ClojureScript is a mature, rich alternative to JavaScript for building client side applications for the web and native mobile clients. While much has been said about it with respect to functional programming and immutability this talk will explore how ClojureScript makes UI programming a tangible process by demonstrating live application building for the web and iOS.

Book 15. Note on fore-edge painting.

VP of Engineering @RedHat and CTO @JBossMiddleware.

Key concepts of reliable distributed computing developed during the eighties and nineties (e.g., transactions, replication) influenced the platforms of the early 21st century, such as CORBA, Java EE and .NET. These systems evolved from RPC to message passing facilities to support construction of loosely coupled systems and their influence can be seen in newer areas such as IoT, Cloud, SOA and Microservices. However, the way networked computing is being used for business and social uses is undergoing rapid changes including the adoption of immutable infrastructures like Kubernetes, breaking down of application containers to disparate component services and much more.

In some ways, building distributed applications today looks similar to what we had in the 1980s. In this presentation we will look at some core concepts, components and techniques in reliable distributed systems and application building over the years and try to predict what that might mean for the future.

Can't resist - but today is the anniversary of Paul Revere's ride.

1 if by land and 2 if by sea

And he put two lanterns in the old North Church to let the patriots know the British were invading from the sea.

I am critical of American failings - and there are many - Slavery, Treatment of Native Americans and do much more. But the experiment is at its core a noble one, even if the men, and I emphasize men, because women and others were excluded, were deeply flawed. The genius is in the ability to change and adapt and grow toward the better angels of humanity. The fathers were enlightenment men, and that spirit is bigger than them. The immutable pursuit of logic was born of the scientific revolution and the same conclusions that solidified the existence of the atom also revealed the similarity in all humans. We are all products of nature, passengers on the same Earth and with sufficient opportunity we can do great things if we want. The sky is limitless.

The enemy is the pettiness and greed of humanity. The genius of the fathers was their ability to suggest that time moves on things can change and they don't know what it will be in the future, but human motives will always be the same. Yet Free Will is also part of the gift of democracy. It can produce antibiotics and it can produce people who kill others to steal their goods. It is a hard slog without guarantee even 250 years later - as is everent now with Bozo Trump's haphazard and petty way of "running" a government. He's thin-skinned petty, resentful, entitled, greedy, and stupid. He's also smart and dumb enough to do what the founders didn't do, gin up hate and xenophobia, and grievance. He has no solutions and even less ideas other than to enrichen himself. His selection of bootlickers over competent people shows his inability to do anything.

And despite the current threat to American democracy, and it is severe, I am still a patriot who believes in the good things that have been done and accomplished and most importantly, the possibility of what the experiment could be. It was started flawed but still evolves. Paul Revere rode (and Sybil Ludington and probably others lost to history) risking their lives to empower the Revolution. Many men fought and were maimed and killed. Many fled to Canada and I cannot fault them, and respect them, as with all revolutions there is no guarantee of a win. I have family who fought on both sides. And today (except for idiot Trump) we are solid Allies with our Canadians, and British.....and think about this....in our lifetimes people fought the Japanese and Germans and Italians brutally and these three countries are our world allies. Many Germans Italians and Japanese are our citizens and brethren. Today's enemies will hopefully be tomorrow's siblings as well.

So a toast to Paul Revere and others who dodged British checkpoints and spies and government officials to warn the ragtag Colonial Army and the Citizens of Boston that the invasion was coming. May our people find the same brave spirit during this dark time.

Cheers

The mute swan (Cygnus olor) is a species of swan and a member of the waterfowl family Anatidae. It is native to much of Eurosiberia, and (as a rare winter visitor) the far north of Africa. It is an introduced species in North America, home to the largest populations outside of its native range, with additional smaller introductions in Australasia and southern Africa. The name "mute" derives from it being less vocal than other swan species. Measuring 125 to 160 cm (49 to 63 in) in length, this large swan is wholly white in plumage with an orange beak bordered with black. It is recognizable by its pronounced knob atop the beak, which is larger in males.

Taxonomy

The mute swan was first formally described by the German naturalist Johann Friedrich Gmelin as Anas olor in 1789 and was transferred by Johann Matthäus Bechstein to the new genus Cygnus in 1803. Both cygnus and olor mean "swan" in Latin; cygnus is a variant form of cycnus, borrowing from Greek κύκνος kyknos, a word of the same meaning.

