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Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

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Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

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The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

i dropped off harvey at the clinic in danbury this morning, for his radioactive iodine shot to treat his thyroid cancer.

 

it has a 95-98% success rate.

 

*fingers crossed*

1) Acupunture for everything from asthma to constipation and epilepsy (Here Nero is being treated for a struvite crystal blockage to his abnormally narrow urethra.)

2) Hydrotherapy rehabilitation following surgery or injury

3) Microchip cat flap keeps out 100% of unwanted animals

4) Toilet training - no more smelly cat box

5) Medications flavoured to be more appetizing

6) Microchip identification

7) Nuclear medicine treatments to cure hyperthyroidism

8) Acupressure and massage

9) Genetically modified mice who have no fear of cats

10) Posthetics

11) Aqua therapy for fitness and weight loss

12) Specialized feline dentistry and at home oral care

via Blogger ift.tt/11szZhR

 

During the month of October I am participating in a month-long blog hop with some amazing artists. Everyday you will find a new Halloween project on all of the blogs listed below. Each project must have stamping on it, be it digi or ink. There are prizes to win, be sure to check out all the rules HERE and information on the daily scavenger hunt is posted there! You must go HERE to find the item/s you are looking for the scavenger hunt.

 

If you are looking for my Delightful Challenge Post it is here.

 

Welcome to Day 16 of the 31 Days of Halloween hop with SmearedInk.com! Happy Thursday everyone--warning this post is an overshare and might not be suitable for everyone...that's okay, I understand. Just look at the tile and read no further. I promise, I will not share a valued technique today. This is a personal story and rather the madness behind the tile.

Today I was "scheduled" to do a tag but I changed my mind. Let me tell you why and what's behind this strange tile. I am having a biopsy today for my thyroid...let's back up. Before my daughter turned 2 (she is now 8), I was diagnosed with Thyroid disease...I had Hyperthyroidism--think thyroid in hyperdrive...it works too much. As a condition of this you sometimes have a swollen thyroid, sometimes you get goiters [think lumpy balls] in your thyroid. When I was first diagnosed I was diligent in taking my medicine--not. The only daily pill I had been on ever was a birth control pill and it had been a good 9 years since I had taken one of those. I did not want to take a daily pill. I was not good at remembering. After a few years of attempting to remember my medication I just finally gave up and went into a 6 year period of denial where I did not take it and I did not go to the doctor--EVER.

After a difficult year medically with my son and my husband, I had promised my health would take center focus...if only I knew then.... So I started this journey with the new year--my word was THRIVE, right? I was going to THRIVE in every aspect of my life. A checkup led to more invasive doctors visits....a diagnosis of high blood pressure--score 2 pills--a diagnosis of diabetes--score a pill and a lifestyle adjustment--a diagnosis of hyperthyroidism--score that stupid little pill I didn't want to take to start with and more invasive tests.

This summer I went through a horrifying sonogram with a crazy technician that had me convinced I had thyroid cancer. She was inappropriate and we hope wrong...we will know shortly. I got sent to a specialist last month to discuss "the next step." That is what we're calling the biopsy..."the next step." Basically this is to prove without a doubt that there is no cancer but rather some benign gunk in my thyroid in little goiters that can stay in me as long as they do not become a problem with my swallowing, breathing, etc. While I have tried the denial of stress thing for the last few months, those close to me know that this is killing me inside. This is evidenced by the explosion of fever blisters across my lips today [written Wednesday].

So Wednesday night before my biopsy, as I looked at my cut tag and thought of what I wanted to add, I kept thinking how frightened I was of not knowing, how the doctor would be poking me with various skinny long needles and making slides of the goo that she pulled out...I really felt like I would look like Dr. Frankenstein's Monster as I laid there while the doctor held her sono-wand in one hand going from lump to lump and sticking needles in my neck. So as I worried and relieved some stress, I misted and stenciled and stamped and embossed and ended up with my Frankenstein's Monster Tile. There you go...the method to today's madness. I hope you enjoy my project! Please come back tomorrow for more!

 

Smeared Ink Wicked Bloggers 2014

 

Terra | Black Dragon | Lyneen | Maureen | Rebecca

 

Julia | Lisa | Teresa | Keren | Renee | Alison

 

De-stempelwinkel Designers Blog | Jane

 

The Nanny (Sue) | Sarah | *leslierahye* | Jessica

 

Kelli | Karen | Airless Chambers | Sara | Kapree

 

Shoni | Altered Pages | Shell | Art Jypsy | Alex

 

Dreamweavers Stencils DT | Kim | Nanette

 

Erin | Susan | Creepy Glowbugg | DominoART

 

Steph | Sandy | Sarah | Stefanie | Barbara

 

Twitter at @leslierahye | Facebook at leslierahye.| YouTube at leslierahye | Pinterest at leslierahye

Just a few pics taken this week of Keiko. The sun was out earlier this week but it's pretty gloomy out now and will be for the remainder of the week.

 

Keiko is still on the thyroid pills via the insistence of my vet. Her vomiting has subsided but she still goes outside, eats grass and upchucks.

 

March 1st will be her 15th birthday. February has been a tough month for my senior girl but she's hanging in there, still is active and enjoying life.

 

My eldest cat Keiko has always been the most mellow and accepting of all the new animals into our home.,....lots of stray cats and two dogs over the years and she's always been ok with all. Here Keiko is checking out Emma [ our friend's tiny Yorkie] in the basket

A specialist is the first and the lone individual that comes as a main priority when somebody isn't well and is wiped out. In any sort of ailment and in the event of health-related crises specialists are the lone individuals that could help us. Specialists in Gurgaon are the best specialists one can discover in Delhi NCR

The History of Physicians/Doctors

Ancient "specialists": 25,000 BC +

The principal "healers" were chronicled in cave artworks in what is presently France. The works of art were radiocarbon-dated as far back as 27,000 years prior and portrayed individuals utilizing plants for therapeutic purposes. This is the principal recorded case of what in the end formed into the main clinical information base, gone down through clans. Trepanation – penetrating the skull to assuage torment, was done millennia prior with patchy achievement

Deal with like an Egyptian: Surgery 5,000 years prior

Not exclusively were the antiquated Egyptians probably the best individuals on Earth (Homer – of Odyssey popularity, not the one in the old Egypt Simpsons scene – credited their general medical care framework, just as the dry environment) however Egyptians likewise played out a portion of the primary recorded a medical procedure: root trench (some proof recommends teeth might have been penetrated as ahead of schedule as 9,000 years prior in India.) Back then, at that point, being a specialist included authority of heavenly texts just as later being prepared in life structures and conclusion.

