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"I had a finer and a grander sight, however, where I was. This was the mighty dome of the Jungfrau softly outlined against the sky and faintly silvered by the starlight. There was something subduing in the influence of that silent and solemn and awful presence; one seemed to meet the immutable, the indestructible, the eternal, face to face, and to feel the trivial and fleeting nature of his own existence the more sharply by the contrast. One had the sense of being under the brooding contemplation of a spirit, not an inert mass of rocks and ice--a spirit which had looked down, through the slow drift of the ages, upon a million vanished races of men, and judged them; and would judge a million more--and still be there, watching, unchanged and unchangeable, after all life should be gone and the earth have become a vacant desolation." -- Mark Twain, "A Tramp Abroad" (seen from Interlaken Switzerland)

The River Tummel is a river in Perth and Kinross, Scotland. Water from the Tummel is used in the Tummel hydro-electric power scheme, operated by SSE.

 

As a tributary of the River Tay, the Tummel is included as part of the River Tay Special Area of Conservation. The designation notes the river system's importance for salmon, otters, brook lampreys, river lampreys and sea lampreys.

 

Discharging from Loch Rannoch, it flows east to a point near the Falls of Tummel, where it bends to the southeast, a direction which it maintains until it falls into the River Tay, just below Logierait, after a course of 58 miles (93 km) from its source in Stob Ghabbar (3,565 ft (1,087 m)). Its only considerable affluent is the Garry, 24 miles (39 km) long, an impetuous river which issues from Loch Garry (2.5 mi (4.0 km) and 1,334 ft (407 m) above sea level). Some 2 miles from its outlet from Loch Rannoch the river expands into Dunalastair Water (or Dunalastair Reservoir), a man made loch formed by a weir, part of the Tummel Hydro Electric power scheme. About midway in its course the Tummel expands into Loch Tummel, between which and the confluence with the Garry occur the Pass and Falls of the Tummel, which are rather in the nature of rapids, the descent altogether amounting to 15 ft (4.6 m). Loch Tummel was previously 4.43 km (2.75 mi) long and 39 m (128 ft) deep, but with the construction of the Clunie Dam in 1950, the water level was raised by 4.5 metres, and Loch Tummel is now approximately 11 km (7 mi) long.

 

The scenery throughout this reach is most picturesque, culminating at the point above the eastern extremity of the loch, known as the "Queen's View" (Queen Victoria made the view famous in 1866, although it is said to have been named after Queen Isabel, wife of Robert the Bruce). The chief places of interest on the river are Kinloch Rannoch; Dunalastair, a rocky hill in well-wooded grounds, the embellishment of which was largely due to Alexander Robertson of Struan, the Jacobite and poet, from whom the spot takes its name (the stronghold of Alexander); Foss; Faskally House (beautifully situated on the left bank); Pitlochry; and Ballinluig.

 

The ancient name of the river, in its upper reaches at least, was the Dubhag.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

 

Finally received my new Tokina AT-X 116 Pro, and after being stunned by its sharpness I came across this photo with significant difference in sharpness between the top left and top right corners.

 

This one was shot at ISO 100, f/7,1, 1/320s. It's not a perfect example (just a quick testing snap), I'll have to take more picture during the weekend.

 

See the next photo for a 1:1 detail of both corners. I'm afraid my copy suffers from a centering defect. :(

Lhasa 2007: a timeless photo; the traditional market around the Jokhang temple, young and old Tibetans with their costumes, prayer flags, fabrics immutable in the designs and colors

Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.

Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.

In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.

SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.

Location : SALT Gatala, Istanbul, Turkey

Exhibition Dates : April 20 - June 11

6 Meters Wide Circular Architectural Installation

4 Channel Video, 8 Channel Audio

Custom Software, Media Server, Table for UI Interaction

For more information:

refikanadol.com/works/archive-dreaming/

On the main A949 Evelix Road approach to Dornoch from the A9, at the junction with the B9168 Poles Road (OS Ref: NH 793 898) , stands the impressive Dornoch War Memorial.

 

This well known Scottish memorial has the magnificent sculpture by Alexander Carrick of a 5th Seaforth Highlander c. 1916 at Beaumont Hamel looking south towards the battlefields. The square plinth has four memorial plaques, that on the front and the right and left side listing 69 servicemen killed in World War 1 and the plaque on the rear face bears as the first name Nursing Sister Lily Murray followed by the names of 31 servicemen who died in World War 2.

 

As a project for Scotland's 2009 Year of Homecoming, Historylinks Museum endeavoured to add personal detail to those from Dornoch Parish who died in World War 1 and 2.

 

The detail obtained can be accessed from the Roll of Honour listings for World War 1 and 2.

 

There was a large attendance for the dedication and unveiling by the Duke of Sutherland in June 1922

 

The memorial originally stood on an island at the centre of Poles Road junction and was moved to its present location in 1992.

 

The inscription at the foot of the plinth is taken from an American Civil War poem: "ON FAME'S ETERNAL CAMPING GROUND THEIR SILENT TENTS ARE SPREAD AND GLORY GUARDS WITH SOLEMN ROUND THE BIVOUAC OF THE DEAD"

 

World War 1 Memorial Plaques

Dornoch was in the recruiting area of the 5th Seaforth Highlanders, with a great local affinity to this regiment. It is not surprising, therefore, that the plaque on the front face of the plinth is dedicated to those killed whilst serving in the 5th Seaforth Highlanders during World War 1, listed by rank and then in alphabetical order.

 

Right Plaque

The plaque on the right side lists those killed serving in other battalions of the Seaforth Highlanders and other regiments, with the listing continued on the plaque on the left-hand side of the plinth. The total number listed for World War 1 is 69.

 

There are some memorial errors in the ranks, units and the decorations for gallantry, with only one correction, the addition of a small plaque beside Sergeant A Sutherland, Hussars, recording his award of the French Medaille Militaire.

 

Left Plaque

The World War 1 lists include the Grant brothers (George and Richard), the three Herd brothers (James, John and William), the MacKay brothers (Donald and Simon), the Murray brothers (Alexander 'Alick' and Lieut William Murray) and the Ross brothers (David and Thomas).

 

A brother and sister are listed, separated by the two World Wars; Cpl Angus Murray, Machine Gun Corps WW1 and Nursing Sister Lily Murray, Queen Alexandra's Imperial Military Nursing Service WW2.

 

There are 69 WW1 servicemen listed on the Dornoch War Memorial. Additional names appear on local graves, family headstones (Capt James Giffen MC, Cameron Highlanders, Cpl Norman Irwin, 2nd Bn Canadian Volunteers, Deck Hand Alexander MacKay, RN Reserve, Capt Alexander Murray, Scottish Horse) and Dornoch Cathedral Rolls of Honour (Pte George MacKay, Pte George MacCulloch and Company Sergeant Major Alexander Neish).

 

Personal details have been included in the museum consolidated Roll of Honour World War 1 which lists 77 names of all service personnel with a specific Dornoch connection who died in WW1 .

 

World War 2 Memorial Plaque

The Second World War plaque listing 32 names is on the rear face of the Dornoch War Memorial plinth.

 

Three servicement killed in World War 2 (Sgt Donald Gunn RAF, Pte William Matheson, Seaforth Highlanders and Lt William Munro RAPC) are not listed on the memorial plaque.

 

Their names and personal details have been included in the consolidated museum Roll of Honour World War 2.

 

Dornoch is a town, seaside resort, parish and former royal burgh in the county of Sutherland in the Highlands of Scotland. It lies on the north shore of the Dornoch Firth, near to where it opens into the Moray Firth to the east.

 

The town is within the Highland local government council area. The town is near the A9 road, to which it is linked by the A949 and the B9168. The town also has a grass air strip suitable for small aircraft and helicopters.

 

The name 'Dornoch' is derived from the Gaelic for 'pebbly place', suggesting that the area contained pebbles the size of a fist (dorn) which could therefore be used as weapons. Archaeological excavations during the development of a new business park in 1997 revealed a building, evidence for ironworking and part of a whale, dating from 8th through the 11th centuries AD. The archaeologists surmised that the findings are of an industrial area on the edge of a settlement and that a settlement existed at Dornoch from at least the 8th century. However, the first direct reference to a settlement in Dornoch is not until the early 12th century when David I, recorded in the Dunfermline Abbey register, orders Rognvald, the Earl of Orkney, to respect the monks at Dornoch.

 

Dornoch has the thirteenth-century Dornoch Cathedral, the Old Town Jail, and the previous Bishop's Palace which is now the well-known hotel, Dornoch Castle and a notable golf course, the Royal Dornoch Golf Club, named the 5th best golf course outside the United States in 2005 by Golf Digest.

 

It is also notable as the last place a witch was burnt in Scotland. Her name was reported as Janet Horne; she was tried and condemned to death in 1727. There is a stone, the Witch's Stone, commemorating her death, inscribed with the year 1722. The golf course designer Donald Ross began his career as a greenkeeper on the Royal Dornoch links. The golf course is next to the award-winning blue flag beach.

 

Dornoch used to be connected to the main railway network at The Mound by a light railway. The railway was opened on 2 June 1902. Stations on the line were Dornoch, Embo, Skelbo, Cambusavie Halt and The Mound Junction. The stations were shut on 13 June 1960.

 

Dornoch Academy Modern Languages teacher Margaret C. Davidson, led the National Union of Women's Suffrage Societies in the burgh from 1913, volunteered as a nurse in the Scottish Women's Hospitals in France in World War One, and returned to teach and serve as a Girl Guide leader in 1931.

 

On 21 December 2000, the pop star Madonna had her son Rocco christened in Dornoch Cathedral, the day before her wedding to Guy Ritchie in nearby Skibo Castle.

 

On 13 January 2005, Dornoch was granted Fairtrade Town status.

 

The Burghfield House Campus of the University of the Highlands and Islands in Dornoch is the home for the Centre for History teaching undergraduate and postgraduate history degrees to students around the UHI network and worldwide.

 

Dornoch was a parliamentary burgh, combined with Dingwall, Kirkwall, Tain and Wick in the Northern Burghs constituency of the House of Commons of the Parliament of Great Britain from 1708 to 1801 and of the Parliament of the United Kingdom from 1801 to 1918. Cromarty was added to the list in 1832.

 

The constituency was a district of burghs known also as Tain Burghs until 1832, and then as Wick Burghs. It was represented by one Member of Parliament (MP). In 1918 the constituency was abolished and the Dornoch component was merged into the then new county constituency of Caithness and Sutherland.

