View allAll Photos Tagged imagemanipulation
This tree is on the side of the highway I use to drive while going to work.
It was a lot of time I wanted to shoot at it.
This morning it was rather stormy and I was feeling rather sad.
I stopped my car and I shot.
Digital composite graphics. Please see the originals below.
GAZ-AA
In 1929 the first trucks Ford-AA and cars Ford-A were built in Nizhny Novgorod from parts shipped from the USA. In parallel a new automobile plant began to grow in Nizhny Novgorod (since 1932 Gorky). The name GAZ stands for Gorky Automobile Zavod (Plant). In January of 1932 the first GAZ-AA truck (almost a copy of the Ford-AA) was produced in the new plant. At the very beginning their cabins were wooden. In 1938 the new model appeared. GAZ-MM was exactly GAZ-AA supplied with GAZ-M1 engine. But I didn't meet GAZ-MM name in all reference guides and Militia documents issued before 1948-1949, when this name appeared in enormous amount. This truck was the main automobile in the Red Army in the first two years of 1941-1945 war together with ZIS-5. The disadvantage of these two models was that they were more than 10 years old. But their advantages were doubtlessly in their simplicity, ability to run on pure quality fuel and also simplification of models in the Red Army: only having two truck models in all. So this GAZ-AA truck is a very famous and respected vehicle in the Soviet Union. For its 1.5 tonne cargo capacity, people called it "Polutorka" ("poltora" means one and a half).
GAZ-AA and all of their modifications disappeared from our roads at the beginning of 1960s. The Russian people were prohibited to own trucks and even pickups until 1986 and disabled "polutorki" were mercilessly used as scrap metal. In the 1970-80's it was fashionable to install them (and ZIS trucks either) everywhere as monuments. Of course this is better than destruction, but they were seriously corroded by the weather. Nevertheless the standard GAZ-AA is not too rare even now, because of the enormous amount produced.
Years of production: 1932 - (1938) - 1942 - 1943 - 1944 - 1946, (26 X 1947 - 1950 - UAZ)
4x2 1500 kg truck
Overall amount: more than 1 million units
Engine: 40hp/2200rpm, 4-cyl, carburettor, 4-stroke, 3285cc
Bore/Stroke : 98.43/107.95mm
Compression rate: 4.2:1
Gearbox: 4 speeds + 1 rear
Length: 5335mm; width: 2040mm; height: 1970mm
Inner platform dimensions: 2450mm x 1870mm
Wheelbase: 3340mm , rear axis clearance: 200mm
Frontwheels gauge: 1405mm
Rearwheels gauge: 1600mm
Turning radius: 7.5 m
Clutch: single disk, dry
Mechanical brakes
Tyres: 6.50-20 inches.
Fuel capacity: 40 L
Weight: 1810 kg
Maximal speed (highway, loaded): 70 km/h
Fuel consumption: 20.5 L/100km
I'm loving my new software. Backgrounds similar to this could only usually be found on sites like DeviantArt. Now I'm spoilt rotten by being able to take ready made elements and build and light them for myself.
My model is shot against a neutral grey background to aid in compositing her into this scene.
Strobist:
x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
Dr. Sally Ride, Mission Specialist, on the flight deck of the space shuttle Challenger (NASA Orbital Vehicle 099) during her first mission, STS-7, when she became the first American woman in space as well as the youngest astronaut to orbit--a record that she still holds. On this mission two communications satellites were deployed: ANIK C-2 for TELESAT Canada and PALAPA-B1 for Indonesia; both were attached to the Payload Assist Module-D (PAM-D) motors. Seven Get Away Special canisters in the cargo bay held a variety of experiments, including one studying affects of space on social behavior of an ant colony in zero gravity. Ten experiments were mounted on the Shuttle Pallet Satellite (SPAS-01) and performed research in forming metal alloys in microgravity and the use of a remote sensing scanner. The orbiter's small control rockets were fired while SPAS-01 was held by the remote manipulator system to test the movement on an extended arm. Experiment 1: To investigate space sickness was carried out. Other payloads on this mission were: Office of Space and Terrestrial Applications-2 (OSTA-2); Continuous Flow Electrophoresis System (CFES); Monodisperse Latex Reactor (MLR) and one Shuttle Student Involvement (SSIP) experiment.
