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Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Cairngorms National Park is a national park in northeast Scotland, established in 2003. It was the second of two national parks established by the Scottish Parliament, after Loch Lomond and The Trossachs National Park, which was set up in 2002. The park covers the Cairngorms range of mountains, and surrounding hills. Already the largest national park in the United Kingdom, in 2010 it was expanded into Perth and Kinross.
Roughly 18,000 people reside within the 4,528 square kilometre national park. The largest communities are Aviemore, Ballater, Braemar, Grantown-on-Spey, Kingussie, Newtonmore, and Tomintoul. Tourism makes up about 80% of the economy. In 2018, 1.9 million tourism visits were recorded. The majority of visitors are domestic, with 25 per cent coming from elsewhere in the UK, and 21 per cent being from other countries.
The Cairngorms National Park covers an area of 4,528 km2 (1,748 sq mi) in the council areas of Aberdeenshire, Moray, Highland, Angus and Perth and Kinross. The mountain range of the Cairngorms lies at the heart of the national park, but forms only one part of it, alongside other hill ranges such as the Angus Glens and the Monadhliath, and lower areas like Strathspey and upper Deeside. Three major rivers rise in the park: the Spey, the Dee, and the Don. The Spey, which is the second longest river in Scotland, rises in the Monadhliath, whilst the Dee and the Don both rise in the Cairngorms themselves.
The Cairngorms themselves are a spectacular landscape, similar in appearance to the Hardangervidda National Park of Norway in having a large area of upland plateau.[citation needed] The range consists of three main plateaux at about 1000–1200 m above sea level, above which domed summits (the eroded stumps of once much higher mountains)[8] rise to around 1300 m. Many of the summits have tors, free-standing rock outcrops that stand on top of the boulder-strewn landscape.[9] The edges of the plateaux are in places steep cliffs of granite and they are excellent for skiing, rock climbing and ice climbing. The Cairngorms form an arctic-alpine mountain environment, with tundra-like characteristics and long-lasting snow patches.
The Monadhliath mountains lie to the north of Strathspey, and comprise a bleak, wide plateau rising to between 700 and 950 m.
Two major transport routes run through the park, with both the A9 road and the Highland Main Line crossing over the Pass of Drumochter and running along Strathspey, providing links between the western and northern parts of the park and the cities of Perth and Inverness. The Highland Main Line is the only mainline rail route through the park, however there are several other major roads, including the A86, which links Strathspey to Fort William, and the A93, which links the Deeside area of the park to both Perth and Aberdeen.
The idea that parts of Scotland of wild or remote character should be designated to protect the environment and encourage public access grew in popularity throughout the nineteenth and early twentieth centuries. In 1931 a commission headed by Christopher Addison proposed the creation of a national park in the Cairngorms, alongside proposals for parks in England and Wales. Following the Second World War ten national parks were established in England and Wales, and a committee was established to consider the issue of national parks in Scotland. The report, published in 1945, proposed national parks in five areas, one of which was the Cairngorms. The government designated these five areas as "National Park Direction Areas", giving powers for planning decisions taken by local authorities to be reviewed by central government, however the areas were not given full national park status. In 1981 the direction areas were replaced by national scenic areas, of which there are now 40. In 1990 the Countryside Commission for Scotland (CCS) produced a report into protection of the landscape of Scotland, which recommended that four areas were under such pressure that they ought to be designated as national parks, each with an independent planning board, in order to retain their heritage value. The four areas identified were similar to those proposed in 1945, and thus again included the Cairngorms.
Despite this long history of recommendations that national parks be established in Scotland, no action was taken until the establishment of the Scottish Parliament in 1999. The two current parks were designated as such under the National Parks (Scotland) Act 2000, which was one of the first pieces of legislation to be passed by the Parliament. Before the national park was established in 2003, Scottish Natural Heritage conducted a consultation exercise, considering the boundary and the powers and structure of the new park authority.
Following the establishment of the park many groups and local communities felt that a large area of highland Perth and Kinross should form part of the park and carried out a sustained campaign. On 13 March 2008 Michael Russell announced that the national park would be extended to take in Blair Atholl and Spittal of Glenshee, and the park was duly extended on 4 October 2010.
In 2015, 53 km (33 mi) of the 132 kV power line in the middle of the park was taken down, while another section along the edge of the park was upgraded to 400 kV.
Tourism accounts for much of the economy and 43% of employment within the park area. In 2018, 1.9 million tourism visits were recorded. The park's mandate is sustainable tourism "that builds on, conserves and enhances [its] special qualities". The Cairngorms Business Partnership includes 350 private sector member businesses. In early 2017, the park was voted by Hundredrooms as one of the top seven eco-tourism destinations in Europe and discussed as a "mecca for outdoor enthusiasts". The Visit Scotland web site discusses the amenities and indicates that this park "has more mountains, forest paths, rivers, lochs, wildlife hotspots, friendly villages and distilleries than you can possibly imagine".
The park is popular for activities such as walking, cycling, mountain biking, climbing and canoeing: for hillwalkers there are 55 Munros (mountains above 3,000 feet (910 m) in height) in the park.[6] Two of Scotland's Great Trails pass through the park: the Speyside Way and the Cateran Trail.
A skiing and winter sports industry is concentrated in the Cairngoms, with three of Scotland's five resorts situated here. They are the Cairn Gorm Ski Centre, Glenshee Ski Centre and The Lecht Ski Centre. There was controversy surrounding the construction of the Cairngorm Mountain Railway at the Cairn Gorm Ski Centre, a scheme supported by the national park authority. Supporters of the scheme claimed that it would bring in valuable tourist income, whilst opponents argued that such a development was unsuitable for a protected area. To reduce erosion, the railway operates a "closed scheme" and only allows skiers (in season) out of the upper Ptarmigan station: other visitors may not access the mountain from the railway unless on a guided walk.
The Cairngorm Mountain Railway funicular was closed in October 2018 "due to health and safety concerns", or "structural problems" according to reports in summer 2019. At the time, an investigation was still underway to determine whether modifications would be "achievable and affordable". (The same situation was reported in December 2019.) This railway first opened in 2001 and connects the base station with a restaurant on Cairn Gorm mountain.
Aviemore is a busy and popular holiday destination, located close to Glenmore Forest Park and the Cairn Gorm Ski Centre. The Strathspey Railway is preserved railway running steam and heritage diesel services between Aviemore railway station and Broomhill via Boat of Garten, along part of the former Highland Railway.
The Highland Wildlife Park also lies within the national park, and the Frank Bruce Sculpture Trail is located near Feshiebridge. This short trail through the woods features a sculptures created by Frank Bruce between 1965 and 2009.
In addition to the Cairngorm Brewery, six distilleries are located within the Park area: Dalwhinnie distillery, The Glenlivet distillery, Tomintoul distillery, Royal Lochnagar distillery, Balmenach distillery and The Speyside distillery. Royal Lochnagar, Dalwhinnie, Cairngorm Brewery and Glenlivet are set up to receive visitors on a regular basis. Tomintoul, Balmenach and Speyside can be visited but require an appointment made in advance.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Falls of Shin is a waterfall on the River Shin, in northern Scotland, near the villages of Bonar Bridge and Lairg.
Falls of Shin had a popular visitor centre, managed as part of Balnagown Estates, a company owned by former Harrods boss Mohamed Al-Fayed. This included a restaurant, a branch of Harrods, and a waxwork model of Al-Fayed. The visitor centre was destroyed by a fire in May 2013. Balnagown Estates have since been working with the Kyle of Sutherland Development Trust to develop a new visitor attraction. In May 2017, the new visitor centre opened following the successful construction carried out by William Gray Construction. The opening event was dubbed "Celebra-Shin". The cafe is currently operated by Mac & Wild- a company created by Andy Waugh and Calum MacKinnon with 2 restaurants in London and Falls of Shin being their third.
The Falls of Shin were dynamited to improve the salmon access.
Aside from the Salmon Viewing Platform, the site also comprises a Mini Golf Course, Woodland Walks and a large Children's Playpark.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Lochinver is a village that is located at the head of the sea loch Loch Inver, on the coast in the Assynt district of Sutherland, Highland, Scotland. A few miles northeast is Loch Assynt which is the source of the River Inver which flows into Loch Inver at the village. There are 200 or so lochans in the area which makes the place very popular with anglers. Lochinver is dominated by the "sugar loaf" shape of Caisteal Liath, the summit peak of nearby Suilven.
Lochinver is an important fishing port in Scotland; frequented by European fishermen primarily from Spain and France. Lochinver underwent a major renewal project in the 1990s where the harbour area was rebuilt and a new and much improved loading area was created. This new development involved blasting an area of several hectares out of the surrounding rock. At present the area is mostly undeveloped, with the exception of a new Sports Centre.
In 2020, Lochinver was the fourth largest whitefish (demersal) port, with over £14 million of fish and shellfish passing through the port (of which £1.6 million was landed by Scottish vessels).
The back of Lochinver is a beautiful part of Assynt with local tourism and nature areas being developed in conjunction with small-scale forestry activities. Birdlife in Lochinver includes the curlew, oystercatcher and hooded crow.
Other local villages include Inverkirkaig, accessed by the road leading up the River Culag, and on the coastal road north: Achmelvich, Clachtoll, Clashmore, Stoer, Clashnessie, Drumbeg and Culkein Drumbeg.
In the 1890s, it was suggested that a railway be constructed from Invershin to Lochinver, to 'open up' the Highlands and provide a direct rail connection with ferries to the Western Isles. This scheme was as an alternative to a proposed route to Ullapool from Garve. In the event, neither were able to obtain funding.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
" . . . Know, beloved, that We continue to stand vigilantly with all the Chohans of the Rays, with Mighty Hercules and with all of Elohim, to hold the balance against such terrorism whenever the Great Law will allow. We also understand that a certain purging does occur before great releases of Light into the Earth can take place. This is not by Our choice, beloved. It is an impersonal action of Cosmic Law. It is part of the immutable Laws of cause and effect governing all life everywhere. Nevertheless, Our greatest opportunity to mitigate such purging occurs when stalwart students of the Light with upraised Chalices and Hearts of Fire diligently invoke the Light. This affords the greatest and highest avenue of constructive change, through the God Mastery of the Science of the Spoken Word.
"Therefore, know well, beloved, that it is a momentous event indeed, whenever a Lightbearer elects to join the ranks of the Torch Bearers of The Temple. This order is not merely a social organization where students pop in and out of decree services whenever they wish to have their four lower bodies massaged by the Light. The Office of Torch Bearer signifies to the Hierarchy your willingness to take on the constancy and responsibility to uphold all that the Ascended Masters are standing for in the Earth today not just gazing fondly backwards at the glory days of the past. It means actively engaging in the Light day by day; becoming Our Light and then keeping a listening ear to your own God Presence and forging that ultimate Union with your Presence.
"We speak sternly when events of this cataclysmic nature transpire in the Earth. Know well that We would have it otherwise if there were other means open to us. I call your attention to this most critical, indispensable assistance that depends entirely on you, Our embodied students everywhere. Therefore, it is incumbent on all the Lightbearers who know about the Teachings of the Ascended Masters to galvanize themselves in a concerted and united effort. Joining forces as Torch Bearers in support of Our present instrument for directly reaching mankind - namely The Temple of The Presence - you will enable Our Great Light to flow in the greatest possible measure into the Earth.
"With the passing of Our former Messengers, many who call themselves Ascended Master students, as well as their leadership, have assumed a rather dogmatic air of superiority and short sightedness which has resulted in unlawful bickering and consequent weakness in the internal affairs of those Activities. Without exception, each former Activity has clung to the notion that their Messengers were the last We would ever sponsor. Each in turn has been grievously in error. It is time for those of you in previous Activities to put aside your human opinions about what We the Ascended Masters choose to do in Our greater Wisdom. Your presumption is completely wrong and therefore the more tragic. Surrender your frail human opinions unto your own God Presence, allow Us to decide and allow for Our Light to flow! For We, the Ascended Masters and most especially the Karmic Board, deem it is high time for all avowed Ascended Master Students to unite under this Our Banner and invoke the Light of God as One Body in The Temple!
"Mark well! We know whereof We speak! For the hardened lines of division and separation in the former Activities of the Ascended Masters are not healthy in the land. Those in The Temple have repeatedly extended the Olive Branch of reconciliation and it has been refused time and time again! The Karmic Board will not countenance this ungodly spirit of exclusivity and superiority any longer - not if you consider yourselves Our Disciples!
"If Our help is continually refused, there will be a dissolving of the ranks of those Activities and they will be no more. For We desire that all Our students be galvanized to Our Light when We release it for a Divine Purpose and for the Salvation of the little ones who know not the gravity of circumstance that surrounds them and who contently allow others to think and decide these matters for them.
"Know well, beloved, that should you continue to separate yourselves from Our Activity - where We are active today, not in the past - that it is only a matter of time until your own God Presence will choose to redirect the Light and the energy of your Lifestream to deflect you out of harm's way. For you would be better off forging a personal Path than reinforcing others who go out of their way to refute and deny Our Presence here. This road leads only to further negativity.
"We have long stood on the sidelines, not speaking a single word calculated to confuse anyone, but allowing for the inner action of the Law to come full circle and to bloom as the Christ Light of Illumination through the Heart chakras of the old guard students with the dawning awareness of the Ascended Masters Presence here. However, given the present planetary conditions, this awakening is too long in coming. Instead, an entrenched recalcitrance and a protracted drought of true Ascended Master Radiation prevents that awakening from occurring in a timely fashion.
"Therefore, I speak to those who are part of the I AM Activity - your own Beloved Godfre left you a Legacy of Light, as did Beloved Lanello, on behalf of the blessed students of The Summit Lighthouse. Now is the time for you to invoke that Light along with Our vanguard Ascended Master Activity where We are fully engaged today. It is time for you to awaken to the understanding of the indwelling Light that is to be released from this very Altar.
"With the coming of the Manu Yuga, understand that the Manus of the various Root Races intend to focus a great magnitude of Cosmic Light and Life to those Lifestreams who tie directly to Their Hearts. This is the reason for the great volume and intensity of Light when They approach the Earth. For the galvanizing Magnet of the Heart Flames tied to Their Cosmic Hearts strengthens and shifts the planetary Currents which are also tied directly to Them. When the Manus are present for the formal Quarterly Conference and in this Heart Center delivering Their Instruction, know that throughout the entire twelve day cycle, the release of Light will be great indeed, and will require all the Lightbearers of the Earth to hold a greater than ordinary balance.
"The Karmic Board is preparing the way. We have approved the Dispensation for this coming release to occur at this time knowing that this darkness, borne of the seed of terror, must be brought to the surface and annihilated, and be no more. Understand, beloved, that for Peace to truly reign in the land, We must have more conscious Disciples who will understand that there is a right and a wrong approach to preventing such destructivity from breaking through into the physical.
"It is important that the Lightbearers accept their responsibility to invoke the Blue Flame of Protection and to have that Light thrusting out constantly to protect the land. Do not expect that all will be mitigated if you do not invoke a sufficiency of Light necessary for each given hour.