 

Scotland's Westminster constituencies were redrawn for the 2005 UK general election, when Dornoch became part of the new Caithness, Sutherland and Easter Ross constituency. Since 2017, the MP has been Jamie Stone of the Liberal Democrats.

 

In the Scottish Parliament, since 2011 Dornoch has been part of the Caithness, Sutherland and Ross constituency. It elects one Member of the Scottish Parliament (MSP) by the first past the post method of election. Since its creation, the constituency has been held by the Scottish National Party (SNP). As of 2021 the MSP is Maree Todd, who was first elected in May 2021.

 

It is also one of eight constituencies in the Highlands and Islands Scottish Parliament region, which elects seven additional members, in addition to eight constituency MSPs, to produce a form of proportional representation for the region as a whole.

 

There is also elected local government councillors, and as of November 2011 there are elected community councillors.

 

Rosamunde Pilcher's last novel Winter Solstice is largely set in and around Dornoch, fictionalised under the name of Creagan

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

Supreme Power

Franklin Roosevelt vs. the Supreme Court

April 14, 2010, 12:00pm – 1:00pm

 

To watch the event, click here: www.americanprogress.org//events/2010/04/supreme.html

 

Scholars are asking the same questions about the role of the Supreme Court today as they were back in President Franklin D. Roosevelt’s time when he tried to expand the Supreme Court and stack it with his supporters: “Was it the judge’s role to essentially pass on the wisdom of economic legislation? Or was it the judges’ role to essentially … let Congress do what it felt needed to be done to advance the general welfare?” Author Jeff Shesol posed these questions at a CAP event last Wednesday about his new book Supreme Power: Franklin Roosevelt vs. The Supreme Court. Shesol was joined by Dahlia Lithwick, senior editor at Slate, on a panel moderated by John Halpin, Senior Fellow at CAP.

 

Halpin summarized the book as a three-act drama of the stability of democracy itself. “One is a decades-long ideological battle between competing world views about government, the economy, and the Constitution,” he said, “the second is how this ideological battle plays out politically in relation to the Court in the 1930s. And then there’s the third act that’s a little more implied, which is what’s the long-term legacy of this battle, both ideologically and politically for the New Deal and for…debates about the Court and jurisprudence throughout the 20th century,” Halpin explained.

 

The Supreme Court shot down each item on President Roosevelt’s New Deal agenda beginning in 1935. The impoverished social and economic situation meant that violent revolution was a real threat in the United States by late 1936 and early 1937. President Roosevelt was looking for a solution that was “constitutional, and that was quick and that would be effective,” Shesol said. Nowhere in the Constitution does it mandate the number of seats on the Supreme Court, so President Roosevelt decided to expand the Court to 15 judges and pack it with liberals. His plan failed, split the Democratic Party, and transformed the American constitutional landscape.

 

“When we think about the Court-packing plan we have an idea that the Court was way out of line. That it was striking down good, good laws,” Lithwick said. “No, these were well-intentioned laws, but…it’s not the case…they were horrified by the really very quick…one after another churning out legislation,” she explained.

 

But by 1936, “the Court has covered the constitutional landscape and has knocked down not only laws that were sloppily drafted, but laws that were exceedingly carefully drafted,” Shesol said. The Court decided with sweeping opinions to “pre-emptively overrule any such legislation in the future” so President Roosevelt came to believe that no matter how legislation was drafted, it was the justices themselves who would prevent the advance of anything he tried to do, Shesol added.

 

President Roosevelt thought the Constitution “was a very flexible instrument” and that the doctrines used to strike down the New Deal were obsolete, Shesol explained. Yet it’s evident in the conservative justices’ letters that they “believe [President] Roosevelt is centralizing power in his own hands” and both the Court and [President] Roosevelt viewed this constitutional argument as one about the survival of democracy and believed that a dictatorship would rise out of the ashes of failure, Shesol said.

 

The competing ideologies of constitutional formalism versus the notion of an elastic, living constitution have as much of an effect on legislative decisions today as they did in President Roosevelt’s day. Lithwick described the book as “manna from heaven” because of its timeliness in the current discussion of “jurisprudential theories and originalism” evolving around President Barack Obama’s decision to criticize the Supreme Court’s Citizens United ruling in his State of the Union address. “Eighty percent of the public hated the Citizens United decision,” she said. Clearly, the Court is “way out of whack” with public opinion.

 

Even today’s linguistic framework for conversations about the Supreme Court and presidential powers have not evolved much from the 1930s. Organic law and theories of evolution are still used to defend the living Constitution argument, versus constitutional formalism’s “language about how the constitution is set in stone, how it’s sort of oracular, and how it’s divine and this notion that the constitution is the secular Ten Commandments, it’s immutable, it doesn’t change,” Lithwick said.

 

There is a “perfect alignment between one’s economic views and one’s constitutional views in this way,” Shesol added. “If you believed that reform was essential…you tended to see the necessity to have the constitution … evolve with our understanding of contemporary realities. If you were pretty comfortable with the established order…you tended to be drawn to a kind of jurisprudence…that really had no room for these wild social experiments,” he said.

 

The prevailing Court model right now is to be an umpire with “the language of constraint” and do as little as possible so that you don’t appear to support more presidential power, Lithwick lamented. “We happen to be in a sort of trough right now in history where to talk about the idea that the Constitution seeks to protect minorities or seeks to protect the underprivileged is to look reckless,” she said. It has also become somewhat taboo to challenge the finite nature of the Constitution and insist that it’s a living document that should fit the times.

 

Conservatives have dominated the conversation on the Constitution for the last couple of decades, and we need to hear progressives assert their points of view, Shesol said. “What [President] Roosevelt understood and what he constantly reiterated is that this argument between these two notions of the Constitution goes back to the nation’s founding…and so [President] Roosevelt made this argument with a sense of supreme self-confidence that he was true to the intentions of the founders,” Shesol continued, “And we have somehow—on the progressive side—allowed the conservatives…to get away with the argument that the founders were universally in favor of smaller, weaker government, and state’s rights and so forth…and [President] Roosevelt didn’t believe that. I don’t imagine President Obama believes it either but it would be useful thing to hear him say forcefully.”

 

The two moments in time are very similar, but the key difference is that now we don’t have “a full-fledged coherent” progressive view of the Constitution, Lithwick said. This is a much more “one-sided view of the Constitution…but this is a moment where the president has decided to take on the Court” with Citizens United, she explained. Yet his argument against the decision has been a pragmatic one—that this decision can open up our elections to foreign interests—rather than a constitutional argument, despite the fact that he’s a constitutional professor.

 

“[President] Roosevelt was defending a whole set of policies that saved the country, that saved capitalism, created a modern social welfare system and renewed the concept of equal opportunity,” Halpin said. “Perhaps part of the problem today is that the issues outside of, say, the health bill, don’t seem as pressing.”

  

Featured Speakers:

Jeff Shesol, author, Supreme Power

Dahlia Lithwick, senior editor, Slate

 

Moderated by:

John Halpin, Senior Fellow, Center for American Progress

  

PHOTO CREDIT:

Ralph Alswang

Photographer

202-487-5025

ralph@ralphphoto.com

www.ralphphoto.com

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

La tradizione orientale verte verso l'armonia, la razionalità, l'immutabilità; la bellezza delle forme trasformarsi in origami. Una cultura ricca d'arte, dove le relazioni emotive sono dense di affettività. In particolare verrebbero privilegiati i rapporti verticali: tra giovane e anziano, tra novizio e esperto, tra subordinato e superiore, dove il primo offre la sua dedizione fedeltà, il secondo comprensione e paterna protezione. La mentalità giapponese si muove lungo strade, agli occhi degli stranieri, irrazionali, inspiegabili e incomprensibili.

 

The Eastern tradition relates to harmony, rationality, the immutability; the beauty of the shapes turn into origami . A culture rich in art, where emotional relations are full of affection. In particular would be privileged vertical relationships: between young and old , novice and expert , subordinate and superior , where the first offers his dedication loyalty, the second understanding and paternal protection . The Japanese mentality moves along streets, in the eyes of foreigners, irrational, inexplicable and incomprehensible .

 

Model: Maya Murofushi

 

Styling: Giulia Grincia

 

Make Up: Rosy Alai

 

© Guido Fuà / Eikona - all rights reserved

Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.

Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.

In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.

SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.

Location : SALT Gatala, Istanbul, Turkey

Exhibition Dates : April 20 - June 11

6 Meters Wide Circular Architectural Installation

4 Channel Video, 8 Channel Audio

Custom Software, Media Server, Table for UI Interaction

For more information:

refikanadol.com/works/archive-dreaming/

Bring it on.

 

Bring on the breathless TV weather drones. Bring on the frantic milk-and-toilet-paper shoppers. Bring on the desperate homeowners fighting for the last snow shovel, stick of firewood or bag of ice melt at the hardware store. Bring on the school-closing second-guessing. Bring on the endless chorus that "no one" in Washington knows how to drive.

 

Bring it on.

 

Bring on the snow.

 

Silence, if only briefly, the honking and the squealing and the rubber-on-asphalt moan that is our daily soundtrack. Force us to hear the hush of falling snowflakes, an almost imperceptible sound, like two hands being rubbed together.

 

Throw a thick white blanket over all our human imperfections: our cracked sidewalks, our crooked shingles, our dented cars, our stinky dumpsters, our towering billboards, our trash-strewed riverbanks, our ugly strip malls, our mute and unblinking bollards.

 

Whiten all our window ledges.

 

Frost our gardens and our hedges.

 

Obscure all the city's edges

 

With your powder so sublime.

 

Inspire in us a primal longing for food and shelter. Engender in some long-suppressed strand of our DNA a nervousness that drives us to the market to hunt and gather. Convince us that a few talismans -- a gallon of milk, a bag of Bugles, a roll of toilet paper -- will appease the spirits, will help us survive the storm.

 

Let us succumb to our primitive urges.

 

Gather our shamans -- Toppershutt, Bobryan, Suepalka -- and make them chant and fall into a trance and summon forth the magic SuperDoppler.

 

There! On the flickering screen! It's a bird's-eye view of our village, etched with lines of barometric pressure and wind chill temperatures, the squiggly portents of our future, as reliable as the goat intestines our augurs once spilled.

 

Remind us of Nature.

 

Remind us that Nature isn't our creation; we're Nature's, subject to its immutable rules, occasional victims of its nonchalant shrug. Remind us that Nature doesn't care if we're inconvenienced by winter, any more than a tree cares when we cut ourselves shaving or a stone that we sat on our cellphone.

