the 1990s, a departure from traditional masculinity which resulted in a fad known as "Leo Mania".[59] This trend came long after musical superstars such as David Bowie, Boy George, Prince, Pete Burns and Annie Lennox challenged the norms in the 1970s and had elaborate cross gender wardrobes by the 1980s.[citation needed] Musical stars such as Brett Anderson of the British band Suede, Marilyn Manson and the band Placebo have used clothing and makeup to create an androgyny culture throughout the 1990s and the first decade of the 2000s.[60]
While the 1990s unrolled and fashion developed an affinity for unisex clothes there was a rise of designers who favored that look, like Helmut Lang, Giorgio Armani and Pierre Cardin, the trends in fashion hit the public mainstream in the 2000s (decade) that featured men sporting different hair styles: longer hair, hairdyes, hair highlights.[citation needed] Men in catalogues started wearing jewellery, make up, visual kei, designer stubble. These styles have become a significant mainstream trend of the 21st century, both in the western world and in Asia.[61] Japanese and Korean cultures have featured the androgynous look as a positive attribute in society, as depicted in both K-pop, J-pop,[62] in anime and manga,[63] as well as the fashion industry.[64]
See also[edit]
List of androgynous people
Bigender
Epicenity
Futanari
Gender bender
Gender dysphoria
Gender neutrality
Gonochorism
Gynandromorph
Gynomorph
Hermaphrodite
List of transgender-related topics
Non-binary gender
Pangender
Postgenderism
Sexual Orientation Hypothesis
Third gender
Transsexualism
Trigender
True hermaphroditism
References[edit]
^ "Online Etymology Dictionary: androgynous". Retrieved 13 July 2013.
^ Jump up to: a b c Leick, Gwendolyn (2013) [1994]. Sex and Eroticism in Mesopotamian Literature. New York City, New York: Routledge. ISBN 978-1-134-92074-7.
^ Jump up to: a b c d Roscoe, Will; Murray, Stephen O. (1997). Islamic Homosexualities: Culture, History, and Literature. New York City, New York: New York University Press. pp. 65–66. ISBN 0-8147-7467-9.
^ The Symposium: and, The Phaedrus; Plato's erotic dialogues. Translated and with introduction and commentaries by William S. Cobb. Albany: State University of New York Press. 1993. ISBN 978-0-7914-1617-4.
^ "Androgyn". University of Michigan Library. Retrieved 1 April 2015.
^ Jump up to: a b van der Lugt, Maaike, "Sex Difference in Medieval Theology and Canon Law," Medieval Feminist Forum (University of Iowa) vol. 46 no. 1 (2010): 101–121
^ Hauck, Dennis William (2008). The Complete Idiot's Guide to Alchemy. New York: Alpha Books. ISBN 9781592577354. OCLC 176917711.
^ Atkinson, William Walker (2012). Marsh, Clint (ed.). The Secret Doctrine of the Rosicrucians. San Francisco, CA: Weiser Books. pp. 52–61. ISBN 9781578635344. OCLC 792888485.
^ Rosicrucian Order, AMORC (13 December 2011). "Rosicrucian Prophecies" (PDF). rose-croix.org. Retrieved 4 December 2017.
^ Ellis, Eugenia Victoria (June 2004). “Geomantic Mathematical (re)Creation: Magic Squares and Claude Bragdon's Theosophic Architecture”. Nexus V: Architecture and Mathematics: 79-92.
^ William Wallace Atkinson, The Secret Doctrines of the Rosicrucians (London: L.N. Fowler & Co., 1918), 53-54.
^ "Solar System Symbols". Solar System Exploration: NASA Science. Retrieved 31 December 2018.
^ www.britannica.com/topic/androgyny
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^ Sargent, Alice G. (1981). The Androgynous Manager. New York: AMACOM. ISBN 0-8144-5568-9.
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^ New world coming: the 1920s and the making of modern America. New York: Scribner, 2003, p. 253, ISBN 978-0-684-85295-9.
^ Jump up to: a b Ewing, E.; Mackrell, A. (2002). History of Twentieth Century Fashion. LA: Quite Specific Media Group Ltd.
^ Valle-Ferrer, Norma (1 June 2006). Luisa Capetillo, Pioneer Puerto Rican Feminist: With the collaboration of students from the Graduate Program in Translation, The University of Puerto Rico, Río Piedras, Spring 1991. Peter Lang Publishing Inc. ISBN 9780820442853.
^ Köksal, Duygu; Falierou, Anastasia (10 October 2013). A Social History of Late Ottoman Women: New Perspectives. BRILL. ISBN 9789004255258.
^ "Harriet Fisher". The Queen of Androgyny – Marlene Dietrich – Blog. Archived from the original on 16 June 2016. Retrieved 22 May 2016.
^ Commentator, Sally Kohn, CNN Political. "The Seventies: The sex freakout". CNN. Retrieved 22 May 2016.
^ Moet, Sophie (1 May 2014). "Androgyny and Feminism". Sophie Moet. Retrieved 22 May 2016.
^ Jump up to: a b "Elvis Never Gets Credit for One of His Greatest Gifts to Rock 'n Roll". Observer. 8 January 2016. Retrieved 23 May 2016.
^ Jump up to: a b Daniel, Pete (1 January 2000). Lost Revolutions: The South in the 1950s. Univ of North Carolina Press. ISBN 9780807848487.
^ Baker, Lindsay. "His or hers: Will androgynous fashion catch on?". www.bbc.com. Retrieved 22 May 2016.
^ Elan, Priya (13 March 2016). "Peacock revolution back with label that dressed Mick Jagger and David Bowie". The Guardian. London.
^ "Mick Jagger's white dress cast him as a romantic hero". The Daily Telegraph. Retrieved 22 May 2016.
^ Lalovic, Itana (19 November 2013). "Androgyny in the fashion world". Wall Street International. Retrieved 22 May 2016.
^ Rehling, Nicola (21 June 2010). Extra-Ordinary Men: White Heterosexual Masculinity and Contemporary Popular Cinema. Lexington Books. ISBN 9781461633426.
^ "Global Influences: Challenging Western Traditions". London: Berg.
^ Andrew Anthony (10 October 2010). "Annie Lennox: the interview". The Observer. London, UK. Retrieved 2 October 2012.
^ "The Menswear Phenomenon". Vogue; Conde Nast.
^ "Global Influences: Challenging Western Traditions". London: Berg.
^ "Androgynous Fashion Moments". Highsnobiety. 14 May 2015. Retrieved 23 May 2016.
^ "Gender Fluidity in the Fashion Industry". Cub Magazine. 8 February 2016. Retrieved 19 February 2017.
^ Pleck, J. H. (1995). The gender-role strain paradigm. In R. F. Levant & W. S. Pollack (Ed.s), A new psychology of men. New York: Basic Books.
^ Butler, Judith P. (1993). Bodies that Matter: On the Discursive Limits of 'Sex'. New York: Routledge. pp. 2–3. ISBN 9780415903660. Retrieved 12 October 2014.
^ Jump up to: a b Galupo, M. Paz; Pulice-Farrow, Lex; Ramirez, Johanna L. (2017). "Like a Constantly Flowing River": Gender Identity Flexibility Among Nonbinary Transgender Individuals. pp. 163–177. doi:10.1007/978-3-319-55658-1_10. ISBN 978-3-319-55656-7.
^ Johanna Schorn. "Taking the "Sex" out of Transsexual: Representations of Trans Identities in Popular Media" (PDF). Inter-Disciplinary.Net. Universität zu Köln. p. 1. Archived from the original (PDF) on 25 October 2014. Retrieved 6 February 2017.
^ Galupo, M. Paz; Henise, Shane B.; Davis, Kyle S. (2014). "Transgender microaggressions in the context of friendship: Patterns of experience across friends' sexual orientation and gender identity". Psychology of Sexual Orientation and Gender Diversity. 1 (4): 462. CiteSeerX 10.1.1.708.6228. doi:10.1037/sgd0000075.
^ Sumerau, J. E.; Cragun, R. T.; Mathers, L. A. B. (2015). "Contemporary Religion and the Cisgendering of Reality". Social Currents. 3 (3): 2. doi:10.1177/2329496515604644.
^ Erik Olin Wright (2011). "In defense of genderlessness (The Sex-Gender Distinction)". In Axel Gosseries, Philippe Vanderborght (ed.). Arguing about justice. Louvain: Presses universitaires de Louvain. pp. 403–413. ISBN 9782874632754. Retrieved 6 February 2017.
^ Ian Chapman, Henry Johnson, ed. (2016). Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Routledge. pp. 203–205. ISBN 9781317588191.
^ "Move over, Psy! Here comes G-Dragon style". The Independent. 17 August 2014. Retrieved 5 April 2015.
^ "K-pop: a beginner's guide". The Guardian. 3 March 2014. Retrieved 5 April 2015.
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^ Peter Hartlaub (24 February 2005). "The teenage fans from 'Titanic' days jump ship as Leonardo DiCaprio moves on". sfgate.com. Retrieved 17 December 2010.
^ Cavendish, Marshall (2010). Sex and Society, Vol 1. Paul Bernabeo. p. 69.
^ "Androgynous look catches on". The Himalayan Times. 13–16 September 2010. Retrieved 17 December 2010.
^ "Harajuku Girls Harajuku Clothes And Harajuku Gothic fashion Secrets". Tokyo Top Guide. Retrieved 17 December 2010.
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External links[edit]
Look up androgyny in Wiktionary, the free dictionary.