"We do not say that you should give the calls because you are superstitious or fearful. Still, there must be the kindling of the Fires of your Hearts, igniting with the Hearts of the Ascended Masters, the Angelic Kingdom and the Cosmic Beings, and most especially reaching out to your own God Presence and triggering the release of the Light through your calls. As ever, there is a right and a wrong way to give the calls. There are those who were guided to give the calls with a strident, judgmental or fearful tension.
"We say to all, ‘Put aside what you thought you knew and start over to learn the Teachings of the Ascended Masters afresh. Learn the right spirit and action when invoking the Light of God. Do not forever continue to drift along old pathways simply because they are all you know. There is so much more to discover." We shall continue to refine and teach and reveal to those of you who will listen a far greater understanding of Cosmic Law than has ever been presented throughout the land. . . . "
" . . . We continually stand guard over all the Lightbearers of Earth, seeking to provide for the immediate need of every hour for the greatest good and the expansion of Light in the Earth. We know what it is going to take to bring in a Golden Age. One could say that this, Our Effort with you, is the Great Experiment. Saint Germain has always been the Great Alchemist. When He presented His Plan - not only to the Karmic Board, but also to the Cosmic Councils - there were those Ascended Masters who did not think it possible at present. But after closer examination to the Causal Bodies of those Lightbearers already in embodiment, and those about to come into embodiment in succeeding decades, it was determined that Saint Germain's Dispensation should roll forward with the speed of Light. For it truly was possible. But possibilities and Opportunities require Constancy and relentless Determination to make them manifest!
"With the passing of time and the inevitable changing of the guard of Messengers, Our previous Activities in the Earth have not accomplished all that they could have. It is time to arrest the cycle necessitating new Activities simply because the old organizations cannot or will not acknowledge the next Messengers. Through the consciousness and avowed desire of these Our present Messengers, there has been woven into the very fabric of all the Torch Bearers the joyous realization that this time, the Ascended Masters’ Participation and Leadership in Their own Activity shall be ongoing.
"The Messengers have engendered a confident, mature Faith in the Torch Bearers that Saint Germain will not fail to test, train and anoint Messengers to serve this Activity in the future as He and We see fit. We are determined that future generations of Lightbearers shall inherit this legacy of unbroken continuity and the ability to build squarely on your present labors and sacrifices! We have already established such a basis of understanding via the legal framework of The Temple.
"Know well, beloved, that Our plans for The Temple of The Presence stretch all the way to the Golden Age. This is how far Our present Dispensation goes. Do not be shortsighted. Do not limit yourself, passing out of embodiment, through the transition into the Higher Octaves of Light only to discover, 'Oh, I have made a mistake. I did not use wise discernment. What was wrong? Why didn't I sense the Vibration and Presence of the Masters?'
"There are many reasons why. First and foremost, wherever a rigid mindset persists, it becomes a crystallized recalcitrance of the carnal mind which stubbornly refuses to go into the Flame. In that circumstance no amount of Light or any Ascended Master standing directly within inches of your Lifestream will be able to witness to the Presence of the Light, because that recalcitrant substance blocks the very opening of the Heart Flame which would recognize that the Path one has adopted with such conviction is not Truth.
"It requires the still, small Voice, speaking within a Heart that is eager to open to the fullness of God's Truth; a Heart that not only allows for Light to flow forth, but also for Light to enter in; a Heart borne of God's own Heart with sensitivity to the Higher Octaves of Light, not merely to outer circumstances of the human condition. It is not enough to say, "I trusted previous releases of Light and sensed the Masters before, why not now?" That recalcitrant mindset overrides all else.
"If you choose to hold dogmatically to certain erroneous beliefs, they necessarily become the law of your being, tying into all manner of old karmic records and accumulated momentums of past incarnations which do not allow you to move past the same limited understanding. Many students of the Ascended Masters who have been in the outer Activities since the release of Saint Germain's work though Godfre know well the operation of this Law. But they still elect to allow their own intellect and ego to interpret for them according to what they desire to be true.
"THE ASCENDED MASTERS ARE ALIVE AND WELL IN THE EARTH! And I, the Goddess of Liberty, stand to proclaim it! Not only am I focused through My Statue in New York Harbor, but also I stand here tonight in the upper atmosphere to release the Light of Liberty around the World! You shall have the Liberty to make the right choices for your life, because ultimately what is right for your life is right for the planet and will help to bring about the Golden Age!
"The time and cycle for America to awaken and for all the Lightbearers of Earth to awaken to their own God Presence is now! I have spoken strongly this night, but I speak as the unanimous Voice of the entire Karmic Board, that the gravity of My message shall be mightily impressed upon the Earth and most especially on the consciousness of those Lightbearers whom We are challenging to respond to Our call. . . . "
"No specific good would occur in the community of being by forcing the separated segments of the Universal into an unwilling alliance; for there the liberty of oneness would be ignored and the pull of the senses, like snorting wild steeds, would create its tides of restless energy to pull man away from the balance of true being. Only the pull of the sun center of universal reality, only the recognition by mankind en masse of the great laws governing cosmos and the spread of understanding about cosmos can develop within the unfolding identity of the individual a sense of the harmony of universal liberty.
"The Masters of Wisdom in their great outreach in every age and at the beginning of this century have not neglected to inform mankind about the reality of the Brotherhood. The cloak of religion, which has smothered rather than swaddled mankind's beginnings in truth, has masked the face of creative expansion, set brother against brother, absorbed mankind's energies in fruitless struggle, and weakened the plan of the Brotherhood for the unity of this age.
"As we inspired the leadership of Abraham, Noah, Moses, and other great patriarchs, as we spoke through Zarathustra, Apollonius of Tyana, and Jesus, as we released holy wisdom to Socrates, Plato, and Emerson, so did we come through Madame Helena Petrovna Blavatsky in Isis Unveiled and The Secret Doctrine. We have also released our instruction through other adherents of divine truth, both metaphysical and occult, until the occult law was set aside and the pure passion of the flames of liberty and truth was unleashed in the early 1930s.
"Man—caught in the miasma of his separatist dream, deigning to be fooled—has created a thousand foolish splinters that have taken him from the truth center of his being. It is not that the germ of reality and truth is not active within the many spiritual organizations upon earth; it is simply that individuals do not grasp truth when they find it but prefer instead to form their own anthropomorphic God (a god made in their own image) and to embrace concepts that are foreign to reality
"I AM the Spirit of Liberty, the Guardian Presence of that Virtue from the Heart of the Great Sun of this System, endowed with the Responsibility, the Obligation and the Opportunity to cultivate and keep Liberty and Love of Liberty alive within the consciousness of the evolutions progressing upon the planets of this System.
"It has been My Service through the ages, since I first accepted the assignment of magnetizing, condensing, holding and radiating the Quality of Liberty from the Electronic Belt around the Sun, to nourish and develop the desire for Liberty within all Life, to keep alive within the minds and hearts of the people of the planets that Innate Cosmic Quality which is part of their own God Heritage.
"Many, many of the Virtues which represent the Twelve-fold Nature of the Deity would have been completely forgotten, were it not for the Temples in the Electronic Belt around the Sun and the Beings Who, within those Temples, concentrated the Positive Ray of that Virtue which They represent, as a Pressure into the atmosphere which is breathed into the outer consciousness with the breath. The Virtue of Liberty and Love for Liberty has been guarded and guided by My Lifestream into the hearts of those who have been chosen, by their own affinity to this Quality, to establish and sustain Foci of Liberty at various points on the Earth's surface and, at various times on the screen of Life, particularly when the Light of Liberty grew dim and tyrants and despots refused to allow the Flaming Presence within the heart to express through the masses. . . . "
" . . . Into many a heart have I anchored My Flame, by the side of many an earnest man and woman have I stood and, pouring the pressure of My Love of Liberty throughout that one, enabled them in the face of personal peril, to stand against despotism and tyranny. Then they built again a sanctuary of Liberty of conscience, Liberty of opportunity and Liberty to pursue that course which their hearts desired. . . . "
" . . . One day, when your service to this planet has been completed, when you have taken the stand within the Immortal Flame of Life within your heart that you will not take dishonest liberties with Life, when you allow the Christ-Spirit in mind and feelings, in word and action, to go free, one day you will have served enough! That shall be the happiest day in all My experience when I say to you: 'Beloved, you are at Liberty to be released from the wheel of birth and death forever, at Liberty to come home and go out no more.' For this moment I long, as every mother longs for the return of her children to their perfect estate, and for this I serve with you and by your side. Use not Liberty Lightly! USE IT WISELY, in the consciousness that what you do with Life today will build your tomorrow. . . . "
"Below lay stretched the universe!
There, far as the remotest line
That bounds imagination's flight,
Countless and unending orbs
In mazy motion intermingled,
Yet still fulfilled immutably
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony;
Each with undeviating aim,
In eloquent silence, through the depths of space
Pursued its wondrous way."
From Queen Mab by Percy Bysshe Shelley (being taken on an imaginary cosmic journey by a spirit.)
The Living Light [Instrumental] - Vision - Hildegard von Bingen
Dunrobin Castle (mostly 1835–1845 — present) is a stately home in Sutherland, in the Highland area of Scotland, as well as the family seat of the Earl of Sutherland and the Clan Sutherland. It is located one mile (1.6 kilometres) north of Golspie and approximately five miles (8.0 kilometres) south of Brora, overlooking the Dornoch Firth.
Dunrobin's origins lie in the Middle Ages, but most of the present building and the gardens were added by Sir Charles Barry between 1835 and 1850. Some of the original building is visible in the interior courtyard, despite a number of expansions and alterations that made it the largest house in the north of Scotland. After being used as a boarding school for seven years, it is now open to the public.
The lands of Sutherland were acquired before 1211, by Hugh, Lord of Duffus, grandson of the Flemish nobleman Freskin. The Earldom of Sutherland was created around 1235 for Hugh's son, William, surmised to have descended from the House of Moray by the female line. The castle may have been built on the site of an early medieval fort, but the oldest surviving portion, with an iron yett, is first mentioned in 1401. The earliest castle was a square keep with walls over six feet (1.8 metres) thick. Unusually, the ceilings of each floor were formed by stone vaults rather than being timber. The castle is thought to be named after Robert Sutherland, 6th Earl of Sutherland (d.1444).
Dunrobin Castle was built in the midst of a tribal society, with Norse and Gaelic in use at the time. Robert the Bruce planted the Gordons, who supported his claim to the crown, at Huntly in Aberdeenshire, and they were created Earls of Huntly in 1445. The Earldom passed to the Gordon family in the 16th century when the 8th Earl of Sutherland gave his daughter Elizabeth in marriage to Adam Gordon. After the 8th Earl died in 1508, Elizabeth's elder brother was declared heir to the title, but a brieve (writ) of idiocy brought against him and his younger brother by the Gordons meant that the possession of the estate went to Adam Gordon in 1512.
In 1518, in the absence of Adam Gordon, the castle was captured by Alexander Sutherland, the legitimate heir to the Earldom of Sutherland. The Gordons quickly retook the castle, captured Alexander and placed his head on a spear on top of the castle tower. Alexander's son John made an attempt on the castle in 1550, but was killed in the castle garden. During the more peaceful 17th century, the keep was extended with the addition of a large house, built around a courtyard to the south-west.
During the Jacobite Rising of 1745, the Jacobites under Charles Edward Stuart stormed Dunrobin Castle without warning, because the Clan Sutherland supported the British government. The 17th Earl of Sutherland, who had changed his surname from Gordon to Sutherland, narrowly escaped them, exiting through a back door. He sailed for Aberdeen where he joined the Duke of Cumberland's army. On the death of the 18th Earl in 1766, the house passed to his daughter, Elizabeth, who married the politician George Leveson-Gower, later created 1st Duke of Sutherland. In 1785, the house was altered and extended again.
Between 1835 and 1850, Sir Charles Barry remodelled the castle in the Scottish Baronial style for the 2nd Duke of Sutherland. Barry had been the architect for the Palace of Westminster, home to the House of Commons, and was much in demand. He was influenced by his recently completed Italianate Garden at Trentham, the Duke’s English seat. The 14th-century tower, and the 17th-century and 18th-century extensions, were retained, and survive within Barry's 19th-century work.
Dunrobin Castle railway station, on the Far North Line, was opened in 1870, as a private station for the castle. The present waiting room was constructed in 1902, and is a category B listed building.
In 1915, the building was in use as a naval hospital when fire damaged the roof and much of the interior, but was confined to the newer additions by Barry. Scottish architect Sir Robert Lorimer was engaged to renovate the house following the First World War. From the 1920s the increasing cost of employment led to jobs such as the pollarding of trees being neglected. When 5th Duke died in 1963, the Earldom and the house went to his niece, the recent Countess of Sutherland, while the Dukedom had to pass to a male heir and went to John Egerton, Earl of Ellesmere. Between 1965 and 1972, the house became a boarding school for boys, taking on forty boys and five teachers in its first year. Since 1973, the house and grounds have been open to the public, with private accommodation retained for the use of the Sutherland family.
There are 189 rooms within the castle, making it the largest in the northern Highlands. Much of Barry's interior was destroyed by the fire of 1915, leading to the restoration by Sir Robert Lorimer, although he incorporated surviving 17th-century and 18th-century work, including wood carvings attributed to Grinling Gibbons. Externally, the castle has elements inspired by the work of the French architect Viollet-le-Duc, such as the pyramidal roof over the main entrance.
The portion built by Barry uses freestone in broadly the same style as the turreted parts from the 16th and 17th centuries, but borrows significant elements from the château style. A large quadrangular pile of four stories, with towers at each corner, connects to the older castle by a building of three stories and containing the stately apartments. The tallest tower, containing the entrance, is 135 ft (41 m) high, the round towers being 115 ft (35 m) high and the clock tower 125 ft (38 m).
St. John's Well, in the courtyard of the oldest portion of the castle, is one of the deepest draw wells in Scotland, at 92 feet (28 m). There is no indication as to the origin of the name.
In the entrance hall is a frieze of the armorials used by past earls of Sutherland. The main stairway, decorated with portraits of the Leveson-Gower family, is around 30 ft (9 m) wide and 50 ft (15 m) high. The panelled dining room, 40 ft (12 m) long and 22 ft (6.7 m) wide, has a wall-top Italian Grisaille frieze and a Khorassan carpet, as well as chairs containing the needlework of the 5th Duke's wife. The drawing room, made from two previous rooms by Lorimer during his restoration of the castle, looks out over the gardens and sea, and contains large Canalettos and 18th-century tapestries, as well as portraits by Hoppner and Reynolds. Housing over 10,000 books, the library features a painting by Philip de László of Duchess Eileen, as well as a mahogany Chippendale table.
The French influence extends into the gardens, completed in 1850, with Barry taking inspiration from the French formal style of the Gardens of Versailles. Each parterre is set around a circular pool with a fountain, with the essential layout the same since it was created in around 1848. Barry designed the parterre as an optical illusion, seen from above they appear to stretch beyond their physical layout, by narrowing it gradually. The total landscaped area is 1,379 acres (558 hectares).
A museum displays the trophy heads of animals shot by family members on safari, ethnographic items from around the world and an important collection of archaeological artefacts. The museum retains its Victorian-Edwardian arrangement, and is housed in an 18th-century summer-house adjoining the formal gardens. Historically, the castle is a category A listed building, and the gardens are included in the Inventory of Gardens and Designed Landscapes in Scotland.