 

Slow us down. Make us decide what's really important -- what trip, what task, what so-called necessity. Challenge us to find new ways to reach the nearest store, ways that don't involve driving the paltry three-quarters of a mile.

 

Compel us to pull on socks and lace up boots, to bundle up and sally forth. Make us lean into the wind and hike, our footprints leaving temporary traces of our passage (for are they not a metaphor for our very lives?).

 

Encourage us to see the world anew, to notice how the fresh white mantle both blurs and transforms all that it covers: parked cars turned into lumpy hillocks, curbs turned into mere suggestions of the granite underneath.

 

Force us into close proximity with our families (without wringing one another's necks).

 

When the power goes out, challenge us to somehow entertain ourselves (without wringing one another's necks).

 

Shush the whiners who can't recognize that a snowstorm is a gift. Quiet those who would have us power through the day as if it were like any other. Shut the traps of people who believe a day off school for a kid is the end of the world. Silence those who are ticked that they're "essential personnel" -- or that they're not.

 

Allow us just a few hours of communion: with the huddled masses in the checkout line, with all the people shoveling off their stoops, with Nature itself.

 

So bring it on.

 

Bring on the snow.

 

Ice, however, we could do without. And sleet. We don't want any of that. Ditto freezing rain.

A Place Of Broad Rivers And Streams

 

"The glorious Lord will be unto us a place of broad rivers and streams." Isaiah 33:21

 

Broad rivers and streams produce fertility, and abundance in the land. Places near broad rivers are remarkable for the variety of their plants and their plentiful harvests. God is all this to his Church. Having God she has abundance. What can she ask for that he will not give her? What want can she mention which he will not supply? “In this mountain shall the Lord of Hosts make unto all people a feast of fat things.” (Isaiah 25:6) Do you want the bread of life? It drops like manna from the sky. Do you want refreshing streams? The rock follows you, and that Rock is Christ. If you suffer any want, it is your own fault; if you are straitened you are not straitened in him, but in your own bowels. (2 Corinthians 6:12) Broad rivers and streams also point to commerce. Our glorious Lord is to us a place of heavenly merchandise. Through our Redeemer we have commerce with the past; the wealth of Calvary, the treasures of the covenant, the riches of the ancient days of election, the stores of eternity, all come to us down the broad stream of our gracious Lord. We have commerce, too, with the future. What galleys, laden to the water’s edge, come to us from the millennium! What visions we have of the days of heaven upon earth! Through our glorious Lord we have commerce with angels; communion with the bright spirits washed in blood, who sing before the throne; and even better yet, we have fellowship with the Infinite One. Broad rivers and streams are specially intended to set forth the idea of security. Rivers used to be a means of defence. Oh! beloved, what a defence is God to his Church! The devil cannot cross this broad river of God. How he wishes he could turn the current, but fear not, for God abides immutably the same. Satan may worry, but he cannot destroy us; no galley with oars shall invade our river, neither shall gallant ship pass thereby. (Isaiah 33:21)

_____

Morning&Evening - C.H. Spurgeon

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

The Castle of Old Wick is a ruined castle near the town of Wick, Caithness, Scotland.

 

The castle is located on a peninsula, south west of Wick. It is surrounded by sea cliffs and the landward approach was separated by two moats. Only the square tower remains, originally four storeys tall, however only three storeys remain. The ground floor contained the kitchen and storage areas; the first floor was the hall with a southeast entrance. The upper floors contained the personal quarters of the lord of the castle.

 

A narrow courtyard led to the centre of the peninsula with buildings on both sides, such as the barracks, the brewery, the chapel, etc. Outside the second moat was a defensive wall, which also formed the back wall of a number of buildings.

 

The castle was reached from the mainland via a drawbridge, which spanned a wide ditch cut into the rock, protected by a gatehouse and a defensive wall.

 

The history remains obscure. It was originally thought to have been constructed in the 12th century, by Harald Maddadson, Jarl of Caithness and Orkney. However, the surviving structure seems to date to the 14th century.

 

Reginald le Chen of Inverugie and Duffus, is known to have been in possession of the castle in the early 14th century. It passed by marriage of his daughter Mary to Nicholas Sutherland in 1345.

 

The castle later passed by the marriage of Christian, the daughter and heiress of Alexander Sutherland of Duffus, to William Oliphant in the 15th century. Andrew Oliphant of Berrideale sold the property to his uncle, Lord Oliphant in 1526. Laurence Oliphant, Lord Oliphant and his servants were besieged and attacked by the John Sinclair, Master of Caithness in July 1569.

 

It came to the Sinclair family in 1644, before passing to John Campbell, Lord Glenorchy, after the death of George Sinclair, Earl of Caithness, without issue. Lord Glenorchy, sold it to the Dunbars of Hempriggs in 1690. The Dunbars owned the castle until 1910.

 

Wick is a town and royal burgh in Caithness, in the far north of Scotland. The town straddles the River Wick and extends along both sides of Wick Bay. "Wick Locality" had a population of 6,954 at the time of the 2011 census, a decrease of 3.8% from 2001.

 

Pulteneytown, which was developed on the south side of the river by the British Fisheries Society during the 19th century, was officially merged into the burgh in 1902.

 

Elzy was described as on the coast a couple of miles east of Wick in 1836.

 

The town is on the main road (the A99–A9 road) linking John o' Groats with southern Britain. The Far North railway line links Wick railway station with southern Scotland and with Thurso, the other burgh of Caithness. Wick Airport is on Wick's northern outskirts. The airport has one usable runway. Two are disused.

 

The main offices of The John O'Groat Journal and The Caithness Courier are located in Wick, as are Caithness General Hospital (run by NHS Highland), the Wick Carnegie Library and local offices of the Highland Council. Wick Sheriff Court is one of 16 sheriff courts serving the sheriffdom of Grampian, Highland and Islands.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

The Hilton of Cadboll Stone is a Class II Pictish stone discovered at Hilton of Cadboll, on the East coast of the Tarbat Peninsula in Easter Ross, Scotland. It is one of the most magnificent of all Pictish cross-slabs. On the seaward-facing side is a Christian cross, and on the landward facing side are secular depictions. The latter are carved below the Pictish symbols of crescent and v-rod and double disc and Z-rod: a hunting scene including a woman wearing a large penannular brooch riding side-saddle. Like other similar stones, it can be dated to about 800 AD.

 

The stone was formerly on in the vicinity of a chapel just north of the village. It was removed to Invergordon Castle in the 19th century, before being donated to the British Museum. The latter move was not popular with the Scottish public, and so it was moved once more, to the Museum of Scotland, where it remains today. A reconstruction, designed and carved by Barry Grove, was recently erected on the site.

 

In 1998 excavation in the vicinity of the Hilton of Cadboll chapel site was undertaken by Kirkdale Archaeology (Paul Sharman and Jon Triscott) on behalf of Historic Scotland. During this work approximately 40 fragments of carved micaceous sandstone were recovered; the likely origin for these was surmised to be the Hilton of Cadboll stone.

 

Subsequently, in 2001, Historic Scotland commissioned Kirkdale Archaeology (Dave Murray, Stuart Jeffrey, Meggen Gondek, and Angus Mackintosh) to undertake a further excavation. Assisted by Barry Grove, a further 740 carved sandstone fragments, and 122 possibly carved fragments, were recovered. In addition, the fabled missing lower portion of the cross-slab was discovered (by Angus Mackintosh), but left in-situ.

 

Later in 2001 the lower portion of the cross-slab, along with several thousand more carved fragments, was recovered by Glasgow University Archaeological Research Division (GUARD) during an excavation funded by Historic Scotland. Following some controversy around where this section of the monument should be curated it was finally put on display in Hilton of Cadboll village hall rather than joining the upper portion at the Museum of Scotland. In parallel with the excavation, Historic Scotland also funded research carried out by Professor Sian Jones of the University of Manchester into the significance of Early Medieval Sculpture to local communities which concentrated on the historical fragmentation and movement of the Hilton of Cadboll monument as well its modern role in the production of meaning, value and place, The excavation and subsequent analysis of the 'biography' of the monument was the foundation of a major monograph published by the Society of Antiquaries of Scotland in 2008. The digital elements of the excavation archive were deposited with the Archaeology Data Service.

 

Six burials were also revealed during the work, indicating that the stone was likely (re)used to mark the cemetery. Only one skeleton was fully excavated and removed; the others remained undisturbed throughout the duration of the fieldwork. The burials contained various types of pottery and some stones with an unknown glaze on the surface. Several metatarsals were removed for radiocarbon dating, but were returned to the site once testing was complete.

 

Ten soil samples were taken from the site which appeared to contain charcoal or other evidence about the environment. These samples were subjected to optically stimulated luminescence (OSL) dating coupled with the analysis of the stratigraphy in order to establish the age and content of the soil. Five distinct levels were discovered in the soil which date from 9th century to present day.

 

The Hilton of Cadboll stone was carved around AD 800 in northern Scotland, then a heartland of the Picts.

 

At this time Scotland was becoming Christian and sculptured stones were created to celebrate the new religion. Carved from local sandstone, it displays sophisticated artistry and symbolism.

 

At some point the stone was toppled and broken, possibly in a storm in 1674, and the bottom portion lost. In 1676 the original carving of the Christian cross was chipped off and replaced with an inscription commemorating a local man, Alexander Duff, and his three wives.

 

From the 17th to the mid 19th centuries, the stone remained by the chapel at Hilton of Cadboll. For much of this time it lay with the original Pictish carving facing down.

 

In the 1860s the MacLeods of Cadboll took it to Invergordon Castle and installed it as a garden ornament.

 

When the MacLeods sold Invergordon Castle in 1921 they gave the stone to the British Museum in London. This led to public outcry, so the stone was returned to Scotland, arriving at the Museum of Antiquities in Edinburgh later that year. In 1995 the stone was moved to its current prominent position in the Early People gallery.

 

The symbols at the top of this slab are found on many other carved stones from eastern and northern Scotland. The Hilton of Cadboll slab features some of the most elaborate and intricately decorated examples of these symbols.

 

Pictish symbols are unique to Early Historic Scotland and their meaning is the source of much speculation. If they were part of a language like Egyptian hieroglyphs, they remain indecipherable.

 

Pictish symbols are also found on stones that do not feature any Christian imagery, on high status jewellery, and on smaller stone and bone objects. Examples of these symbols can be seen in the ‘Glimpses of the Sacred’ section of the Early People gallery.