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Androgyny: study and collection of articles
Androgyne Online
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(March 2018: Improved image captured at Madagascar )
The African palm swift is very similar to the Asian palm swift, and was formerly considered to be the same species. (Wikipedia)
I did it again, and it's nearer to how I wanted it to look. I think I need to go and buy a cauliflower really.
(further information and pictures are available by clicking on the link at the end of section and of page!)
Synagogue St. Pölten
Exterior of the former St. Pölten Synagogue
The St. Pölten Synagogue was up to the November pogroms in 1938 the main synagogue of the Jewish Community of St. Pölten. The In the years 1912 to 1913 by the architects Theodor Schreier and Viktor Postelberg built Art Nouveau synagogue is located in the Dr. Karl Renner Promenade in St. Pölten and is now the headquarters of the Institute for Jewish History in Austria.
History
The old synagogue, which was demolished in favor of the new one
The first prayer rooms of in 1863 founded Jewish Community of St. Pölten were located in the premises of the former Kattunmanufaktur (cotton manufactory), the later Gasser factory at school ring. A building of this factory was adapted between 1885 and 1890 as a synagogue. This adaptation was associated with considerable effort, which is why the members of the Jewish community already since 1888 endeavoured to get a new building, until 1903 but this was rejected by the township. At this time, a redesign of the promenade was planned, which was only possible by demolition of the in the street course standing synagogue. After lengthy preparations, a preparatory committee was elected in April 1907, which in addition to building site and plans the necessary financing should provide.
1911, a building committee was chosen and agreed with the community a real estate exchange. At the architectural competition, which was tendered in the same year, participated among others Jacob Modern, Jacob Gartner, Ignaz Reiser and Theodor Schreier. The latter was together with his partner Viktor Postelberg by the Committee commissioned another project for a temple with room for 220 men and 150 women to submitt, which was then realized. The conditions for the planning work developed Rudolf Frass. The necessary funds were raised through collections and appeals for donations throughout the country, so that could be started with the construction in June 1912. The gilding works were carried out by Ferdinand Andri. After little more than a year of construction and 141 390 crowns total investment, the synagoge on 17 August 1913 was solemnly consecrated.
Destruction
On the night of 9th to the 10th November 1938 invaded several SS and SA members the rooms of the synagogue, smashed windows and set fire. The that night caused damage was limited, as the fire could be extinguished relatively quickly. On the following morning 300 to 400 people gathered, some in civilian clothes, in front of the building. They moved with the singing of political songs in the sacred spaces and destroyed them completely. The windows were broken, Torah scrolls, Torah shrine, benches and images burned. Even water pipes and door posts were torn from the walls. The books of the extensive library were largely thrown on the road and burned. Some people climbed the dome and tore the Star of David of the roof .
Almost all of the movable property of the Jewish community was destroyed or stolen . A limited set of books were placed in the city archives, the City Museum there's still a donation box and a painting of Emperor Franz Josef, which hung in the entrance area. A single prayer book is since 1998 owned again by the Jewish Community.
In the following years the side rooms of the building of the SA were used as an office, the interior was used among other things as furniture warehouse. 1942, the synagogue became the property of the city of St. Pölten, which used it as a detention center for Russian forced laborers. In last fightings and bombings in 1945 the building was further damaged.
1945
The Red Army used the former synagogue as a grain storage until it was in 1947 returned to the city. The application of restitution was recognized in 1952 by the city council, which then returned the synagogue to the Jewish Community Vienna. In the following years, the former house of God continued to decay as after the Holocaust no Jewish community in St. Pölten could establish. The domed roof showed severe damage, individual components were threatening to collapse completely and through the boarded windows came rain and snow into the by dovecotes populated house.
In 1975, the Jewish Community Vienna (IKG - Israelitische Kultusgemeinde Wien) offered the city of St. Pölten to purchase the synagogue, which did not accept the offer due to lack of uses. Then the Jewish Community Vienna wanted to initiate the demolition, but this was prevented by the fact that the Federal Monuments Office the building put under monument protection. Then it was renovated from 1980 to 1984. Here, for example, many wall paintings were recovered, on the other hand, some structural changes were made (especially removal of water basins for the ritual washing of the hands), since it was clear from the beginning that the building would not be used as a synagogue, but as an event center.
Since 1988 in the premises of the former synagogue the Institute for Jewish History of Austria is located, further regular events are realized. The original function the synagoge never could fulfill again, as too few Jews returned after the Holocaust to St. Pölten.
On the occasion of the 100th anniversary of the synagogue the City Museum in St. Pölten 2013/14 the building dedicates its own special exhibition. In doing so there is also shown a recently found photo of the interior before the destruction. It is also pointed out that the synagogue due to lack of funding already again is abandoned to a certain decay.
The St. Pölten rabbi
Interior of the synagogue with part of the dome ceiling, in the center of the former shrine
Name Period of office
Moritz Tintner 1863-1869
Adolf Kurrein 1873-1876
Samuel Marcus 1876-1878
Adolf Hahn 1878-1882
Jacob Reiss 1882-1889
Bernhard Zimmels 1889-1891
Leopold Weinsberg 1891-1897
Adolf Schächter 1897-1934
Arnold Frankfurt 1934-1936
Manfred Papo 1936-1938
Building description
Outside
The dominant element of the synagogue is the octagonal, completed by a large dome main building, to which the eastern and western side wings are attached. Connected to the synagogue is the former school building in Lederergasse 12.
Main tract
The main tract houses the former sanctuary. The facade is divided into a low ground floor, high upper floor and the dome. At the facade facing the street can be found in the two storeys each three windows, that are executed on the ground floor as low segmental arch windows with above running continuously cordon cornice. The windows on the upper floor, however, are high, rectangular windows, the space between them is divided by pilasters. The original stained glass windows were destroyed from 1938, today, clear glass can be found in the windows. Directly under the dome there is a large segment gable with representations of the Tablets of the Law, set in floral vines. Beneath it is written in Hebrew the text of Psalm 118, verse 19.
" פתחו לי שערי צדק אבא בם אודה יה "
"Open to me the gates of righteousness: I will enter and give thanks to God".
- Inscription under the law boards.
On the short, lateral oblique walls of the main building on the ground floor there are side entrances, in the transition to the dome there are embedded large oval windows.
Side wings
To the eastern side wing, which in comparison to the western tract is designed very narrowly, connects the former school building and was once home to the shrine. At the by segment gable and barrel roof completed tract can be found on the northern front in the upper floor a tall, rectangular window of the same type as that of the main wing. At the eastern side a round window is embedded, in the ground floor begins a connecting room to the school building.
The western side wing is identical to the east in the basic form, but it is significantly wider. In addition, in front of it there are entrance buildings. Both at the road side and on the opposite side between the main wing and the western annex are wide projecting semi-circular staircases, next to it can be found till half the height of the first upper floor each a buttress with two low windows. Road side, this buttress is preceded by a walk-in porch, which on three sides is open round-arched. The with triangular gable completed building ends in a concave enclosure, where a commemorative plaque is attached today. The west facade repeats the design of the main building, it can be found on the ground floor low segmental arch windows with above running continuously, jagged cordon cornice. On the first floor the windows are, however, significantly lower than in the main wing.
Former school building
The former school building has its main facade towards Lederergasse and there has the number 12. The road-side main facade of the two-storey building is divided into four axes. The window on the ground floor are round-arched disigned, the ones on the upper floor rectangularly. Between side wing of the synagogue and the main wing of the school building there is a tower-like, curved stairwell risalit up to the attic.
de.wikipedia.org/wiki/Synagoge_St._P%C3%B6lten
(further information is available by clicking on the link at the end of page!)
History of the City St. Pölten
In order to present concise history of the Lower Austrian capital is in the shop of the city museum a richly illustrated full version on CD-ROM.
Tip
On the occasion of the commemoration of the pogroms of November 1938, the Institute for Jewish History of Austria its virtual Memorbuch (Memory book) for the destroyed St. Pölten Jewish community since 10th November 2012 is putting online.
Prehistory
The time from which there is no written record is named after the main materials used for tools and weapons: Stone Age, Bronze Age, Iron Age. Using the latest technologies, archaeologists from archaeological finds and aerial photographs can trace a fairly detailed picture of life at that time. Especially for the time from the settling down of the People (New Stone Age), now practicing agriculture and animal husbandry, in the territory of St. Pölten lively settlement activity can be proved. In particular, cemeteries are important for the research, because the dead were laid in the grave everyday objects and jewelry, the forms of burial changing over time - which in turn gives the archeology valuable clues for the temporal determination. At the same time, prehistory of Sankt Pölten would not be half as good documented without the construction of the expressway S33 and other large buildings, where millions of cubic meters of earth were moved - under the watchful eyes of the Federal Monuments Office!
A final primeval chapter characterized the Celts, who settled about 450 BC our area and in addition to a new culture and religion also brought with them the potter's wheel. The kingdom of Noricum influenced till the penetration of the Romans the development in our area.
Roman period, migrations
The Romans conquered in 15 BC the Celtic Empire and established hereinafter the Roman province of Noricum. Borders were protected by military camp (forts), in the hinterland emerged civilian cities, almost all systematically laid out according to the same plan. The civil and commercial city Aelium Cetium, as St. Pölten was called (city law 121/122), consisted in the 4th Century already of heated stone houses, trade and craft originated thriving urban life, before the Romans in the first third of the 5th Century retreated to Italy.