In 1986, Ride was the only public figure to openly support Roger Jolybois, a Morton-Thiokol engineer who detected a serious design flaw in the space shuttle's solid fuel boosters, and whose attempts to stop the cold-weather launch that resulted in the Challenger disaster were unsuccessful. He was then unfairly shunned by the industry for his criticism, though he had been right. Ride served on the Rogers Commission that investigated the Challenger failure, and later on the Columbia Accident Investigation Board that investigated NASA's other major in-flight shuttle failure.
This sketch was created for the Award Tree Science Friction Challenge from a photograph in GRIN (Great Images In NASA) under an attribution license. No endorsement by NASA is claimed or implied, nor is any claim made of copyright or other rights involving this image. I do claim immense admiration for NASA's manned space programs, the people who took part in them in general, and the late Dr. Ride in particular, not only for her achievements in the space program, but also for Sally Ride Science, an educational program in schools, as well as numerous books for children intended to inspire young women to enter careers in science, technology, engineering, and mathematics. A physics professor who was an authority on, among many other things, the interaction of cosmic x-rays with the interstellar medium, her life itself was science fiction.
Link to ColdBrook Gallery blog on WordPress for more on Sally Ride.
Interested in buying a print of this image? Use this link to my shop on Etsy.
An oddly empty Cape Cod beach. A mother storm petrel with baby petrels lined up on the beach almost ready for flight. A pair of red-tailed hawks soaring.
The Tommy gun gets another outing in this one. Sarah-Jane did well to manhandle the thing as it was bloody heavy.
My model Sarah-Jane is shot against a neutral grey background and composited into the scene.
All backgrounds are themselves composites of various elements to create a 'hopefully' dramatic theatrical quality.
Strobist:x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
The original image was a screen grab from Google Earth. I used GIMP to colorize and create the HD effect...
Model: Jake Mattila
BTS: petridamsten.com/xmas-is-cancelled/
// Petri Damstén // petridamsten.com
// Contact // @pdamsten
We Provide Cheap Photo Manipulation Service with High Quality. You can try us for any kind of photo editing & photo retouching services. Satisfaction is guaranteed. It’s our way to build a good relationship with our customers. prophotoshopexpert.com/photo-manipulation-services/
Postcard of a Zeppelin raid on Blyth, 14 April 1915. The event took place but the airship has been inserted into the picture and the image is a fake (TWAM ref. 517/32).
The postcard is addressed to Mr Liddle, Sanatorium, Barrasford, North Tyne, Northumberland and is postmarked 21 August 1915. The message has been transcribed below exactly as written:
“Dear Pal,
I write these few lines hoping to find you in good health as I am the same. Give my love to all the lads. I hope you are keeping well and will soon be on the runnen track again as you are not a bad sprinter so that all at presant from your loving Pal pitmen”.
This set celebrates the many postcards in our collections. The people, places and events they show can give us an insight into the past, documenting the landscape, the fashions, the way we lived. Some postcards are unused but others tell us something about the people who bought them, through the messages they wrote. They can give us a fascinating glimpse into people’s lives.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
Sesión: Artística.
Estilismo: Olfo.
Por favor, no use esta imagen en los sitios web, blogs u otros medios de comunicación sin mi permiso explícito - Todos los derechos reservados © ARTISVAL Rodolfo Velasco.
Please don't use this image on websites, blogs or other media without my explicit permission - All Rights Reserved © ARTISVAL Rodolfo Velasco.
Mi web: www.rollcreativo.com/
Winter, cold, snow outside my window, some things to silhouette against the snow! : ) Still exploring feeling negative, but think pretty sure that's gonna change shortly! : )
Commission for CK Studios
My profile at Deviantart: gerbren.deviantart.com/
Please view large! View On Black
This is a photo/image manipulation using Photoshop elements/CS3, Corel paint shop pro X2 and Photofiltre.
I used a modelshot and stock to create this.
Credits go to the photographers/artists who made the pictures I used.
Photographer of original model~ CK Studios: www.modelmayhem.com/CKStudios
Model~ Passion: Mayhem #22651
Make-up artist~ Marisol MaK3uP N HaIR: www.modelmayhem.com/mizzmakeup209
Resources: Bought at Renderosity and Folkvangar store.