 

The hunting scene

The middle panel can be interpreted as an aristocratic hunting scene. At the bottom of the panel, a deer is being chased by two large dogs and two armed horsemen. Above this a person is shown sitting sideways on a horse, with glimpses of a second rider behind them. To the right are two trumpeters blowing long horns.

 

The central character has been interpreted as an important woman, perhaps someone that people would have recognised when the stone was carved. The mirror and comb in the top left hand corner are Pictish symbols traditionally associated with women.

 

Special care has been taken to add detail to the carving of this person’s robes and hair. She also wears a large brooch: surviving examples such as the Hunterston brooch emphasise how elaborate and prestigious these objects could be.

 

This hunting scene may illustrate the leisurely lifestyle of the elite members of society who commissioned the carving of this stone. However, in Christian art the hunt could also represent religious conversion and the salvation of the soul, and so a double meaning of this scene is possible.

 

The main rider is shown sitting sideways on a horse. Important people are sometimes shown facing towards the viewer, but in Christian art the Virgin Mary and Jesus are both depicted riding in this unusual way. The Hilton of Cadboll stone might be drawing on this important Christian imagery.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

 

Learn More

 

Profiles in patiotism: Keun Park

 

By Jane Lee

jane.k.lee@korea.army.mil

 

YONGSAN GARRISON - Fighting communism. Serving five times as an Ambassador for the Republic of Korea, Keun Park summed up the very reason for dedicating his life to diplomacy, with those two simple words.

 

Park said it was fate for him to become a diplomat in a career that spanned the emerging democracy’s first five presidencies.

 

“In my dorm there were North Korean students who escaped from Soviet occupation and the communists … who came down, fled to South Korea and entered prep school at Seoul National University,” he said. “They were upstairs. One night I heard a beer bottle cracking and shattering while we were sleeping.

 

“We were scared. In the morning, we ran up and saw. I could not recognize them. Their faces were so swollen they could not open their eyes. They were so disfigured, you could not distinguish one from the other.”

 

Shocked by the violence, Park spurned law school or politics in lieu of trying to find an answer to communism.

 

“Because of my experience with Japanese rule … I had suffered enough from oppression and dictatorship,” he said. “Fate brought me to every important event, every confrontation with communism.

 

“The threat to Korea was not from North Korea alone. The Soviet Union shot down a civilian airliner - Korean Air flight 007. Beyond that, the Soviet Union, their goal was world domination and Korea was one of their stepping stones or obstacles to achieving that because of our geopolitical location.”

 

Throughout his 30 years of government service, Park remained a steadfast champion of the ROK-US Alliance; even amidst deep, divisive anti-American sentiment following the accidental killing of two young school girls during a U.S. Military training exercise and the mad cow beef scare.

 

“The very fact that the United States symbolizes freedom – this immutable human historical value - is why it is the strongest country in the world today,” he said. “And because of freedom, it is the most innovative, technologically advanced, morally, materially and politically superior country. And allying with that country is a miracle.

 

Park credits Syngman Rhee, Korea’s first president, for having the vision to accomplish the impossible. Overcoming the overbearing communist-friendly zeitgeist during the founding of the republic, Rhee made sure the United States and South Korea were tied together through a formal alliance.

 

“I think God blessed us. That is why Korea is ahead of all other developing countries today - because we were founded on democracy, capitalism and non-communist ideologies.”

 

Regarding anti-American demonstrators today: “We can put them in jail, put them down, oppress them … but that’s not strength, that’s weakness. It’s a freedom we have to value.”

 

“When I was young, I believed in freedom, democracy and individualism. I think if you believe in these values, you remain eternally young. I want young people to hold onto these values."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

குறையொன்றும் இல்லை கண்ணா

குறையொன்றும் இல்லை கோவிந்தா

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

குறையொன்றும் இல்லை கண்ணா

குறையொன்றும் இல்லை கோவிந்தா is beautifully and divinely played by Pathmasri Dr.Kadri Gopalnath in his dazzling style. Many ardent carnatic music lovers shed tears while listening and watching him play live at the grand finale of Sri Raama Naama Gaanaamirtham ~ Isai Velvi 2011 at Raama Krishna Mission hall in Wellawatte, Colombo, Sri Lanka

  

Pathmasri Dr.Kadri Gopalnath from India performs at Isai Perrarangu of Sri Raama Gaanaamirtham~Isai Velvi 2011.

 

Young Gopalnath once saw the saxophone being played in the Mysore PalaceMysore band set. Thrilled on hearing the vibrant tone of the saxophone, Gopalnath decided to master it. It took him nearly 20 years for him to conquer the complex western wind instrument and he was eventually crowned as the "Saxophone Chakravarthy". Padmasri Dr.Kadri Gopalnath has the distinction of being the first Carnatic musician to be invited in the BBC Promenade concert in 1994, in the Royal Albert Hall at London.

  

Kurai Onrum Illai was composed by Indian politician, statesman and Governor-General of India, Chakravarti Rajagopalachari.[1] Rajagopalachari, or Rajaji was he was popularly known, was a religious Hindu and a devout Vaishnavite. "Kurai Onrum Illai" is his sole Carnatic composition that has gained widespread recognition. The song depicts his intense devotion to God.

 

Lyrics in Thamizh :~

 

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

குறையொன்றும் இல்லை கண்ணா

குறையொன்றும் இல்லை கோவிந்தா

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

குறையொன்றும் இல்லை கண்ணா

குறையொன்றும் இல்லை கோவிந்தா

 

கண்ணுக்குத் தெரியாமல் நிற்கின்றாய் கண்ணா

கண்ணுக்குத் தெரியாமல் நின்றாலும் எனக்கு

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

 

வேண்டியதைத் தந்திட வேங்கடேசன் என்றிருக்க

வேண்டியது வேறில்லை மறைமூர்த்தி கண்ணா

மணிவண்ணா மலையப்பா கோவிந்தா கோவிந்தா கோவிந்தா கோவிந்தா

திரையின்பின் நிற்கின்றாய் கண்ணா

கண்ணா திரையின்பின் நிற்கின்றாய் கண்ணா - உன்னை

மறையோதும் ஞானியர் மட்டுமே காண்பார்

 

திரையின்பின் நிற்கின்றாய் கண்ணா - உன்னை

மறையோதும் ஞானியர் மட்டுமே காண்பார்

என்றாலும் குறையொன்றும் எனக்கில்லை கண்ணா

என்றாலும் குறையொன்றும் எனக்கில்லை கண்ணா

குன்றின்மேல் கல்லாகி நிற்கின்ற வரதா

குன்றின்மேல் கல்லாகி நிற்கின்ற வரதா

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

மணிவண்ணா மலையப்பா கோவிந்தா கோவிந்தா கோவிந்தா கோவிந்தா

கலினாளுக்கிறங்கி கல்லிலே இறங்கி

நிலையாகக் கோவிலில் நிற்கின்றாய் கேசவா

 

கலினாளுக்கிறங்கி கல்லிலே இறங்கி

நிலையாகக் கோவிலில் நிற்கின்றாய் கேசவா

குறையொன்றும் இல்லை மறைமூர்த்தி கண்ணா

யாதும் மறுக்காத மலையப்பா

யாதும் மறுக்காத மலையப்பா உன் மார்பில்

ஏதும் தர நிற்கும் கருணைக் கடல் அன்னை

என்றும் இருந்திட ஏது குறை எனக்கு

என்றும் இருந்திட ஏது குறை எனக்கு

ஒன்றும் குறையில்லை மறை மூர்த்தி கண்ணா

ஒன்றும் குறையில்லை மறை மூர்த்தி கண்ணா

மணிவண்ணா மலையப்பா கோவிந்தா கோவிந்தா கோவிந்தா கோவிந்தா

கோவிந்தா கோவிந்தா கோவிந்தா கோவிந்தா.

 

English translation of the song :~

 

No regrets have I

My lord,

None.

Lord of the Written Word,

My light, my sight,

My very eyes

No regrets,

None.

Though you stand

Where I behold you not

My light, my very eyes,

Protector of all earthlings

I know you sustain me

Lord of the Venkata Hill so pure

You meet my hunger, my thirst

My hope, my prayer

You keep me from harm,

Lord of the Sparkling Gems,

I need naught else

Father of the Seven Hills,

Naught else.

You stand — do you not? —

Veiled by a screen

Only the learned can part

For they are the learned

Which I am not

But no, no regrets have I.

Crowning this hill

You stand as rock

Giver of Boons

Immutable God

Father to these hills

No regrets have I

Govinda !

In this benighted Age of ours

Lord —

The worst of all the Four —

You have entered

The sanctum

A shaft of granite

Where though I see you not

No regrets have I.

Boulder of strength

With the Ocean,

Heaving on your breast,

Of the purest compassion —

My Mother,

My very own, who grants

Anything I ask of her

Can I possibly have regrets?

The two of you, I know,

Stand there for me

Eternally

No regrets have I my Govinda

None, none whatsoever

Govinda! Govinda!

Govinda! Govinda!

 

~~ Translated by Gopal Gandhi ~ Grandson of Mahathma Gandhi ~~

 

One very large issue about the English language is its preference to describe the physical realms over decades of dropping the descriptions of anything of the spiritual realm.

 

This is one of the main reasons Shoghi Effendi who translated the Sacred Texts of the Baha'í Faith into an older form of English because it still carried enough Spiritual content.

 

One huge issue, I see in todays world is that the English language being used by millions of people all over the planet objectifies everything including all living creatures that are not meant to be treated as objects...human beings treating other human beings, environments and animals the same way they treat products on shelves is a direct result of the present day English language.

 

Again language directs a culture and a culture guides its inhabitants behaviours.

 

To be able to change the way we treat other human beings, environments, and all animals we need to change our culture.

 

To change the culture you have to change the language and the Ruhi Institute process has been designed to shift our use of English being used in common day use throughout the world to an English full of words that hold the balance between the spiritual realities and the scientific realities.

 

'Abdu'l-Bahá states...

"Now, all questions of morality contained in the spiritual, immutable law of every religion are logically right.

If religion were contrary to logical reason then it would cease to be a religion and be merely a tradition.

Religion and science are the two wings upon which man’s intelligence can soar into the heights, with which the human soul can progress.

It is not possible to fly with one wing alone!

Should a man try to fly with the wing of religion alone he would quickly fall into the quagmire of superstition,

whilst on the other hand, with the wing of science alone he would also make no progress, but fall into the despairing slough of materialism.