Greece and the origination of clinical morals

Affected by Egyptian and Babylonian medication, the acclaimed Greek "doctor" Hippocrates composed the Hippocratic Corpus which is an assortment of around seventy early clinical works from antiquated Greece unequivocally connected with Hippocrates and his understudies. Most broadly, Hippocrates concocted the Hippocratic Oath for doctors, which is as yet significant and being used today.

Middle age Europe and the principal prescription schools

Twelfth-century Italy saw the development of colleges and the principal clinical schools. Now, being a specialist relied less upon the "gospel" of prior clinical texts and more on applying those texts and others to a specialist's individual encounters in the field. The capacity to dependably influence a patient's wellbeing was as yet hit and miss.

The cutting edge specialist

Certainly, current medication is every one of the things individuals expect when they visit a clinic, yet an advanced specialist in the created world is as a very remarkable hero or sci-fi character as agreeable sawbones. The "tool belt" of instruments at an advanced specialist's removal incorporates careful lasers and robots, powerful attractive imagers, and arranged information streams.

Specialists in Gurgaon are profoundly prepared proficient who have devoted their life towards the improvement of way of life of ordinary individuals.

Significance of Doctors in Society

Prior to the revelation of current medication, life was transitory for people. The climate was loaded with concealed risks as illness and ailments. Then, at that point, clinical practice changed into a coordinated calling, and people encountered a critical improvement in the personal satisfaction. Helped by present-day logical development, the limits of clinical innovation reached out as far as possible. In any case, even with this load of mechanical advancements, the situation of specialists in the public arena hasn't reduced; specialists stay vital.

•Saving Lives

•Broadening Life

•Compassionate Work

Controlling Epidemics and Conducting Research

Doctors in Gurgaon are exceptionally prepared experts who have finished their examinations from great colleges and do their work with most extreme polished methodology.

Top 15 kinds of Doctors one should know

1. Cardiologist: A cardiologist is a specialist that arrangements with the cardiovascular framework. This implies the individual treats any anomaly in our veins and heart. This can incorporate coronary illness or condition which requires conclusion and treatment.

2. Audiologist: As the name recommends, an audiologist treats and assesses everything under the sun to do with sound or hearing capacities of an individual. Since hearing is a vital sense, it requires a specialist to treat something similar.

3. Dental specialist: According to American Dental Association, a dental specialist is a specialist of oral wellbeing. Oral wellbeing incorporates teeth, tongue, and gums. A dental specialist is known to analyze and treat issues of these three regions.

4. ENT subject matter expert: ENT represents ear, nose, and throat. An expert who treats and determinations the issues and inconveniences of these three regions. Otherwise called an otolaryngologist, an ENT expert is a doctor to prepared to treat the issues of ENT.

5. Gynecologist: A gynecologist is prepared to treat the female conceptive framework which incorporates the vagina, uterus, ovaries, and bosoms.

6. Muscular specialist: A muscular specialist is known to manage issues identifying with the musculoskeletal framework. This implies muscles and bones. Any break, agony, or irregularity of these spaces should be counseled about with a muscular specialist.

7. Pediatrician: Pediatricians are specialists who treat kids. Since a kid's body capacities in an alternate way from our own, because of many components like age and developing stages, their sickness and medical problems are not quite the same as a grown-up. A pediatrician helps in mental conduct issues and actual medical conditions.

8. Specialists: Mental wellbeing is an immense field which requires our furthest consideration. Consequently, to treat what goes inside a human mind is troublesome, because of its vulnerability. A therapist helps treat and analyze issues of psychological wellness.

9. Veterinarian: After the uniqueness of psychological wellness, comes the issue of our furr mates: creatures. Treatment and analysis of issues in creatures is finished by a veterinarian. This incorporates mental and physical both too.

10. Radiologist: A radiologist for diagnosing illnesses and inward and outer wounds with the assistance of imaging procedures like x-beams, CT sweep, MRI and ultrasound, and so forth They are the initial move towards the analysis of any kind, which is impossible without a machine.

11. Pulmonologist: Pulmonary means lungs, henceforth a specialist who treats lungs. Since the rundown of irregularities and issues identifying with lungs is long in current occasions, pulmonologist findings and deal with normal issues like a cellular breakdown in the lungs.

12. Endocrinologist: An endocrinologist is liable for treating the endocrine framework which incorporates the pituitary organ, pancreas, ovaries, thyroid, nerve center and so forth they help in treating diabetes, hyperthyroidism, and so on.

13. Oncologist: Oncology includes the investigation of a wide range of diseases. This includes the radiation, clinical and careful. Oncologists can represent considerable authority in one sort of malignant growth just as the field is immense.

14. Nervous system specialist: As the name proposes, a nervous system specialist is answerable for treating and diagnosing issues of the sensory system. Our sensory system incorporates our cerebrum, spinal line, tangible organs, and every one of the nerves.

15. Cardiothoracic specialist: Thorax implies the chest. A cardiothoracic specialist treats states of the heart, lungs, throat, and different organs in the chest.

Doctors in Gurgaon have every one of the kinds of specialists who are expertly prepared. Doctors in Gurgaon are exceptionally prepared experts who have acquired their polished methodology with long periods of training and treating various patients.

 

doctorsingurgaon.com/home/blogview?BId=1

 

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Warren, Connecticut. It's raining so time for a little kitchen table macro fun. This is the syringe of methimazole that we give our 19.5 year old cat for hyperthyroidism two times a day. We've been doing this for many years now and her thyroid condition is under control. These "dosings" are not her favorite time of day and she attempts to hide if she thinks I've got the syringe in hand.

 

This image is about 2 inches edge to edge.

