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Photo manipulated in Filter Forge, Color Efex Pro 4, and Photoshop

Souvenir d'un matin de printemps. Ici le temps est gris et humide depuis plusieurs jours et en plus il fait froid.

The weather here has been grey and wet for a few days and now it's cold. Looking back to this year's photos is the only option.

Meyer-Optik Diaplan 2.8/100

Zenit-e Helios 44-2

 

AGFA film

 

Full blog post: bit.ly/2R1xtLh

Young girl on a donkey selling postcards - Petra, Jordan

What do you do when you've gone out for a nice walk, and several blocks from your house, realize that the lensbaby you brought will not focus?

 

Well, you go for light and mood.

  

I have started a new site ... just for flowers .... do come and visit me there www.flickr.com/janeykayflowergarden/

 

The Grunwaldzki Bridge; Wroclaw; Poland

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This painting is claimed to have inspired the name of the Impressionist movement. The story explained below;

 

The painting made its debut onto the art scene alongside the work of 30 other artists in an exhibition that was initially called ‘Painters, Sculptors, Engravers etc. Inc.’. Amongst those exhibiting their work were Degas, Sisley, Renoir and Pissarro.

 

According to Monet, he gave the painting a title as he was asked to do so for the exhibition catalogue. In explanation of his title choice, he attributed his hazy painting style to using the term ‘Impression’ as he felt that the term ‘view’ was not an accurate reflection of the painting style. Therefore, he titled the piece 'Impression: Soleil Levant', or 'Impression: Sunrise'.

 

Some later said that he chose the title to avoid criticism from those who would say the painting lacked detail or appeared unfinished. Regardless of the title, the piece did receive criticism for exactly those reasons.

 

The term impressionism was not new and was used prior to Monet’s work, particularly to describe paintings from the Barbizon school. It was also a term associated with the work of Manet and Daubigny. The term was originally used as a way of describing the effects of the scene on a painter or the effect that paintings had on viewers.

 

Following the exhibition featuring Monet’s 'Impression, Sunrise', the term impressionism was applied in a different way. Louis Leroy reviewed the exhibition for the La Charivari newspaper and referred to it as the ‘Exhibition of the Impressionist’. His review described the style of work displayed in the exhibition as impressionism and described Monet’s work as representing this style perfectly. Thus, the movement of impressionism was born.

 

I've heard this story in so many fashions, often embellished or with added color. Somewhere along the line I got a picture in my head of claude Monet sitting in a Paris cafe with Degas, Sisley, Renoir and Pissarro. and reading the negative review in a newspaper with one of them saying "'Impression, that what we will call ourselves 'Impressionist.'" And then everyone had themselves a good laugh.

Lavender in the evening light

A series of abstract images from this colorful country :-)

The Moscow International Business Center from the Moscow White House - Everyday, deals worth billions of rubles are being made in the the capital’s financial district, high up in the skyscrapers that touch the clouds... - Moscow, Russia

I'm imagining a customer can get one's teeth

cleaned while having their car serviced ?

seen while exploring the streets of Ladner

during magic light time, where even the most

mundane scene becomes extraordinary.

CH, Kanton Schwyz

 

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Danke für euren Besuch !

Thanks for your visit !

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Impressions from the last "Christmas Market Day", City of Osnabrueck, North Germany

Cnoc a' Stolaire Íochtarach circa 1982 & 2016.

 

Fágann gach glún a lorg nó a rian fhéin ar an tírdhreach. Ní rud seasmhach é a bhíonn gan athrú.

 

Tógadh na bun-phictiúir (idir scannán agus sleamhnáin) ar chlé sa tsraith seo idir 1998 agus 2005 i mbailte fearainn Chnoc a’ Stolaire agus Dhobhair Íochtarach i nGaeltacht Dhún na nGall.

 

Tógadh na cinn úra (digiteach) i mí Eanáir agus mí Feabhra 2016.

 

Each generation leaves its own mark or impression on the landscape. The land is not a static thing.

 

The original photographs (film and transparency) on the left in this series were taken between 1985 and 2005 in the townlands of Cnoc a’ Stolaire and Dobhar Íochtarach in the Donegal Gaeltacht.

 

The new images (digital) were taken in January and February 2016.

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