All religions of the present day have fallen into superstitious practices, out of harmony alike with the true principles of the teaching they represent and with the scientific discoveries of the time.

Many religious leaders have grown to think that the importance of religion lies mainly in the adherence to a collection of certain dogmas and the practice of rites and ceremonies! Those whose souls they profess to cure are taught to believe likewise, and these cling tenaciously to the outward forms, confusing them with the inward truth."

Loch Leven is a fresh water loch located immediately to the east of the burgh of Kinross in Perth and Kinross council area, central Scotland. Roughly triangular, the loch is about 6 km (3.7 mi) at its longest. Prior to the canalisation of the River Leven, and the partial draining of the loch in 1826–36, Loch Leven was considerably larger. The drop in water level by 1.4 m (4 ft 7 in) reduced the loch to 75% of its former size, and exposed several small islands, as well as greatly increasing the size of the existing ones.

 

There are seven islands on the loch, the largest being St Serf's Inch. Lochleven Castle, where Mary, Queen of Scots was imprisoned in 1567, lies on one of these islands, and it can be reached by a ferry operated from Kinross by Historic Environment Scotland during the summer months.

 

NatureScot describe Loch Leven as "one of Scotland's top natural assets", due to its rich ecosystem that supports many different species of plants, insects, fish and birds. It is of particular significance to migrating birds, who use it as a stopover when flying between their breeding and wintering grounds, due to its lowland location, shallow nutrient rich waters, large water surface, and islands (which provide safe nesting sites). Loch Leven holds numerous national and international conservation designations, including being a national nature reserve (NNR).

 

As the largest lowland loch in Scotland, Loch Leven is an important site for waterfowl, with up to 35,000 birds present in the winter months. These birds migrate from a variety of places, such as Greenland, Iceland, Ireland, Siberia and northern and central Europe. Loch Leven is particularly important for pink-footed geese, and up to 20,000 such geese (nearly 10% of the world's population) may be present at times, although many geese move south from the loch as winter progresses. Other bird wintering at Loch Leven include greylag geese, whooper swans, goldeneyes, tufted ducks, pochards, teals, gadwalls, cormorants, and shovelers.

 

Loch Leven is also important for breeding birds, and hosts one of the largest concentrations of breeding ducks of any non-coastal site in Europe. The most numerous species are tufted duck and mallard; gadwall, shoveler, shelduck, pochard, teal, pintail and wigeon are also present. The loch is also used by birds such as mute swans at the end of the summer for moulting, as the loch is large enough to allow them to avoid predators during a period when they are flightless as the shed their summer feathers and grow new winter plumage.

 

The two main fish species present in Loch Leven are brown trout and perch: the loch's trout have long been noted for their unusual colour and high quality. Other fish living in the loch include sticklebacks, pike, eels, and minnows. Some species of fish noted in historical records are no longer present: it is thought that Arctic char were impacted by the lowering of the loch's water level, whilst the damming of the River Leven and rise in pollution due to the increase in industry are the likely reasons for the demise of the population of Atlantic salmon.

 

The loch supports many species of invertebrates, which provide a food source for many of the species of birds, fish and mammals. During the summer months large clouds of small flies form a vital part of the food for ducklings. Some rare species of beetle are present, including the carrion beetle Thanatophilus dispar, the reed beetle Macroplea appendiculata and the ant beetle Anthicus scoticus. Other invertebrates found at the loch include aquatic snails and several species of dragonflies and damselflies.

 

Otters are found around the loch and the burns that feed into it, and water shrews and water voles live along the banks of ditches and burns. A total of six species of bat have been recorded at the NNR: Daubenton, brown long-eared, noctule, Nathusius, soprano and common pipistrelle bat. Grey squirrel numbers are controlled and this has allowed red squirrels to re-establish themselves in woodlands around the loch. Fox, mink and brown rat are also present on the reserve. As with the grey squirrels numbers are controlled, for these pest species this is to protect nesting birds.

 

The Loch Leven NNR hosts a wide assemblage of vascular plant species that grow around the loch shore, including three species listed on the IUCN Red List (coral root orchid, Loch Leven spearwort and lesser water-plantain) and other species rated as "nationally rare" or "nationally scarce" such as holy grass, threadrush and mudwort. Lesser water plantain, Loch Leven spearwort, mudwort and threadrush live on areas of mud, sand or gravel around the lochside. They require sites that are intermittently exposed, and either natural erosion or active management is needed to prevent reeds or other aquatic plants from out-competing them. Coral-root orchid is found at only one location on the reserve.

 

The area around Loch Leven has been inhabited for millennia, and the remains of a crannog (a dwelling constructed on an artificial island, probably during the Iron Age) have been found off Kirkgate Park.

 

St Serf's Inch was the home of a Culdee and then an Augustinian monastic community, St Serf's Inch Priory. There was a monastic community on the island which was old in the 12th century. The monastery produced a series of Gaelic language charters from the 11th and 12th centuries which were translated into Latin in the late 12th century. It was here that Prior Andrew of Wyntoun wrote the Orygynale Cronykil of Scotland.

 

Loch Leven Castle is strongly associated with Mary, Queen of Scots, who was imprisoned here in 1567–1568, and forced to abdicate as queen, before escaping with the help of her gaoler's family. After her escape her forces were defeated at the Battle of Langside, and she fled to England. Several relics were found during the partial draining of the loch in 1826–36, one of them being a sceptre, "apparently of cane, hilted with ivory, and mounted with silver, upon which … were the letters of the words, 'Mary, Queen of Scots'", found near the Mary Knowe, where she is supposed to have landed after her escape from the castle. Kinross House lies on the western shore of the loch facing out to the castle. It was built in 1684-95 by its owner, the architect Sir William Bruce.

 

Visitors to Loch Leven have long noted the abundance of wildlife here:

 

In this lough is fish every day gotten for store, none in Britain like, and consider the bigness of it as also for fowl. There is a river they call the Leven running out of it eight miles to the sea, and in it is salmons... there be great store of all kinds of wildfowl, of wild geese there being continually seen 3,000 or 4,000, and swans many.

 

— Sir Christopher Lowther, 1692.

What appears to contribute most to the redness and rich taste of Loch Leven trout is the vast quantity of small shellfish, red in colour, which abound all over the bottom of the loch especially among the aquatic weeds.

 

— Statistical Accounts of Scotland, 1793.

In 1827 an Act of Parliament was passed "for recovering, draining and preserving certain lands in the counties of Fife and Kinross; and for better supplying with water the mills, Manufactories and Bleach fields and other works situated on or near the River Leven in the said county of Fife." The work was undertaken to provide a more reliable water supply to industries along the River Leven, and involved the lowering of the level of the loch, and straightening of the River Leven: the old meanders of the river are visible in aerial photographs of the area.

 

There is an all abilities path around the loch, known as the Loch Leven Heritage Trail, which can be accessed from seven different car parks around the loch at Kinross Pier; Kirkgate Park; Burleigh Sands; Loch Leven's Larder; Findatie; RSPB Loch Leven car park; and the car park at the Cashmere Factory. The trail was completed in 2014, and as of 2016 NatureScot estimated that 200,000 people were using it annually. The RSPB run a visitor centre on their section of the reserve which as of 2016 was receiving around 70,000 visitors each year. The centre has facilities including a shop, café, observation room, educational facilities, toilets, and marked trails leading to three bird hides. A further three open hides are provided at locations around the loch.

 

Loch Leven is strongly associated with the sport of curling, and Kinross Curling Club, founded 1668, is reputedly the oldest in the world. The loch has been the site of the most extensive outdoor tournaments in the sport, the Grand Match or Bonspiel, however the ice has not been thick enough for this since 1959. The cold weather of the 2010/11 winter led to much speculation that a Bonspiel could be held, however due to safety concerns only informal matches were held on the loch. The loch is also a popular location for angling (chiefly for brown trout) and wildfowling.

 

Loch Leven forms the main part of the Loch Leven national nature reserve (NNR), which covers 1,823 ha (4,500 acres) of loch and islands. The NNR is managed by NatureScot, with the wetlands on the southern shore being managed by the Royal Society for the Protection of Birds (RSPB) and the fishing and shooting managed by Kinross Estate. Castle Island is managed by Historic Environment Scotland, who also run the ferry to the island. Loch Leven was first declared a National Nature Reserve in 1964 and re-declared in 2002, when it was extended to include the RSPB Loch Leven section. The NNR is classified as a Category II protected area by the International Union for Conservation of Nature.

 

As an internationally important site for wildlife Loch Leven holds a number of different conservation designations, being designated as a Site of Special Scientific Interest (SSSI), a Special Protection Area (SPA), and a Ramsar site.

 

There are also sites designated for their historical value surrounding Loch Leven. Loch Leven Castle and St Serf's Priory are Scheduled Monuments. Kinross House is a Category A listed building, and its grounds are listed in the Inventory of Gardens and Designed Landscapes in Scotland.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Siso Tonic and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

 

Great Food and Music Highly Recommended

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Siso Tonic and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

 

Great Food and Music Highly Recommended

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

Kirkgate Graveyard

A small graveyard on a promontory which extends into Loch Leven a half-mile (1 km) east southeast of the centre of Kinross in SE Perth and Kinross, the Kirkgate Graveyard lies next to Kinross House. The builder of that property, King's Surveyor and Architect Sir William Bruce (1630 - 1710), lies here with his family in a small mausoleum. Also buried here is Robert Burns Begg (1833 - 1900), a noted local historian and Sheriff-Clerk of Kinross-shire, who was the grand-nephew of the bard Robert Burns (1759-96).

 

The graveyard was once the site of a Chapel of Ease built by monks from St Serf's Island. The ruined central aisle of a later church remains. A square watch-tower (1852) lies at the gate of the cemetery.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

 

La tradizione orientale verte verso l'armonia, la razionalità, l'immutabilità; la bellezza delle forme trasformarsi in origami. Una cultura ricca d'arte, dove le relazioni emotive sono dense di affettività. In particolare verrebbero privilegiati i rapporti verticali: tra giovane e anziano, tra novizio e esperto, tra subordinato e superiore, dove il primo offre la sua dedizione fedeltà, il secondo comprensione e paterna protezione. La mentalità giapponese si muove lungo strade, agli occhi degli stranieri, irrazionali, inspiegabili e incomprensibili.