The castle is open to visitors between April and October each year. Falconry displays are held in the castle's gardens by a resident Falconer.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Slayer
Alcatraz - Milano
19 Giugno 2013
Tom Araya
Kerry King
Jeff Hanneman
Dave Lombardo
© Mairo Cinquetti
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com
Immagine protetta da copyright © Mairo Cinquetti.
Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.
Per contatti: mairo.cinquetti@gmail.com
From the opening squeals of the guitars of Kerry King and Jeff Hanneman and the punishing breakaway attack of Dave Lombardo's drums on "Flesh Storm" it's clear from the first thirty seconds the thrash metal titans have returned to pummel listeners with a raging onslaught of new music guaranteed to lay waste to MP3 players, car stereo speakers and whatever else gets in their way.
Christ Illusion marks the long-awaited return of the legendary Slayer. Its first record in five years and its first record in fifteen years with the original band line-up, Christ Illusion is a cacophony of brutality. A soundtrack for the post-Apocalypse. Steeped in scorching riffs and a litany of menacing tracks/tirades on religion and violence, Slayer forges ahead on its devastating path of aural destruction with ten new songs, each charged with the electric hostility for which Slayer is renowned.
Of the record Kerry King is ecstatic: "I love it. I really like God Hates Us All and I think that's the best record we've done in my opinion since Seasons In The Abyss, and I like this better than that one. I think it's a more complete record, I think sonically it better: all the performances are awesome. I think this one is more intense not because we're trying to do 'Reign In Blood: The Sequel,' it's just that's where our writing is taking us now."
Songs like the "Flesh Storm," "Eyes of the Insane," "Skeleton Christ," "Jihad" and the first single, "Cult" showcase the band at its most blazing intensity. The sonic excitement of speed, propelled by King, Hanneman and Lombardo and lead by the immutable roar of Tom Araya provoke the listener with Slayer's trademark fascination with terror, violence and religion.
For as long as Slayer has been making records it has been surrounded by controversy.
Since the band recorded its first album, "Show No Mercy," Slayer has been plagued with accusations of Satanism, fascism, racism and so on. Christ Illusion gives no quarter to critics who would mindlessly attack the band for, what the Germans call, "der Reiz des Unbekannten" (meaning "the attraction of the unknown"). A lyric fascination with violence and terror which guitarist King enthusiastically describes this way: "When I was I kid I would see a horror movie over a love story. Being shocked, being in an environment that's not reality might be frightening but is cool nonetheless. With a lot of our songs we put people in that place. It doesn't bother me because I enjoy it. It could easily be programming from all the fucking news channels."
Slayer is often assailed for its subject matter, though the band is unrepentant. " According to Araya, "Violence, darkness... So much of my inspiration comes from news articles or pictures and just start describing the images. Television- A&E, the History Channel, Court TV, Documentaries."
The singer continues, "With this record, as far as a theme: there is none. That's just our favorite subject matter. The common thread is death. I think that's just a common thread in general: we all share death, and we all share it at different times in different ways, but it's the one thing that we all have in common. We all die. It's how we live that makes us different."
Beyond being controversial Slayer is an exceptional force in music, highly praised for its trailblazing style of fast, heavy and aggressive music yet bristling with melody. The much-heralded return of Dave Lombardo to the drummer's throne will leave fans gasping for breath as he clobbers the listener on song after song.
Commenting on Lombardo's return to the fold, King notes, "Not to say the shine's worn off, but it's old news to us. I think the thing the kids are going to get into, besides just being the first Slayer album in five years, is that Dave's on it. When he came back he wasn't a member, he just came back to do a couple of tours and people started asking back then 'Is he gonna hang around?' And I would tell them that was up to Dave. But I could tell that Dave was having a killer time." King confided. "So it was just a matter of time before he said, 'Yeah, let's do it!' But it's great. And now that he's got a new Slayer album that he's played on, I think he's going to get some more enjoyment out of playing. He takes pride in everything he does and it's awesome to have him back with us."
Having the original members record their first album together in fifteen years is certainly newsworthy but the lasting might of the band and its continued popularity is an achievement few can boast. For each of the members, the band is resolute. There is no other band like Slayer.
"The staying power behind Slayer is that we've stuck to our guns," Says Araya. "Integrity... that would be number one. A lot of it has to do with the fact that we've stuck to what we do best. And the fact that we've been together as a band for so long. Ten years with Dave; another ten without Dave; and now Dave's back. It has a lot to do with compromise, that's just the way it has to be. You have to be able to compromise and give and take and that has a lot to do with why we're still together and a force to be reckoned with. I've learned that without each other, Slayer wouldn't exist, and that the whole is greater than its parts."
Kerry King is far more succinct. "Slayer to me is the coolest band on the planet. There is a timeless quality to Slayer. It's cool, but I can't explain it. It's our life."
Slayer has created one mesmerizing record after the next, has influenced many of today's most successful bands, including Slipknot, Sepultura, Killswitch Engage, and continues to earn new generations of fans, while staying true to its ceaselessly devoted followers. Slayer's legacy is cemented in music forever and the band remains undaunted in its directive to make punishing, aggressive and exciting music. With Christ Illusion the band marks its territory. Slayer has exceeded itself far beyond thrash metal to become an unstoppable juggernaut without equal.
Tom Araya sums it up: "I think the best thing is the band's longevity and the fact that we haven't bowed to anyone. That we were able to make a record like Reign In Blood, which, to us, was just another record, but to others, was something very special, it's had such an impact. People will remember it for a long time, and it's all because we did things our way, we didn't bow down to anyone. We didn't compromise. We stuck to being who we are."
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
2005-2007
80" x 96"
Colored pencil, graphite, acrylic on wood panels
Collection:
Crocker Art Museum
(Robert Cremean: Metaphor and Process, the video, may be seen at www.youtube.com/watch?v=mgrxW8xSvrA)
Hereafter is a transcription of the handwritten text on the diptych above:
ECCE HOMO
This is as it is. Behold me. I am you, a reflection in the artist’s eye; and as I see you, myself, I reflect on our condition. Ecce homo. I do not wash my hands of responsibility. I embrace it. It is not for me to judge. I am a simple craftsman of recordation and as an artist I am pledged to record what I see. This is neither excuse nor evasion; rather, a simple statement of isness. I accept full responsibility for my reflection. This is what I see. If what I see is viewed as judgement, this is a reflection of the beholder. As I accept responsibility as artist, I expect the beholder to accept his. We meet only on this plane of shared reflection. Only here does intimacy occur free of interpretation, cultural catechism and correctness. If you insist on encumbering yourself in the armor of cultural correctness, your performance here will be clumsy and predictable. In a sense, sensuality on this plane is similar to sexual intimidation. Your ability to perform and to penetrate lies within your bourn of possibility. If you predetermine my limitations by your reflection, our mirror will remain opaque, your image obscured, and your subservience to cultural and historical prudery reified. I have the disinterest of a whore. It is not my business to guarantee gratification. I can only service the possibility. Consider the compass of our sexuality; setting the due male North, the due female South, the due homosexual male West, and the due female homosexual East creates a 360° horizon of infinite possibility. Although the magnetic North has always determined the direction of human entelechy, that entelechy has a 360º choice of direction. Due North is no longer viable. That way lies oblivion. This is as it is. The diameter stretches from due East to due West, a horizontal demarcation between life and death. The arrow points South, a 180º shift of our vision of expectation. We must establish now an entirely new triangle of possibility, a state of being shorn of masculine hegemony, an oppositeness of all that was and all that was always expected to be. All of masculine entelechy has become toxic. The entire hemisphere must be abandoned. As we continue to explore the sphere of human possibility, the Northern Hemisphere with its redundancies and repetitious predictability is barren of resource, hackneyed and clichéd. It has been exploited ad nauseum and further indulgence threatens continuance. If we, the explorers of human entelechy, were to turn 180º to confront possibility rather than repeat, what new discoveries and alternatives might be presented. What new metaphors might flower in the nourishing soil of oppositeness...through technology, masculine necessity is redundant; only his metaphors continue to control the human condition. War, religion, commerce, history, tradition—this gestalt of metaphors which make masculine human reality is no longer viable. We must turn our back on death and face a new world for survival and fecundity. What the Masculine has made finite, the feminine must make possible. The alternative is repetition unto oblivion. A 90º shift to the West on the horizon of possibility is now credible; the homosexual male can replace the heterosexual masculine in all ways including, through technology, reproduction of the species. It is the unexplored West that pulls tight the severing horizon line on the vertical axis of Masculine redundancy. The remaining poles of diversity which describe the human compass present an infinity of possibilities for the survival of all species and the nourishing planet. As the technology of death advances beyond the stasis of masculine gestalt, humankind can no longer tolerate the immutability of mankind’s Isness. If we continue to define ourselves in the mirror of masculine redundancy, our extinction is assured. The severing horizontal diameter of the East/West homosexual horizon offers the human condition the rationale for redrawing the maps of possibility. Through decapitation of the necrophagous North, an entire frontier of new metaphors based on other gendered realities would be explored. Ecce Homo. As I view the simplistic vertical axis of staff and distaff, the linear reality of repetition is entropy, a metastasis of boredom and predictability of repeat. Inevitability is the saddest of life’s consequences. 8/6/45. I am an artist at the end of history. In this final concentric ripple of linear time, the confusion is noisome, an explosion of masculine frustration and hypocrisy. Man’s surrogate, god, is everywhere, an excuse for slaughter, pillage and destruction. Art is a frantic recordation of nihility to support a culture our culture-makers can no longer create. Information and intimidation have unnerved personal response and we eat what we are fed and live in fantasy and fabrication pretending to a culture that does not exist. We claim that what Is is not and what is not Is. Our drift into entropy and stasis has created an illusion of movement as the groove of repetition digs deeper and deeper our blind addiction to a necrophagous gestalt. Situated on the East/West homosexual horizon, I view the possibility for human extension by the light of a setting sun. I cast my glance at what has been, not as historical accumulation but as evidence of what might be because it always was. The compass of human Isness is dominated by the magnetic arrow of a due masculine imperative. The arrow now points toward death. The pointer must be demagnetized so that the compass can be turned without the constant insistence of a dogmatic actuality. The monocularity of this actuality has erased the horizon line and replaced it with a single and simplistic vanishing point. Infinity. This ignorance of the sensual curvature of the sphere of human possibility makes phobic the human condition and toxic our repetitive diminution into entropy. As an artist, I find perspective to be the most complex and challenging of the many disciplines of Making. What one sees, how one sees, and how one relates that which is seen, is an artist’s statement. Further, perspective is for the artist a monocular though ever-shifting viewpoint of a multidimensional universe, an examination of interior and exterior landscapes as seen through the dual silvered mirror of self. The way he sees, his so-called “style,” is an admission of limitation rather than an academic virtue of cultural and historical value. For me, the most fascinating discovery was the difference between Greek and Roman perspective wherein Roman or scientific perspective establishes the vanishing points on the horizon whereas Greek perspective implants the vanishing point within the mind of the viewer. The philosophical difference is explosive, separating the masculine hemisphere from the feminine along the homosexual diameter of the sphere of comprehension. By placing the vanishing point within the bourn of the viewer, humankind’s exploration of Isness is internalized and enlarged through a demystification of the masculine horizon. Objects and concepts are adjusted to the expanding interior universe as they pass through the lens of human understanding. It is the inner world of human possibility that incubates reality rather than obdurate dogmas and rote that inculcate fear of self-discovery through the imposition of unquestionable answers. Metaphors and concepts are diminished as they pass through the lens; their viability, objectified. They assume human proportion in terms of the reflecting curvature of the sphere. It is the viewer who commands the 360º horizon of human possibility from the infinity of centered entelechy. Because objects and concepts enlarge as they recede from the eyes of the viewer, Greek perspective, by placing the vanishing point within the bourn of human perception, affirms humanity’s absoluteness in terms of unique Isness. Ecce Humanitas. By spanning the horizon across dual lobes of perception, the focus of human need is internalized according to interpretation. By this process is reality created and communicated through metaphor. I embrace chaos. My desire to shear the magnetic needle of cultural/historical imperium from the compass of possibility fuels my enterprise. Every viewer has choice. Response cannot be forced regardless of critical intervention or cultural intimidation. Your being here with me on this plane at this time commits us to nothing. If, by chance, esthetic orgasm occurs, your release confirms your existence on this plane. I will never know you as I have never known you. I am an object if conveyance, nothing more. This plane confirms your existence—not mine. Only in the act of making do I exist. Only on this plane do I convey. The orgasm is yours. You have created me in your desire for creation. And on this plane, you are the creator. You are creating yourself. And this is Art. And the creating of Art is the essence of human Isness. It is the pinnacle of our reality. No artist aspires to the creation of Art; he is enveloped in the process of Making. This process is circumstantial to the viewer and his creation. Through making, the artist creates himself. Through response, the viewer may experience epiphany. Whether the responder can or will demagnetize the needle of hegemonic gestalt and embrace the chaos of self-creation is not the maker’s concern; it lies within the bourn of the creator.... I, the maker, have attended this plane time after innumerable time. This is a place I have known always and yet is always unknown. There is no place more mysterious and exotic than this foreign place. Here, I am always a stranger. I come here to create shadows out of pure light. I come here to destroy my face. I come here to create a stranger. If my enterprise here is successful, my failure is worthy of return. Here, on this plane of paradox where viewer becomes creator, anarchy is born. The chimera of hierarchy is dissolved into noisome pixels of deposed authority. Silence erases dimension and actuality reforms to a palimpsest of alternate realities. always the way it was becomes always the way it is and always the way it might have been and always the way it might be. Always there is choice. Always there is choice until a final choice is made. Ecce humanitas.... I speak now for myself as maker, as skater across a seamless and boundless plane of light, a single glide of ever increasing weightlessness and space. There is no sound, there are no shadows. I remember only the future. The unforgiving coldness of this place inflames me. I embrace it as it enfolds me. As it has always enfolded me. I am in and of its vacuity and provoke its indifference. I would be recognized but shun all that would recognize me. I skate this plane like one pursued by shame, erasing, and honing my blades against distraction and obstruction, clearing and cutting a path through the shadowless light. I am dissolved by light and hidden in its brilliance. The light has eaten my edges and destroyed definition. Do not seek me here. I am finished with it. Only you, the viewer, responder, perhaps creator can define this space. For me, it has become a weighted opacity, an artifact of indifference. As this triangle impends to infinity, the ghosts of new work present themselves. As I prepare to leave this plane, they will consort me. It is they who have prepared my next place of encounter which is this same place...which I will not recognize. I sense their presence. I know they are here, pressing altering, shifting their weights and contours in spasms of peripheral excitation, creases and undulations in the light. These glimpses are the essence of Greek perspective. I grasp their enormity as they distance themselves in ambiguity. As my desire enlarges, my hand is hastened in anticipation. I must quit this plane before they materialize, before objectification. They yearn for closure. They seek unbroken light as this plane layers, a triplicity of past, present and future, a scumbled erasure of recordation. Stains of the past cavort with ghosts of the future on the labored plane of the present in a noise of absence, a clamor of silence. Completion becomes an auto-da-fé, an execution enforcing conversion. An admission, of sorts, that the plane of the Future could not be homogenized beyond recognition. My failure can only be rectified by the creator. Purity exists only in his response and ever and always I, the maker, remain senseless of creation. I search not so that others can find. There is no selflessness in my production. I make only to free myself of repetition, to free myself of linearity and history and compilation. I long to create absence...to be free of evidence...to be pure light...to exist in orgasm and epiphany. To destroy my face. Recognition repels me. I court no audience and leave this plane to its creator. Only through his creations will I be erased. By his self-creation are we become light. As the triplicity tilts more and more this plane toward the future, the present bends into a shadowing and weighted past. It can no longer sustain purchase. I, the maker, must enforce the present on this plane of possibility through the reification of light. I cannot erase the stains of the past from this bent and bended plane; they are beyond redemption. In order to retain balance and achieve departure, I must restrict peripheral vision and banish ghosts of the future to their predestination. Narrow is the way to withdrawal from this emptied space. No curiosity attends my departure as to its future occupancy. If I, the maker, have furnished this space and enhanced its capacity for occupation, then my stripping of self has served further purpose. This plane, for me, has entered into palimpsest and erasure. My success will once again be measured in the unforgiving light of failure on a new plane in a foreign place in the paradox of self-creation...Ecce Humanitas. The triangle descends from the horizon of east/west diversity to its apex of direction pointing toward survival on the compass of human possibility. The imperium of masculine gestalt must be castrated, the directive needle de-magnetized, the reality of repeat annihilated. In redundancy, mankind must learn to destroy its face, its mask which was never a face whose empty sockets stare blindly toward a future which is no future which is neither past nor present but the end of time and dimension and all things measurable, which is the completion of direction and directive, which is the end of the human experiment and the fulfillment of prophecy which was no prophecy but, rather, the obfuscation of process. An excuse for inevitability, the obviousness of conclusion. Ecce homo.