 

Slide show: Images of Kitty

This is Dan (阿丹), a Golden Retrieve in Taiwan. Apparently the owner may have decided to throw this poor dog away. He was found on the street. Unfortunately, this dog has hyperthyroidism condition and requires daily medication.

 

A courteous vet hospital is currently taking care of this dog. However, it is not a long term solution. My cousin, Taven, once again, is reaching out to the world to find this dog a good owner. She is willing to ship the dog to the North America to whom may be interested.

 

Taven reached out last time and I posted the link on Flickr (1 , 2 That dog is now in a happy family in Seattle with another fellow Flickr user cchwang. Please contact me if you are interested in adopting this dog. Thanks!

Dr. Shroyer called today to tell me what the lab results were for Tigger. It appears that he has hyperthyroidism, which is accounting for his weight loss. After he finishes the course of antibiotics he's on now, I'll have to bring him back in to be weighed, and we will proceed from there as to what kind of treatment we'll do.

 

With thyroid problems, the condition can be treated with diet or pills, and since he will be really hard to give pills to, diet might be the best way to go, except for how I'll be able to keep his two brothers out of his food, and him out of theirs! Pills would probably be easier, that is, if I could get him used to taking them, which doesn't seem like it's going to happen! I will try Joan's suggestion of pill pockets as soon as I can get to the pet store. That might help, hopefully.

 

Thanks to everyone who has been praying for us! This weekend was the best I've seen in my store since I've worked there, and I will be hitting commission this week! Please continue to pray that sales are steadily better, as I still have two years of property tax to catch up on, and no homeowner's insurance, and the extra vet bills have been killing me financially! God has been providing, but I sure could use a few months of prosperity to pull out of the hole I'm in, and regardless of whether I do or not, I want to be able to take care of my pets to the best of my ability. They are good boys, and all getting older with issues, but they have given me a lot of joy and companionship through the years, and I want them cared for and happy!

 

I'll keep everyone informed as to Tigger's progress as we go along. For anyone who doesn't know, Tigger has his own group here on Flickr, which is where I found out about him before I adopted him! Check out "Tigger The Gatekeeper's Garden Clubhouse" to learn about his very interesting life, and to share your own kitty pics! This cat is quite a character, with a personality that is just fantastic. He's known all over the world, and I keep running into people who've encountered him in his days at Sugar Mill Gardens, where he was a fixture for years before he came to live with me. One girl even told me about him being in her wedding pictures when she was wed in the outdoor chapel area! No one seems to know exactly how old Tigger is, but we do know that he started his life out being called "Jack", by his first person. Somewhere along the line, he became Tigger, and has endeared himself to thousands of people, who have become his fans, of which I am one, also!

 

It was such good news to hear that there was a tangible reason for his weight loss, because if thyroid was ruled out, cancer was the most likely thing left. Hopefully we will be able to get Tigger healthy again, and he'll be able to live with me for many years to come!

 

This pic was taken years ago in Sugar Mill Gardens. Below is the original, first edit. I readjusted a few things, and also used the Advanced HDR filter on iPiccy to give a little more detail. The changes aren't blatant, but I think it's better.

I am back at home in Chez Jelltex; Mulder is meowing just before dawn, in which case its situation normal. My longer than expected hike the day before meant that my legs were aching to buggery, but it is better than them stopping working.

 

Jools has to be up and about to go to work, but lucky me is working from home, so I can lay in bed a while enjoying the moment, but then I can smell coffee brewing, so I had better face the world. There is coffee on the table, but the cats have gone out exploring after eating, and so once Jools has left, its just me. However, the cats come in one at a time to request more food. At least not all at once.

 

Molly must think I'm looking a little peaky, as she brings me in a partially eaten Goldfinch and a large mouse/small rat, which I don't look at too closely.

 

Work is pretty much as usual, there is stuff to do, mails to send, calls to write, fires to put out. The usual.

 

Cheese and toast for lunch whilst I work. Somehow the volume of work wasn't what I was expecting, I guess what it being an hour ahead in Dk and being Friday afternoon. By two, mails had stopped and I can see most of my colleagues offline. I pack up for the week and get my camera gear together as there was some photographing to do.

 

This weekend in September is Heritage Weekend, and that means getting into churches that usually are locked. In addition, another area of Pugin's house in Ramsgate had been renovated and opened, so it seemed a good idea to go there in the 90 minutes before it closed. I think it was just about worth it.

 

Jools comes home, changes and we get in the car and take the Sandwich road, pretty much the same way I used to go to the office in Ramsgate when I was just an technical assistant, not that long ago, but in terms of my journey, ages ago! Traffic was a little crazy, but that is to be expected, but in the warm sunny weather, it was very pleasant indeed.

 

We park near The Grange, and have about an hour to get the visit done. I go straight to the Presbytery, just about the first to be built in Britain since the middle ages, designed by Pugin, and now converted by the Landmark Trust and now available for holiday rental. They have done a great job, and it feels like a fine place for up to four people can have a great stay, and help support the good cause.

 

I go round snapping each room, climbing the two sets of stairs to see the bedroom at the top, then back down again. What I can say is that it feels more of a home than homely than The Grange, I think I could happily stay here. Stay and maybe never leave, mind.

 

Jools goes to see inside The Grange, but I have been in before, so chat with a guide outside, and I tell her about my job in the survey business. She is really interested, or says she is anyway. I do go in and take a few shots, and see that with the new camera/lens combination, the shots are fabulous. Just wish I had more time to get round.

 

We go back to the car as its four, and the buildings and church are closing.

 

I now spring it onto Jools that we are heading into Canterbury, as there is a church open that evening, that should be interesting. She takes the news well, so we drive round the outskirts of the city so to approach the right part, park up close to the chapel. We make better time that I thought, so we have time for a pint in the Two Brewers near to St Augustine's Abbey. This is the life, finished for the weekend, en route to a chapel and drinking beer and eating cheese and onion crisps; living the dream.

 

From the pub is was a short walk through the underpass then along the city wall to the Zoar Chapel.