The subsequent period went down as the Migration Period in official historiography, for which the settlement of the Sankt Pöltner downtown can not be proved. Cemeteries witness the residence of the Lombards in our area, later it was the Avars, extending their empire to the Enns.
The recent archaeological excavations on the Cathedral Square 2010/2011, in fact, the previous knowledge of St.Pölten colonization not have turned upside down but enriched by many details, whose full analysis and publication are expected in the near future.
Middle Ages
With the submission of the Avars by Charlemagne around 800 AD Christianity was gaining a foothold, the Bavarian Benedictine monastery of Tegernsee establishing a daughter house here - as founder are mentioned the brothers Adalbert and Ottokar - equipped with the relics of St. Hippolytus. The name St. Ypolit over the centuries should turn into Sankt Pölten. After the Hungarian wars and the resettlement of the monastery as Canons Regular of St. Augustine under the influence of Passau St. Pölten received mid-11th Century market rights.
In the second half of the 20th century historians stated that records in which the rights of citizens were held were to be qualified as Town Charters. Vienna is indeed already in 1137 as a city ("civitas") mentioned in a document, but the oldest Viennese city charter dates only from the year 1221, while the Bishop of Passau, Konrad, already in 1159 the St. Pöltnern secured:
A St. Pöltner citizen who has to answer to the court, has the right to make use of an "advocate".
He must not be forced to rid himself of the accusation by a judgment of God.
A St. Pöltner citizen may be convicted only by statements of fellow citizens, not by strangers.
From the 13th Century exercised a city judge appointed by the lord of the city the high and low jurisdiction as chairman of the council meetings and the Municipal Court, Inner and Outer Council supported him during the finding of justice. Venue for the public verdict was the in the 13th Century created new marketplace, the "Broad Market", now the town hall square. Originally square-shaped, it was only later to a rectangle reduced. Around it arose the market district, which together with the monastery district, the wood district and the Ledererviertel (quarter of the leather goods manufacturer) was protected by a double city wall.
The dependence of St. Pölten of the bishop of Passau is shown in the municipal coat of arms and the city seal. Based on the emblem of the heraldic animal of the Lord of the city, so the Bishop of Passau, it shows an upright standing wolf holding a crosier in its paw.
Modern Times
In the course of the armed conflict between the Emperor Frederick III . and King Matthias of Hungary pledged the Bishop of Passau the town on the Hungarian king. From 1485 stood Lower Austria as a whole under Hungarian rule. The most important document of this period is the awarding of the city coat of arms by King Matthias Corvinus in the year 1487. After the death of the opponents 1490 and 1493 could Frederick's son Maximilian reconquer Lower Austria. He considered St. Pölten as spoils of war and had no intention of returning it to the diocese of Passau. The city government has often been leased subsequently, for instance, to the family Wellenstein, and later to the families Trautson and Auersperg.
That St. Pölten now was a princely city, found its expression in the coat of arms letter of the King Ferdinand I. from 1538: From now on, the wolf had no crosier anymore, and the from the viewer's point of view left half showed the reverse Austrian shield, so silver-red-silver.
To the 16th Century also goes back the construction of St. Pöltner City Hall. The 1503 by judge and council acquired house was subsequently expanded, rebuilt, extended and provided with a tower.
A for the urban history research important picture, painted in 1623, has captured scenes of the peasant uprising of 1597, but also allows a view to the city and lets the viewer read some of the details of the then state of construction. The economic inconveniences of that time were only exacerbated by the Thirty Years War, at the end of which a fifth of the houses were uninhabited and the citizenry was impoverished.
Baroque
After the successful defense against the Turks in 1683, the economy started to recover and a significant building boom began. Lower Austria turned into the land of the baroque abbeys and monasteries, as it is familiar to us today.
In St. Pölten, the change of the cityscape is closely connected to the Baroque architect Jakob Prandtauer. In addition to the Baroquisation of the interior of the cathedral, a number of buildings in St. Pölten go to his account, so the reconstruction of the castle Ochsenburg, the erection of the Schwaighof and of the core building of the Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) - from 1706 the seat of the first school order of St.Pölten - as well as of several bourgeois houses.
Joseph Munggenast, nephew and co-worker of Prandtauer, completed the Baroquisation of the cathedral, he baroquised the facade of the town hall (1727) and numerous bourgeois houses and designed a bridge over the Traisen which existed until 1907. In the decoration of the church buildings were throughout Tyroleans collaborating, which Jakob Prandtauer had brought along from his homeland (Tyrol) to St. Pölten, for example, Paul Troger and Peter Widerin.
Maria Theresa and her son Joseph II: Their reforms in the city of the 18th Century also left a significant mark. School foundings as a result of compulsory education, the dissolution of the monasteries and hereinafter - from 1785 - the new role of St. Pölten as a bishop's seat are consequences of their policies.
1785 was also the year of a fundamental alteration of the old Council Constitution: The city judge was replaced by one magistrate consisting of five persons, at the head was a mayor. For the first mayor the painter Josef Hackl was chosen.
The 19th century
Despite the Napoleonic Wars - St. Pölten in 1805 and 1809 was occupied by the French - and despite the state bankruptcy of 1811, increased the number of businesses constantly, although the economic importance of the city for the time being did not go beyond the near vicinity.
Against the background of monitoring by the state secret police, which prevented any political commitment between the Congress of Vienna and the 1848 revolution, the citizens withdrew into private life. Sense of family, fostering of domestic music, prominent salon societies in which even a Franz Schubert socialized, or the construction of the city theater were visible signs of this attitude.
The economic upswing of the city did not begin until after the revolution of the year 1848. A prerequisite for this was the construction of the Empress Elisabeth Western Railway, moving Vienna, Linz, soon Salzburg, too, in a reachable distance. The city walls were pulled down, St. Pölten could unfold. The convenient traffic situation favored factory start-ups, and so arose a lace factory, a revolver factory, a soap factory or, for example, as a precursor of a future large-scale enterprise, the braid, ribbon and Strickgarnerzeugung (knitting yarn production) of Matthias Salcher in Harland.
In other areas, too, the Gründerzeit (years of rapid industrial expansion in Germany - and Austria) in Sankt Pölten was honouring its name: The city got schools, a hospital, gas lanterns, canalization, hot springs and summer bath.
The 20th century
At the beginning of the 20th Century the city experienced another burst of development, initiated by the construction of the power station in 1903, because electricity was the prerequisite for the settlement of large companies. In particular, the companies Voith and Glanzstoff and the main workshop of the Federal Railways attracted many workers. New Traisen bridge, tram, Mariazell Railway and other infrastructure buildings were erected; St. Pölten obtained a synagogue. The Art Nouveau made it repeatedly into the urban architecture - just think of the Olbrich House - and inspired also the painting, as exponents worth to be mentioned are Ernst Stöhr or Ferdinand Andri.
What the outbreak of the First World War in broad outlines meant for the monarchy, on a smaller scale also St. Pölten has felt. The city was heavily impacted by the deployment of army units, a POW camp, a military hospital and a sick bay. Industrial enterprises were partly converted into war production, partly closed. Unemployment, housing emergency and food shortages long after the war still were felt painfully.
The 1919 to mayor elected Social Democrat Hubert Schnofl after the war tried to raise the standard of living of the people by improving the social welfare and health care. The founding of a housing cooperative (Wohnungsgenossenschaft), the construction of the water line and the establishment of new factories were further attempts to stimulate the stiffening economy whose descent could not be stopped until 1932.
After the National Socialist regime had stirred false hopes and plunged the world into war, St. Pölten was no longer the city as it has been before. Not only the ten devastating bombings of the last year of the war had left its marks, also the restrictive persecution of Jews and political dissidents had torn holes in the structure of the population. Ten years of Russian occupation subsequently did the rest to traumatize the population, but at this time arose from the ruins a more modern St. Pölten, with the new Traisen bridge, district heating, schools.
This trend continued, an era of recovery and modernization made the economic miracle palpable. Already in 1972 was - even if largely as a result of incorporations - exceeded the 50.000-inhabitant-limit.
Elevation to capital status (capital of Lower Austria), 10 July 1986: No other event in this dimension could have become the booster detonation of an up to now ongoing development thrust. Since then in a big way new residential and commercial areas were opened up, built infrastructure constructions, schools and universities brought into being to enrich the educational landscape. East of the Old Town arose the governmental and cultural district, and the list of architects wears sonorous names such as Ernst Hoffmann (NÖ (Lower Austria) Landhaus; Klangturm), Klaus Kada (Festspielhaus), Hans Hollein (Shedhalle and Lower Austrian Provincial Museum), Karin Bily, Paul Katzberger and Michael Loudon ( NÖ State Library and NÖ State Archive).
European Diploma, European flag, badge of honor, Europe Price: Between 1996 and 2001, received St. Pölten numerous appreciations of its EU commitment - as a sort of recognition of the Council of Europe for the dissemination of the EU-idea through international town twinnings, a major Europe exhibition or, for example, the establishment and chair of the "Network of European medium-sized cities".
On the way into the 21st century
Just now happened and already history: What the St. Pöltnern as just experienced sticks in their minds, travelers and newcomers within a short time should be told. The theater and the hospital handing over to the province of Lower Austria, a new mayor always on the go, who was able to earn since 2004 already numerous laurels (Tags: polytechnic, downtown enhancement, building lease scheme, bus concept) - all the recent changes are just now condensed into spoken and written language in order to make, from now on, the history of the young provincial capital in the 3rd millennium nachlesbar (checkable).
www.st-poelten.gv.at/Content.Node/freizeit-kultur/kultur/...