Despite its Eurasian origin, its closest relatives are the black swan of Australia and the black-necked swan of South America, not the other Northern Hemisphere swans of the genus Cygnus. The species is monotypic, with no living subspecies.

Evolution

Mute swan subfossils, 6,000 years old, have been found in post-glacial peat beds of East Anglia, Great Britain. They have been recorded from Ireland east to Portugal and Italy, and from France, 13,000 BP (Desbrosse and Mourer-Chauvire 1972–1973). Cygnus olor bergmanni, a paleosub species which differed only in size from the living bird, is known from fossils found in Azerbaijan. A related paleospecies recorded from fossils and subfossils is the Giant swan, Cygnus falconeri, a flightless species which lived on the islands of Malta and Sicily during the Middle Pleistocene.

Fossils of swan ancestors more distantly allied to the mute swan have been found in four U.S. states: California, Arizona, Idaho and Oregon. The timeline runs from the Miocene to the late Pleistocene or 10,000 BP. The latest find was in Anza Borrego Desert, a state park in California. Fossils from the Pleistocene include Cygnus paloregonus from Fossil Lake, Oregon, Froman's Ferry, Idaho, and Arizona, referred to by Howard in The Waterfowl of the World as "probably the mute type swan".

Description

Adults of this large swan typically range from 140 to 160 cm (55 to 63 in) long, although can range in extreme cases from 125 to 170 cm (49 to 67 in), with a 200 to 240 cm (79 to 94 in) wingspan. Males are larger than females and have a larger knob on their bill. On average, this is the second largest waterfowl species after the trumpeter swan, although male mute swans can easily match or even exceed a male trumpeter in mass. Among standard measurements of the mute swan, the wing chord measures 53–62.3 cm (20.9–24.5 in), the tarsus is 10–11.8 cm (3.9–4.6 in) and the bill is 6.9–9 cm (2.7–3.5 in). The plumage is white, while the legs are dark grey. The beak of the mute swan is bright orange, with black around the nostrils and a black nail.

The mute swan is one of the heaviest extant flying birds. In several studies from Great Britain, males (known as cobs) were found to average from about 10.6 to 11.87 kg (23.4 to 26.2 lb), with a weight range of 9.2–14.3 kg (20–32 lb) while the slightly smaller females (known as pens) averaged about 8.5 to 9.67 kg (18.7 to 21.3 lb), with a weight range of 7.6–10.6 kg (17–23 lb). While the top normal weight for a big cob is roughly 15 kg (33 lb), one unusually big Polish cob weighed almost 23 kg (51 lb) and this counts as the largest weight ever verified for a flying bird, although it has been questioned whether this heavyweight could still take flight.

Young birds, called cygnets, are not the bright white of mature adults, and their bill is dull greyish-black, not orange, for the first year. The down may range from pure white to grey to buff, with grey/buff the most common. The white cygnets have a leucistic gene. Cygnets grow quickly, reaching a size close to their adult size in approximately three months after hatching. Cygnets typically retain their grey feathers until they are at least one year old, with the down on their wings having been replaced by flight feathers earlier that year.

All mute swans are white at maturity, though the feathers (particularly on the head and neck) are often stained orange-brown by iron and tannins in the water.

Polish swan

The colour morph C. o. morpha immutabilis (immūtābilis is Latin for "immutable, unchangeable, unalterable"), also known as the "Polish swan", has pinkish (not dark grey) legs and dull white cygnets; as with white domestic geese, it is found only in populations with a history of domestication. Polish swans carry a copy of a gene responsible for leucism.

Behaviour

Mute swans nest on large mounds that they build with waterside vegetation in shallow water on islands in the middle or at the very edge of a lake. They are monogamous and often reuse the same nest each year, restoring or rebuilding it as needed. Male and female swans share the care of the nest, and once the cygnets are fledged it is not uncommon to see whole families looking for food. They feed on a wide range of vegetation, both submerged aquatic plants which they reach with their long necks, and by grazing on land. The food commonly includes agricultural crop plants such as oilseed rape and wheat, and feeding flocks in the winter may cause significant crop damage, often as much through trampling with their large webbed feet, as through direct consumption. It will also feed on small proportions of aquatic insects, fish and frogs.