 

You read that right; Zoar. Seems that being a Baptist isn't enough, you can have Strict and/or Peculiar Baptists too, and this is the Chapel of the Particular Strict Baptists in the city. The chapel has had an interesting life too; a former bastion in the city wall, then converted for use as a water cistern before the conversion to a church in the 19th century.

 

We are welcomed, but not that warmly, or I might have imagined it, I mean they open the chapel on all four days of the weekend, so they must be proud of the chapel. And rightly so, all lines with white painted wood, almost round, and looking really very fine indeed. I get my shots, talk politely, then we make our way back to the car and home.

 

We have run out of time for that day, so return home ready to have some dinner, as our appetites are raging. And as you will come to expect, its insalata caprese once again, with cheese and pickle bread, thickly sliced and buttered. Add a bottle of red wine, and it is perfect.

 

The cats are happy too, we have fed them and as we slob around the house, they ask for attention, food or whatever. Outside the sun sets on a fine late summer evening, whilst the moon has already risen and looks about half full already.

 

--------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

This is a berylium syringe shield designed to protect the doctor and patient while administering Iodine for hyperthyroid disese.

People sleeping with their eyes open can result in corneal irritation due to lagophthalmos. This media is part of the People Sleeping with Their Eyes Open article. The picture was found on Thyroid Manager website.

An underactive or overactive Thyroid gland is a common cause of concern for many. Learn about Thyroid problems such as – Hypothyroidism and Hyperthyroidism and know the symptoms, causes, diagnosis, and treatment.

Niki de Saint Phalle (born Catherine-Marie-Agnès Fal de Saint Phalle 29 October 1930 – 21 May 2002) was a French sculptor, painter, and filmmaker.

Catherine Marie-Agnès Fal de Saint Phalle was born on October 29, 1930 in Neuilly-sur-Seine, Hauts-de-Seine, near Paris. Her father was Count André-Marie Fal de Saint Phalle (1906–1967), a French banker, and her mother was an American, named Jeanne Jacqueline Harper (1908–1980). She had four siblings, and a double first cousin was French novelist Thérèse de Saint Phalle (Baroness Jehan de Drouas). After being wiped out financially during the Great Depression, the family moved from France to the United States in 1933, where her father worked as manager of the American branch of the Saint Phalle family's bank. Saint Phalle enrolled at the prestigious Brearley School in New York City but was dismissed for painting fig leaves red on the school's statuary. She went on to attend Oldfields School in Glencoe, Maryland, where she graduated in 1947. During her teenaged years, Saint Phalle was a fashion model; at the age of eighteen, she appeared on the cover of Life (26 September 1949) and, three years later, on the November 1952 cover of French Vogue.

At eighteen, Saint Phalle eloped with author Harry Mathews, whom she had known since the age of twelve through her father, and moved to Cambridge, Massachusetts. While her husband studied music at Harvard University, Saint Phalle began to paint, experimenting with different media and styles. Their first child, Laura, was born in April 1951.

Saint Phalle rejected the staid, conservative values of her family, which dictated domestic positions for wives and particular rules of conduct. Poet John Ashbery recalled that Saint Phalle's artistic pursuits were rejected by members of Saint Phalle clan: her uncle "French banker Count Alexandre de Saint-Phalle, ... reportedly takes a dim view of her artistic activities," Ashbery observed. However, after marrying young and becoming a mother, she found herself living the same bourgeois lifestyle that she had attempted to reject; the internal conflict, as well as reminiscences of her rape by her father when she was only 11 caused her to suffer a nervous breakdown. As a form of therapy, she was urged to pursue her painting.

While in Paris on a modeling assignment, Saint Phalle was introduced to the American painter Hugh Weiss, who became both her friend and mentor. He encouraged her to continue painting in her self-taught style.

She subsequently moved to Deià, Majorca, Spain, where her son, Philip Abdi, was born in May 1955. While in Spain, Saint Phalle read the works of Proust and visited Madrid and Barcelona, where she became deeply affected by the work of Antoni Gaudí. Gaudí's influence opened many previously unimagined possibilities for Saint Phalle, especially with regard to the use of unusual materials and objets-trouvés as structural elements in sculpture and architecture. Saint Phalle was particularly struck by Gaudí's "Park Güell" which persuaded her to create one day her own garden-based artwork that would combine both artistic and natural elements.

Saint Phalle continued to paint, particularly after she and her family moved to Paris in the mid-1950s. Her first art exhibition was held in 1956 in Switzerland, where she displayed her naïve style of oil painting. She then took up collage work that often featured images of the instruments of violence, such as guns and knives.

In the late 1950s, Saint Phalle was ill with hyperthyroidism, which was eventually treated by an operation in 1958. Sometime during the early 1960s, she left her first husband.

Saint Phalle created "Shooting Paintings" in the early 1960s. These pieces of art were polythene bags of paints in human forms covered in white plaster. The pieces were shot at to open the bags of paint to create the image.

After the "Shooting paintings" came a period when she explored the various roles of women. She made life-size dolls of women, such as brides and mothers giving birth. They were primarily made of plaster over a wire framework and plastic toys, then painted all white.

Inspired by the pregnancy of her friend Clarice Price, the wife of American artist Larry Rivers, she began to use her artwork to consider archetypal female figures in relation to her thinking on the position of women in society. Her artistic expression of the proverbial everywoman were named 'Nanas', after a French slang word that is roughly equivalent to "broad". name The first of these freely posed forms—made of papier-mâché, yarn, and cloth—were exhibited at the Alexander Iolas Gallery in Paris in September 1965. For this show, Iolas published her first artist book that includes her handwritten words in combination with her drawings of 'Bananas'. Encouraged by Iolas, she started a highly productive output of graphic work that accompanied exhibitions that included posters, books, and writings.

In 1966, Saint Phalle collaborated with fellow artist Jean Tinguely and Per Olof Ultvedt (sv) on a large-scale sculpture installation, "hon-en katedral" ("she-a cathedral") for Moderna Museet, Stockholm, Sweden. The outer form of "hon" is a giant, reclining 'Nana', whose internal environment is entered from between her legs.[9] The piece elicited immense public reaction in magazines and newspapers throughout the world. The interactive quality of the "hon" combined with a continued fascination with fantastic types of architecture intensified her resolve to see her own architectural dreams realized. During the construction of the "hon-en katedral," she met Swiss artist Rico Weber (de), who became an important assistant and collaborator for both de Saint Phalle and Jean Tinguely. During the 1960s, she also designed decors and costumes for two theatrical productions: a ballet by Roland Petit, and an adaptation of the Aristophanes play "Lysistrata."