 

The Eastern tradition relates to harmony, rationality, the immutability; the beauty of the shapes turn into origami . A culture rich in art, where emotional relations are full of affection. In particular would be privileged vertical relationships: between young and old , novice and expert , subordinate and superior , where the first offers his dedication loyalty, the second understanding and paternal protection . The Japanese mentality moves along streets, in the eyes of foreigners, irrational, inexplicable and incomprehensible .

 

Model: Maya Murofushi

 

Styling: Giulia Grincia

 

Make Up: Rosy Alai

 

© Guido Fuà / Eikona - all rights reserved

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Keep it simple; they say. It sounds like good advice that generally works until marketing, politics, envy and one-upmanship get a hold.

 

Days and dates are a classic example. Some are fixed in time; some variable. The revolution of the Earth about the Sun and the Moon around the Earth are regular enough as is Earth's rotation on its axis. So if you were born on any date apart from February 29 your birthday is fixed, immutable. Other celebrations like Christmas follow convention — one religious cult appropriated a post solstice celebration, renamed it and the marketing began. Easter is flexible, within limits and wobbles about according to phases of the Moon. Others are strangely arbitrary, like what is now the King's Birthday which will be held some time after the anniversary of his grandfather's birth, or another random date at the whim of politicians.

 

Herein lies the problem. For better or worse, on an immutable date, an event occurred which developed inexorably into the European settlement of what became Australia. For the original human inhabitants it can represent a moment in time when their peace was shattered, their culture undermined, their humanity disregarded. That date has become Australia Day and was alternately labelled Invasion Day on the sesquicentenary of the settlement — in 1938. No invasion whether of Ukraine, Palestine, Australia, New Zealand, Indonesia, Peru, on and on…was invited nor welcomed. Nothing we can say or do changes that fixed point in time. But we can change the mindset around the day of European settlement of Australia and how it is commemorated. Celebration, nationalism, jingoism and all the other -ism's have no place here and nor does denial, disruption, envy and name calling. This all needs fixing. But it can't be fixed by calls to change the date — something impossible — or by politics of any sort. Talking about it, not listening to the loudest, but to all, might just work. Keep it simple; they say.

 

That's where these baked apples come in; or at least these uneaten ones! They relate back to an earlier, more simple time. They are seasonal. I wouldn't think to buy an apple to bake. But when there is an abundance of suitable candidates, why not? Nor would I bake any old apple. These white transparents explode into snowy mush. My next favourites are the blenheim orange. They won't be ready until about March or April and the calville blanc d'hiver maybe two months later again. In between, my other apples have different destinies.

 

I cannot change the timing of these things. But I can keep it simple. There'll be acolytes of the complex, the fringe, the edge who'll want a foam, a gel, a "soil" with their baked apples. Good grief they might even deconstruct them to serve with a tuile! Others will want gadgetry to take out the core or stuff the cavity. I'm here to tell you that when I was little, the legs of a wooden "dolly" peg was all that was needed, pushed in at the flower end and rotated. The butter and sugar, preferably brown, could be stuffed in with the handle of a wooden spoon. No piping bag, tweezers, pipette nor syringe was required! Just don't forget to run a slit around the girth of your apple so it doesn't have a steam explosion and put a little water in the pan to catch all the juices for a delicious sauce and stop everything from getting too hot. Perhaps it won't be pretty. But it will be simple, accessible, classless, apolitical and something your granny would understand.

Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.

Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.

In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.

SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.

Location : SALT Gatala, Istanbul, Turkey

Exhibition Dates : April 20 - June 11

6 Meters Wide Circular Architectural Installation

4 Channel Video, 8 Channel Audio

Custom Software, Media Server, Table for UI Interaction

For more information:

refikanadol.com/works/archive-dreaming/

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Members don't have to put trust in a central authority. • No single point of failure. • Less censorship

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Stored information cannot be altered without recording the changes made.

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Print for the upcoming show at Benjamin Benjamin gallery in Portland.

 

"I have absolutely no idea if this image is any good. I'm definitely too close to it, having just finished it a few hours ago. SlaughterHouse Five is far and away my most favorite book. I first read Vonnegut's Galapagos when I was in High School as part of a book assignment. The other novels on that list seemed incredibly boring to me at the time, and Galapagos was the only one that the English teacher (name escapes me...) said came close to Science Fiction, so that's what I went for. After that, I was hooked, and went for Slaughterhouse Five next.

 

Slaughterhouse Five has shaped so much about my life and perception of it- how I feel about war, and reality, and death. It's an alternately sweeping and small novel, and I can't imagine it any differently than how it was written. Many times reading a book, I'll think- "oh, it could be better if the author had done X instead." But Slaughterhouse Five is written with an immutable authenticity- it could not have been any other way. Which is clearly a very Tralfamadorian concept, come to think of it.

 

This piece is probably my most ambitious- containing more actual drawing than maybe 3 other of my prints combined. I couldn't boil Slaughterhouse down to one image or moment as I usually do with my film prints. I wanted it to appear like how the book describes the Tralfamadorian novel- you see the story all at once and have to perceive the entire structure as a whole work of beauty, with all it's ups and downs.

 

Thank you for reading, and if this isn't nice, I don't know what is."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Dingwall is a town and a royal burgh in the Highland council area of Scotland. It has a population of 5,491. It was an east-coast harbour that now lies inland. Dingwall Castle was once the biggest castle north of Stirling. On the town's present-day outskirts lies Tulloch Castle, parts of which may date back to the 12th century. In 1411 the Battle of Dingwall is said to have taken place between the Clan Mackay and the Clan Donald.

 

Its name, derived from the Scandinavian Þingvöllr (field or meeting-place of the thing, or local assembly; compare Tynwald, Tingwall, Thingwall in the British Isles alone, plus many others across northern Europe), preserves the Viking connections of the town; Gaels call it Inbhir Pheofharain (pronounced [iɲiɾʲˈfjɔhəɾaiɲ]), meaning "the mouth of the Peffery" or Baile Chàil meaning "cabbage town".

 

The site of the Þingvöllr, and of the medieval Moothill, thought to have been established by the Vikings after they invaded in the 8th century, lies beneath the Cromartie memorial.

 

In the early Middle Ages Dingwall Castle, which was established in the 11th century, was reputed to have the largest castle north of Stirling.

 

King Alexander II created Dingwall a royal burgh in 1226, the burgh becoming the seat of the Earls of Ross. James IV renewed its royal burgh charter in 1497. On the top of Knockfarrel (Scottish Gaelic: Cnoc Fhearghalaigh), a hill about three miles (five kilometres) to the west, stands a large and very complete vitrified fort with ramparts.

 

An obelisk, 51 feet (16 m) high, was erected over the grave of George Mackenzie, 1st Earl of Cromartie, near the parish church of St Clement after he died in 1717. It was affected by subsidence, becoming known as the "Leaning Tower", and was later replaced by a much smaller replica.

 

Dingwall Town Hall, which dates back to 1745, still survives.

 

The town has a pedestrian Heritage Trail, which launched in March 2023, with information boards at key historical sites around the town.

 

James Gillanders of Highfield Cottage near Dingwall, was the Factor for the estate of Major Charles Robertson of Kincardine and, as his employer was then serving with the British Army in Australia, Gillanders was the person most responsible for the mass evictions staged at Glencalvie, Ross-shire in 1845. A Gaelic-language poem denouncing Gillanders for the brutality of the evictions was later submitted anonymously to Pàdraig MacNeacail, the editor of the Canadian Gaelic column in which the poem was later published in the Nova Scotia newspaper The Casket. The poem, which is believed either to be or to draw upon eyewitness accounts, is believed to be the only Gaelic language source of information relating to the evictions in Glencalvie.

 

Dingwall formerly served as the county town of Ross and Cromarty: the headquarters of Ross and Cromarty County Council, established in 1889, was County Buildings in Dingwall.

 

The Ferry Road drill hall was completed in 1910.

 

As a result of storms in late October 2006, Dingwall was subject to widespread flooding the aftermath of which left the town and much of the Highlands north of Inverness, including the A9 and Far North Line, cut off for a time In August 2019 the town was once again flooded.

 

Dingwall's Post Office was named the UK's most improved delivery office of the year in Royal Mail's 2021 Awards.

 

Dingwall lies near the head of the Cromarty Firth where the valley of the Peffery unites with the alluvial lands at the mouth of the Conon, 14 miles (23 km) northwest of Inverness. The town contains a particularly short canal, the Dingwall Canal, also known locally as the River Peffery.

 

Dingwall is the home of football team Ross County, who won promotion to the Scottish Premier League in 2012 and finished the 2012/13 season in fifth place. Despite the town's small population, Ross County attract sizeable crowds to Victoria Park from across the whole surrounding area. The team reached the 2010 Scottish Cup Final, having knocked out Celtic in the previous round.

 

Ross County won their first piece of major silverware in 2016, winning the Scottish League Cup by beating Hibernian 2–1 in the final.

 

Dingwall railway station has been on what is now called the Far North Line since about 1865. It also serves the Kyle of Lochalsh Line.

 

Dingwall is on the former main road route to the north Highlands (A9). Since the completion of the Cromarty Bridge in 1979, the main road has bypassed Dingwall. Heading west, the A834 joins the A835 road which is the main route to the north west Highlands, including Ullapool.

 

Television signals are received from the Rosemarkie TV transmitter and the local relay transmitter situated in Fodderty.

 

Radio stations are provided by BBC Radio Scotland on 94.0 FM and BBC Radio nan Gàidheal (for Gaelic listeners) on 104.9 FM, MFR Radio on 96.7 FM and Highland FM on 107.1 FM which is an all-volunteer based community radio station.

 

The town is served by the local newspaper, Ross-shire Journal.

 

Dingwall has a primary school, Dingwall Primary, serving the town.

 

Dingwall Academy is the secondary school serving the town and the wider area, including communities such as Strathpeffer, Contin, Conon Bridge, Maryburgh and Muir of Ord.

 

The Highland Theological College is located within the town, housed in a former Scottish Hydro Electric office. It is part of the University of the Highlands and Islands. Its focus is upon Theological Education, and is an accredited university for training Church of Scotland and United Free Church ministers and workers.

 

Dingwall was a parliamentary burgh, combined with Dornoch, Kirkwall, Tain and Wick in the Northern Burghs constituency of the House of Commons of the Parliament of Great Britain from 1708 to 1801 and of the Parliament of the United Kingdom from 1801 to 1918. Cromarty was added to the list in 1832. The constituency was a district of burghs known also as Tain Burghs until 1832, and then as Wick Burghs. It was represented by one Member of Parliament (MP). In 1918 the constituency was abolished and the Dingwall component was merged into the county constituency of Ross and Cromarty which was itself abolished in 1983.