An improved version of my original Courser.
One of the largest and most powerful auto trucks of the Northern Border Conflict, shown here in a desert paint scheme. Its layout involved the driver’s cab positioned above the enormous engine, which was situated between the cargo area and the large rear wheel. In addition to supply transport, it was commonly used as an infantry troop carrier or unarmored gun platform.
Play Features:
-Twin steering in frontal axles
-Pistons pump when rear wheel turns
-Rear wheel shock absorbers
-Hinged cab roof
-Pivoting embarkation ladders
-Hinged engine heads
-Hinged engine access panels
-Bonnet reveals motor details
It has been said that every generation has changes to adjust to and I don’t believe ours was much different than the changes prior generations coped and adjusted to. World War II children had all that murder and trauma, the children of the depression had the poverty and uncertainties of life, children like my grandfather at the turn of the century witnessed the evolution of things like electricity, the coming of age of gadgets to make life easier in certain ways. This is just the nature of the species to be in a constant change. Perhaps for my life this change was in the types of recreational items we consumed in pursuit of what? Happiness, experience, wisdom, knowledge? Time will let us know the results of this experiment.
This age, the now, is this the computer age, the beginning of the computer age as it seems those machines change, improve, and expand almost daily. There was a need for me to plug in an old computer system, one with Windows 3.1 as the operating system, it was probably ten years old, and it was like driving an old frail car on its last legs. How quickly the new becomes old and discarded. My current computer gurus laugh when I say I am comfortable in Windows 95, the benefits of 98, 2000, and XP being so superior to this old program I write in. When I was recently forced to examine the possibility of purchasing a replacement unit for this sick PC the number of options was incredible. I had to choose between so many computer variables, memory, ram, hard drive, video cards, speakers, size of screen, wide screen or regular and this was just in the low end category of notebooks. Processors were confusing, I had to chose between, Celeron and Pentium and Centrino all of this with the knowledge that what I purchased was going to be somewhat obsolete in a year or so.
Shift back to 1968, the summer of. Hi-jinks continued and one high led to another as young entrepreneurs were everywhere marketing pot and hashish, mescaline, LSD, and MDA, along with speed, heroin, and cocaine. We were still juiceheads having done our time learning this pastime the other items slowly got some of our dollars as we became more knowledgeable of their attributes. There was an acid trip I took early that summer when on getting off I thought I had shrunken to the size of an infant and I tried to get under the bed of the rooming house we called The White House. The guys had never seen this behaviour before, the idea of a “Bad Trip” was something the press always harped on to advance the cops theory that all drugs are bad. We didn’t like cops. That summer a groovy coffee shop opened in the basement of Vic’s’ Meat Pie store that faced onto Weston Rd, Vics was next door to the Black Cat Variety Store named after a brand of cigarettes popular at the time. Vics backroom was a dingy place, poorly lit with several tables set with single candles in coloured dishes giving off a red glow The owner served coffee and cokes and bags of chips. We dropped something, it could have been acid who remembers. Big Vic the owner had a CLOSED sign in his window out front, so we went to the back doors through the laneway that ran behind the shops and found half the kids in the neighborhood down there. Younger kids too, all high on something or the other grooving to some tunes. Two local plainclothes coppers come walking in dressed in ridiculous costumes, a lumberjack shirt for one burly goof named Criscoe and a ball cap and jeans for his side kick Smith, we spotted them right away and razzed them even though we were ripped. It was the original Mutt and Jeff show. We just left and the place emptied everyone had somewhere to go and listen to tunes, and not be disturbed.
We hung out at the Place Pigalle on Avenue Road. After the Place closed we’d go to this spot this guy from the States had opened a funky coffee shop on Dupont St not to far from the bar and we would go there half pissed and sit around listening to his eclectic tunes. This spot we called Rocheyz, but if you were to spell it correctly it would be Roches. The owner was like a Vietnam Vet kind of guy who looked like Ginger Rogers, his red hair tied in a pony tail. He was always talking about shitting in a hole, made a good mockery of consumer life and in his small way turned us on to the coffee shop ideology of former beat types like Ginsberg and Kerouac without actually preaching their names. He served weird stuff like tofu and beet juice tea, the lighting was real dim so you could just hangout forever, we heard somewhere that he was a junkie.
Most of the guys were still in High School at York Memo except for Billy, he worked somewhere maybe for the firebrick company, everything was going to change for everyone, guys were getting serious about chicks, I just wanted to party, Pete was going to St Lawrence College in New York State on a full hockey scholarship, the brothers Frank and Jack were off to Peterborough to study at the newly opened Trent University. Count was top of the class and doing quite well at U of T. I had my own directions to follow.
One day I was servicing the fire equipment at a place called McPhar Geophysics; this was located in Don Mills, a suburb of Toronto with an area that had streets full of small manufacturing plants and warehouses. Don Mills is thought of an upper middle class area of very sharp homes. In the receiving department at McPhar there was a lot of exploration gear, things like, snowshoes, canoes, axes and I guess it was like going on a movie set for me, as my eyes bulged. The closest I’d ever gotten to a pair of snowshoes was by watching the show Eric of the Yukon and His dog King, or something like that. A big swarthy guy with a beard and coveralls ran the shipping department and I wasn’t shy, I asked what this company did as he packaged neat things to be shipped to addresses printed in big lettering on the parcels, exciting names like, Rouyan/Noranda, Quebec, Kirkland Lake, Ontario, Sao Paolo, Brazil. This outfit was the leader in geophysical surveying in Canada, maybe the world as the founder of the company had invented this piece of machinery for use in WW-II to detect submarines underwater or something like that, when things get technical, remember Science class I get edgy. They found a use for the discovery in the mining industry, locating ore bodies.
Here’s how it worked. A typical set up would consist of six people, in the woods in an area, a remote area, near a mine site or a potential mining site. The party operator would put his Receiver on the ground, it was like an electronic sending unit, full of numerous incomprehensible to me buttons, switches, graphs and toggle like switches. This operator we’ll call him John Parker cause that was the guys name I trained with at the first place in Val D’Or Quebec in early January 1969. From Parkers’ receiver a number of wires with crocodile clips, each wire about twelve feet long, were unrolled and hooked up to my piece of machinery, the Transmitter. This little baby was my (the second in commands) equipment. It also had a lot of buttons and switches and a place for Parkers six wires to attach to. Maybe there were three positive and three negative wires. The transmitter was supplied power by a portable generator carried on some bodies back in a rucksack type fashion. In turn the wires were attached to longer wires, some a hundred feet long at six stations, three in front of the set up at certain intervals and three behind the set up at similar intervals. These wires were attached to eight foot steel rods which had been pounded into the ground by staff hired locally using big sledge ended axes. The gas generator was fired up and Parker would play with his buttons and ask me to change the frequency on my piece of equipment, like a parrot I would take his directions, then he would take numbers, called readings and write them into a book. Electric current was sent through the wires into the ground and our machinery somehow measured the results and this would give mining engineers the information they needed as to what direction the mineral they were mining was in or if there were any minerals worth mining for. At night it was our job, Parker and mine to take the days numbers and put them on graph paper, we had to use a slide ruler and this was a little tough for my grade nine math, especially since I’d told the owner/boss Ash Mullan that I had grade twelve which he bought since I showed up for my interview in my nice Invictus Football Team jacket, crew cut and all. I winged the night work for quite some time and thought I had invented a better way of doing the radius work, which we’ll get to in a while. After the mining engineers received these reports which I suppose they paid big money for they, if interested would send in a crew to drill the earth and take out what they call core samples that could be studied to determine the worth of the project.
For some reason this was a big thing, me leaving town to work away. It was like I was going to war which I tried to do twice, once a few years earlier the Canadian Navy turned me down for service after my final interview when they asked me my opinion on the Americans in Vietnam, I said, “they shouldn’t be there,” oops so much for saying the wrong thing about your allies, and that year 68 Bill and I tried to sign up for of all things the United States Marines. One time when we were down in Niagara Falls getting drunk at the Johns Club, a place where you went in and they took your order and like a man you’d say, “I’ll have a tray please,” and a waitress would bring you thirty small glasses of beer, and in less than an hour you were so pissed and you’d go for a leak and come back to your table and Bill had changed his name to something like Steve McQueen and he was actually on a movie shoot in the Falls and just taking a little time off for R&R and the ladies fell for it a few times! The following week after sobering up we headed back to Niagara Falls on a mission. The marines recruiting office was in a warehousey part of town in an old factory or something and they told us to go sign up for our own armed forces. I removed some kind of emblem, like a bomb shelter sign off the building and along with my other collectibles stuck it on a wall in the White House.
So it wasn’t as if this was the first time I tried to leave, it was the first time I actually got to leave. Close to my departing there was a big drunken go away, everyone was there, all the chicks we hung out with, Barb, kind of my date but we never did anything, Debbie , soon to be Jacks wife, Mickey who Pete was spending a lot of time with on the hood of his little mini car, Phyllis this Italian chick who was hounding Frank, Herbie’s girl, beautiful Ruth Hope the ministers daughter, Bill was still stagging it, it was a big thing, a big party. Mom had moved the family up to an apartment on Weston Road near Cadet Cleaners and Sid’s barbershop. Prior to that we had lived at 26 Victoria Blvd forever, the landlord, a Mr.Gowland must have sold the house. Alex was away on some secret mission we don’t really know where, rumour had it he was in the States on a football scholarship, another rumour was he was in Montreal. The younger kids were there, Kevin, Shane, Sue and Barb as well as mom who loved the teenagers coming over. The party got a little loud and out of hand, I recall the yellow cop cars parked on Weston Road, their red flashing roof top lights, then the cops coming in the front door and all of us running out the back door, and through to Buttonwood Avenue or was it Bartonville and then all of us hiding in the hedges at Bala Avenue school. We left the cops with mom who were busy asking her who was still drinking there, we all got away, we were all underage, and that’s just how it was then.