Unlike black swans, mute swans are usually strongly territorial with just a single pair on smaller lakes, though in a few locations where a large area of suitable feeding habitat is found, they can be colonial. The largest colonies have over 100 pairs, such as at the colony at Abbotsbury Swannery in southern England, and at the southern tip of Öland Island, Ottenby Preserve, in the coastal waters of the Baltic Sea, and can have nests spaced as little as 2 m (7 ft) apart. Non-mated juveniles up to 3–4 years old commonly form larger flocks, which can total several hundred birds, often at regular traditional sites. A notable flock of non-breeding birds is found on the River Tweed estuary at Berwick-upon-Tweed in northeastern England, with a maximum count of 787 birds. A large population exists near the Swan Lifeline Station in Windsor and lives on the Thames in the shadow of Windsor Castle. Once the adults are mated they seek out their territories and often live close to ducks and gulls, which may take advantage of the swan's ability to reach deep water weeds, which tend to spread out on the water surface.

The mute swan is less vocal than the noisy whooper and Bewick's swans; they do, however, make a variety of sounds, often described as "grunting, hoarse whistling, and snorting noises." During a courtship display, mute swans utter a rhythmic song. The song helps synchronize the movements of their heads and necks. It could technically be employed to distinguish a bonded couple from two dating swans, as the rhythm of the song typically fails to match the pace of the head movements of two dating swans. Mute swans usually hiss at competitors or intruders trying to enter their territory.[30] The most familiar sound associated with mute swans is the vibrant throbbing of the wings in flight which is unique to the species and can be heard from a range of 1 to 2 km (0.6 to 1 mi), indicating its value as a contact sound between birds in flight. Cygnets are especially vocal and communicate through a variety of whistling and chirping sounds when content, as well as a harsh squawking noise when distressed or lost.

Nesting in spring, Cologne, Germany

Mute swans can be very aggressive in defence of their nests and are highly protective of their mate and offspring. Most defensive acts from a mute swan begin with a loud hiss and, if this is not sufficient to drive off the predator or intruder, are followed by a physical attack. Swans attack by striking at the threat with bony spurs in their wings, accompanied by biting with their large bill, while smaller waterbirds such as ducks are normally grabbed with the swan's bill and dragged or thrown clear of the swan and its offspring. Swans will kill intruders into their territory, both other swans, and geese and ducks, by drowning, climbing onto and pecking the back of the head and forcing the other bird underwater.

The wings of the swan are very powerful, though not strong enough to break an adult man's leg, as is commonly misquoted. Large waterfowl, such as Canada geese, (more likely out of competition than in response to potential predation) may be aggressively driven off, and mute swans regularly attack people who enter their territory.

The cob is responsible for defending the cygnets while on the water, and will sometimes attack small watercraft, such as canoes, that it feels are a threat to its young. The cob will additionally try to chase the predator out of his family territory and will keep animals such as foxes and raptors at bay. In New York (outside its native range), the most common predators of cygnets are common snapping turtles. Healthy adults are rarely preyed upon, though canids such as coyotes, felids such as lynx, and bears can pose a threat to infirm ones (healthy adults can usually swim away from danger and nest defence is usually successful.) and there are a few cases of healthy adults falling prey to the golden eagles. In England, there has been an increased rate of attacks on swans by out-of-control dogs, especially in parks where the birds are less territorial. This is considered criminal in British law, and the birds are placed under the highest protection due to their association with the monarch. Mute swans will readily attack dogs to protect themselves and their cygnets from an attack, and an adult swan is capable of overwhelming and drowning even large dog breeds.

The familiar pose with the neck curved back and wings half raised, known as busking, is a threat display. Both feet are paddled in unison during this display, resulting in more jerky movement. The swans may also use the busking posture for wind-assisted transportation over several hundred meters, so-called windsurfing.

Like other swans, mute swans are known for their ability to grieve for a lost or dead mate or cygnet. Swans will go through a mourning process, and in the case of the loss of their mate, may either stay where their counterpart lived or fly off to join a flock. Should one of the pair die while there are cygnets present, the remaining parent will take up their partner's duties in raising the clutch.

Breeding

Mute swans lay from 4 to 10 eggs. The female broods for around 36 days, with cygnets normally hatching between May and July. The young swans do not achieve the ability to fly before about 120 to 150 days old. This limits the distribution of the species at the northern edge of its range as the cygnets need to learn to fly before the ponds and lakes freeze over.