Some elements painted and lots of retouching.
---------------------------------------------------------
Copyright © 2010 ~ Gerbren/Brenda M. /Brenvisions and CK Studios
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
Many thanks to Tigersgirl and TyrApollo
Our heroes scout the ruins of some unimaginable future catastrophic war zone. Kayla and Phelan were shot against grey backgrounds which made compositing them into my rendered ruinous cityscape a simple process - well, relatively simple :)
We often let so many things chain us, hold us back and keep us from living the life we so richly deserve and desire. I know I do this myself all to often. I am my own worst enemy all to frequently. I give up my power to others and to circumstances. I struggle with this battle daily to break these chains that hold me down. This piece is a representation of breaking the chains.
Thank you for viewing my work, all images are edited and/or created using KML actions, textures, overlays and hand edits, if you'd like to see more you can follow me at the links below:
Blessings,
Kristen Marie
model credit Sitara_LeotaStoc.deviantart
Yellow flowers (Gallardia) dancing in the sunlight
"Flowers are like human beings . . . they thrive on a little
kindness."
Thanks very kindly for your gracious comment, views and invites. Much appreciated!.... Much appreciated. Peace and love be with you.
Namaste.
________________________________________________________________________________________
All rights reserved. Copyright © Aum Kleem All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
________________________________________________________________________________________
created from a scan of some wrapping paper from Big Lots. Photoshopped, using layers and tweaks, including the 'amazing circle' distortion, featured here:
Model: Jake Mattila
BTS: petridamsten.com/viking-part-1/
// Petri Damstén // petridamsten.com
// Contact // @pdamsten
Testing out 'macro-focus' of my longer lens, I saw this view while scanning my calla lily pot, and instantly felt like I was intruding on a private communion.
;-O
Blog I Drawings I Website I Facebook
Part of an ongoing experiment with image manipulation: The images are the result of a 2 stage process. First, a photo is taken of a moving subject. What results is a blurred image, the distortion magnified by the grain and contrast achieved by overdevelopment of the film in the darkroom. Already the face or body has been transformed by the simple act of movement. Then in the second stage, the photo is printed. Sometimes thick glossy varnish is applied across the whole surface of the image, or alternatively, the photo is simply printed onto glossy paper. This is when more magic happens. Shining light directly onto the surface of the paper, the image is transformed again. This time the transforming agent is light. The surface of the photograph interacts with what is contained within the image. A final photo is taken.
Inspired by the movie Suckerpunch.
My model Sarah-Jane is shot against a neutral grey background and composited into the scene.
All backgrounds are themselves composites of various elements to create a 'hopefully' dramatic theatrical quality.
Strobist:
x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
they came with the morning tide / weakened as we were by years of prescription drugs and morning television we could not mount an effective defense / soon the world was quiet again
An homage to the 'bomber girl' decals found on the sides of aircraft.
My model Sarah-Jane is shot against a neutral grey background and composited into the scene.
All backgrounds are themselves composites of various elements to create a 'hopefully' dramatic theatrical quality.
Strobist:
x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
A slight departure for me as I have always used my own models as the main subject. I have found, and used, a couple of stock images with different lighting just to see how my post processing and compositing looks on other types of images.
I have also, for the first time, tried using Nik Software's 'Color Efex Pro 4' to process the images.
The background is one of my Daz 3D renders used previously on the 'Night falls on the street' image.
Thanks to DeviantArt:
This guy has made an awful lot of his work available as stock. Check it out :)
made from my favorite dead rubbertree leaf.
I re-visited the leaf after plunging into playing for MC#08, the !MasterClass! topic, the Small World of Macro Florals.
The !tutor! suggested how this leaf would throw intriquing shadows..
Here, you see both shadows And reflections in the glossy photo paper ground the leaf sits on.
A moody one incorporating a beach shot I did a short while ago.
My model Sarah-Jane is shot against a neutral grey background and composited into the scene.
All backgrounds are themselves composites of various elements to create a 'hopefully' dramatic theatrical quality. The background here was Meadfoot beach near to me.
Strobist:x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light. Both AB's shooting through brollies.