McPhar was a generous company, a few weeks prior to Parker and I leaving for Val D’Or they had me in for an afternoon, had me open up a new bank account where my cheque of $900.00 a month would be deposited, gave a start up expense cheque of $300.00 from which I was to purchase, felt lined snow boots, waterproof pants and a below zero parka. This was way before high tech clothing was available. Down on Yonge Street I found an Army Surplus shop that had neat war stuff and I bought a knee length grey parka, down filled, with a piece of dead fur on the hood. Some of the air force crests and badges were still on the sleeves. For pants I picked a pair of blue nylon jobs that were about half an inch thick with insulation. I should have spent more on boots though as the cheap dark blue zipper up snowmobile feltpaks I purchased were no match for eight hours trekking in snow at times six feet deep. My co-worker, trainer, boss John Parker met me midtown, he had rented a brand new olive coloured Pontiac four door for the drive up to Quebec, we didn’t get to far that first night as a winter storm forced us off the road in Barrie where I had a taste of a company bought motel room and a nice steak dinner, I knew right then I was going to love this gig.
Next day the snow still fell and I drove for a while giving Parker a break, it was rough driving up around Sudbury and when we turned right up towards Kirkland Lake this was the first time I’d truly been north. Prior to that us southern boys would think of Barrie as being north I would quickly discover that the North was a large area comprised of incredible terrain, long views, kind people, and a coldness that was not at all like the cold of Toronto. We made it to Val D’Or Quebec not to far from the Ontario border, perhaps an hour’s drive. Our hotel was an old two storey wood framed structure a few blocks from the centre of town which was about the size of Gravenhurst. The streets were covered in snow like a postcard. For meals there was an arrangement with the hotel to make us breakfast and a packed lunch, we would tell them how many sandwiches of what type, peanut butter(beurre d’arachide) and jam, or sliced ham(jambon), and so on. Dinners we went in to town and had a hot meal, anything within reason, no alcohol, and the company paid for everything.
Walking into town you could better understand the quietness of this village, as some kids skated and played hockey at an outdoor rink with boards, the heat from their breath coming out of their mouths, a pair of incandescent bulbs glared under round aluminum hoods illuminating the ice rink at each end. Nobody was on the streets, thick smoke poured from the chimneys of the tiny homes, some cabin like in size. The smell of burning firewood filled the air with that type of sweetness which a log of apple or some other such wood gives off. In town, I looked inside a few drinking establishments, now and then, had a couple of beers, spotted the older hookers plying their trade at the front of the bars dressed in obvious get ups, black, torn fishnet stockings, rouged cheeks and their breasts busting out from clothing that was meant for younger smaller ladies. In Ontario towns you would not see such flagrant prostitution, Quebec was more lenient, more accepting of mans need for comfort. Being on my best behaviour I mostly observed as I was learning a new trade and I did not want to jeopardize this by acting up.
Our first day in the woods was a Sunday our day off and Parker took me to a field to practice snowshoeing, I caught on immediately after falling a few times. It is quite a neat experience as the body is suspended above the snow which was quite deep, perhaps three or five feet deep. Your feet do sink in a few inches depending on the crustiness of the snow but then they stop and you learn quickly to walk like a penguin, that is with your feet intentionally pointing left and right instead of straight ahead so your snow shoes will not catch each other. To me this was like a new sport. Going up hills was a skill as was descending hills and making turns, after a while it became natural. As the day began the leather harness was easy to use as it was warm and pliable. After a day’s work it could be frozen solid and difficult to manage. Complicating matters was the fact that we wore packs to move our gear through the woods, my transmitter weighed in at ninety pounds so the effort required was high and often this would test the abilities of any man. Whoever led the party through the pre-staked areas of survey would have the added burden of breaking fresh snow so the followers had a bit of an easier walk.
Our gig in Val D’Or was not very lengthy, about three weeks. I was for the most part able to do the work with pleasure and discovered these long days out in the snow, in nature were much to my liking. There was an eerie absence of wildlife for some reason, I guess I expected to see deer and moose and bears around every corner but this was not the case. Nights in the town were so much like a Cornelius Krieghoff painting, snow covered cabins with smoke pouring from the chimneys the joie de vivre of the townsfolk. My limited French vocabulary was a valued asset as I could in short time communicate my needs in very rudimentary terms, ham of course was jambon, beurre d’arachides was peanut butter, what I then had difficulty with as I do today is the rapidity of the conversations, a smile was always available as well as at times a questioning look.
There was a short furlough in Toronto for a week while the next gig was being prepared for, it was to be in Kirkland Lake with a few days here and there in Timmins. These towns were gold mining centres from earlier times. I was flush with cash as there was nowhere to spend money in Val Dor except the occasional biere at one of the many French pubs. My finances had always been precarious. There was the matter of a small loan in the amount of about seven hundred dollars that I owed HFC and I had no intention of ever paying it. Those dupes had loaned me money for Christmas presents one year at their ridiculous rate of twenty percent. Like I was going to buy presents, I drank all the money in about three weeks. A goofy manager at the HFC office in Weston, upstairs from a shop took me in to sign some forms, swear allegiance to pay this debt, he was a Canadian version of Snidely Whiplash, an English born chap who would have been more suited to being a prison guard. Besides this debt I was in the clear and once I left Dyer and Miller and I changed addresses the loan to HFC was not a consideration and I highly recommend every body do this at least once in life, that is get a loan from some rip off organization and stiff them. Get a bogus birth certificate or something, and get a loan.
There were parties of course on my return you would have thought I’d been away for years. The following Sunday I was to make my way to Kirkland Lake Ontario via train. I’d never been on a train ride except for the time we came home from Parry Sound all drunked up on the warm Labatt 50s. At the station Frank came to see me off and at the last minute I said why don’t you come along for the ride as I had a bag of grass to smoke and he had nothing to do. It wasn’t long before we were smoking the joints, I had pre rolled them, there were about thirty, the dope was pretty mild, not like today’s killer weed. We smoked between the trains cars. Back in the coach someone was reading a book called Five Easy Pieces and if you stared long enough you could make the letters interchange sort of a mini hallucination. Six joints later and a couple of sandwiches we were in Kirkland Lake. Getting off the train we noticed the temperature was 35 degrees below zero and this was a big thing for us city boys. Parker, the boss met me at the train, I introduced him to Frank and he hired him on the spot to work on the crew which was to start soon.
Frank was kind of gangly at the time, going through a growth spurt, he was always bent over because he was taller than everyone else, he had a gentle manner and enjoyed the usual stuff, like, beer, tokes and women. I loaned him some money and he bought a suitable work outfit, some clothes as he had nothing but the clothes on his back. I recall he purchased a better pair of felt pack boots than mine, the ones with the leather uppers bonded to heavy rubber bottoms that were more waterproof especially if you put Dubbin on them at night. At the Parklane Hotel we shared a room, we had management give us an extra roll a way bed and the cost was quite minimal, they ran a tab for Frank. Meals were taken in the hotel dining room and lunches were prepared for us. As I recall the room was quite small we literally had to crawl over each other to get to the can.
We had a day off before work started and that first night in downtown Kirkland was like magic. The Beatles new recording Hey Jude was broadcast live around the world and we caught this in an empty shabby store front bar. Outside it was freezing cold but the coldness was different, it was a dry cold, the wind not holding the same sharp bite as a Toronto wind blowing off of Lake Ontario. The women were looking pretty good and I had a new pick up line, “mon petite serpent” at this the ladies would almost instantly run and hide. Doctor Doolittle was playing at the local theatre and one night we went to the show ripped on our mediocre weed, leaving the theatre singing the songs that were sung in the movie.
Work was difficult as it was cold and there was a lot of snow. Town was exciting, our hotel had a Tavern in the basement where a stripper appeared in the evenings. Her name was Patty and we affectionately called her the Portuguese Pig, I don’t know why because we never got any where with her, she had a room in the hotel and we’d always be sneaking peeks at her boobs as she changed before shows. A friend of hers named Candy was around now and then and I thought she was pretty special but again it was like we were all Toronto outcasts and this alone made us buddies. Somewhere down the line Patty the Portuguese Pig knew Bil and she had a crush on him. Nights would find us in the Tavern listening to crappy groups who kept playing a Credence Clearwater Revival song called Proud Mary and the Tom Jones tune, Green Green Grass of Home. Parker was sorry he had hired Frank because we didn’t ever have our minds on the job and we were always hung over. Bill would call regularly he was ready to escape his reality.
One night we borrowed the company car and drove to Rouyn Noranda for beers with these French Hippies, a guy and his chick whom we met the week previous at the Kirkland Winter Carnival. Rouyn was not far maybe fifty miles and while there we smoked some nice hash that they had and Frank was making a move on the chick. We got pretty high and it was time to get back to Kirkland. Frank started to drive while I was napping, we were half way to Montreal when I woke up and noticed a road sign that said Montreal ahead 150 miles, this was before the metric system had been imposed on us. We assessed the situation and turned around we were about three hours from Kirkland Lake We got back just as the sun was coming up. The boss, John Parker never had a clue. Another time we were hung over and it was bloody cold, we didn’t feel like working, I dropped my receiver climbing over a farm fence and called Parker over, he turned the machine on and had to take it to the little airport and ship it out to have it repaired. That was good for a couple of days off. Of course there were times when we had no days off, we would work fourteen days straight if the crew was willing so it all worked out.