 

Notable people

James Fraser of Brea theologian and prisoner on the Bass Rock

Prof James Alexander MacDonald (1908–1997) botanist, born and raised in Dingwall.

Major General Sir Hector Archibald MacDonald, Son of a local Crofter at Rootfield, Dingwall.

John M'Gilligen of Fodderty who held conventicles in houses throughout the county

John Kennedy of Dingwall, Free Church of Scotland minister

Rev Duncan Leitch, Moderator of the General Assembly of the Free Church of Scotland in 1952

Julie Fowlis, a folk singer and multi-instrumentalist

Kate Forbes, member of the Scottish Parliament for Skye, Lochaber and Badenoch and former Cabinet Secretary for Finance at the Scottish Government. She was born and went to school in Dingwall.

Thomas Simpson (explorer), Arctic explorer and accused murderer (1808–1840)

Willie Logan, civil engineer and founder of aviation company Loganair

Colin Calder, founder of the Club Atletico Rosario Central - Argentina on December 24, 1889

 

Churches include:

Dingwall and Strathpeffer Free Church of Scotland

Dingwall Baptist Church

Dingwall: Castle Street Church of Scotland

Dingwall Evangelical Church

Dingwall: Free Presbyterian Church of Scotland, opened in the mid/late 1890s, current building 1959.

Dingwall: St Clement's Church of Scotland

St James the Great Scottish Episcopal Church

St Lawrence's Church, Roman Catholic Church, opened in 1902.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

Extra-large, two creams and half a sweetener: that's how I take my coffee at Tim Hortons. Mild in flavour but comforting and hot, Timmies is part of being Canadian, a familiar habit now immutably woven into the fabric of our souls. I bought this cup at Yonge & College, street-level, and photographed it atop the garbage bin by the glass doors.

 

At home I drink a much richer, more pungent, stronger coffee - Kicking Horse Kick Ass, a real coffee - and I drink it black. But that's a story for another photograph. :)

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

History of The Old Kirk

Origins: probably originally a Pictish site

It is thought Christianity came to the area in the 6th century, brought by St Columba and there is an old carved stone by the front door of the Kirk which may be a font from that time.

Earliest record: this is a Latin document from 1187-1203.

Reformation: in 1560 all parishes were ordered by Parliament to have a kirk large enough to hold two-thirds of the population over 18.

 

1724-1750 – The church had fallen into a poor state and each ‘gentleman and tenant should repair the holes above his own pew’

1765 – John Grant became minister.

1767 – James Grant the younger, the main landowner in the parish engaged Alexander Cuie from Keith as mason and Alexander Haston as joiner and the present building at 64ft long and 24 foot wide, 12ft high was built at a cost of £90.

1873 – 10 years after becoming minister, Dr William Forsyth oversaw a major overhaul of the building. The architect was Alexander M MacKenzie from Elgin. Pews were added and a stove installed due to the ‘severity of the climate and distance people had to walk to church’ The cost was £762:10:5 1/2d

2009 – The Church of Scotland Trustees indicated that the building was no longer required and was to be sold off

2009 – Abernethy Old Kirk Association (AOKA) was formed by local interested people

2010 – AOKA became a private company limited by guarantee and a registered Charity

2011 – The Church of Scotland sold the Old Kirk to AOKA for £1,000

2012 – 2013 External renovation work was carried out with funding from the Heritage Lottery Fund; a Cairngorm National Park Leader Grant; Awards for All and the Ward Discretionary Budget

 

Nethy Bridge is a small village in Strathspey in the Highland council area of Scotland. The village lies 5 miles (8 km) south of Grantown-on-Spey within the historical parish of Abernethy and Kincardine, and the Cairngorms National Park.

 

Often affectionately referred to simply as "Nethy" the village has, since Victorian times been a tourist destination noted for its quiet and secluded location at the edge of the Abernethy Forest. It is in the heart of Strathspey in the Highlands of Scotland, between Aviemore and Grantown, and is within the boundary of the Cairngorms National Park which was established in 2003.

 

A primary industry of Nethy Bridge was forestry, with at one time several sawmills in the area, but this has long since subsided and now much of the income is derived from tourism.

 

The name is derived from the River Nethy, a tributary of the nearby Spey, which runs through the village, and the arched bridge which was built in 1810, to a classic Telford design, and is in the heart of the village. It had to be repaired after the Moray flood of August 1829, when part of it was washed away. In total, there are four Telford bridges in Nethy.

 

Originally called Abernethy (Scottish Gaelic: Obar Neithich), Nethy Bridge was renamed shortly after the railways came this far north in the 1860s. There was already a station called Abernethy on the North British Railway line from Ladybank to Perth further south, so perhaps the Great North of Scotland Railway renamed this one Nethy Bridge to differentiate the two. The placename Abernethy is still frequently used around here: Abernethy Highland Games, Abernethy Forest, Abernethy Primary School etc.

 

The Aultmore Estate on the northern edge of Nethy Bridge has an Edwardian mansion and estate cottages, let out for tourism. The estate is owned by Bob Dylan, who put it on the market in 2023 for £3 million.

 

In 2011 the population of Nethy Bridge was 640.

 

Nethy Bridge was one of the first communities in the area to establish a tourist association website. A major part of the website is to record all properties with their individual history, and several village "elders" have been enlisted to research and record the facts.

 

In 2019, BBC Winterwatch was broadcast from the village.

 

The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.

 

The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim  The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.

 

The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.

 

The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.

 

Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.

 

Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".

 

Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".

 

Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West.  Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way.  The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes. 

 

Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities.  Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land.  In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.

 

In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.

 

When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected.  This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms.  Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.

 

The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.

 

Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.

 

According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".

 

The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.

 

For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.

 

In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.

 

A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.

 

Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.

 

The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.

 

Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.

 

There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.

 

Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.

 

The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.

 

These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.

 

The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.

Climate

 

The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.

 

Places of interest

An Teallach

Aonach Mòr (Nevis Range ski centre)

Arrochar Alps

Balmoral Castle

Balquhidder

Battlefield of Culloden

Beinn Alligin

Beinn Eighe

Ben Cruachan hydro-electric power station

Ben Lomond

Ben Macdui (second highest mountain in Scotland and UK)

Ben Nevis (highest mountain in Scotland and UK)

Cairngorms National Park

Cairngorm Ski centre near Aviemore

Cairngorm Mountains

Caledonian Canal

Cape Wrath

Carrick Castle

Castle Stalker

Castle Tioram

Chanonry Point

Conic Hill

Culloden Moor

Dunadd

Duart Castle

Durness

Eilean Donan

Fingal's Cave (Staffa)

Fort George

Glen Coe

Glen Etive

Glen Kinglas

Glen Lyon

Glen Orchy

Glenshee Ski Centre

Glen Shiel

Glen Spean

Glenfinnan (and its railway station and viaduct)

Grampian Mountains

Hebrides

Highland Folk Museum – The first open-air museum in the UK.

Highland Wildlife Park

Inveraray Castle

Inveraray Jail

Inverness Castle

Inverewe Garden

Iona Abbey

Isle of Staffa

Kilchurn Castle

Kilmartin Glen

Liathach

Lecht Ski Centre

Loch Alsh

Loch Ard

Loch Awe

Loch Assynt

Loch Earn

Loch Etive

Loch Fyne

Loch Goil

Loch Katrine

Loch Leven

Loch Linnhe

Loch Lochy

Loch Lomond

Loch Lomond and the Trossachs National Park

Loch Lubnaig

Loch Maree

Loch Morar

Loch Morlich

Loch Ness

Loch Nevis

Loch Rannoch

Loch Tay

Lochranza

Luss

Meall a' Bhuiridh (Glencoe Ski Centre)

Scottish Sea Life Sanctuary at Loch Creran

Rannoch Moor

Red Cuillin

Rest and Be Thankful stretch of A83

River Carron, Wester Ross

River Spey

River Tay

Ross and Cromarty

Smoo Cave

Stob Coire a' Chàirn

Stac Polly

Strathspey Railway

Sutherland

Tor Castle

Torridon Hills

Urquhart Castle

West Highland Line (scenic railway)

West Highland Way (Long-distance footpath)

Wester Ross

[Canon 7D | Canon 35mm 1.4 | Street Lamp Light]

 

Growing up poor teaches you a lot. More than anything else, it conditions you to accept the immutable omnipresence of scarcity.

 

I've noticed that manner of thinking has cast a long shadow on my psyche. It runs so deep, that I even get buyer's remorse when I spend money in Grand Theft Auto IV.

 

"Damn, I got 20 $800 grenades. I could have bought twice as many molotov cocktails for the same money. Got damn, I hope I made the right decision..."

 

I'd like to say my neurosis was limited to imaginary purchases in a make-believe video game universe, but sadly it creeps into my real life also. Once I like something, I assume I will never find anything else that I like as much. I mean, what's the chance that there could be two things that I really like?

 

Also, when I really like something that I've done - a humorous observation, a witty amalgalm of seemingly disparate thoughts, or even a really nicely captured and processed photo - I tend to subconsciously think "Well, that's it. I did something well once. Enjoy that last swallow cause the mayonnaise jar is empty and the Kool-Aid is GOONNEEEE, brother!"

 

I think I kinda felt that way about Lone Tigers Fan. I was really pleased with how that came out, which triggered my poor-person conditioning: "Well, if I did that well... what are the chances that I can do it again. What are the chances that this light will hit this person in this way and I will have the inspiration to process it using these colors, this technique...what's the chance that any more of all those good things still exists in the universe?"

 

The immutable omnipresence of scarcity.

 

That why this project has proven to be so therapeutic for me. When I look back over the photos I've made in the past 2 or 3 months, I surprise myself with the sheer abundance of photos that I am deeply pleased with.

 

And not just in that fleeting exhilaratory way that you are sometimes pleased with something when you just finish it. I can go back to some of these photos days, or months later and still feel secure in their value.

 

Having a project that requires I attend to it on a daily basis (even when I'm not posting, I'm shooting or processing, or reading photography blogs, or listening to photography podcasts, or thinking about photos), has forced me to go out and seek abundance; to seek new situations and people and opportunities that I can fashion into something genuinely valuable.

 

I hope that's what I accomplished here.

 

My girl Candace is like the nexus of cool people. Through her I've met a wide variety of folks I really like. One of those people is the Sharon - the woman pictured above.