Distribution and habitat

The mute swan is found naturally mainly in temperate areas of Europe then across the Palearctic as far east as Primorsky Krai, near Sidemi.

It is partially migratory throughout northern latitudes in Europe and Asia, as far south as North Africa and the Mediterranean. It is known and recorded to have nested in Iceland and is a vagrant in that area as well as in Bermuda, according to the UN Environment Programme chart of international status chart of bird species, which places it in 70 countries, breeding in 49 countries, and vagrant in 16 countries.[citation needed] While most of the current population in Japan is introduced, mute swans are depicted on scrolls more than 1,000 years old, and wild birds from the mainland Asian population still occur rarely in winter. Natural migrants to Japan usually occur along with whooper and sometimes Bewick's swans.[citation needed]

The mute swan is protected in most of its range, but this has not prevented illegal hunting and poaching. It is often kept in captivity outside its natural range, as a decoration for parks and ponds, and escapes have happened. The descendants of such birds have become naturalised in the eastern United States and Great Lakes, much as the Canada goose has done in Europe.

World population

Mute swans with cygnets in Wolvercote, Oxfordshire

The total native population of mute swans is about 500,000 birds at the end of the breeding season (adults plus young), of which up to 350,000 are in Russia. The largest single breeding concentration is 11,000 pairs in the Volga Delta.

The population in the United Kingdom is about 22,000 birds as of the 2006–2007 winter, a slight decline from the peak of about 26,000–27,000 birds in 1990. This includes about 5,300 breeding pairs, the remainder being immatures. Other significant populations in Europe include 6,800–8,300 breeding pairs in Germany, 4,500 pairs in Denmark, 4,000–4,200 pairs in Poland, 3,000–4,000 pairs in the Netherlands, about 2,500 pairs in Ireland, and 1,200–1,700 pairs in Ukraine.

For many centuries, mute swans in Great Britain were domesticated for food, with individuals being marked by nicks on their webs (feet) or beaks to indicate ownership. These marks were registered with the Crown and a Royal Swanherd was appointed. Any birds not so marked became Crown property, hence the swan becoming known as the "Royal Bird". This domestication saved the mute swan from extirpation through overhunting in Great Britain.

Populations in Western Europe were largely exterminated by hunting pressure in the 13th–19th centuries, except for semi-domesticated birds maintained as poultry by large landowners. Better protection in the late 19th and early 20th centuries allowed the species to expand and return to most or all of their former range. More recently in the period from about 1960 up to the early 1980s, numbers declined significantly again in many areas in England, primarily due to lead poisoning from birds swallowing lead shots from shooting and discarded fishing weights made from lead. After lead weights and shots were mostly replaced by other less toxic alternatives, mute swan numbers increased again rapidly.

Introduced populations

Since being introduced into North America, the mute swan has increased greatly in number to the extent that it is considered an invasive species there. Populations introduced into other areas remain small, with around 200 in Japan, fewer than 200 in New Zealand and Australia, and about 120 in South Africa.

North America

The mute swan was introduced to North America in the late 19th century. Recently, it has been widely viewed as an invasive species because of its rapidly increasing numbers and its adverse effects on other waterfowl and native ecosystems. For example, a study of population sizes in the lower Great Lakes from 1971 to 2000 found that mute swan numbers were increasing at an average rate of at least 10% per year, doubling the population every seven to eight years. Several studies have concluded that mute swans severely reduce the densities of submerged vegetation where they occur.

In 2003, the U.S. Fish and Wildlife Service proposed to "minimize environmental damages attributed to Mute Swans" by reducing their numbers in the Atlantic Flyway to pre-1986 levels, a 67% reduction at the time. According to a report published in the Federal Register of 2003 the proposal was supported by all thirteen state wildlife agencies which submitted comments, as well as by 43 bird conservation, wildlife conservation and wildlife management organisations. Ten animal rights organisations and the vast majority of comments from individuals were opposed. At this time mute swans were protected under the Migratory Bird Treaty Act due to a court order, but in 2005 the United States Department of the Interior officially declared them a non-native, unprotected species. Mute swans are protected in some areas of the U.S. by local laws, for example, in Connecticut.