A job near Timmins not to far away needed us so we drove over got rooms in some el cheapo hotel where Patty the Portuguese Pig and her friend Candy were working and this was great because the girls had now let us tie their bikini tops on before shows and apply the glue to the pasties and then watch as the girls pushed them on over their luscious nipples, still no touching, just looking. This trip would be my introduction to snowmobiles. At seven in the morning we left the rooms and piled into the company car, the same four door Pontiac, Parker always drove. We drove to a remote area, parked the car then a few men would show up with ski doos and drive us the final half hour into the worksite as we sat on sleds pulled by the ski doos. It was a far cry from the glamour and hot rodding associated with today’s snowmobilers. Our work was done on a frozen lake a new experience for me, there were long views of barren landscapes, tree lined lakes not a bird or animal insight. Timmins had more bars than Kirkland as unlike Kirkland it was still a thriving gold mining community while Kirkland had began to lose its roll as king of the gold mining towns. Sid Bernstein an old Jewish waiter I met later in life at the Seaway Beverly Hills Hotel had been to Kirkland in the 1930s and he talked about the boom days, the Gold Rush Fever.
Work was an endless day of carrying gear over strange moonscape like terrain, areas where no trees existed; as it was snow covered you never got a feel for the land. Parker took care of the night work being a real stickler for accuracy and a dedicated employee, he seemed content to work all day have a meal, go to his room and do the calculations with the slide ruler and chart the results inked on the special roll of graph paper for this purpose. It wasn’t ever necessary for him to socialize, have a beer with the guys, he was work oriented, I’d never met anyone like this before. John Parker came from Saskatchewan, had a degree from DeVry Tech a technical school and when he wasn’t working he had his head in some learning type book, never a novel or something fun. Yet this mismatch of personalities did not deter us from getting the work done, it was hard work, perhaps the hardest I would ever endure and I have to respect that man from Saskatchewan as he never complained always was a good leader. Later on the job I learned that the preferred employee came from a farming background as this type of person was used to long hard days in adverse conditions, and did not suffer the need of rest and relaxation. The job ended and Frank headed back to Toronto with a few dollars in his pocket and this bonding would keep us friends forever.
8x10 HR-U xray film, shot with a Seneca Improved View camera, developed in HC-110 (h) in trays, coffee-toned cyanotype contact print on 8x10 watercolor paper.
The sparrow project is an attempt to improve my bird story telling along with honing eye hand/AF coordination skills using a common subject readily available. The subjects must be in motion as a prerequisite since shooting ducks in a barrel is just no sport at all.
I was spurred into the project due to my complete dissatisfaction of prior attempts while on a trip to Tanzania. Learning the delicate balance between shutter speed, proper long lens techniques, iso settings and AF modes is a challenge for something just slightly slower than a speeding bullet.
This will be ongoing to support my next African adventure later this year.
See me also at instagram.com/charlesgyoung/
Improved Seneca View Camera (1906), Carl Zeiss f4.5 210mm, DRP, Tessar (1914), Thornton Pickard wooden shutter (1905), 5x7, Fomapan 200 film, D-76
Another view of one of the main pathways at Quinta da Regaleira. I love the walls that sculpt the hill into something managable.
EXPLORED!!! Highest position: 86 on Saturday, November 28, 2009
My dear friends, I'm back! Sorry if I have been away for some time, but, as I wrote in my last description, I have been pretty busy with my exams.
I am reading a lot, too. The books I ordered from Amazon have arrived and I'm currently enjoying Susan Sontag's on Photography. It's great.
Next friday I'll be leaving with Alice and two friends, heading for Southern Germany. We'll be visiting some of the most famous castles in the Fussen area and Munchen, too.
This shot was taken some time ago, it had been raining a lot and this was a former corn field, completely flooded.
I am satisfied with the composition and the conversion.
Details
- CANON 400d, EF-S 10-22 @ 11mm, f/9, 1/30s, ISO 100.
- Tripod
The shot
Shot 5 kms from where I live.
The Processing
Capture One
- Preliminary highlight recovery
Photoshop:
- Levelled the horizon and corrected distortion with 'Lens Correction' tool
- Converted to black and white using a Silver EFEX Pro
- Converted the background layer again using the same settings as above but adding a red filter
- Blended the different conversions using a layer mask
- Added a Level layer to improve contrast
- Some dodging/burning using 5 Overlay layers
- Improved microcontrast with Unsharp Mask
- Resized
- Sharpened (SS + More Accurate)
- Framing and signature.
Take a look at it, LARGE on Black :
@ You all
Comments, faves and critiques are always welcomed!
Hope you all are doing great. I wish you spend the best weekend ever!!!
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Panther tank, officially Panzerkampfwagen V Panther (abbreviated PzKpfw V) with ordnance inventory designation Sd.Kfz. 171, was a German medium tank of World War II. It was used on the Eastern and Western Fronts from mid-1943 to the end of the war. The Panther was intended to counter the Soviet T-34 medium tank and to replace the Panzer III and Panzer IV. Nevertheless, it served alongside the Panzer IV and the heavier Tiger I until the end of the war. It is considered one of the best tanks of World War II for its excellent firepower, protection, and mobility although its reliability in early times were less impressive.
The Panther was a compromise. While having essentially the same Maybach V12 petrol (700 hp) engine as the Tiger I, it had better gun penetration, was lighter and faster, and could traverse rough terrain better than the Tiger I. The trade-off was weaker side armor, which made it vulnerable to flanking fire. The Panther proved to be effective in open country and long-range engagements.
The Panther was far cheaper to produce than the heavy Tiger I. Key elements of the Panther design, such as its armor, transmission, and final drive, were simplifications made to improve production rates and address raw material shortages. Despite this the overall design remain described by some as "overengineered". The Panther was rushed into combat at the Battle of Kursk in the summer of 1943 despite numerous unresolved technical problems, leading to high losses due to mechanical failure. Most design flaws were rectified by late 1943 and early 1944, though the bombing of production plants, increasing shortages of high-quality alloys for critical components, shortage of fuel and training space, and the declining quality of crews all impacted the tank's effectiveness.
Though officially classified as a medium tank, at 44.8 metric tons the Panther was closer to a heavy tank weight and the same category as the American M26 Pershing (41.7 tons), British Churchill (40.7 tons) and the Soviet IS-2 (46 tons) heavy tanks. The Panther's weight caused logistical problems, such as an inability to cross certain bridges, otherwise the tank had a very high power-to-weight ratio which made it highly mobile.
The Panther was only used marginally outside of Germany, mostly captured or recovered vehicles, some even after the war. Japan already received in 1943 a specimen for evaluation. During March–April 1945, Bulgaria received 15 Panthers of various makes (D, A, and G variants) from captured and overhauled Soviet stocks; they only saw limited (training) service use. In May 1946, Romania received 13 Panther tanks from the USSR, too.
After the war, France was able to recover enough operable vehicles and components to equip its army and offer vehicles for sale. The French Army's 503e Régiment de Chars de Combat was equipped with a force of 50 Panthers from 1944 to 1947, in the 501st and 503rd Tank Regiments. These remained in service until they were replaced by French-built ARL 44 heavy tanks.
In 1946, Sweden sent a delegation to France to examine surviving specimens of German military vehicles. During their visit, the delegates found a few surviving Panthers and had one shipped to Sweden for further testing and evaluation, which continued until 1961.
However, this was not the Panther’s end of service. The last appearance by WWII German tanks on the world’s battlefields came in 1967, when Syria’s panzer force faced off against modern Israeli armor. Quite improbably, Syria had assembled a surprisingly wide collection of ex-Wehrmacht vehicles from a half-dozen sources over a decade and a half timeframe. This fleet consisted primarily of late production Panzer V, StuGIII and Jagdpanzer IVs, plus some Hummel SPAAGs and a handful Panthers. The tanks were procured from France, Spain, and Czechoslovakia, partly revamped before delivery.
All of the Panthers Syria came from Czechoslovakia. Immediately after Germany’s collapse in May 1945, the Soviet army established a staging area for surrendered German tanks at a former Wehrmacht barracks at Milovice, about 24 miles north of Prague, Czechoslovakia. By January 1946, a total of roughly 200 operational Panzer IVs and Panthers of varying versions were at this facility. Joining them was a huge cache of spare parts found at a former German tank repair depot in Teplice, along with ammunition collected from all over Czechoslovakia and the southern extremity of the Soviet occupation zone in Germany. Throughout 1946, the Czechoslovak government’s clean-up of WWII battlefields recovered more than one hundred further tank wrecks, of which 80 were pieced back together to operational status and handed over to the Czechoslovakian Army,
In early 1948, the now-nationalized CKD Works began a limited upkeep of the tanks, many of which had not had depot-level overhauls since the war. A few were rebuilt with a Czechoslovak-designed steering system, but this effort was halted due to cost. These tanks remained operational in the Czechoslovak army until the end of 1954, when sufficient T-34s were available to phase them out.