Loch Insh is a loch in Highlands region, Scotland.
It is situated in the heart of Badenoch and Strathspey, seven miles south of Aviemore and seven miles north of Kingussie. The nearest village to the loch is Kincraig. The loch is a location for sailing, windsurfing and kayaking/canoeing. There is a well stocked watersports centre on the southeast side of the loch and good fishing also. The watersports centre is complemented by several chalets and a small hotel by the name of Insh Hall.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Wander through pleasant mixed woodland down to the Skelbo burn
Families love the variety in Skelbo, from dipping for mini beasts in the wildlife pond beside the car park to hunting out the chainsaw-carved woodland creatures along the trail. It's a fun forest full of interesting twists and turns, open views and fascinating features, including the remains of an iron age broch and some impressive drystone walls.
Wander down to Skelbo Burn, listening for birdsong and spying sculptured carvings among the pines, before returning past the remains of a 200-year old broch.
Firm gravel surface with uneven and occasionally muddy sections. One long fairly steep slope. Includes some steps and a narrow bridge.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
India’s Foreign Policy
(Delhi University, 19 January 2009)
S.Menon
Prof. Deepak Paintal, Vice Chancellor, University of Delhi
Dr. S.K. Tandon, Pro-Vice Chancellor, University of Delhi
Thank you for asking me to speak to you today on India’s Foreign
Policy. It is an honour and intimidating to be asked back to one’s alma
mater. It has been thirty-nine years since I left Delhi University and it is
impressive that it looks much better than my memory of it.
I thought that I would try to discuss what foreign policy is, then speak
of independent India’s experience of conducting foreign policy, and finally
try to foresee what our foreign policy may look like in future. After that I
would be most interested in hearing your views and comments.
What is Foreign Policy?
The hardest question for a professional diplomat like me to answer is,
“What is it that you actually do?” The simple answer is that we implement
the country’s foreign policy. Which invariably invites the question, “What is
foreign policy?”
Perhaps the simplest definition of foreign policy is that it is the
attempt by a state to maximize its national interest in the external or
international environment. Even this simple definition suggests some of the
complexity of this attempt. The definition assumes a commonly agreed
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definition of the national interest in the country. This is not always true.
Secondly, foreign policy is an ends and means problem, a problem of
achieving certain national goals with the limited means available. Unlike
domestic policy, the attempt to attain one’s goals has to be made in an
environment which is largely outside of one’s own control. Thirdly, and
again unlike domestic policy, this attempt is made in competition with other
states who are seeking the same goals for themselves, sometimes at your
expense. For instance, if any one state in the international system attains
absolute security for itself, there would be absolute insecurity for every
other state in the world. So merely maximizing one’s own interest
competitively will not suffice. One needs to include some measure of
cooperation, or at least of alliance building or working together. Of the two
basic goals of the state, security and prosperity, one, security, is often
presented as a zero sum game. The other, prosperity, requires states to
cooperate with each other. Both goals can therefore pull one’s foreign
policy in opposite directions.
And this competition and cooperation with other states to maximize
one’s own interests takes place in a perpetually changing external
environment and while the states themselves gain and lose relative and
absolute power. As they change, states change or modify their definitions
of national interest. Even the domestic mainsprings of external policy shift.
Some factors that one expects to remain constant undergo change. History
is redefined continuously by all political systems. And immutable facts of
geography are made less or more relevant by advances in technology and
ideology. This is why attempts to analyze foreign policy require the use of
dynamic concepts like the balance of power, game theory, and such like.
For a practitioner or diplomat, it is in the analysis and working of
these changes that the opportunities, threats and joys of diplomacy and
foreign policy lie. My generation has been fortunate in having lived through
the fastest ever period of change in India’s history. For a diplomat, it has
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been an amazing transformation of India, its place in the world, and the
foreign policy that we can now aspire to practice.
Let us look at the Indian foreign policy experience.
The Beginnings
There have been diplomats and diplomacy since time immemorial. By
some accounts Hanuman was our first Ambassador to Sri Lanka and
Krishna one of our first known envoys. But foreign policy as it is now
understood is a function of the modern state system. One can therefore
legitimately speak of late medieval Indian foreign policy. But just when the
modern Westphalian state system, based on the nation state, came into
existence in the eighteenth century, India was losing the attributes of
sovereignty and her capacity for an independent foreign policy. So long as
India was not an independent actor on the world stage, imperial British
interests prevailed over Indian interests. When strong personalities like
Curzon tried to assert what they saw as Indian interests, as he did in 1904
by sending Younghusband on his Tibetan expedition, London rapidly reined
him in, forcing him to give up his gains in the Chumbi valley and Tibet in
order to preserve the overall British interest in keeping China on her side
against the Russians. So, while the Government of India had a Foreign and
Political Department from 1834 onwards, its primary functions were to deal
with the Indian princes, (as representative of the paramount power), and to
handle British-Indian commercial and mercantile interests in the Gulf and
the immediate neighborhood of India.
The unintended benefit from this absence of an indigenous foreign
policy tradition became apparent when the freedom movement began to
think of national issues. As early as 1927 it was possible for Jawaharlal
Nehru to start describing a purely Indian view of the world. In July 1938,
when it was highly unfashionable to do so, he was speaking of both
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fascism and imperialism in the same breath, refusing to choose between
them, and to start saying what India’s foreign policy would be. By January
1947, these thoughts had coalesced in a letter to KPS Menon into a
doctrine, non-alignment, which seemed best designed to meet independent
India’s needs in the bipolar world she found herself in. Nehru said:
“Our general policy is to avoid entanglement in power politics and not
to join any group of powers as against any other group. The two
leading groups today are the Russian bloc and the Anglo-American
bloc. We must be friends to both and yet not join either. Both America
and Russia are extraordinarily suspicious of each other as well as of
other countries. This makes our path difficult and we may well be
suspected by each of leaning towards the other. This cannot be
helped.”
At Independence
When India became independent in 1947, our economy had not
grown for over fifty years, while population was growing at over 3% a year.
The average Indian could expect to live for 26 years, and only 14% of
Indians could read. What had once been one of the richest, most advanced
and industrialized nations in the world had been reduced by two centuries
of colonialism into one of the poorest and most backward countries, deindustrialized
and stagnant. From accounting along with China for twothirds
of world industrial production in 1750, by 1947 India’s share of world
industrial product was negligible.
It was therefore natural and clear that the primary purpose of
independent India’s foreign policy was to enable the domestic
transformation of India from a poor and backward society into one which
could offer its people their basic needs and an opportunity to achieve their
potential. And this had to be attempted in the Cold War world, divided
between two heavily armed and hostile camps, each led by a superpower,
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and each saying that if you were not with them you were against them. It
took courage and vision to choose, as Nehru and the leadership did then,
not to join either camp and to opt for non-alignment, to retain the choice to
judge each issue on its merits and on how it affected India’s interests rather
than those of an alliance or its leaders. Having fought so hard for our
freedom, we were not ready to abdicate our independence of judgment to
others.
India’s immediate foreign policy objectives in 1947 were therefore a
peaceful environment, strategic space and autonomy, free of entanglement
in Cold War conflicts or alliances, while we concentrated on our domestic
tasks of integration and nation building. Non-alignment, as this policy came
to be called was the ability to judge issues on their merits and their effect
on India’s interests or, as our first Prime Minister Nehru used to say,
‘enlightened self-interest’. Indian nationalism has not been based on a
shared language or common religion or ethnic identity. As we sought to
build a plural, democratic, secular and tolerant society of our own, it was
natural that we would look for and promote the same values abroad.
Our foreign policy experience can probably be divided into three
broad roughly twenty year periods: 1950-1971, 1971-1991 and 1991
onwards till today.
1950-1971
Non-alignment as a policy was a practical and strategic choice, but
was soon put to the test by the alliances. It was denounced by John Foster
Dulles as immoral, and Stalin had strong words to say about it too. Our
neighbours were rapidly enrolled in the competing alliance systems – China
by the Soviet Union and Pakistan by the US.
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Our attempt was to enlarge the area of peace, of those states willing
to coexist peacefully despite ideological and other differences, enabling us
to concentrate on our own development. Hence the very early summoning
of the Asian Relations Conference in New Delhi in March 1947, our
activism at the Bandung Afro-Asian conference, our reliance on the UN,
and the institutionalization of the Non-Aligned movement in the sixties.
Throughout this early period, our means were limited, our goals were
primarily domestic, and our aspirations were local. The foreign policy
challenges that we faced, such as having a border with China for the first
time in our history after China moved into Tibet, could not be addressed
with any tools other than diplomacy because of the simple fact that we had
no others. Our primary focus was domestic, and at no stage in this period
did we spend more than 3% of our GDP on defence. It was this desire to
escape external distractions that accounts for some of the tactical choices
in handling issues like the India-China boundary, resulting in the short but
sharp and salutary conflict of 1962.
Our preoccupations were with the consequences of Partition and the
uniquely complicated birth of the independent Indian state. The J&K issue
itself, which was with us from the birth of the Republic of India, was one
consequence of that birth. One of our first tasks was also to compress into
a few years what history takes centuries to do for most other states –
agreeing and settling boundaries with our neighbours. In a major diplomatic
achievement, we agreed all our land boundaries except those with China
(and between Pakistan and our state of J&K) within thirty years. We have
also agreed all our maritime boundaries except for those with Pakistan in
Sir Creek and Bangladesh.
1971-1991
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By the early seventies, the steady development of India, (which even
at 3.5% p.a. was faster than that achieved by Britain for most of her
industrial revolution), had created capacities and relative strengths that
were dramatically revealed in the 1971 war. The liberation of Bangladesh
was equally a liberation for India. For the first time in centuries, India had
on her own and without relying on external imperial power crafted a political
outcome in our neighborhood, despite the opposition of a superpower and
a large and militarized neighbor. That we could do so was also tribute to
Mrs. Indira Gandhi’s political skills and willingness to take risks. The
diplomatic task was primarily to hold the ring internationally by winning over
public opinion for a just cause and averting actions by others which would
prevent us from assisting the birth of Bangladesh.
Soon thereafter, in 1974 India tested a nuclear explosive device, in
what was described as a peaceful nuclear explosion (PNE). The world led
by the Nuclear Weapon States reacted by forming a nuclear cartel, the
Nuclear Suppliers Group (NSG), and by cutting off nuclear cooperation with
India unless she agreed to forego a nuclear weapons programme and put
all her nuclear facilities under international safeguards to guarantee that
commitment. As the nuclear weapon states were not willing to do the same
themselves, we refused to do so, suffering the consequences of technology
denial regimes for our growth and development. But at that stage we
lacked the relative power or capability to do more than to suffer in silence
while keeping our options open. (This in itself was more than most other
states managed).
1991-2009
The true realization of our foreign policy potential had to wait for the
end of the bipolar world in 1989 and our economic reform policies, opening
up the Indian economy to the world. Historically speaking, India has been
most prosperous and stable when she has been most connected with the
rest of the world.
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In many ways, the period after 1991 has been the most favorable to
our quest to develop India. The post Cold War external environment of a
globalizing world, without rival political alliances, gave India the opportunity
to improve relations with all the major powers. The risk of a direct conflict
between two or more major powers had also diminished due to the
interdependence created by globalization. And the strength of capital and
trade flows was directly beneficial to emerging economies like India, China
and others. We saw the evolving situation as one in which there is an
opportunity for India. The consistent objective of our foreign policy was and
remains poverty eradication and rapid and inclusive economic
development. If we are to eradicate mass poverty by 2020, we need to
keep growing our economy at 8-10% each year. This requires a peaceful
and supportive global environment in general and a peaceful periphery in
particular. The period since 1991 has therefore seen a much more active
Indian engagement with the neighbours, whether through repeated
attempts by successive governments to improve relations with Pakistan, or
the border related CBMs with China, or free trade agreements with
neighbours starting with Sri Lanka in 1998, or the Ganga Waters Treaty
with Bangladesh.
The period since 1991 has been a period of remarkable change in the
scale of our ambitions, and in our capacity to seek to achieve them. The
international situation made possible the rapid development of our
relationships with each of the major powers. Equally important was
another necessary condition which gave India space to work in: India’s
rapid economic and social transformation. As a result of twenty five years
of 6% growth and our reforms since 1991, India is today in a position to
engage with the world in an unprecedented manner. Our engagement with
the global economy is growing rapidly, with trade in goods and services
now exceeding US$ 330 billion. Our needs from the world have changed,
as has our capability. India can do and consider things that we could not do
or consider twenty years ago. This is reflected in how India perceives its
9
own future, its ties with its neighbourhood and its approach to the larger
international order.
The contrast between the world’s reaction to the 1974 and 1998
nuclear tests is instructive. And finally in 2008 we were able not only to
break out of our nuclear isolation but to rewrite the rules in our favour by
working with others to enable the NSG decision permitting international civil
nuclear cooperation with India.