In 1971, Saint Phalle and Tinguely married.

More and more successful clinical cases have shown that stem cells have good effects on immune regulation and tissue repair. Many patients with autoimmune diseases from all over the world choose to come to SQ1 medical center for stem cell therapy and had significant improvements.

 

The Beneficial Effects Of Stem Cell Therapy On Autoimmune Diseases

The advantage of stem cell therapy for autoimmune disease is that it can help repair and regenerate tissues that were damaged during the autoimmune attacks, including damaged nerves, skin, blood vessels, organs, etc. At the same time, stem cells can regulate the immune system so that it stops attacking the body. Scientific studies have shown that stem cells can minimize the pathological effects of the immune system self-attacks, thereby avoiding autoimmunity, while maintaining the body’s ability to defend agist foreign substances and real pathogens.

 

Stem cell therapy helps:

Prevent disability and improve patients’ quality of life

 

Inhibit the formation of auto-immune antibodies

 

Alleviate the fibrosis process of damaged organs

 

Helps restore the normal function of damaged organs

 

Normalize immune system function

 

Reduce or eliminate inflammation

 

Alleviate joint pain

 

Reduce medication dosage

 

Reduce recurrence rate

 

Autoimmune Diseases That Stem Cell Therapy Can Treat

 

Lupus erythematosus: including cutaneous and systemic lupus erythematosus

 

Rheumatoid arthritis

 

Sjogren’s syndrome

 

Vasculitis

 

Dermatomyositis

 

Psoriasis

 

Ankylosing spondylitis

 

Ulcerative colitis

 

Hyperthyroidism

 

Crohn's disease

 

Scleroderma

 

Autoimmune thyroiditis

 

Studies have found that stem cells have immunoregulatory functions on various immune cells in the body. According to the follow-ups of our patients, over 76% of the patients had significant relief of symptoms within one year after receiving treatment, and the recurrence rate was significantly reduced. Stem cell therapy has become a wise choice for patients with autoimmune diseases.

 

Learn More About Autoimmune Diseases

 

Autoimmune diseases are diseases in which the body’s immune system malfunctions and causes the body to attack its normal tissues. The immune system is the security system of the human body. Through the immune surveillance mechanism, it always watches over for any pathogen invasion or cell mutations throughout the body. Once an abnormality is found, the corresponding immune response program will be activated to eliminate and remove pathogens or diseased cells.

If the patient’s immune system is over-activated under the combination of genetic defects and predisposing factors, it may mistakenly attack its normal tissues and cells, resulting in organ and tissue damage in the body that leads to autoimmune diseases. Up till now, about 7.6-9.4% of the world’s population suffer from various types of autoimmune diseases. Generally, it is difficult to cure it after the onset of the disease. Most patients need long-term or even life-long medication.

 

Risk Factors For Autoimmune Diseases

 

FactorFactor Description

Family inheritanceIf there are confirmed autoimmune patients with family members, the risk of the disease will increase significantly, such as rheumatoid arthritis, Idiopathic Inflammatory myopathy.

During embryonic development, due to gene mutation, the related immune regulatory system became malfunctions. Genetic mutations lead to susceptible genotypes that will increase the risk of developing autoimmune diseases in patients.

Congenital heart defectCongenital vascular structural defects. these defects could lead to local vascular stenosis.

Autoimmune disease: Malfunction of the immune system, which will attach and damage own tissues and organs.

Infection or disease factorsInfections of various bacteria, fungi, parasites, and viruses, such as streptococcus or Epstein-Barr virus

Abnormal fluctuations of hormone levels in the body

Drugs or other toxic substancesToxic side effects are caused by drug intake, such as antibiotics.

Exposure to certain toxic substances: Such as chemical ingredients, organic solvents, etc.

Lifestyle factorsLong-term smoking (including cigars and pipes) and alcoholism

Long-term sun or UV exposure

Residence in areas with severe air pollution

Long-term exposure to intensive pressure or severe mental stimulation

 

Clinical Symptoms Of Autoimmune Diseases

 

Autoimmune diseases are mainly caused by the dysfunction of the autoimmune system and attack to own tissues and organs. The clinical manifestation of different types of patients are complicated and overlap with each other. However, due to individual differences in the specific damage site and severity, they will present different clinical characteristics.

 

DiseaseCommon Symptoms

Joint bonesPersistent, polyarthritis of the affected joints

Pain, stiffness, swelling, and limited mobility in joints and bones

Stiffness in and around the joints after waking up in the morning called "morning stiffness “

Severe damage to articular cartilage and bone in severely affected patients, leading to joint deformity and loss of function, and ultimately disability

Skin and mucous membranesObvious rash and erythema on the skin, and may aggravate after exposure to light

Mucosal ulceration may occur in some patients, which recurs even if it could heal spontaneously

Dry mouth and eyes

Long-term and repeated skin damage may cause scarring and sclerosis of the skin tissue

Abnormal sensations on the skin surface (such as touch, temperature, etc.), unable to accurately perceive external stimuli and changes

Muscle and soft tissueMuscles and soft tissues are damaged by chronic inflammation, causing redness, pain, and weakness

As the disease progresses, the muscles and soft tissues could be severely damaged, which can lead to muscle wasting and joint deformation.

The central neural system cannot effectively control the movement of muscles in the affected area, especially difficult to perform fine movements.

Patients may also have systemic multiorgan structuralWeakness, fatigue, fever

Anemia, leukopenia, thrombocytopenia

Gastrointestinal discomfort, loss of appetite, and severe cases may be accompanied by vomiting and diarrhea

Kidney damage can lead to proteinuria

Brain damage can cause cognitive deficits, seizures, or abnormal behaviors

 

Advantages Of Stem Cell Treatment For Autoimmune Diseases

 

At present, the clinical treatment of autoimmune disease is mainly with drug therapy, including glucocorticoids and various immunosuppressive agents. Drug therapy can only control the progression of the disease to a certain extent but cannot completely cure the disease. The immunosuppressive agents inhibit all the immune functions of the side effects and toxicity is relatively intensive.