A Syrian military delegation visited Prague from 8 April – 22 April 1955. An agreement was struck for the sale, amongst other items, of 45 Panzer IVs and 15 Panthers. Despite their obsolescence the Czechoslovaks were not about to just give the tanks away and demanded payment in a ‘hard’ western currency, namely British pounds. The cost was £4,500 each (£86,000 or $112,850 in 2016 money), far above what they were probably worth militarily, especially considering the limited amount of foreign currency reserves available to the Damascus government. The deal included refurbishment, a full ammunition loadout for each, and a limited number of spare parts. Nonetheless, the deal was closed, and the tanks’ delivery started in early November 1955.
The Syrians were by that time already having dire problems keeping their French-sourced panzers operational, and in 1958, a second contract was signed with CKD Works for 15 additional Panzer IVs and 10 more Panthers, these being in lesser condition or non-operational, for use as spare parts hulks. An additional 16 refurbished Maybach engines for both types were also included in this contract, as well as more ammunition.
The refurbished Panthers for Syria had their original 7.5 cm KwK 42 L70 replaced with the less powerful Rheinmetall 7.5 cm KwK 40 L48 gun – dictated by the fact that this gun was already installed in almost all other Syrian tanks of German origin and rounds for the KwK 42 L70 were not available anymore. and the Panther’s full ammo load was 87 rounds. The KwK 40 L48 fired a standard APCBC shell at 750 m/s and could penetrate 109 mm (4.3 in) hardened steel at 1.000 m range. This was enough to take out an M4 Sherman at this range from any angle under ideal circumstances. With an APCR shell the gun was even able to penetrate 130 mm (5.1 in) of hardened steel at the same distance.
Outwardly, the gun switch was only recognizable through the shorter barrel with a muzzle brake, the German WWII-era TZF.5f gunsight was retained by the Syrians. Additionally, there were two secondary machine guns, either MG-34s or MG-42s, one coaxial with the main gun and a flexible one in a ball mount in the tank’s front glacis plate.
A few incomplete Panther hulls without turret were also outfitted with surplus Panzer IV turrets that carried the same weapon, but the exact share of them among the Syrian tanks is unknown – most probably less than five, and they were among the batch delivered in the course of the second contract from 1958.
As they had been lumped all together in Czechoslovak army service, the Syrians received a mixed bag of Panzer IV and Panther versions, many of them “half-breeds” or “Frankensteins”. Many had the bow machine gun removed, either already upon delivery or as a later field modification, and in some cases the machine gun in the turret was omitted as well.
An obvious modification of the refurbished Czech export Panthers for Syria was the installation of new, lighter road wheels. These were in fact adapted T-54 wheels from Czechoslovakian license production that had just started in 1957 - instead of revamping the Panthers’ original solid steel wheels, especially their rubberized tread surfaces, it was easier to replace them altogether, what also made spare parts logistics easier. The new wheels had almost the same diameter as the original German road wheels from WWII, and they were simply adapted to the Panther’s attachment points of the torsion bar suspension’s swing arms. Together with the lighter main gun and some other simplifications, the Syrian Panthers’ empty weight was reduced by more than 3 tonnes.
The Czechoslovaks furthermore delivered an adapter kit to mount a Soviet-made AA DShK 12.7mm machine gun to the commander cupola. This AA mount had originally been developed after WWII for the T-34 tank, and these kits were fitted to all initial tanks of the 1955 order. Enough were delivered that some could be installed on a few of the Spanish- / French-sourced tanks, too.
It doesn’t appear that the Czechoslovaks updated the radio fit on any of the ex-German tanks, and it’s unclear if the Syrians installed modern Soviet radios. The WWII German Fu 5 radio required a dedicated operator (who also manned the bow machine gun); if a more modern system was installed not requiring a dedicated operator, this crew position could be eliminated altogether, what favored the deletion of the bow machine gun on many ex-German Syrian tanks. However, due to their more spacious hull and turret, many Panthers were apparently outfitted with a second radio set and used as command tanks – visible through a second whip antenna on the hull.
A frequent domestic Panther upgrade were side skirts to suppress dust clouds while moving and to prevent dust ingestion into the engines and clogged dust filters. There was no standardized solution, though, and solutions ranged from simple makeshift rubber skirts bolted to the tanks’ flanks to wholesale transplants from other vehicles, primarily Soviet tanks. Some Panthers also had external auxiliary fuel tanks added to their rear, in the form of two 200 l barrels on metal racks of Soviet origin. These barrels were not directly connected with the Panther’s fuel system, though, but a pump-and-hose kit was available to re-fuel the internal tanks from this on-board source in the field. When empty or in an emergency - the barrels were placed on top of the engine bay and leaking fuel quite hazardous - the barrels/tanks could be jettisoned by the crew from the inside.
Inclusive of the cannibalization hulks, Syria received a total of roughly 80 former German tanks from Czechoslovakia. However, at no time were all simultaneously operational and by 1960, usually only two or three dozen were combat-ready.
Before the Six Day War, the Syrian army was surprisingly unorganized, considering the amount of money being pumped into it. There was no unit larger than a brigade, and the whole Syrian army had a sort of “hub & spokes” system originating in Damascus, with every individual formation answering directly to the GHQ rather than a chain of command. The Panthers, Panzer IVs and StuG IIIs were in three independent tank battalions, grossly understrength, supporting the normal tank battalions of three infantry brigades (the 8th, 11th, and 19th) in the Golan Heights. The Jagdpanzer IVs were in a separate independent platoon attached to a tank battalion operating T-34s and SU-100s. How the Hummel SPGs were assigned is unknown.
The first active participation of ex-German tanks in Syrian service was the so-called “Water War”. This was not really a war but rather a series of skirmishes between Israel and Syria during the mid-1960s. With increasing frequency starting in 1964, Syria emplaced tanks on the western slope of the Golan Heights, almost directly on the border, to fire down on Israeli irrigation workers and farmers in the Galilee region. Surprisingly (considering the small number available) Syria chose the Panzer IV for this task. It had no feature making it better or worse than any other tank; most likely the Syrians felt they were the most expendable tanks in their inventory as Israeli counterfire was expected. The panzers were in defilade (dug in) and not easy to shoot back at; due to their altitude advantage.
In 1964, Syria announced plans to divert 35% of the Jordan River’s flow away from Israel, to deprive the country of drinking water. The Israelis responded that they would consider this an act of war and, true to their word, engaged the project’s workers with artillery and sniper fire. Things escalated quickly; in 1965, Israeli M4 Shermans on Israeli soil exchanged fire with the Syrian Panzer IVs above inconclusively. A United Nations peacekeeping team ordered both sides to disengage from the border for a set period of time to “cool off”, but the UN “Blue Berets” were detested and considered useless by both the Israelis and Syrians, and both sides used the lull to prepare their next move. When the cooling-off period ended, the Syrians moved Panzer IVs and now some Panthers, too, back into position. However, the IDF had now Centurion tanks waiting for them, with their fire arcs pre-planned out. The Cold War-era Centurion had heavy armor, a high-velocity 105mm gun, and modern British-made optics. It outclassed the WWII panzers in any imaginable way and almost immediately, two Syrian Panzer IVs and a Panther were destroyed. Others were abandoned by their crews and that was the end of the situation.
Syria’s participation in the Six Say War that soon followed in 1967 war was sloppy and ultimately disastrous. Israel initially intended the conflict to be limited to a preemptive strike against Egypt to forestall an imminent attack by that country, with the possibility of having to fight Syria and Jordan defensively if they responded to the operations against Egypt. The war against Egypt started on 5 June 1967. Because of the poor organization of the Syrian army, news passed down from Damascus on the fighting in the Sinai was scarce and usually outdated by the time it reached the brigade level. Many Syrian units (including the GHQ) were using civilian shortwave radios to monitor Radio Cairo which was spouting off outlandish claims of imaginary Egyptian victories, even as Israeli divisions were steamrolling towards the Suez Canal.
Syrian vehicles of German origin during the Six Day War were either painted overall in beige or in a dark olive drab green. Almost all had, instead of tactical number codes, the name of a Syrian soldier killed in a previous war painted on the turret in white. During the Six Day War, no national roundel was typically carried, even though the Syrian flag was sometimes painted to the turret flanks. However just as the conflict was starting, white circles were often painted onto the top sides of tanks as quick ID markings for aircraft, and some tanks had red recognition triangles added to the side areas: Syrian soldiers were notoriously trigger-happy, and the decreased camouflage effect was likely cancelled out by the reduced odds of being blasted by a comrade!
During the evening of 5 June, Syrian generals in Damascus urged the government to take advantage of the situation and mount an immediate invasion of Israel. Planning and preparation were literally limited to a few hours after midnight, and shortly after daybreak on 6 June, Syrian commanders woke up with orders to invade Israel. The three infantry brigades in the Golan, backed up by several independent battalions, were to spearhead the attack as the rest of the Syrian army mobilized.
There was no cohesion at all: Separate battalions began their advance whenever they happened to be ready to go, and brigades went forward, missing subunits that lagged behind. A platoon attempting a southern outflank maneuver tried to ford the Jordan River in the wrong spot and was washed away. According to a KGB report, at least one Syrian unit “exhibited cowardice” and ignored its orders altogether.
On 7 June, 24 hours into their attack, Syrian forces had only advanced 2 miles into Israel. On 8 June, the IDF pushed the Syrians back to the prewar border and that afternoon, Israeli units eliminated the last Egyptian forces in the Sinai and began a fast redeployment of units back into Israel. Now the Syrians were facing serious problems.