Today’s World
Today, however, it seems that we may be on the cusp of another
change in the nature of the world situation. Looking at the world from India,
it often seems that we are witness to the collapse of the Westphalian state
system and a redistribution in the global balance of power leading to the
rise of major new powers and forces. The twin processes of the world
economic crisis and economic inter-dependence have resulted in a
situation where Cold War concepts like containment have very little
relevance and where no power is insulated from global developments. The
interdependence brought about by globalization imposes limits beyond
which tensions among the major powers are unlikely to escalate. But
equally, no one power can hope to solve issues by itself, no matter how
powerful it is. What seems likely, and is in fact happening in Iraq,
Afghanistan and elsewhere, is that major powers come together to form
coalitions to deal with issues where they have a convergence of interests,
despite differences on other issues or in broader approach. In other words,
what we see is the emergence of a global order marked by the
preponderance of several major powers, with minimal likelihood of direct
conflict amongst these powers, but where both cooperation and
competition among them are intense. The result is a de-hyphenation of
relationships with each other, of each major power engaging with and
competing with all the others, in a situation that might perhaps be described
as “general un-alignment”.
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Paradoxically, some of the same forces of globalization – the
evolution of technology, the mobility of capital and so on – which have led
to the decline or collapse of the Westphalian state order are also the
source of our greatest dangers. Our major threats today are from non-state
actors, from trans-boundary effects of the collapse of the state system, or,
at least, of its inadequacy.(Paradoxically, the doctrine of absolute
sovereignty created by the strong European states and rulers in earlier
centuries is now the last defence of the weak against the strong.)
Looking ahead, the real factors of risk that threaten systemic stability
come from larger, global issues like terrorism, energy security and
environmental and climate change. With globalization and the spread of
technology, threats have also globalised and now span borders. These are
issues that will impact directly on India’s ability to grow and expand our
strategic autonomy. It is also obvious that no single country can deal with
these issues alone. They require global solutions.
International Terrorism
Among these global threats, international terrorism remains a major
threat to peace and stability. We in India have directly suffered the
consequences of the linkages and relationships among terrorist
organizations, support structures and funding mechanisms, centered upon
our immediate neighborhood, and transcending national borders. Any
compromise with such forces, howsoever pragmatic or opportune it might
appear momentarily, only encourages the forces responsible for terrorism.
Large areas abutting India to the west have seen the collapse of state
structures and the absence of governance or the writ of the state, with the
emergence of multiple centres of power. The results, in the form of
terrorism, extremism and radicalism are felt by us all in India.
11
Energy Security
As for energy security, this is one issue which combines an ethical
challenge to all societies with an opportunity to provide for the energy so
necessary for development. For India, clean, convenient and affordable
energy is a critical necessity if we are to improve the lives of our people.
Today, India’s per-capita energy consumption is less than a third of the
global average. (Our per capita consumption is only 500 kgoe compared to
a global average of nearly 1800 kgoe). For India a rapid increase in energy
use per capita is imperative to realize our national development goals.
Global warming and climate change require all societies to work
together. While the major responsibility for the accumulation of green
house gasses in the atmosphere lies with the developed countries, its
adverse affects are felt most severely by developing countries like India.
When we speak of ‘shared responsibility’, it must include the international
community’s shared responsibility to ensure the right to development of the
developing countries. Development is the best form of adaptation to climate
change.
What we seek is equitable burden-sharing. We have made it clear
that India will not exceed the average of per capita GHG emissions by the
industrialized countries, as we continue to pursue the growth and
development that our people need.
Also, the transfer and access to clean technologies by developing
countries, as global public goods on the lines of what was done for
retrovirals to fight AIDS, is essential to effectively limit future GHG
emissions. The IPR regime should include collaborative R&D and the
sharing of the resulting IPRs.
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The Future
I have tried to show you how great the change and flux in India’s
foreign policy has been within my own lifetime. In 1948, waving expansively
at a map of the world, Nehru exclaimed to a young Indian Foreign Service
officer, “We will have forty missions around the world!”. Today we have one
hundred and sixteen Embassies abroad.
If our foreign policy experience teaches us one thing it is that change
is inevitable and rapid. There is hardly an international boundary between
two states that is where it was two hundred years ago. The speed of the
rise of China and India in the last quarter of the twentieth century is proof of
the rapidity of change. Since the balance of power is relative, small shifts
have exaggerated effects on the international system.
India’s foreign policy today no longer deals only with existential
threats to our security or with subsistence issues. Today our future will be
determined by how effectively we adapt to change, and how we deal with
cross-cutting global issues, with questions of energy security, water, low
carbon growth, technology issues and so on. An open rule-based trading
system is in our interest now that we have sizeable equities in international
trade. We have moved from statements alone to working for and crafting
desirable outcomes.
After several centuries, once again the state is not the sole or
necessarily the predominant actor in the international system. In some
cases, like technology, for instance, it is businesses and individuals who
now determine the future, and it is these units that a successful foreign
policy must now increasingly deal with.
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If we are to deal with this new world and new issues, it is essential
that we begin to develop our own culture and tradition of strategic thought.
So long as India’s situation and needs are unique, it becomes essential that
we develop our own strategic culture, vocabulary and doctrine. Fortunately
for us, there is no isolationist streak in our strategic thought so far. As I
have said before, India’s best periods in history have been when we were
most connected to the world. Ironically, the greater our capabilities, the
more we need the world and are integrated into it. So if anything, the joys
and challenges of Indian foreign policy will only grow with time.
Thank you,
--------
Lamae: Stendarr? Why didn't you do anything when I was assaulted by Molag Bal?
Stendarr: I was not your patron. You chose Arkay. We may only listen to those who pray at our own altars.
Lamae: So why didn't he do anything?
Stendarr: We have not seen Julianos since that incident in the First Era. Arkay heard your cry and sent him personally.
Vestige: I spoke with Jhunal. He was corrupted by a servant of Sheogorath, the Black Worm, who loved to ironically turn his victims into giant leeches.
Lizzy: Is that who I stabbed to death? I didn't believe it was him..
Tsun: Death? Our kind can not die by any than our own hand. Our power alone. This is immutable law.
Stendarr: Molag Bal will trouble you no longer. He is finished.
The mute swan (Cygnus olor) is a species of swan and a member of the waterfowl family Anatidae. It is native to much of Eurosiberia, and (as a rare winter visitor) the far north of Africa. It is an introduced species in North America, home to the largest populations outside of its native range, with additional smaller introductions in Australasia and southern Africa. The name "mute" derives from it being less vocal than other swan species. Measuring 125 to 160 cm (49 to 63 in) in length, this large swan is wholly white in plumage with an orange beak bordered with black. It is recognizable by its pronounced knob atop the beak, which is larger in males.
Taxonomy
The mute swan was first formally described by the German naturalist Johann Friedrich Gmelin as Anas olor in 1789 and was transferred by Johann Matthäus Bechstein to the new genus Cygnus in 1803. Both cygnus and olor mean "swan" in Latin; cygnus is a variant form of cycnus, borrowing from Greek κύκνος kyknos, a word of the same meaning.
Despite its Eurasian origin, its closest relatives are the black swan of Australia and the black-necked swan of South America, not the other Northern Hemisphere swans of the genus Cygnus. The species is monotypic, with no living subspecies.
Evolution
Mute swan subfossils, 6,000 years old, have been found in post-glacial peat beds of East Anglia, Great Britain. They have been recorded from Ireland east to Portugal and Italy, and from France, 13,000 BP (Desbrosse and Mourer-Chauvire 1972–1973). Cygnus olor bergmanni, a paleosub species which differed only in size from the living bird, is known from fossils found in Azerbaijan. A related paleospecies recorded from fossils and subfossils is the Giant swan, Cygnus falconeri, a flightless species which lived on the islands of Malta and Sicily during the Middle Pleistocene.
Fossils of swan ancestors more distantly allied to the mute swan have been found in four U.S. states: California, Arizona, Idaho and Oregon. The timeline runs from the Miocene to the late Pleistocene or 10,000 BP. The latest find was in Anza Borrego Desert, a state park in California. Fossils from the Pleistocene include Cygnus paloregonus from Fossil Lake, Oregon, Froman's Ferry, Idaho, and Arizona, referred to by Howard in The Waterfowl of the World as "probably the mute type swan".
Description
Adults of this large swan typically range from 140 to 160 cm (55 to 63 in) long, although can range in extreme cases from 125 to 170 cm (49 to 67 in), with a 200 to 240 cm (79 to 94 in) wingspan. Males are larger than females and have a larger knob on their bill. On average, this is the second largest waterfowl species after the trumpeter swan, although male mute swans can easily match or even exceed a male trumpeter in mass. Among standard measurements of the mute swan, the wing chord measures 53–62.3 cm (20.9–24.5 in), the tarsus is 10–11.8 cm (3.9–4.6 in) and the bill is 6.9–9 cm (2.7–3.5 in). The plumage is white, while the legs are dark grey. The beak of the mute swan is bright orange, with black around the nostrils and a black nail.
The mute swan is one of the heaviest extant flying birds. In several studies from Great Britain, males (known as cobs) were found to average from about 10.6 to 11.87 kg (23.4 to 26.2 lb), with a weight range of 9.2–14.3 kg (20–32 lb) while the slightly smaller females (known as pens) averaged about 8.5 to 9.67 kg (18.7 to 21.3 lb), with a weight range of 7.6–10.6 kg (17–23 lb). While the top normal weight for a big cob is roughly 15 kg (33 lb), one unusually big Polish cob weighed almost 23 kg (51 lb) and this counts as the largest weight ever verified for a flying bird, although it has been questioned whether this heavyweight could still take flight.
Young birds, called cygnets, are not the bright white of mature adults, and their bill is dull greyish-black, not orange, for the first year. The down may range from pure white to grey to buff, with grey/buff the most common. The white cygnets have a leucistic gene. Cygnets grow quickly, reaching a size close to their adult size in approximately three months after hatching. Cygnets typically retain their grey feathers until they are at least one year old, with the down on their wings having been replaced by flight feathers earlier that year.
All mute swans are white at maturity, though the feathers (particularly on the head and neck) are often stained orange-brown by iron and tannins in the water.
Polish swan
The colour morph C. o. morpha immutabilis (immūtābilis is Latin for "immutable, unchangeable, unalterable"), also known as the "Polish swan", has pinkish (not dark grey) legs and dull white cygnets; as with white domestic geese, it is found only in populations with a history of domestication. Polish swans carry a copy of a gene responsible for leucism.
Behaviour
Mute swans nest on large mounds that they build with waterside vegetation in shallow water on islands in the middle or at the very edge of a lake. They are monogamous and often reuse the same nest each year, restoring or rebuilding it as needed. Male and female swans share the care of the nest, and once the cygnets are fledged it is not uncommon to see whole families looking for food. They feed on a wide range of vegetation, both submerged aquatic plants which they reach with their long necks, and by grazing on land. The food commonly includes agricultural crop plants such as oilseed rape and wheat, and feeding flocks in the winter may cause significant crop damage, often as much through trampling with their large webbed feet, as through direct consumption. It will also feed on small proportions of aquatic insects, fish and frogs.
Unlike black swans, mute swans are usually strongly territorial with just a single pair on smaller lakes, though in a few locations where a large area of suitable feeding habitat is found, they can be colonial. The largest colonies have over 100 pairs, such as at the colony at Abbotsbury Swannery in southern England, and at the southern tip of Öland Island, Ottenby Preserve, in the coastal waters of the Baltic Sea, and can have nests spaced as little as 2 m (7 ft) apart. Non-mated juveniles up to 3–4 years old commonly form larger flocks, which can total several hundred birds, often at regular traditional sites. A notable flock of non-breeding birds is found on the River Tweed estuary at Berwick-upon-Tweed in northeastern England, with a maximum count of 787 birds. A large population exists near the Swan Lifeline Station in Windsor and lives on the Thames in the shadow of Windsor Castle. Once the adults are mated they seek out their territories and often live close to ducks and gulls, which may take advantage of the swan's ability to reach deep water weeds, which tend to spread out on the water surface.
The mute swan is less vocal than the noisy whooper and Bewick's swans; they do, however, make a variety of sounds, often described as "grunting, hoarse whistling, and snorting noises." During a courtship display, mute swans utter a rhythmic song. The song helps synchronize the movements of their heads and necks. It could technically be employed to distinguish a bonded couple from two dating swans, as the rhythm of the song typically fails to match the pace of the head movements of two dating swans. Mute swans usually hiss at competitors or intruders trying to enter their territory.[30] The most familiar sound associated with mute swans is the vibrant throbbing of the wings in flight which is unique to the species and can be heard from a range of 1 to 2 km (0.6 to 1 mi), indicating its value as a contact sound between birds in flight. Cygnets are especially vocal and communicate through a variety of whistling and chirping sounds when content, as well as a harsh squawking noise when distressed or lost.
Nesting in spring, Cologne, Germany
Mute swans can be very aggressive in defence of their nests and are highly protective of their mate and offspring. Most defensive acts from a mute swan begin with a loud hiss and, if this is not sufficient to drive off the predator or intruder, are followed by a physical attack. Swans attack by striking at the threat with bony spurs in their wings, accompanied by biting with their large bill, while smaller waterbirds such as ducks are normally grabbed with the swan's bill and dragged or thrown clear of the swan and its offspring. Swans will kill intruders into their territory, both other swans, and geese and ducks, by drowning, climbing onto and pecking the back of the head and forcing the other bird underwater.
The wings of the swan are very powerful, though not strong enough to break an adult man's leg, as is commonly misquoted. Large waterfowl, such as Canada geese, (more likely out of competition than in response to potential predation) may be aggressively driven off, and mute swans regularly attack people who enter their territory.
The cob is responsible for defending the cygnets while on the water, and will sometimes attack small watercraft, such as canoes, that it feels are a threat to its young. The cob will additionally try to chase the predator out of his family territory and will keep animals such as foxes and raptors at bay. In New York (outside its native range), the most common predators of cygnets are common snapping turtles. Healthy adults are rarely preyed upon, though canids such as coyotes, felids such as lynx, and bears can pose a threat to infirm ones (healthy adults can usually swim away from danger and nest defence is usually successful.) and there are a few cases of healthy adults falling prey to the golden eagles. In England, there has been an increased rate of attacks on swans by out-of-control dogs, especially in parks where the birds are less territorial. This is considered criminal in British law, and the birds are placed under the highest protection due to their association with the monarch. Mute swans will readily attack dogs to protect themselves and their cygnets from an attack, and an adult swan is capable of overwhelming and drowning even large dog breeds.
The familiar pose with the neck curved back and wings half raised, known as busking, is a threat display. Both feet are paddled in unison during this display, resulting in more jerky movement. The swans may also use the busking posture for wind-assisted transportation over several hundred meters, so-called windsurfing.
Like other swans, mute swans are known for their ability to grieve for a lost or dead mate or cygnet. Swans will go through a mourning process, and in the case of the loss of their mate, may either stay where their counterpart lived or fly off to join a flock. Should one of the pair die while there are cygnets present, the remaining parent will take up their partner's duties in raising the clutch.
Breeding
Mute swans lay from 4 to 10 eggs. The female broods for around 36 days, with cygnets normally hatching between May and July. The young swans do not achieve the ability to fly before about 120 to 150 days old. This limits the distribution of the species at the northern edge of its range as the cygnets need to learn to fly before the ponds and lakes freeze over.
Distribution and habitat
The mute swan is found naturally mainly in temperate areas of Europe then across the Palearctic as far east as Primorsky Krai, near Sidemi.