 

Compared with conventional therapy, stem cell therapy has unique advantages:

  

Stem cell therapy

Conventional treatment

Curative Treatment or diseases management

Stem cell therapy is a new treatment for autoimmune diseases that aims to help restore normal function of the immune system by modulating immune system response and repairing/regenerating damaged cells and tissues in the body.

 

If you receive stem cell therapy at an early stage, it can reverse body damage caused by the immune response, thus reducing recurrence rates, freeing you from drug dependence, and even avoiding surgery.

The primary choice for autoimmune diseases is drug therapy. The main purpose of treatment is to inhibit the immune response and suppress inflammation in the body. Autoimmune diseases cannot be completely cured, and the recurrence rate is high.

Dosage

When stem cells are infused back into the body, they can regulate the immune system back to normal functionality, significantly reduce the recurrence rate, and decrease the drug dosage needed. If the therapy is conducted at an early stage of the disease, it can completely reverse the drug dependence.

 

Stem cell experts based on your current level of disease and other comorbidities will design a customized protocol and decide, the number of stem cells, source of stem cells, and cycles of stem cell therapy.

If you choose drug therapy, you will find the dose of the drug increase slowly and gradually, and you will gradually develop resistance and require larger dosages or more powerful drugs.

Side-effects

No Side-effects as stem cells are our cells that are used to treat the disease and regenerate lung tissue to regain proper functioning.

Drugs may have side effects on the body, such as chest tightness, shortness of breath, difficulty breathing, adverse skin reactions, and rapid decline in immune function. The side effects are tremendous.

Convenience

Stem cell therapy is performed by stem cell specialists which requires a special laboratory to process the stem cells and the medical set-up to extract and inject the stem cell.

 

The therapy is going to be injection-based and needs to be performed in a hospital.

It’s relatively easy to take medications, but the patient needs to take them repeatedly every day, which is prone to the development of drug dependence.

Longevity

If treated in the early stage, in the long run, stem cell therapy can eliminate drug dependence, restore normal immune system functions, and return the patient to a healthy life. After the functional recovery of the immune system, the patients can eliminate the drug dependence and significantly reduce the recurrence rate. This is a long-term effect.

 

If conducted at a later stage, stem cell therapy can still reduce drug dosage, and in rare cases, you might need several treatment regimens.

The effect of drug therapy is short-term, and patients need to take medications daily, once stopped, the symptoms will resume or even worsen. You need to take medications for the whole lifetime.

End-stage

Stem cells are a fundamental part of our body, and the main function of stem cells is to regulate the immune system and repair/regenerate damaged cells and help you avoid surgery.

If your symptoms are severe, surgery may be necessary, but surgery only helps to remove necrotic tissue but help little to heal the disease, your disease condition remains and continue to damage your body.

 

How Can Stem Cell Therapy For Autoimmune Diseases Work

 

Immunomodulatory mechanisms: Stem cells suppress autoimmune responses and regulate immune balance by directly engaging immune cells and secreting a variety of immunoregulatory factors, therefore preventing the progression of autoimmune diseases.

 

Multidirectional differentiation potential: Stem cells can migrate directionally into damaged tissues and differentiate into functional cells of the corresponding tissue through the induction of tissue microenvironment, integrate with in situ cells of damaged tissues, and repair or rebuild the structure and function of damaged tissues.

 

Promote angiogenesis: After infusion of stem cells to the patients with damaged heart, liver, kidney, brain, and lung, capillary regeneration can be found by angiography, indicating that stem cells can promote the regeneration of blood vessels in damaged tissue and improve blood circulation.

 

Antioxidative stress: After the stem cells were infused into the body, the content of superoxide dismutase in the blood increased, and the apoptotic cells in the heart, liver, and kidney tissues decreased. This result confirmed that stem cells have anti-oxidative stress and anti-apoptotic effects.

 

SQ1 Stem Cell Services

During the whole treatment process, we’ll provide complete and first-class medical services to you. And to ensure your treatment effect, you can consult your doctor any time after the treatment.

www.sq1stemcell.com/stem-cell-transplant-for-autoimmune-d...

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Simon weighs 18lbs 15oz!! I had no idea he weighed that much. Simon and Meelee went to the vet tonight for check-ups. Meelee weighs only 7.39lbs and probably has hyperthyroidism. We'll get blood results on Friday for both of them.

 

Simon is on a diet.

An imbalance in production of hormones by Thyroid gland can cause multiple complications, some of them severely limiting. Understanding symptoms is the first step towards diagnosis and treatment.

If the natural flow of your everyday life is as fragmented as this beauty's...

www.fibrokur.com/en/preamble/

If you can't get out of the roller coaster loop of moods, lack of energy, chronic fatigue, exhaustion, non-focal pain, digestive system problems and even cognitive confusion?

Maybe you also suffer from a problem with thyroid function, hyperthyroidism or hypothyroidism.

אם הזרימה הטבעית של היומיום שלכם מקוטעת כמו של היופי הזה...

www.fibrokur.com/%D7%AA%D7%A4%D7%A7%D7%99%D7%93-%D7%91%D7...

אם אתם לא מצליחים לצאת מהלופ של רכבת ההרים במצבי הרוח, חוסר אנרגיה עייפות כרונית, תשישות, כאבים לא מוקדים, בעיות במערכת העיכול ואפילו בלבלולים קוגניטיביים?

אולי גם אתם סובלים מבעייה בתפקוד בלוטת התריס, פעילות יתר של בלוטת התריס או תת פעילות בלוטת התריס.

The main component of CT/X-ray Contrast Media is iodine. The Iodinated Contrast Media is a colorless, transparent, slightly viscous liquid. At present, the CT contrast agents can be mainly divided into ionic and non-ionic, according to the osmotic pressure can be divided into hypertonic, isotonic and hypotonic. Currently, non-ionic, isotonic or hypotonic Contrast Media are used clinically. When the CT contrast medium is injected, 97% of the contrast media can be directly excreted from the kidneys within 1 day.