The status of the mute swan as an introduced species in North America is disputed by the interest group "Save the Mute Swans". They assert that mute swans are native to the region and therefore deserving of protection. They claim that mute swans had origins in Russia and cite historical sightings and fossil records. These claims have been rejected as specious by the U.S. Department of the Interior.

Oceania

The mute swan had absolute protection in New Zealand under the Wildlife Act 1953, but this was changed in June 2010 to a lower level of protection. It still has protection, but is now allowed to be killed or held in captivity at the discretion of the Minister of Conservation.

A small feral population exists in the vicinity of Perth, Australia; however, it is believed to number less than 100 individuals.

In popular culture

The mute swan has been the national bird of Denmark since 1984. Before that, the skylark was considered Denmark's national bird (since 1960).

The fairy tale "The Ugly Duckling" by Hans Christian Andersen tells the story of a cygnet ostracised by his fellow barnyard fowl because of his perceived unattractiveness. To his delight (and to the surprise of others), he matures into a graceful swan, the most beautiful bird of all.

Today, the British Monarch retains the right to ownership of all unmarked mute swans in open water, but King Charles III exercises his ownership only on certain stretches of the Thames and its surrounding tributaries. This ownership is shared with the Vintners' and Dyers' Companies, who were granted rights of ownership by the Crown in the 15th century.

The mute swans in the moat at the Bishops Palace at Wells Cathedral in Wells, England have for centuries been trained to ring bells via strings attached to them to beg for food. Two swans are still able to ring for lunch.

The pair of swans in the Boston Public Garden are named Romeo and Juliet after the Shakespearean couple; however, it was found that both of them are females

By Ai Weiwei

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

HowDoo is a decentralized social platform based on blockchain technology. It aims to address the social and economic problems that exist in the social platforms.

The amount of user data social medias accessed increases day by day. Facebook reported advertising revenues of $9,16 billion in Q2 of 2017. According to the information the amount of user data accessed by Facebook was 6 million in 2006. It increased to 87 million in 2018. YouTube, on the other hand was accused of illegally collecting data from children for profit. It is obvious that our privacy disappears thanks for the centralized internet.

Blockchain based networks provides security to protect your personal data because, they are encrypted. No company, organization or entity is in control of your data. Blockchain is immutable so nobody except you can read your data even if the database is hacked. It is also decentralized so nobody can change or alter your data.

HowDoo is ready to disrupt social network industry with addition of payment options via cryptocurrency.

You would check the details at project website and whitepaper:

howdoo.io/

howdoo.io/wp-content/uploads/2018/04/howdoowhitepaper.pdf

ETH: 0x1A5e1161e49Af08D41954b90885B9CFF33b88fB3

Among some northern tribes it may have been used as a love charm or for seduction. Imagine a young man chewing the root and circling the intended female breathing out the fragrance in the belief that once she smells it she will follow him even against her will.

Nostos

There was an apple tree in the yard --

this would have been

forty years ago -- behind,

only meadows. Drifts

of crocus in the damp grass.

I stood at that window:

late April. Spring

flowers in the neighbor's yard.

How many times, really, did the tree

flower on my birthday,

the exact day, not

before, not after? Substitution

of the immutable

for the shifting, the evolving.

Substitution of the image

for relentless earth. What

do I know of this place,

the role of the tree for decades

taken by a bonsai, voices

rising from the tennis courts --

Fields. Smell of the tall grass, new cut.

As one expects of a lyric poet.

We look at the world once, in childhood.

The rest is memory.

Louise Gluck

The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.

Instagram |

Meetup Group |

Alamy News |

Website |

Tiktok |

Threads |

ClickASnap |

Medium |

Twitter |

Facebook |

Pinterest

All photographs © Andrew Lalchan

Celebrating the Arts at Santa Monica Place

This summer, one hundred local artists, designers, fashion industry leaders and community members will have one thing in common: The Mannequin Collective. Their muse and medium is nothing but a blank canvas — the immutable, immovable fashion icon known as the mannequin.

When complete, The Mannequin Collective art exhibit will encompass one hundred original expressions of art created by the hands of the LA arts community. The top five mannequins, chosen by a jury of local artists and community leaders, will be prominently displayed at the Otis campus in Westchester, as well as on the fashion campus in downtown Los Angeles. The complete collection will be on exhibit at Santa Monica Place later this year.