It is partially migratory throughout northern latitudes in Europe and Asia, as far south as North Africa and the Mediterranean. It is known and recorded to have nested in Iceland and is a vagrant in that area as well as in Bermuda, according to the UN Environment Programme chart of international status chart of bird species, which places it in 70 countries, breeding in 49 countries, and vagrant in 16 countries.[citation needed] While most of the current population in Japan is introduced, mute swans are depicted on scrolls more than 1,000 years old, and wild birds from the mainland Asian population still occur rarely in winter. Natural migrants to Japan usually occur along with whooper and sometimes Bewick's swans.[citation needed]
The mute swan is protected in most of its range, but this has not prevented illegal hunting and poaching. It is often kept in captivity outside its natural range, as a decoration for parks and ponds, and escapes have happened. The descendants of such birds have become naturalised in the eastern United States and Great Lakes, much as the Canada goose has done in Europe.
World population
Mute swans with cygnets in Wolvercote, Oxfordshire
The total native population of mute swans is about 500,000 birds at the end of the breeding season (adults plus young), of which up to 350,000 are in Russia. The largest single breeding concentration is 11,000 pairs in the Volga Delta.
The population in the United Kingdom is about 22,000 birds as of the 2006–2007 winter, a slight decline from the peak of about 26,000–27,000 birds in 1990. This includes about 5,300 breeding pairs, the remainder being immatures. Other significant populations in Europe include 6,800–8,300 breeding pairs in Germany, 4,500 pairs in Denmark, 4,000–4,200 pairs in Poland, 3,000–4,000 pairs in the Netherlands, about 2,500 pairs in Ireland, and 1,200–1,700 pairs in Ukraine.
For many centuries, mute swans in Great Britain were domesticated for food, with individuals being marked by nicks on their webs (feet) or beaks to indicate ownership. These marks were registered with the Crown and a Royal Swanherd was appointed. Any birds not so marked became Crown property, hence the swan becoming known as the "Royal Bird". This domestication saved the mute swan from extirpation through overhunting in Great Britain.
Populations in Western Europe were largely exterminated by hunting pressure in the 13th–19th centuries, except for semi-domesticated birds maintained as poultry by large landowners. Better protection in the late 19th and early 20th centuries allowed the species to expand and return to most or all of their former range. More recently in the period from about 1960 up to the early 1980s, numbers declined significantly again in many areas in England, primarily due to lead poisoning from birds swallowing lead shots from shooting and discarded fishing weights made from lead. After lead weights and shots were mostly replaced by other less toxic alternatives, mute swan numbers increased again rapidly.
Introduced populations
Since being introduced into North America, the mute swan has increased greatly in number to the extent that it is considered an invasive species there. Populations introduced into other areas remain small, with around 200 in Japan, fewer than 200 in New Zealand and Australia, and about 120 in South Africa.
North America
The mute swan was introduced to North America in the late 19th century. Recently, it has been widely viewed as an invasive species because of its rapidly increasing numbers and its adverse effects on other waterfowl and native ecosystems. For example, a study of population sizes in the lower Great Lakes from 1971 to 2000 found that mute swan numbers were increasing at an average rate of at least 10% per year, doubling the population every seven to eight years. Several studies have concluded that mute swans severely reduce the densities of submerged vegetation where they occur.
In 2003, the U.S. Fish and Wildlife Service proposed to "minimize environmental damages attributed to Mute Swans" by reducing their numbers in the Atlantic Flyway to pre-1986 levels, a 67% reduction at the time. According to a report published in the Federal Register of 2003 the proposal was supported by all thirteen state wildlife agencies which submitted comments, as well as by 43 bird conservation, wildlife conservation and wildlife management organisations. Ten animal rights organisations and the vast majority of comments from individuals were opposed. At this time mute swans were protected under the Migratory Bird Treaty Act due to a court order, but in 2005 the United States Department of the Interior officially declared them a non-native, unprotected species. Mute swans are protected in some areas of the U.S. by local laws, for example, in Connecticut.
The status of the mute swan as an introduced species in North America is disputed by the interest group "Save the Mute Swans". They assert that mute swans are native to the region and therefore deserving of protection. They claim that mute swans had origins in Russia and cite historical sightings and fossil records. These claims have been rejected as specious by the U.S. Department of the Interior.
Oceania
The mute swan had absolute protection in New Zealand under the Wildlife Act 1953, but this was changed in June 2010 to a lower level of protection. It still has protection, but is now allowed to be killed or held in captivity at the discretion of the Minister of Conservation.
A small feral population exists in the vicinity of Perth, Australia; however, it is believed to number less than 100 individuals.
In popular culture
The mute swan has been the national bird of Denmark since 1984. Before that, the skylark was considered Denmark's national bird (since 1960).
The fairy tale "The Ugly Duckling" by Hans Christian Andersen tells the story of a cygnet ostracised by his fellow barnyard fowl because of his perceived unattractiveness. To his delight (and to the surprise of others), he matures into a graceful swan, the most beautiful bird of all.
Today, the British Monarch retains the right to ownership of all unmarked mute swans in open water, but King Charles III exercises his ownership only on certain stretches of the Thames and its surrounding tributaries. This ownership is shared with the Vintners' and Dyers' Companies, who were granted rights of ownership by the Crown in the 15th century.
The mute swans in the moat at the Bishops Palace at Wells Cathedral in Wells, England have for centuries been trained to ring bells via strings attached to them to beg for food. Two swans are still able to ring for lunch.
The pair of swans in the Boston Public Garden are named Romeo and Juliet after the Shakespearean couple; however, it was found that both of them are females
The first (and perhaps only) snow of the year. Adam Smith isn't bothered.
Here's an old interview with Noam Chomsky on Adam Smith and why he shouldn't be a hero of the right-wing at all.
DAVID BARSAMIAN: One of the heroes of the current right-wing revival... is Adam Smith. You've done some pretty impressive research on Smith that has excavated... a lot of information that's not coming out. You've often quoted him describing the "vile maxim of the masters of mankind: all for ourselves and nothing for other people."
NOAM CHOMSKY: I didn't do any research at all on Smith. I just read him. There's no research. Just read it. He's pre-capitalist, a figure of the Enlightenment. What we would call capitalism he despised. People read snippets of Adam Smith, the few phrases they teach in school. Everybody reads the first paragraph of The Wealth of Nations where he talks about how wonderful the division of labor is. But not many people get to the point hundreds of pages later, where he says that division of labor will destroy human beings and turn people into creatures as stupid and ignorant as it is possible for a human being to be. And therefore in any civilized society the government is going to have to take some measures to prevent division of labor from proceeding to its limits.
He did give an argument for markets, but the argument was that under conditions of perfect liberty, markets will lead to perfect equality. That's the argument for them, because he thought that equality of condition (not just opportunity) is what you should be aiming at. It goes on and on. He gave a devastating critique of what we would call North-South policies. He was talking about England and India. He bitterly condemned the British experiments they were carrying out which were devastating India.
He also made remarks which ought to be truisms about the way states work. He pointed out that its totally senseless to talk about a nation and what we would nowadays call "national interests." He simply observed in passing, because it's so obvious, that in England, which is what he's discussing -- and it was the most democratic society of the day -- the principal architects of policy are the "merchants and manufacturers," and they make certain that their own interests are, in his words, "most peculiarly attended to," no matter what the effect on others, including the people of England who, he argued, suffered from their policies. He didn't have the data to prove it at the time, but he was probably right.
This truism was, a century later, called class analysis, but you don't have to go to Marx to find it. It's very explicit in Adam Smith. It's so obvious that any ten-year-old can see it. So he didn't make a big point of it. He just mentioned it. But that's correct. If you read through his work, he's intelligent. He's a person who was from the Enlightenment. His driving motives were the assumption that people were guided by sympathy and feelings of solidarity and the need for control of their own work, much like other Enlightenment and early Romantic thinkers. He's part of that period, the Scottish Enlightenment.
The version of him that's given today is just ridiculous. But I didn't have to any research to find this out. All you have to do is read. If you're literate, you'll find it out. I did do a little research in the way it's treated, and that's interesting. For example, the University of Chicago, the great bastion of free market economics, etc., etc., published a bicentennial edition of the hero, a scholarly edition with all the footnotes and the introduction by a Nobel Prize winner, George Stigler, a huge index, a real scholarly edition. That's the one I used. It's the best edition. The scholarly framework was very interesting, including Stigler's introduction. It's likely he never opened The Wealth of Nations. Just about everything he said about the book was completely false. I went through a bunch of examples in writing about it, in Year 501 and elsewhere.
But even more interesting in some ways was the index. Adam Smith is very well known for his advocacy of division of labor. Take a look at "division of labor" in the index and there are lots and lots of things listed. But there's one missing, namely his denunciation of division of labor, the one I just cited. That's somehow missing from the index. It goes on like this. I wouldn't call this research because it's ten minutes' work, but if you look at the scholarship, then it's interesting.
I want to be clear about this. There is good Smith scholarship. If you look at the serious Smith scholarship, nothing I'm saying is any surprise to anyone. How could it be? You open the book and you read it and it's staring you right in the face. On the other hand if you look at the myth of Adam Smith, which is the only one we get, the discrepancy between that and the reality is enormous.
This is true of classical liberalism in general. The founders of classical liberalism, people like Adam Smith and Wilhelm von Humboldt, who is one of the great exponents of classical liberalism, and who inspired John Stuart Mill -- they were what we would call libertarian socialists, at least that ïs the way I read them. For example, Humboldt, like Smith, says, Consider a craftsman who builds some beautiful thing. Humboldt says if he does it under external coercion, like pay, for wages, we may admire what he does but we despise what he is. On the other hand, if he does it out of his own free, creative expression of himself, under free will, not under external coercion of wage labor, then we also admire what he is because he's a human being. He said any decent socioeconomic system will be based on the assumption that people have the freedom to inquire and create -- since that's the fundamental nature of humans -- in free association with others, but certainly not under the kinds of external constraints that came to be called capitalism.
It's the same when you read Jefferson. He lived a half century later, so he saw state capitalism developing, and he despised it, of course. He said it's going to lead to a form of absolutism worse than the one we defended ourselves against. In fact, if you run through this whole period you see a very clear, sharp critique of what we would later call capitalism and certainly of the twentieth century version of it, which is designed to destroy individual, even entrepreneurial capitalism.
There's a side current here which is rarely looked at but which is also quite fascinating. That's the working class literature of the nineteenth century. They didn't read Adam Smith and Wilhelm von Humboldt, but they're saying the same things. Read journals put out by the people called the "factory girls of Lowell," young women in the factories, mechanics, and other working people who were running their own newspapers. It's the same kind of critique. There was a real battle fought by working people in England and the U.S. to defend themselves against what they called the degradation and oppression and violence of the industrial capitalist system, which was not only dehumanizing them but was even radically reducing their intellectual level. So, you go back to the mid-nineteenth century and these so-called "factory girls," young girls working in the Lowell [Massachusetts] mills, were reading serious contemporary literature. They recognized that the point of the system was to turn them into tools who would be manipulated, degraded, kicked around, and so on. And they fought against it bitterly for a long period. That's the history of the rise of capitalism.
The other part of the story is the development of corporations, which is an interesting story in itself. Adam Smith didn't say much about them, but he did criticize the early stages of them. Jefferson lived long enough to see the beginnings, and he was very strongly opposed to them. But the development of corporations really took place in the early twentieth century and very late in the nineteenth century. Originally, corporations existed as a public service. People would get together to build a bridge and they would be incorporated for that purpose by the state. They built the bridge and that's it. They were supposed to have a public interest function. Well into the 1870s, states were removing corporate charters. They were granted by the state. They didn't have any other authority. They were fictions. They were removing corporate charters because they weren't serving a public function. But then you get into the period of the trusts and various efforts to consolidate power that were beginning to be made in the late nineteenth century. It's interesting to look at the literature. The courts didn't really accept it. There were some hints about it. It wasn't until the early twentieth century that courts and lawyers designed a new socioeconomic system. It was never done by legislation. It was done mostly by courts and lawyers and the power they could exercise over individual states. New Jersey was the first state to offer corporations any right they wanted. Of course, all the capital in the country suddenly started to flow to New Jersey, for obvious reasons. Then the other states had to do the same thing just to defend themselves or be wiped out. It's kind of a small-scale globalization. Then the courts and the corporate lawyers came along and created a whole new body of doctrine which gave corporations authority and power that they never had before. If you look at the background of it, it's the same background that led to fascism and Bolshevism. A lot of it was supported by people called progressives, for these reasons: They said, individual rights are gone. We are in a period of corporatization of power, consolidation of power, centralization. That's supposed to be good if you're a progressive, like a Marxist-Leninist. Out of that same background came three major things: fascism, Bolshevism, and corporate tyranny. They all grew out of the same more or less Hegelian roots. It's fairly recent. We think of corporations as immutable, but they were designed. It was a conscious design which worked as Adam Smith said: the principal architects of policy consolidate state power and use it for their interests. It was certainly not popular will. It's basically court decisions and lawyers' decisions, which created a form of private tyranny which is now more massive in many ways than even state tyranny was. These are major parts of modern twentieth century history. The classical liberals would be horrified. They didn't even imagine this. But the smaller things that they saw, they were already horrified about. This would have totally scandalized Adam Smith or Jefferson or anyone like that....
[Excerpted from Class Warfare, 1995, pp. 19-23]
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
the scavenger item was to create a diptych from bud to flower but unfortunately we are into autumn and i have a non-green thumb, so i took my new-to-me painted stool outside and put it in front of one of our two our fading hydrangea bushes for a current picture. the rest of the pics were taken during various times of the growing seasons of 2 years, arranged as a time line. some years the hydrangea are clearly going to come in blue but for the last couple they have come in a fuschia and toned down to blue......... if you click on one of the blue links below, you can go to that particular picture.