 

Reasonable Use of Iodinated Contrast Agents

Evaluate patient benefits/risks before use

 

History of allergies: Patients who have previously experienced moderate to severe anaphylactoid reactions to iodinated contrast agents or patients with a history of allergies requiring treatment are at an increased risk of having an allergic reaction to CT dye.

 

Kidney function: iodinated contrast agents can cause acute kidney injury, and patients should be evaluated for related risks before the surgery.

 

Combination medication: drugs that may increase the risk of adverse reactions to iodinated contrast agents: neuroleptics and antidepressants, interleukin-2, beta-blockers, metformin.

 

Situations where iodinated contrast agents should be used with caution: lung and heart diseases, catecholamine secreting tumours, pregnant and lactating women, myeloma and macroglobulinemia, myasthenia gravis, homocystinuria.

 

Contraindication: uncured patients with hyperthyroidism.

  

Dose limit for iodinated contrast agents

 

On the premise of satisfying imaging/diagnosis, the minimum dose of iodinated contrast agents should be used.

 

For low-risk patients, the total dose of types of contrast agents had better be controlled within 300 ~ 400 ml.

 

Maximum dose of iodinated radiocontrast dye

 

Method I *: 5 ml × body weight (kg)/serum creatinine (mg/dl) (not more than 300 ml) [refer to Cigarroa calculation formula]

 

Method II: 3.7 times creatinine clearance [according to 2011 ACCF/AHAUA/NSTEMI Treatment Guidelines]

 

For those with severe renal insufficiency, try to choose an imaging method that does not require iodine-based contrast agents or a non-imaging method that can provide sufficient diagnostic information.

 

Avoid repeated use of the diagnostic dose of an iodinated contrast agent in a short period of time. If repeated use is indeed necessary, it is recommended that the interval between two MRI contrast agent applications be ≥14 days.

 

Other precautions for the use of iodinated contrast agents

 

Preheating: Before using an iodinated contrast agent, it is recommended to heat the contrast agent to 37 °C and place it in a thermostat.

 

Hydration: It is recommended to hydrate patients within 6 to 12 hours before using an iodinated contrast agent to within 24 hours after use. Hydration method: Intra-arterial drug users are advised to receive intravenous rehydration and oral rehydration concomitantly, and oral rehydration is recommended for intravenous drug users.

 

Stay and observation: After the injection of the iodine-based contrast media, the patient needs to stay and be observed for 30 minutes before leaving the examination room.

 

Establish an emergency channel: Establish an emergency rapid support mechanism for the rescue of adverse reactions caused by iodinated contrast agents with the emergency room or other clinical related departments to ensure that after an adverse reaction occurs, clinicians can promptly rush to the rescue scene for rescue if necessary.

 

Prevention and Management of Vascular Extravasation of Iodinated Contrast Agents

Prevention

 

Choose appropriate blood vessels for venipuncture and operate carefully; when using a high-pressure syringe, choose a puncture needle and catheter that match the injection flow rate; properly fix the puncture needle; communicate with the patient and get cooperation.

 

Management

 

Mild extravasation: Most injuries are minor and need no treatment. However, the patient should be instructed to keep observing. If the extravasation worsens, the patient should seek medical attention in time. For individuals with significant pain, common cold and hydropathic compresses can be given locally.

 

Moderate and severe extravasation: ① raise the affected limb to promote blood return. ② Use 50% magnesium sulfate moisturizing cold compress in the beginning, and after 24-hours change to magnesium sulfate moisturizing hot compress, or use mucopolysaccharide ointment for topical application, or use 0.05% dexamethasone for local hydropathic compress. ③ Those with severe contrast agent extravasation should be given oral dexamethasone 5 mg/time tid for 3 consecutive days on the basis of topical drug use. ④ If necessary, consult a clinician for medication.

 

beilupharma.com/products/ct-x-ray-contrast-media/

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Annie is our little pensioner. She is 18 years old and is very healthy. About three years ago, we saved her life by taking her to the animal hospital at the Univ. of Saskatchewan (we live in Manitoba). She had "hyperthyroidism", a senior cat disease, which meant her heart would eventually fail. She was unable to walk and was in great pain. The treatment was a nuclear medicine procedure - she was given one shot of radioactive iodine. This erradicated any tumors in her throat and chest wall. She endured the haz-mat team taking care of her for 10 days, then we brought her home. She didn't make a fuss at any time, she was a model patient. She was "glowing" for a week or so, and then slowly recovered her health completely. An operation or "pilling" her three times a day would have ruined her quality of life. We are so blessed we made the right decision. Annie does not typically pose for me. Today was an exception.

Diabetes mellitus including type 1 diabetes and type 2 diabetes, hypothyroidism and hyperthyroidism are major endocrine diseases among many other that a blocked throat chakra aka Vishuddha is responsible for.

Endocrine disease can be caused by unregulated hormone release as in productive...

 

www.7Chakras.org/throatchakradiseases/

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

We arrived back home, where it was sunny once again as the clouds had cleared.

 

After feeding Scully at midday, she now settles down for a few hours to sleep as her blood sugars are, while not normal, are getting better.

 

Jools had a short notice appointment at the chiropractor at half five, so I stayed to feed the cats and prepare dinner of chicken salad and baby new potatoes.

 

Which I cook once Jools arrived back at half six.

 

Football was back, Ipswich v Sheffield Utd, and Town ran out easy 5-0 winners and have a large and deep squad which is going to take some stopping if this performance is anything to go by.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Bonkers posing to show off his muscular good looks. Too bad he's not muscular at all (despite his size, he weighs less than all of our other cats except one - Bonkers has hyperthyroidism and has lost a lot of weight - fortunately it's under control).