The grand design winner, as chosen by a panel of community leaders and local artists, will have a $10,000 scholarship donated in his or her name to Otis College of Art and Design. This donation will help support scholarship opportunities for continuing education in the arts.

The Mannequin Collective is a reflection of Santa Monica Place’s ongoing commitment to the arts and its community — a community that deserves to be celebrated for its talent and diversity. Look for the complete Mannequin Collective art exhibit at the grand opening of Santa Monica Place this summer.

Nathalie Djurberg & Hans Berg

The floating world of The Black Pot, first shown in the round at the Garage Museum in Moscow and now reimagined and reconfigured as a room of interlocking screens, can be experienced from outside, as a looping stream of Rorschach inkblots, or from within, as a fluid, psychedelic environment, approximating a cocooned cosmos.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Nature! We are surrounded by her and locked in her clasp: powerless to leave her, and powerless to come closer to her. Unasked and unwarned she takes us up into the whirl of her dance, and hurries on with us till we are weary and fall from her arms. She creates new forms without end: what exists now, never was before; what was, comes not again; all is new and yet always the old. We live in the midst of her and are strangers. She speaks to us unceasingly and betrays not her secret. We are always influencing her and yet can do her no violence.

Individuality seems to be all her aim, and she cares nought for individuals. She is always building and always destroying, and her workshop is not to be approached. Nature lives in her children only, and the mother, where is she? She is the sole artist,—out of the simplest materials the greatest diversity; attaining, with no trace of effort, the finest perfection, the closest precision, always softly veiled. Each of her works has an essence of its own; every shape that she takes is in idea utterly isolated; and yet all forms one.

She plays a drama; whether she sees it herself, we know not; and yet she plays it for us, who stand but a little way off. There is constant life in her, motion and development; and yet she remains where she was. She is eternally changing, nor for a moment does she stand still. Of rest she knows nothing, and to all stagnation she has affixed her curse. She is steadfast; her step is measured, her exceptions rare, her laws immutable. She has thought, and she ponders unceasingly; not as a man, but as Nature. The meaning of the whole she keeps to herself, and no one can learn it of her.

"HERE WE LIE BY CONSENT AFTER 57 YEARS 2 MONTHS AND 2 DAYS SOJOURNING THROUGH LIFE, AWAITING NATURE'S IMMUTABLE LAWS TO RETURN US BACK TO THE ELEMENTS OF THE UNIVERSE, OF WHICH WE WERE FIRST COMPOSED."

A GREAT MAN

*Time and tide wait for no man*

The processes of nature continue,

no matter how much we might like them to stop

Isaac Newton defined how we think of time:

as a flowing river moving at constant speed from

the past to the future, never deviating, never changing.

We are born, we live, we die.

A tree is planted, grows, is felled, cut up, and becomes a house.

Snow and rain fall in the mountains,

gather into brooks and streams, merge into rivers that flow into oceans.

Tectonic plates collide, mountains emerge,

are assaulted by wind, rain, and rising water,

and eventually erode back to the plains from which they arose.

Time is one-way, an arrow, immutable in its inexorable progress…or so it seems.

"GREAT MEN" Should be Given More time....

as much Time as they Need , I SAY!

By Anish Kapoor

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

day 11 - tibetan monks living in exile create an exquisite sand mandala - the yamantaka mandala - at bondi pavilion in sydney...

learn more about the Gyuto monks here

the dorje (tibetan) or vajra (sanskrit), tantric instrument held in the right hand of monks as they chant - it represents compassion and the immutable state of absolute reality - the symbol of the dorje is used extensively in the mandala, especially in the circle of protection (see this pic)...

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.

Instagram |

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Website |

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Threads |

ClickASnap |

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All photographs © Andrew Lalchan

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

By Haroon Mirza

A Chamber for Horwitz,

Sonakinatography Transcriptions in Surround Sound, 2015

Wall work: Channa Horwitz

Sonakinatography Composition III, 1996

Haroon Mirza (born 1977, UK) has won international acclaim for installations that test the interplay and friction between sound and light waves and electric current. Transcribing a complex working drawing by LA-based artist Channa Horwitz (1932–2013), Mirza turns her notational sequences and matrices into a multi-coloured, sonic score. The electric noise of the currents that light the LEDs in one of the eight possible configurations and colour combinations, as marked by Horwitz, is simul-taneously translated via speakers to audible noise pulses in different octaves. Together, these acoustic, visual interpretations of the Horwitz data result in a choreographed, compositional concert, which is at once computer-programmed and man-made – both ‘live’ and historic.