1. painted chair, 2. a very confused hydrangea bud, 3. progress of the bud(s), 4. stem tag, 5. budding hydrangea, 6. jenny, looks like they will be fuscia this year, 7. our hydrangeas are coming in fuschia, 8. deepening to purple, 9. i don't have a totally brown thumb, 10. fading hydrangeas, 11. life is.... as immutable as the change of seasons, 12. oak leaf stuck in hydrangea1, 13. hydrangea against the snow
ANSH scavenger2 "from bud to flower"
Created with fd's Flickr Toys
2005-2007
80" x48"
Colored pencil, modeling paste on wood panel
Below is a transcription of the handwritten words of AVARITIA:
I live in contradiction, wanting that which I have not and disdaining that which I have. And the more I have, the less I am. I am emaciated by it, my being a sieve of endless mindless acquisition. My desire scans the horizon; my gaze, monocular I want...I want.... More is my credo. I am crucified by it. Nothing escapes my need. My grasp is amputated by hunger, cannibalized by greed. Was it always so? Even my memory cannot retain substance. I live only in the future dreaming of acquisitions I cannot digest. I am a mouth and an anus. Nothing lies between. Nothing fills me. Nothing sustains me save my desire for more. I starve and am tormented by it, a constant unremitting starvation. I am Avaritia, the gnashing tearing teeth of Gula. What I devour retains in an ever-expanding sack of artifice and accumulation a bottomless compaction of absurdity and repetition. My taste never varies. I am mankind in all his arrogant predictability. What I want I take, preferably by force. It is force that adds zest to the taking. The screams and pleading of mothers as I rape their sons and daughters, the screams and pleading of children as I rape their fathers and mothers, the belching silence that follows the ravaging momentary sating of appetite...and the desire for more. I am consumed by hunger. There is no bottom to it, no accumulation. I sustain Gula’s girth and he sustains my hunger. We are symbiotic functionaries of Acedia’s dreamless sleep. It is not I, Avaritia, who determines the menu. It is Acedia. By his otiose reliance on dogma, the menu is war. I simply devour the fare and prepare the order of repetition. The layering is a natural consequence of our triangulated symbiosis. Gula, Acedia, and I, Avaritia, are the triad of mankind’s entelechy. As we support each other so, too, are we supported by Sloth. No, not supported, elevated. It is Acedia, in all his slothful ignorance, who supports us all. His strength is magnificent; his power, absolute. Throughout the layering generations, the increasing weight of Gula and my undiminished hunger have affected no interruption of Acedia’s sleep. Dreamless, he sleeps on. War upon war, atrocity upon atrocity, century upon century, he sleeps on, complaisant in his majority. Reified by indifference, lulled by the lamentations of innocence, he sleeps on. And what of innocence? For me, Avaritia, it is the path untaken. Inedible, ungraspable, unpalatable. I ignore its possibility, its existence, its toxicity. It is a parallel entree on a menu that would destroy me. War is my menu, only that. It tempts my appetite, satisfies my need...but I am intrigued. Gula stores my pillage and within him lies evidence of my enemy. In my avarice, I have eaten and, through Gula, consumed that which would awaken Acedia. Art. Within the gut of Gula lies the death of sloth. Within the husk of artifact and object, I have devoured that which would wake Acedia from his dreamless sleep and erase his dominance, destroy his protectorate, and decimate his dominion. My ravishing hunger lays vulnerable our triad of complicity. The leaded weight of Acedia’s lids precludes the threat of epiphanic insurrection. But personal enlightenment within the congregation cannot be curtailed. I tear and snatch and gobble and within this catholicity of consumption all tidbits are desirable. I leave it to Gula to cope with matters of digestion. His layered weighting can contain my all. Acedia’s sleep will not be compromised by my lack of perspicuity. Though Art eludes y acquisition through mask and perception, my metaphors prevent insurrection. Our triad is assured. Epiphany is serendipitous and quixotic. The congregation will enter oblivion unenlightened. Within the swelling waste of Gula, objects will remain objects and artifacts will remain artifacts and Art remains eternally chimeric and suspect. History contains us all and finally history itself will be the final artifact to enter oblivion. Gula’s expanding dependence will cease and Acedia’s ancient slumber will be smothered in ashes. My hunger, finally my hunger, will cease and the earth will be delivered unto chaos, cleansing, renewing possibility. Although war, pure and simple killing and pillaging, is my major fare, Acedia’s otiosity requires of me also more subtle, less stringent acquisition. Religion in all its fervor and fanaticism affords me great license to gratify my hunger in a disciplined and leisurely fashion. Consider the Inquisition: what a delightful and titillating repast and how fulfilling the gut of Gula! From Augustine to Napoleon, my feast was laid; fifteen hundred years of rapine and piety. I yearn for repeat. Throughout the reigns of the Innocents my hunger was blessed. Religion and greed were exquisitely coupled with the cowardice and cravenness of the multitude. Lands were taken and borders reframed, wealth rechanneled, names renamed. Generations were shorn of their selfness and the blessed of the blest were blessed. Man’s viability was cast in the crucible of the chasuble. Fire was the purifier and catalyst of his reformation; the stake his armature, ashes his reclamation. To the delight of Gula and me, Avaritia, for fifteen hundred years the mundane menu of war was enhanced by the verve and spectacular condiments of the Inquisition We long for repeat. Torquemada was one of Acedia’s most dedicated disciples. Not guilty he, the sin of avarice. He delivered unto Gula directly, in circumvention of me, Avaritia, the feast of souls. How envious I was of his delicacy and elegant perspicuity...and how advantageous to my rapacious opportunistic appetite. Hypocrisy flourished and so, too, the gut of Gula with the spoils of apostasy. What an artist he was! His attention to detail was phenomenal, his eye accurate and astute...and his mind an absolute treasure house of fanatical dedication For Avaritia, this icon of Acedia is deserving of all past and present celebrity and fame. His purity of purpose and servitude to doctrine and dogma sweetened the gut of Gula with piety and perseverance... No, I was not without envy. The power of Acedia controls us all. It is odd that sloth, the greatest sin, should be viewed so lightly...nay, even praised...nay, admired, even required of great leaders and pooh-bahs. Sloth is the brain of faith and it is sloth that weights the gaseous sack of Gula. Layer upon layer, generation upon generation, it is Acedia that defines the depth and breadth of gluttony. And so I grasp and grab and snap and snarl and stuff the gut of Gula. Without Acedia’s sleeping benediction, my purpose is primitive, unkempt, unworthy of civilized mores and methods, unworthy of Gula’s layering storage, unworthy of history. Acedia defines me, gives virtue to war and taking, pilfering and plundering, rapine and rape. He is my master and benefactor, the lord of lords. Without Acedia, there is Nothingness, Truth, and Chaos, a state of intrepid singularity, a shunning of our symbiotic triad, a denial of accretion. Truth is the opposite of Acedia. It is life with mind wide open. Sloth is its enemy. I cannot protect Acedia; I can only make profitable his dreamless sleep. Through repeat, through the distending gut of Gula, illusion is supported by the life or death actualism of Avaritia. This I am. Actuality is what I do. Entropy is my heart sand entropy is my enemy. Change is my purpose and exchange is my reality. I shade my eyes in shame and duplicity. Only Gula’s layering distension defines my purpose. Am I real? If Acedia wakes, am I real? I am proclaimed to be a sin but this is, of course, hypocrisy. Those very ones who name me, defame me, are me. Torquemada, with all his unquestionable piety and capacious forgiveness, was the greediest of them all. By avoiding me, he became me in his cannibalization of souls. Is this not hypocrisy? Acedia’s sleep is hypocrisy. Gluttony and Greed are hypocrisy. All that pretends to be other than what it is is hypocrisy. I layer Gula’s gut simply because it takes time to eat. If he would digest rather than retain, there would be no history, no layering of repeat, no past, no future, only the abiding moment. Enough of hypocrisy. I am avoiding that which breaks my teeth, that which I cannot consume, that which bypasses greed and delights the glut of Gula. All of my ways and horrific plundering cannot compete with the noisome plundering of Acedia’s sleep. The layering repeat from father to son to father to son which blankets the nurturing bed of dreamless sleep is sloth’s magnificence. Spotlessly sterile in immutable rhetoric, its moted lullabies scale the weighted lids of the true believer with Acedia’s slumber. Beneath this pall all thievery swims unnoticed. My admiration for the reigns of the Innocents, and especially in Torquemada’s Spain, is unbounded. Ordered, righteous, relentless, the acquisition of property, lives and souls was delivered unto Gula without messiness or mayhem. Neatly layered strata generation upon generation, how I envied this richness of Acedia’s sleep. How bloodless! How civilized! How beneficent! I take by force, Acedia consumes by forgiveness, purification and mercy. What finesse! What artistry! Nothing disturbs Acedia’s sleep... It is the fire that moves me to tears of envy. To illustrate the everlasting agony of the everlasting soul by stealing the life of the temporary body through merciful purification is sublime theater, unmitigated sloth, immaculate conception. How brilliant were the Innocents in their slumber. How dedicated Torquemada in his acquisition of souls. I was little more than a jackal on the fringes of so elegant a feast. Gula’s gut boiled with titillation. And the fear... I could taste it though my avarice was relegated to the stealing of goods and boundaries, neither esoteric nor engaging, the usual pedestrian fare of Avaritia. How I pitied Acedia. In his dreamless slumber he knew not that which I envied him most. Three hundred generations of pious sloth...and still he reigns, and still he fills, or attempts to fill, the layering gut of Gula. What a waste! What blind tasteless consumption! All that delicious fear, agony and toasting roasting purification of souls. All the tidy prissy assumptions of immortality and afterlife, clean bibs for a tasteless feast over-cooked in the icy flames of rhetoric and retribution What waste! Acedia eats and offers unto Gula only the layered ashes of dreamless sleep. Of all the seven deadly sins, it is I, Avaritia, who exceeds the limitations of personality. Luxuria, Invidia, Ira, Superbia, Gula, Acedia—none of these touch my universality. I am everywhere, in everything, in every thing living and everything not living. I am entropy, the equalizer of all things. I am the supreme power and processor, I am that which Acedia calls God. Only sloth would trivialize my magnitude. Only ignorance seeks my containment. All that devours is Avaritia, from the advancing glacier to the warming temperature that eats its flow, from an expanding universe to a universe of compaction. Gula’s gut is layered only with mankind’s recordation, man’s view of things, man’s wishes and wants and anthropomorphisms. He has named Avaritia a sin and Avaritia is a god. Such is his paradox. He sees himself in all things and measures all things according to his reflection. Even time, which he cannot grasp, he measures according to his own dimension; even time which he has invented and ascribes to all things living and all things not living, he ascribes to his own magnitude. And this, too, is Avaritia. This, too, is greed and pride and gluttony. And above all, this is sloth. I marvel at my capacity for exchange, to move things here and place things there. I marvel at how quickly the way it was becomes the way it is, how lakes become mountains and mountains become lakes. I marvel at how men become monsters and monsters become saints. I marvel at how the way it is becomes the way it was, how all I eat becomes Gula’s gut, how I retain nothing, not even shit. I am everywhere, in everything. Immensurable by time or virtue. I simply am, with or without comprehension. Acedia considers me a sin yet flourishes in hypocrisy. What could be more greedy than acquisition by sloth? Torquemada, once acclaimed, is now defamed. An entire continent was delivered unto Spain for his pious persecutions, but now Spain has lost its continent and Torquemada has lost his soul. What is, was and what was is yet to be. Torquemada is one of my more delectable tidbits. I relish him whenever and wherever he appears. He is a repeat that even Gula savors in his gluttonous accumulation, a welcome reprise from common war and hackneyed suffering. How greatly I admire dedication, passion, piety, fanaticism. To gnash and chew and cannibalize with abandon, willy-nilly, helter-skelter in the throes of Acedia’s sleep is greed’s brightest accomplishment. To be feared and revered as Torquemada was feared and revered as the flames ripped souls from the heretics and heathen made me salivate with envy. The cheering applause was deafening, sinking drowsing Acedia deeper into sleep while I, Avaritia, licked and lapped the bourn. While he diverted, I cavorted picking pockets, rapping babies, and stealing continents. The screams of war in harmony with smaller choruses and soaring solos of agony and beseechment fill the world of men with the sweet songs of entelechy. How secure they are in their conviction, in their slumber. How peaceful the sleep of Acedia. How fulfilling the man of Avaritia. How distending the gut of Gula. With full orchestration, I sound the hymns of men. Turgid, bombastic, filled with canon and falderal. In the time of Torquemada, how sweet it was to hear the limpid strains of the dispossessed and dying flung high above the baseline of war. The Sturm und Drang of repeat so heavy and purpled by repetition was lightened by the lilting refrain of the Inquisition Though i prospered, I did not create those scorching lyrics of flaming tones. No, those came directly from the otiose sleep of Acedia. How perfectly made he was to satisfy my needs. Pure, chaste, sinless, he pursued his dedication with charity and mercy. His belief in the beyondness was unblemished by doubt. He wanted nothing, expected nothing on this earth. That, he left for me, Avaritia, to pursue. His appetite was for humbler fare asking only the gift of everlasting life. Imagine! He dedicated his earthly life to the purification of souls so that he might live among them in life everlasting. I weep with envy and gratitude for Acedia’s slothful complicity. In his slumber all theft is possible. There is no need for contrition, apology, or remorse. If not for the frothy fare of the likes of Torquemada, Gula’s gut would be leaded weight indeed. My appetite is implacable. I consume without metaphor or morality. I retain nothing. I remember nothing. I am process, universal and omnipresent. I am that which Is. Locked in acedian slumber, man’s nature cannot accept my Isness, his temporality, my constancy. He fears not my capacity for change but rather my intention to exchange, for this he cannot accept...to be replaced. And so he sleeps. Acedia sleeps. And so I eat, layering the gut of Gula with the shit of repetition. My time will come. An exchange will be made, for it is, of course, in process. History is a petty thing. Obese Gula, so ponderous and puffed up with authenticity and self-belief. How heavy he hangs while I, Avaritia, stuff his gut with repetition. I exist freely without Gula. Gula is merely the artificial and momentary recordation of mankind’s fear of exchange. Through repeat and the recordation of repeat, man strives to exist, to retain his control, his reality and his immortality. Through Gula and Acedia, he seeks to survive. But he will not survive. He will be exchanged. He, too, will be exchanged. The silence will envelop man and he, with all his metaphors, will be silenced. He, too, will be silenced. Will my menu serve no future? Will greed cease and avarice dispossess? And what of Gula? If Acedia wakes, exchange will occur. Does man fear this more than the silence, more than extinction? Comatose, in Acedia’s slumber, does he comprehend the difference? Does he care? In truth, I am sick of it all. I am sick of the same fare over and over again. Man is no longer my witness. He refuses my magnitude and compresses my appetite. He has become provincial and depressing in his mediocrity and sloth. (I do not demean or insult Acedia. He has served man’s petty greed with pious sleep and religious devotion but I would exert my full significance.) Unlike Acedia, I am capable of dreaming. I require neither Acedia nor Gula to assist me. I am a force. I do not sleep. I do not accumulate. Time means nothing to me for I do not mark beginnings or endings. I simply am. I do not seek change for the sake of layering. I exchange to create silence. I have no taste for Torquemadas and tortured history. I dream of something other. Anything other. Anything at all. I hunger now for the end of endings, for the end of answers and rotted strictures. I want man gone, his vile and odious stench, his petty pillaging and pilfering. I gag now on repetition. I long for chaos, to have my hunger writ large in a menu of infinite choices. I would exchange him for less boring fare. My jaws are weary of repetition, wary of gnawing repeat. Mankind embraces Acedia and proclaims me God, a tautology of infinite redundancy...8/6/45. He dies in dreamless sleep.
Collection:
Crocker Art Museum
Sacramento, California
The River Feshie is a major right bank tributary of the River Spey in north-east Scotland. It rises in the remote countryside of the Glenfeshie Forest, flowing initially eastwards before turning sharply to the northwest as a result of the capture of the waters of Geldie Burn. After gaining the waters of the River Eidart on its right bank and dropping down into Glen Feshie, it flows northwards through the wooded glen and is often braided in nature. It is joined by several burns which descend steeply from the Cairngorm plateau to the east and, on its left bank, by the Allt Chomhraig near Balachroick. The river passes beneath the B970 road at Feshiebridge and after a further 1.5 miles (2.5 km) it joins the Spey near the village of Kincraig.
The name of the river and the glen which it occupies derives from the Gaelic faith meaning 'boggy place' and isidh signifying 'pasture land'.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Image mandatory credit: Photo by Michael Williams/MyLifeInPlastic.com
Doll: from the collection of Darian Darling
Full quote from THE GOLDFINCH by Donna Tartt:
I suppose it’s ignoble to spend your life caring so much for “objects.” Caring too much for objects can destroy you.