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

My Baby had her checkup and blood work this evening.....she has a number

of problems that old cats tend to get.....the vet also heard some strange noise

in her breathing, and her little heart is beating too fast. The main problem is her

severe weight loss....she is only 5.3 pounds now:( She is eating very well, but

almost always hungry. She eats a full can of Natural Balance LID food, and has

a bowl of dry NB out all day to snack on.At least the vet (who was a very kind lady)

said she was well hydrated and her kidneys seem good. She thinks her symptoms

are pointing to hyperthyroidism.....which is what I suspected. At least she does not

think it is diabetes, which was one of my fears, or kidney disease. If it is her thyroid

then at least I can give her pills to help. My Mom has had a lot of experience with this condition

with her cats also. I don't get the test results until tomorrow at the soonest....I just pray

she is going to be OK. I felt so bad when they had to take her away from me when

they had to do the blood draw. She had the saddest expression in her eyes as she looked

at me when she was being carried away:(Before they took her started to cry, and gave her

a kiss, and told her I love her, and that she would be OK. I can't imagine my life without

her....she is a huge part of me......I have to try and stay strong for her. I will give a update

here when I get the results....thank you.....especially all of my cherished contacts and friends

on Flickr....for your concern. It means a great deal to me:)

 

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Nikki wants to say hi, and to thank her friends for all the prayers

and support over the past week. She was full of herself today,

and I got some interesting shots of her:) Tomorrow will be a

full week of her being on the pills for her hyperthyroidism...which

she was diagnosed with last week. She has to take 2 pills a day....

every 12 hrs. Since I got her some moist kitty treats to hide the pills

in ,she looks forward to 7:45 am and & 7:45 pm when she gets her

"Pounce". They are really not actual Pounce, but a soft treat made

by Purina....but she used to get Pounce years ago, so she is familiar

with the name.We always call her Natural Balance canned food "tuna"

In this shot he is waving when I asked her to:)

 

9 Oct 2020 Theo the Rex guinea pig was diagnosed with hyperthyroidism. He had Thyronom as oral medication but the rate didn’t go down. It went fr 70 to 91 when tested again in Dec.

 

4 Jan he had surgery to remove overactive thyroid. He woke up after and had food. But next morning I received call at 930, he had seizures and been subdued. He suffered low calcium, and blood test showed he had low glucose. Theo’s body didn’t cope well after surgery. 5 Jan 2020 received call fr vet Roxanne at 1:09pm. Theodore passed away in the early afternoon.

 

We got Theo from a breeder when he was about a month old, assumed he was born 1 March 2016.

 

When Theo was 2 weeks old flic.kr/p/F58NT1

b-Galactosidase activity (blue) indicates senescent cells in the liver of hyperthyroid mice. Zambrano et al. describe how thyroid hormone and its receptor cause increased mitochondrial respiration and reactive oxygen species production, leading to DNA damage and premature cell senescence.

 

Image courtesy of Zambrano et al.

 

Reference: Zambrano et al. (2014) J. Cell Biol. 204:129-146

Published on January 6, 2014.

doi: 10.1083/jcb.201305084

 

Read the full article online at: jcb.rupress.org/content/204/1/129.full

 

Spike Mulligan is a 12 year old DSH tabby and white kitty. Spike Mulligan is a very affectionate and cute little guy. He is very personable, and spends most of his day in the reception room here at Tree House. He gets along with the other cats. He has recently been diagnosed with Hyperthyroidism. He takes a daily pill. He is very easy to pill!

ADOPTED!!!

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Today would have been my parent's 61st wedding anniversary. But Mum is nearly six years gone and Dad over 29.

 

So it goes, so it goes.

 

Today is Friday: bin day. Gym Day. And the first day of the nine day Heritage Weekend.

 

I set my alarm for six.

 

Woke when it went off. Went back to sleep. Twice. Woke at ten to seven to find Cleo snuggled up beside me.

 

I sigh, and get up. Jools hear me, start boiling the water for coffee, so that once dressed, in my sports shorts, there is a cup of coffee ready.

 

We talk and then put the bins, put on our pumps all ready for some phys in Whitfield.

 

Friday is crazy busy on the roads, but we reach the car park safe, walk to the entrance to find IT has crashed again, so we were waved in.

 

Both bikes free again, I settle down to ride for half an hour in Patagonia whilst listening to some early 21st century indie music.

 

We do half an hour, coming a day since we were last here, feels about right. So back home for breakfast and another brew, so that Jools could leave the house for her craft meeting in the village library at half nine.

 

I tidy up whilst se is gone, also have a shower, bring in the bins which have been emptied.

 

Once she is back we have a rushed lunch of a stale roll and peppered roast beef which I turn into Rubens with mustard and pickle.

 

Yummy.

 

And then out for a quick visit to Ramsgate to The Grange and Pugin's church next door.

 

Augustus Pugin built his family home on a plot of land he had bought, and next door, in time, he built his perfect church.

 

His home, The Grange, is owned by The Landmark Trust, and is only open to the public on Heritage Weekends, and as it had been a decade since I last visited, it was time to go back to record some details, and then visit the church to take shots of the glass in his church.

 

We drove to Thanet on the teeth of a squall, dry for us, but looking across Pegwell Bay we could see the sheets of rain sweeping towards us.

 

I parked the car, leaving Jools to read in the car, so I scampered the hundred yards to The Grange, had my name ticked off and was allowed to enter.

 

The Landmark Trust helped renovate The Grange, all working hard to ensure that the fixtures and fittings, colours were aligned with what Pugin had installed originally.

 

I visited mainly to photograph details in the library and Pugin's study, not going back upstairs. I took my shots, talked to a couple of the guides, then walked the hundred more yards to the church.

 

The Catholic Shrine to St Augustine, as it is now called, is the family church of the Pugin's, with Augustus's tomb in the south chapel.

 

I had the church to myself for the most part, so snapped a few general views, I concentrated on the glass, all high quality.

 

Outside the squall arrived, rain hammered down on the roof. Jools texted to ask if I wanted to be picked up: I rode my luck and by the time I left, there was a small break in the clouds and no rain was falling.

 

I got back to the car just in time, as the rain began as we drove back south to Dover.

 

We stopped at Richborough for petrol, and ice cream. Then back home as the rain hammered down and the wipers struggled to cope with the volume of water falling from the sky.

 

----------------------------------------------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

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