On 9 June, Israeli forces crossed into the Golan Heights. They came by the route the Syrians least expected, an arc hugging the Lebanese border. Now for the first time, Syria’s panzers (considered too slow and fragile for the attack) were encountered. The next day, 10 June 1967, was an absolute rout as the Syrians were being attacked from behind by IDF units arcing southwards from the initial advance, plus Israel’s second wave coming from the west. It was later estimated that Syria lost between 20-25% of its total military vehicle inventory in a 15-hour span on 10 June, including eight Panthers. A ceasefire was announced at midnight, ending Syria’s misadventure. Syria permanently lost the Golan Heights to Israel.
By best estimate, Syria had just five Panthers and twenty-five Panzer IVs fully operational on 6 June 1967, with maybe another ten or so tanks partially operational or at least functional enough to take into combat. Most – if not all – of the ex-French tanks were probably already out of service by 1967, conversely the entire ex-Spanish lot was in use, along with some of the ex-Czechoslovak vehicles. The conflict’s last kill was on 10 June 1967 when a Panzer IV was destroyed by an Israeli M50 Super Sherman (an M4 Sherman hull fitted with a new American engine, and a modified turret housing Israeli electronics and a high-velocity French-made 75mm gun firing HEAT rounds). Like the Centurion, the Super Sherman outclassed the Panzer IV, and the Panther only fared marginally better.
Between 1964-1973 the USSR rebuilt the entire Syrian military from the ground up, reorganizing it along Warsaw Pact lines and equipping it with gear strictly of Soviet origin. There was no place for ex-Wehrmacht tanks and in any case, Czechoslovakia had ended spares & ammo support for the Panzer IV and the Panthers, so the types had no future. The surviving tanks were scrapped in Syria, except for a single Panzer IV survivor sold to a collector in Jordan.
Specifications:
Crew: Five (commander, gunner, loader, driver, radio operator)
Weight: 50 tonnes (55.1 long tons; 45.5 short tons)
Length: 6.87 m (22 ft 6 in) hull only
7.52 m (24 ft 7¾ in) overall with gun facing forward
Width: 3.42 m (11 ft 3 in) hull only
3,70 m (12 ft 1¾ in) with retrofitted side skirts
Height: 2.99 m (9 ft 10 in)’
Ground clearance: 56 cm (22 in)
Suspension: Double torsion bar, interleaved road wheels
Fuel capacity: 720 liters (160 imp gal; 190 US gal),
some Syrian Panthers carried two additional external 200 l fuel drums
Armor:
15–80 mm (0.6 – 3.93 in)
Performance:
Maximum road speed: 56 km/h (35 mph)
Operational range: 250 km (160 mi) on roads; 450 km (280 mi)with auxiliary fuel tanks
100 km (62 mi) cross-country
Power/weight: 14 PS (10.1 kW)/tonne (12.7 hp/ton)
Engine & transmission:
Maybach HL230 V-12 gasoline engine with 700 PS (690 hp, 515 kW)
ZF AK 7-200 gearbox with 7 forward 1 reverse gear
Armament:
1× 7,5 cm KwK 40 (L/48) with 87 rounds
2× 7.92 mm MG 34 or 42, or similar machine guns;
one co-axial with the main gun, another in the front glacis plate
with a total of 5.100 rounds (not always mounted)
Provision for a 12.7 mm DShK or Breda anti-aircraft machine gun on the commander cupola
The kit and its assembly:
A rather exotic what-if model, even though it’s almost built OOB. Inspiration came when I stumbled upon the weird Syrian Panzer IVs that were operated against Israel during the Six Day War – vehicles you would not expect there, and after more than 20 years after WWII. But when I did some more research, I was surprised about the numbers and the variety of former German tanks that Syria had gathered from various European countries, and it made me wonder if the Panther could not have been among this shaggy fleet, too?
I had a surplus Dragon Panther Spähpanzer in The Stash™, to be correct a “PzBeobWg V Ausf. G”, an observation and artillery fire guidance conversion that actually existed in small numbers, and I decided to use it as basis for this odd project. The Dragon kit has some peculiarities, though: its hull is made from primed white metal and consists of an upper and lower half that are held together by small screws! An ambiguous design, because the parts do not fit as good as IP parts, so that the model has a slightly die-cast-ish aura. PSR is necessary at the seams, but due to the metal it’s not easy to do. Furthermore, you have to use superglue everywhere, just as on a resin kit. On the other side, surface details are finely molded and crisp, even though many bits have to be added manually. However, the molded metal pins that hold the wheels are very robust and relatively thin – a feature I exploited for a modified running gear (see below).
For the modified Panther in my mind I had to retrograde the turret back to a late standard turret with mantlet parts left over from a Hasegawa kit – they fitted perfectly! The PzBeobWg V only comes with a stubby gun barrel dummy. But I changed the armament, anyway, and implanted an aftermarket white metal and brass KwK 40 L48, the weapon carried by all Syrian Panzer IVs, the Jagdpanzer IVs as well as the StuG IIIs. This standardization would IMHO make sense, even if it meant a performance downgrade from the original, longer KwK 42 L70.
For a Syrian touch, inspired by installations on the Panzer IVs, I added a mount for a heavy DShK machine gun on the commander’s cupola, which is a resin aftermarket kit from Armory Models Group (a kit that consists of no less than five fiddly parts for just a tiny machine gun!).
To change and modernize the Panther’s look further, I gave it side skirts, leftover from a ModelCollect T-72 kit, which had to be modified only slightly to fit onto the molded side skirt consoles on the Panther’s metal hull. A further late addition were the fuel barrels from a Trumpeter T-54 kit that I stumbled upon when I looked for the skirts among my pile of tank donor parts. Even though they look like foreign matter on the Panther’s tail, their high position is plausible and similar to the original arrangement on many Soviet post-WWII tanks. The whip antennae on turret and hull were created with heated black sprue material.
As a modern feature and to change the Panther’s overall look even more, I replaced its original solid “dish” road wheels with T-54/55 “starfish” wheels, which were frequently retrofitted to T-34-85s during the Fifties. These very fine aftermarket resin parts (all real-world openings are actually open, and there’s only little flash!) came from OKB Grigorovich from Bulgaria. The selling point behind this idea is/was that the Panther and T-54/55 wheels have almost the same diameter: in real life it’s 860 vs. 830 mm, so that the difference in 1:72 is negligible. Beneficially, the aftermarket wheels came in two halves, and these were thin enough to replace the Panther’s interleaved wheels without major depth problems.
Adapting the parts to the totally different wheel arrangement was tricky, though, especially due to the Dragon kit’s one-piece white metal chassis that makes any mods difficult. My solution: I retained the inner solid wheels from the Panther (since they are hardly visible in the “3rd row”), plus four pairs of T-54/55 wheels for the outer, more rows of interleaved wheels. The “inner” T-54/55 wheel halves were turned around, received holes to fit onto the metal suspension pins and scratched hub covers. The “outside” halves were taken as is but received 2 mm spacer sleeves on their back sides (styrene tube) for proper depth and simply to improve their hold on the small and rounded metal pin tips. This stunt worked better than expected and looks really good, too!
Painting and markings:
Basically very simple, and I used pictures of real Syrian Panzer IVs as benchmark. I settled for the common green livery variant, and though simple and uniform, I tried to add some “excitement” to it and attempted to make old paint shine through. The hull’s lower surface areas were first primed with RAL 7008 (Khakigrau, a rather brownish tone), then the upper surfaces were sprayed with a lighter sand brown tone, both applied from rattle cans.
On top of that, a streaky mix of Revell 45 and 46 – a guesstimate for the typical Syrian greyish, rather pale olive drab tone - was thinly applied with a soft, flat brush, so that the brownish tones underneath would shine through occasionally. Once dry, the layered/weathered effect was further emphasized through careful vertical wet-sanding and rubbing on all surfaces with a soft cotton cloth.
The rubber side skirts were painted with an anthracite base and the dry-brushed with light grey and beige.
The model then received an overall washing with a highly thinned mix of grey and dark brown acrylic artist paint. The vinyl tracks (as well as the IP spare track links on the hull) were painted, too, with a mix of grey, red brown and iron, all acrylic paints, too, that do not interact chemically with the soft vinyl.
The decals/markings are minimal; the Arabian scribble on the turret (must be a name?), using the picture of a Syrian Panzer IV as benchmark, was painted in white by hand, as well as the white circle on the turret roof. The orange ID triangles are a nice contrast, even though I was not able to come up with real-life visual evidence for them. I just found a color picture of a burned T-34-85 wreck with them, suggesting that the color was a dull orange red and not florescent orange, as claimed in some sources. I also found illustrations of the triangles as part of 1:35 decal sets for contemporary Syrian T-34-85s from FC Model Trend and Star Models, where they appear light red. For the model, they were eventually cut out from decal sheet material (TL-Modellbau, in a shade called “Rotorange”, what appears to be a good compromise).
Dry-brushing with light grey and beige to further emphasize edges and details followed. Finally, the model was sealed with matt acrylic vanish overall, and some additional very light extra dry-brushing with silver was done to simulate flaked paint. Dirt and rust residues were added here and there with watercolors. After final assembly, the lower areas of the model were furthermore powdered with mineral pigments to simulate dust.
The idea of a modernized WWII Panther: a simple idea that turned into a major conversion. With the resin DShK machine gun and T-54/55 wheel set the costs of this project escalated a little, but in hindsight I find that the different look and the mix of vintage German and modern Soviet elements provide this Panther with that odd touch that sets it apart from a simple paint/marking variation? I really like the outcome, and I think that the effort was worthwhile - this fictional Panther shoehorns well into its intended historical framework. :-D