Only – if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things – beautiful things – that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to re-capture, in one way or another? Because, I mean – mending old things, preserving them, looking after them – on some level there’s no rational grounds for it.
Great paintings – people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going, where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think ‘oh, I love this picture because it’s universal,’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art.
It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart shock. Your dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time – four hundred years before us, four hundred years after we’re gone – it’ll never strike anybody the same way at all but – a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours, I was painted for you. (My partner) used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.
…But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you:
That life – whatever else it is – is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins, but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cess-pool, while keeping eyes and hearts open.
And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time – so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Falls of Shin is a waterfall on the River Shin, in northern Scotland, near the villages of Bonar Bridge and Lairg.
Falls of Shin had a popular visitor centre, managed as part of Balnagown Estates, a company owned by former Harrods boss Mohamed Al-Fayed. This included a restaurant, a branch of Harrods, and a waxwork model of Al-Fayed. The visitor centre was destroyed by a fire in May 2013. Balnagown Estates have since been working with the Kyle of Sutherland Development Trust to develop a new visitor attraction. In May 2017, the new visitor centre opened following the successful construction carried out by William Gray Construction. The opening event was dubbed "Celebra-Shin". The cafe is currently operated by Mac & Wild- a company created by Andy Waugh and Calum MacKinnon with 2 restaurants in London and Falls of Shin being their third.
The Falls of Shin were dynamited to improve the salmon access.
Aside from the Salmon Viewing Platform, the site also comprises a Mini Golf Course, Woodland Walks and a large Children's Playpark.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Sinopsis Immutable Law of First Love www.portalsinopsis.com/2016/01/sinopsis-drama-korea-immut... moby.to/yqmfo9
La tradizione orientale verte verso l'armonia, la razionalità, l'immutabilità; la bellezza delle forme trasformarsi in origami. Una cultura ricca d'arte, dove le relazioni emotive sono dense di affettività. In particolare verrebbero privilegiati i rapporti verticali: tra giovane e anziano, tra novizio e esperto, tra subordinato e superiore, dove il primo offre la sua dedizione fedeltà, il secondo comprensione e paterna protezione. La mentalità giapponese si muove lungo strade, agli occhi degli stranieri, irrazionali, inspiegabili e incomprensibili.
The Eastern tradition relates to harmony, rationality, the immutability; the beauty of the shapes turn into origami . A culture rich in art, where emotional relations are full of affection. In particular would be privileged vertical relationships: between young and old , novice and expert , subordinate and superior , where the first offers his dedication loyalty, the second understanding and paternal protection . The Japanese mentality moves along streets, in the eyes of foreigners, irrational, inexplicable and incomprehensible .
Model: Maya Murofushi
Styling: Giulia Grincia
Make Up: Rosy Alai
© Guido Fuà / Eikona - all rights reserved
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)
Cy was named after Cynodon, or, as we children used to call it in south-eastern Australia, Windmill Grass, one of the commonest weeds in lawns and cricket-pitches. He had spent the first half of his life as an experimental rabbit, involved – so far as my childish understanding could make it out – in research into allergens and the production of antibodies. Specifically, I think, Cy’s duties involved sitting in a very small cage and producing antibodies to the pollen of Cynodon. He was so desirable for experimentation because he was a lop-eared rabbit, and therefore had large veins in his ears, suitable for bleeding by syringe. And here – again, remembering that in witnessing all this, I thought and understood as a child – was where the alchemy played its part. When my father reads this, he will explain it all, so that it becomes not alchemy, but science. Here is the childish version:-
The blood – or more precisely, as I knew, the serum (or was it perhaps the antiserum?) was somehow conveyed to microscope slides covered with a clear gel with the consistency of agar. Each slide was like a transparent domino: it had five pits in each half, arranged like tessaries in a mosaic. (I was, incidentally, and still am, a demon dominoes player, which is odd considering my outright, rabbit-dazzled fear of mathematics). This was immersed, along with several other slides, symmetrically arranged, into a gleaming, prismatic glass box, which was filled with the purest lilac liquid. This liquid smelled alluring but astringent, like a chemical absinth. After this, I was at a loss. Things happened, by laws immutable, and the memories are untrappable, as bubbles in an alembic.
And here is the glorious part: my father – who suffers from hay-fever as I do, and no doubt is allergic to the pollen of Cynodon, unable to countenance the callous euthanasia of Cy when he reached middle age, brought him home to me in a cardboard box. In fact, he didn’t just bring Cy: he brought Lo (short for Lolium, a parti-coloured rabbit with different-coloured eyes, and ever a jester), and he brought Z-2 (the provenance of his name eludes me, but he was the most gloriously beautiful rabbit, with precisely the colouring of a chocolate brown Burmese cat, but with more than a hint of purple), and several others whose names elude me, all of them baptised in grass pollen. I am almost certain that my father was in contravention of article such-and-such, subsection so-and-so of the labyrinthine legislation which ties into pretzels almost everything that people try to do in the Australian Capital Territory (a Utopia for bureaucrats), but he brought an excess of delight to the heart of a four-year-old child. The retired experimental rabbits were joined by a more conventionally domestic rabbit, Potterishly christened Benjamin, but it was Cy who lived the longest – at least eight years, and possibly more – and it was Cy who crystallised my thinking on Life and Death.
Cy was, you see, the Black Rabbit of Inlé. Readers whose childhoods were culturally dominated, as mine was, by Richard Adams’ twentieth century classic Watership Down will instantly understand what I mean. Other readers will not, so I beg the patience of the former. The Black Rabbit of Inlé was the Grim Reaper of rabbits: everything that was chthonic and terrifying. In Garfunkel’s song, ‘Bright Eyes’, he is the blank-eyed silhouette who arches across the hedgerows like the shadow of a crow, beckoning caricatured bunnies to their allotted Valhallas. In the original novel, he is much more: he brings myxamatosis, ‘the White Blindness’, the rabbits’ Black Death, and he compels El-Ahrairah, the archetypal rabbit, to substitute his own ears for dock leaves which have to be constantly replaced when they grow limp, for fear of the fleas that spread the virus. He dwells in the bowels of the earth, a bit deeper-down than other rabbits, and his eyes shine like red-hot coals. He would perhaps be a slavish allegory of the Christian Devil if he were not so merciful when the rabbit was at the snare, or in the teeth of a snarling fox. This was no fiction for me: it was an everlasting Truth, stringent as scripture, and Cy was my living, lolloping proof.
I say ‘lolloping’ because this was precisely the word my mother used at a moment I can remember, but cannot place in time. It is not a word that in forty years I have encountered in any other context, but it precisely describes the gait of Cy, in which the actions of four rabbit-hopping legs were augmented by a pair of large and flaccid ears. In a surge of testosterone, Cy once fought with another rabbit (Lo, I believe, and Cy unwittingly caused his demise when the wound became infected), and in the course of that epic conflict, one of his ears was ripped, if not from side to side, then certainly well beyond the median line. And so Cy’s ears lolloped even more, like lopsided chandeliers in a ramshackle museum after the Blitz, and my ducks - Waddly and Scratch (the genius of whose naming I can rightly claim, and who came into my life when I was four years old) - were decidedly exhibits. They sat there, staunch and starched as Tenniell Dodoes, as Cy snitched the bread from under their bills. They chuntered “tus-tus-tus” (as Muscovies often will: they do not quack) when he ran them ragged while the wheat was winnowed out for the chickens. (My ducks were, incidentally, lesbians by necessity, and used to almost empty the garden pond in their love throes, much to my childish amazement; Scratch, the big white one, was invariably on top. Cy cared nothing for this.)
For the life of me, I cannot remember the time when Cy died. He lived by human terms to be a Harry Patch at least, but the details are lost to me. But I do remember digging up his bones a few years later, deep in the vegetable patch where my new passion for herbs was in its embryonic phase. And this was the curious thing: his bones were deep red, as though sprinkled with ochre, and the orbs of his skull gazed at me with an omniscient vacancy. In a life in which digging has been a recurring theme, and in which uncloseted skeletons have played a preternatural part, I confess that I have never before or since, when arrested by the face of kindly Death, re-buried the bones so quickly.
Photograph by Giles Watson, aged about 10 years.
My father has added the following notes:
Dear old black rabbit Cy had been used to produce antiserum for the pollen of CYNODON DACTYLON, colloquially called 'Couch' in Australia (where it is used for cricket pitches), and Bermuda Grass in Britain (where it is rare) and in the USA (where it originated). We demonstrated via the antiserum from Cy and friends that hay-fever sufferers sensitized only to the pollen allergens of Cynodon were unlikely to be allergic to pollen from (e.g.) the main lawn grasses used in England (Lolium, Agrostis, Dactylis), and vice versa; and drew attention to the undesirability of medical allergy specialists and commercial suppliers of grass pollens intended for medical applications using colloquial names (since 'Couch' means different things on different continents). The point being that you can be sensitized if they 'desensitize' you with the wrong extract!
Duncansby Head is the most northeasterly part of both the Scottish and British mainlands, slightly northeast of John o' Groats. It lies approximately 20 km (12 mi) east-southeast of Dunnet Head, the northernmost point of both the Scottish and British mainlands. Duncansby Head is located in Caithness, Highland, in north-eastern Scotland. The headland juts into the North Sea, with the Pentland Firth to its north and west and the Moray Firth to its south.
The point is marked by Duncansby Head Lighthouse, built by David Alan Stevenson in 1924.
A minor public road leads from John o' Groats to Duncansby Head, which makes Duncansby Head the farthest point by road from Land's End.
The Duncansby Head Site of Special Scientific Interest includes the 6.5-kilometre (4-mile) stretch of coast south to Skirza Head. It includes the Duncansby Stacks, prominent sea stacks just off the coast.
In 2016, it was reported in The Sunday Post newspaper that scientists from the Atomic Weapons Establishment in Aldemarston had proposed a nuclear weapon test on the Stacks of Duncansby in 1953, but that the prevailing wet weather was too much for contemporary electronics and the idea was shelved
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
your hat's too tight is one of my favourite archaic insults: it doesn't depend on denigrating a person based on immutable qualities such as ethnicity or gender, uses no profanity, and yet elegantly conveys a brain problem self-administered by the target, all in four short words. this helmet, it should be noted, fit well.
i met up with friends yesterday to shamble through the AIDS walk. dead robot walked in his sandtrooper gear along with his husband sharkboy, having raised thousands of dollars via the generous donations of a whole stack of people (many of them on flickr). see their pages for more pictures and some details about the walk and the days leading up to it.
Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens photos of my HDR Hero's Journey Mythology LA Gallery photos taken with a Nikon D800E & Nikon AF-S Zoom Nikkor 14-24mm f/2.8G ED AF Lens! If I keep this up I may create a black hole! See the full-seize photos here:
www.flickr.com/photos/herosjourneymythology45surf/sets/72...
dx4/dt=ic & 45SURF Hero's Journey Mythology Photography (31 photos)
From press release: "Theoretical Physicist hosts Hero's Journey Mythology Photography Gallery Show in Honor of Moving Dimensions Theory Physics Research." Ph.D physicist and photographer Dr. E signs all of his fine art with dx4/dt=ic -- the foundational equation for Moving Dimensions Theory, which stipulates that the fourth dimension is expanding relative to the three spatial dimensions at the rate of c--the velocity of light. His Princeton advisor, the late J.A. Wheeler, wrote "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student," and Dr. E's award-winning artificial retina dissertation, titled Multiple Unit Artificial Retina Chipset to Aid the Visually Impaired and Enhanced CMOS Phototransistors is now helping the blind see. Though seemingly disparate pursuits, all three endeavors--the photography, retinal prosthesis, and MDT are united in light. For MDT stipulates that photons surf the fourth expanding dimension on their way to exciting electrons in our our retinas or camera chips. The Hero's Journey Mythology motif derives from the heroic pursuit of truth and beauty, calling the viewer to adventure--to turn up Beethoven's Eroica and join the fellowship. When Dr. E's Princeton mentor J.A. Wheeler passed away, the National Post wrote, "At 96, he had been the last notable figure from the Heroic Age of Physics lingering among us. . . the student of Bohr, teacher of Feynman, and close colleague of Einstein. . . Wheeler was as much philosopher-poet as scientist, seizing on Einsteinian relativity early . . . He was ready to believe in the new world before most physicists. . ." And so it is that in honor of the noble Wheeler and all the heroes of yore, the Hero's Journey Mythology Photography seeks to remind us that the heroic age has not yet passed, that it is everywhere we look, should we only look towards the immutable ideals which mark both nature's sublime beauty and the imperishable soul. Words alone can do little to honor those who came before, but only action in the service of truth and beauty--serving those who come hence--can truly honor those heroic spirits of all ages. — in Malibu, CA.
Los Angeles Gallery Show! Dr. Elliot McGucken's Fine Art Photography! Dr. E's Legendary Malibu & Socal HDR Photography!
Some photos of my fine art photography hanging in the gallery for all my flickr fans! Thanks for the 120,000,000+ views y'all!
Setting up in a gallery was fun! It did not seem like work. :) I even got to drive to Home Depot & buy lumber (pine), hammers, nails, and a saw! I added a few dozen feet of new wooden strips to hang all the Hero's Journey Mythology photography--white strips and grey strips--cut them, nailed them up, and painted them so that we could fit all my fine art photography in the gallery! I told them I have even more on flickr if they want more photos--haha. :)
Some photographs are 13"x19" metallic prints on Kodak metallic paper mounted on 18"x24" matts in wood frames with 2.5" black, wood-grain borders, set behind anti-reflective, UV protective, museum glass! Awesome--everyone asks "why didn't you put these behind glass" because the anti-reflective museum glass is so clear! Other fine art photographs are 24" x 36" printed on canvas wraps, or 24" x 36" printed on canvas and front-mounted to plexiglass / acryllic (I love these! Great for HDR)! And the finest ones are 40" x 60" laser-printed on Fuji-crystal archival paper, front mounted to UV-protective acryllic / plexiglass, with a solid aluminum backing for durablity! Heavy, but nice! :) Also have a couple huge 40"x70" (the motorcycle in Venice and Corvette on the PCH) printed straight on a sheet of metal! Some were printed on Canon, some on Epson, and others on a laser printer so expensive it doesn't even have a name. :) I saw it in downtown LA--it was HUGE!
This is my first gallery show, and the funny thing is that while setting it up and adding all the carpentry/new wood strips, I shot more photography than usual, getting up every day at 5 AM to shoot the sunrise at around 6:30-6:45 AM. The Journey Never Ends! As Malibu faces South, the sun rises over the water this time of year, and sets over it too! So it keeps me busy as I hate missing the awesomely magical December cirrus cloud sunrises & sunsets, some of which you see hanging in the gallery, with many, many more to come!
Well, all the best on your epic hero's journey! The gallery is just below Bel Air Camera in Westwood, and if you ever want to meet up, drop me a line! :)
Happy Holidays & Best on Your Epic Hero's Journey!
P.S. (Some folks have asked me when I am going to have a goddess gallery show--soon! :)