A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound is a conceptual development of an earlier piece by Mirza, titled Adam, Eve, Others and a UFO (2013).

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

My best friends Maddog and Lucy.

By Tony Cragg

Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture, such as Minster, which recalls the spires of a cathedral, albeit built from scraps of rubber, stone, wood and metal.

These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Mirror Of All perfection

"Thou art fairer than the children of men."

Psalm 45:2

The entire person of Jesus is but as one gem, and his life is all along but one impression of the seal. He is altogether complete; not only in his several parts, but as a gracious all-glorious whole. His character is not a mass of fair colours mixed confusedly, nor a heap of precious stones laid carelessly one upon another; he is a picture of beauty and a breastplate of glory. In him, all the "things of good repute" are in their proper places, and assist in adorning each other. Not one feature in his glorious person attracts attention at the expense of others; but he is perfectly and altogether lovely.

Oh, Jesus! thy power, thy grace, thy justice, thy tenderness, thy truth, thy majesty, and thine immutability make up such a man, or rather such a God-man, as neither heaven nor earth hath seen elsewhere. Thy infancy, thy eternity, thy sufferings, thy triumphs, thy death, and thine immortality, are all woven in one gorgeous tapestry, without seam or rent. Thou art music without discord; thou art many, and yet not divided; thou art all things, and yet not diverse. As all the colours blend into one resplendent rainbow, so all the glories of heaven and earth meet in thee, and unite so wondrously, that there is none like thee in all things; nay, if all the virtues of the most excellent were bound in one bundle, they could not rival thee, thou mirror of all perfection. Thou hast been anointed with the holy oil of myrrh and cassia, which thy God hath reserved for thee alone; and as for thy fragrance, it is as the holy perfume, the like of which none other can ever mingle, even with the art of the apothecary; each spice is fragrant, but the compound is divine. God bless

"Oh, sacred symmetry! oh, rare connection

Of many perfects, to make one perfection!

Oh, heavenly music, where all parts do meet

In one sweet strain, to make one perfect sweet!"

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Nathalie Djurberg & Hans Berg

The floating world of The Black Pot, first shown in the round at the Garage Museum in Moscow and now reimagined and reconfigured as a room of interlocking screens, can be experienced from outside, as a looping stream of Rorschach inkblots, or from within, as a fluid, psychedelic environment, approximating a cocooned cosmos.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

By Tatsuo Miyajima

Employing contemporary materials such as electric circuits, video, and computer systems, Tatsuo Miyajima (born 1957, Japan) creates supremely technological works centred on his use of LED counters, or ‘gadgets’ as he calls them. These numbers, flashing in continual and repetitious cycles from 1 up to 9 or from 9 down to 1, represent the journey from birth to death, the finality of which is symbolised by ‘0’, the void or zero point, which consequently never appears in his work.

Time Waterfall is a new work by Miyajima in which numbers tumble randomly and incessantly for eternity, with the different sizes of the numerals and varying speeds of descent representing the trajectory of individual lives within that continuum.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

Book 15 binding.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.

Instagram |

Meetup Group |

Alamy News |

Website |

Tiktok |

Threads |

ClickASnap |

Medium |

Twitter |

Facebook |

Pinterest

All photographs © Andrew Lalchan

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Le questionnement de l’existence:

la rivière semble immuable, mais l'eau coule immanquablement vers le Grand Tout. Notre vie n'est elle qu'éphémère?

The questioning of existence:

the river seems immutable, but the water flows inevitably towards the Great All. Is our life only ephemeral?

By Lee Ufan

Composed of a raw stone facing a blank canvas and a wall painting bearing repeated, layered sweeps of paint, Lee’s two Dialogue works are displayed in a discrete, chamber-like environment. This silent, ascetic, but highly charged space encourages a close, personal encounter with the works and offers a place for contemplation.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

There is a sense of hollow immensity under the viaduct. At the base of the bridge lie graffiti, litter, and patches of stinging nettle, but above there is only the immutability of the arch. The underside of the bridge resembles the roof of an open mouth, its sinews straining to speak.

This view looks eastward from the westernmost pillar. Taken using an old Nikon in August 2006.

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