 

Today is actually the 7 year anniversary of Sharon's migration to Detroit from her native Cleveland. Me, her, Candace, and my man James were at our favorite bar, Centaur (2233 Park Avenue), when I heard about Sharon's pending anniversary.

 

I figured this would be a good excuse to make some portraits of Sharon as a way of christening many more years in Detroit - or anywhere else that suits her goals.

 

This photo also christened my embrace of many more of everything. Good friends, beautiful photos, and top-shelf grenades.

 

Because the immutable omnipresence of scarcity is some bullshit, Maury.

 

[View the weekdaily blog and meet more of: The People of Detroit ]

  

Parenthood

After Theodore Roethke

 

I have known the inexorable sadness of children's shoes,

squat in their boxes, scuffed after five minutes' wearing,

the incalculable tristesse of Thomas the Tank Engine slippers,

DayGlo blue nylon with immutable plastic badges,

and the cost of all this which is sleeplessness, vomit and Dettox spray,

rage of shoelace tying,

bottom wiping, yoghurt scraping, Ribena mopping,

as you try, one hand glued to your hair, your mouth burning

with sores, to speak politely on the telephone

to the woman who is buying your house,

the doctor who says don't bend, the friend who is just back from Prague

your mother who begins, 'Well, in my day...

And I have seen dust collect under their beds, there is nothing

I can do to prevent it, visions of gin, gallons of it, before breakfast,

incomprehensible gobbledegook of Tommee Tippee instructions,

Tixylix, dawn-light of Calpol, poignancy of vests in their packets,

blockage of buggies in swing doors

and heartbreak of stories by the fire,

Granpa, Peepo!, Peace at Last, the firelight wavering

and breathing slowing to a pulse

that overcomes you with drowsiness,

the furies of your life ebbing as the story, here, now, unfurls,

grows, is fixed, not a word omitted or changed,

by stories are we known and do tell ourselves, daddy,

I'm tired now please, carry me, you forgot vitamins, to bed.

 

Anthony Wilson

    

www.facebook.com/MiaFeigelson

"Llandaff Cathedral: The West Front" (1795 - 6) (exhibited 1796)

- pencil and watercolour on white wove paper: 35.5 x 25.9 cm -

© Tate Britain, London, UK

Accepted by the nation as part of the Turner Bequest 1856

www.tate.org.uk/

www.facebook.com/tategallery

"This watercolour is based on a pencil drawing in the South Wales sketchbook (Tate D00556; Turner Bequest XXVI 4). Commissioned by Dr Matthews (see the list of ‘Order’d Drawings’ near the front of the South Wales book, Tate D40557), it was probably the work shown at the Royal Academy in 1796 (701). For a possible source for the dancing figures in the foreground see the South Wales view of the gateway of the Bishop’s Palace at St David’s (Tate D00593; Turner Bequest XXVI 39).

Finberg dismisses this watercolour as ‘merely the work of a clever and skilful topographical draughtsman ... When the artist has told us as clearly and precisely as possible the exact shape of every object from his chosen point of view, we feel that he has done all that he set out to do, and all that we can reasonably demand of him. Then these objects are left standing side by side in relative independence of each other and of us; they have no necessary connection one with the other ... Their only bond of union is the abstract one of space. The whole effect is of something severed from direct experience; the objects have an unreal air of permanence and immutability, with something of the intellectual coldness and aloofness of a diagram or mathematical symbol.’

These strictures are prompted by a comparison with the watercolour of the Interior of Ewenny Priory that Turner exhibited in 1797 (National Museum Wales, Cardiff); and see the Smaller South Wales sketchbook, Tate D00472; Turner Bequest XXV 11), which is a technically more sophisticated work But they do less than justice to the expressive subtlety of Turner’s conception in the Llandaff. The figures of old men gossiping and young people dancing to a fiddle, though deliberately introduced on a small scale to emphasise the majestic proportions of the cathedral, are carefully devised to point up the themes of the subject: the passing of time, youth, age, and the contrast between antiquity and modernity, the spiritual and the mundane.

Andrew Wilton

April 2012"

www.tate.org.uk/

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

Slayer

Alcatraz - Milano

19 Giugno 2013

 

Tom Araya

Kerry King

Jeff Hanneman

Dave Lombardo

 

© Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

Immagine protetta da copyright © Mairo Cinquetti.

Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.

Per contatti: mairo.cinquetti@gmail.com

 

From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.

Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.

Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."

Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.

For as long as Slayer has been making records it has been surrounded by controversy.

Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."

Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."

The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."

Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.

Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."

Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.

"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."

Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."

Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.

Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."

© PKG Photography

 

In Vajrayana Buddhism there are ritual implements and instruments. Many of the Buddha images hold one or two, or many of these, depending on how many arms the particular Buddha is displaying. All of these implements have meaning. Each is there to engage our busy minds in a way that will lead us toward the Truth. Those held in the left hand relate to wisdom, the realization of the emptiness of all phenomena, and those held in the right hand relate to skillful means, or compassion.

  

The bell and dorje are two of these implements. The dorje, held in the right hand, represents skillful means, and the bell, held in the left, represents wisdom. Together these ritual implements represent the inseparability of wisdom and compassion in the enlightened mindstream. Looked at separately, each is a great treasure of spiritual meaning.

  

The word Dorje means Lord of Stones in Tibetan. It symbolizes the capacity to transform all experience into an experience of enlightened perspective. Everything in samsara, cyclic existence, is impermanent, and therefore, not to be relied upon. The dorje symbolizes the skillful means of transforming our ordinary experience to one that will propel us on our spiritual path. The dorje has five extraordinary characteristics. It is impenetrable, immovable, immutable, indivisible, and indestructible. The dorje is the indestructible weapon of the wrathful deities. It is the symbol of spiritual authority of the peaceful deities.

  

Vajra, the Sanskrit word, means the hard or mighty one, diamond-like. Its brilliance illuminates ignorance and reveals Truth, destroying the delusion that causes suffering. Once the cause of suffering is revealed to us, we are empowered to create the causes of happiness. Ultimately we will attain the egoless state, which is free from all suffering. From the Vajrayana perspective, the motivation for attaining this state is to relieve all beings from their suffering.

  

The physical appearance of the dorje is rich in meaning. At the very center is a sphere representing the dharmata, the sphere of reality itself, the ultimate truth. Surrounding the sphere on either side are one or three ‘strands of pearls’, depending on the size of the dorje. These represent the three doors of liberation. The first door is the transcendental concentration of signlessness, in which words and concepts fall away and there is nothing to grasp. The second is the transcendental concentration on directionlessness, the state of perfect equanimity–spiritual stability and balance. The third is the transcendental concentration on emptiness.

  

Next to the pearls on either side of the sphere are eight-petaled lotuses. The petals on one side represent the eight great Bodhisattvas; the petals on the other represent their consorts. * The next display on the vajra is a moon disc. This is the seat of the Bodhisattvas symbolizing the full realization of Bodhicitta, the Great Compassion.

  

There are six more rings after the moon disc. These symbolize the six perfections: generosity, moral conduct, patience, joyful effort, concentration, and wisdom. The accomplishment of these six is the foundation of the Mahayana, the Great Vehicle of Buddhist study and practice. They are the hallmark of the Bodhisattva path. When one has accomplished these, one can truly be of benefit to others.

  

The next thing we see on the dorje are the makaras. A makara is a composite animal with jaws like a crocodile which symbolizes effort and persistence in Dharma practice.

  

A vajra may have one, two, three, four, five, six, or nine prongs. The most common is the five-pronged vajra. They look like points that protrude from the curved ends, one on each curve and one at each end. These five prongs symbolize the five Buddhas of the five Buddha families and their consorts.

  

The bell, also, is rich in symbolic meaning and power. Mainly the bell is the mandala of Prajnaparamita, the Great Mother, she from whom all reality comes forth. By its sound, the bell invites or attracts the deities to attend or participate and warns or drives away obstructing forces. The ringing of the bell can remind one of the emptiness of phenomena or bring the mind into greater awareness. As a musical instrument, its sound can be an offering to the Buddhas and Bodhisattvas.

  

The hollow of the bell represents the void from which all phenomena arise, including the sound of the bell, and the clapper represents form. Together they symbolize wisdom (emptiness) and compassion (form or appearance). The sound, like all phenomena, arises, radiates forth and then dissolves back into emptiness.

  

If you look closely at the bell, you will see many markings or designs on it. Each of these has a meaning. On the rim of the bell is the disc of space that gives rise to the sound of emptiness. The vajra fence, the indestructible circle of protection which encircles the bell is bordered on both sides by a ring of pearls. The bottom ring is a ring of wisdom flames, representing the five primordial wisdoms. The top ring of pearls is another protective circle symbolizing the development of the higher states of consciousness which allow one to enter the celestial palace of Prajnaparamita. The flames are associated with Manjushri, the Bodhisattva of Wisdom, the vajras with Vajrapani, the Bodhisattva of Power, and the lotuses with Chenrezig, the Bodhisattva of Compassion. This indicates that spiritual qualities are the true protection.

  

Above the protective border are the makaras holding loops of jeweled pendants with vajras in between them. The jeweled pendants decorate the celestial palace. The vajras in between symbolize the eight charnel grounds within the mandala. Above the jeweled loops and between the makaras are eight lotus petals representing the eight Bodhisattvas. The lotus petals are marked with syllables representing the eight consorts or offering goddesses. Above this is another double row of pearls with a row of vajras in between. These represent the inner walls and inner protection circle of the mandala.

  

The stem of the bell rises above this. At its base are lotus petals, representing Prajnaparamita’s lotus throne. On the stem there are two sets of pearl rings, a lower set and an upper set. Together these represent the six perfections. In between them is either a square or round base. The square base represents the earth, the round a long life vase. The long life vase symbolizes the nectar of accomplishment and represents the nectar-filled body of the goddess Prajnaparamita whose face is above. Prajnaparamita represents the perfection (paramita) of the absolute non-duality of all the Buddha’s wisdom or discriminating awareness (prajna). The binding of her hair represents the binding of all views into non-dual reality. There are five wisdom-jewels on her crown, which overlap onto the five front petals of the upper vajra’s eight-petaled lotus pedestal. The bell is crowned at the top with a five or nine-pointed vajra.

  

These two instruments give us much to contemplate and meditate upon. Deepening in our understanding of what they represent and using them in our practice with that deepened understanding give them the potential of being very valuable tools for our path. As we become more familiar with the various Buddhas and their qualities, and participate in ritual ceremony and empowerment we move closer to the realization of our own Buddha nature, which is, after all, the point.

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