View allAll Photos Tagged hyperrealistic
Tore installation by Marcel Berlanger, opening view, 4 may 2007.
Wiels (Contemporary Art Center), Brussels, Belgium.
See also an article (in french) on my blog : www.multimedialab.be/blog/?p=671
Marcel Berlanger : Tore
Whoever goes to see Marcel Berlanger's latest project will be entering a strange world of optical illusions. This Brussels-based artist is presenting an installation in which painting, light and sound resonate simultaneously within a single space: a large platform in the brand new centre for contemporary art, WIELS. Berlanger usually paints on supports he himself has designed, consisting of liquid resin and translucent fibreglass, and covered with a coat of reflective paint. Because of the fibrous structure of the supports and the hyperrealistic rendition of both geometric and human figures, his work has occasionally been described as photographic painting. In TORE, Julie Petit-Etienne's lighting design further intensifies the sweet taste of the optical illusion: a succession of short cycles of light plunges the exhibition space and the work into varying shades of colour, thereby suggesting movement. These ongoing transformations will stimulate, tickle and unsettle the viewer's perception.
Qui fait l’expérience du nouveau projet de Marcel Berlanger, pénètre dans le monde merveilleux de l’illusion optique. Le plasticien bruxellois propose une installation où la peinture, la lumière et le son résonnent dans un même espace, une immense plate-forme dans le centre d’art contemporain flambant neuf de WIELS. Berlanger confectionne lui-même ses supports. Ils sont composés de fibre de verre transparente rigidifiée à la résine liquide, qu’il recouvre de peinture reflétant la lumière. La structure fibreuse du support et la reproduction hyperréaliste font que l’on qualifie parfois ses œuvres de peintures photographiques. Dans TORE, le concept lumière de Julie Petit-Etienne intensifie les subtilités de l’illusion optique. Des cycles lumineux alternants immergent l’espace et l’œuvre dans diverses tonalités et suggèrent diverses dynamiques. Chaque métamorphose aiguillonne, titille et stimule la perception du visiteur.
Concept : Marcel Berlanger
Lighting design : Julie Petit-Etienne
Music : Cédric Dambrain
Presentation : Wiels, Kunstenfestivaldesarts
Coproduction : Wiels, Kunstenfestivaldesarts
© Marcel Berlanger
Dock Leaf - watercolour painting (work in progress).
Paper is Saunders Waterford hp - Size: 14 x 21 ins.
This image shows the painting in its early stages.
The layers of watercolour paint are added slowly in several transparent layers.
Search for Steve Greaves on Ebay and Amazon to find Original Artwork, Limited Edition Prints and Postcards for sale.
See more at: www.stevegreaves.com
See the reference photo here on Flickr:
www.flickr.com/photos/stevegreaves/2602952039/in/set-7215...
Available for sale - This is a detail of an illustration I did in 1989 for an album concept for the cure. I used mixed media Acrylic paint and colored pencil employing the airbrush, brush, alcohol and salt. The lead singer Robert Smith of the Cure was the subject of the portrait. I was experimenting with lots of techniques to get this hyper real, tight and loose portrayal. I layered brushwork, pencil and airbrush back and forth to create depth and transparency all over the place. It was fun! Again the eyes were important to me and what they expressed. I hope you enjoy this slice of the early 90’s post punk scene.
Eröffnung | Opening
09.04.2015
Kunsthaus Graz, Space01, Lendkai 1, 8020 Graz
Laufzeit | Duration: 10.04.-30.08.2015
www.museumsblog.at/HyperAmerika
© Universalmuseum Joanneum / N. Lackner
Ausstellungsansicht | Exhibition View
Kunsthaus Graz, Space01, Lendkai 1, 8020 Graz
Laufzeit | Duration: 10.04.-30.08.2015
www.museumsblog.at/Hyperamerika
© Universalmuseum Joanneum / N. Lackner
Close-up portrait of a young blonde woman with freckles, wearing round glasses, natural makeup, and intense blue eyes, soft lighting, realistic digital art style
Tore installation by Marcel Berlanger, opening view, 4 may 2007.
Wiels (Contemporary Art Center), Brussels, Belgium.
See also an article (in french) on my blog : www.multimedialab.be/blog/?p=671
Marcel Berlanger : Tore
Whoever goes to see Marcel Berlanger's latest project will be entering a strange world of optical illusions. This Brussels-based artist is presenting an installation in which painting, light and sound resonate simultaneously within a single space: a large platform in the brand new centre for contemporary art, WIELS. Berlanger usually paints on supports he himself has designed, consisting of liquid resin and translucent fibreglass, and covered with a coat of reflective paint. Because of the fibrous structure of the supports and the hyperrealistic rendition of both geometric and human figures, his work has occasionally been described as photographic painting. In TORE, Julie Petit-Etienne's lighting design further intensifies the sweet taste of the optical illusion: a succession of short cycles of light plunges the exhibition space and the work into varying shades of colour, thereby suggesting movement. These ongoing transformations will stimulate, tickle and unsettle the viewer's perception.
Qui fait l’expérience du nouveau projet de Marcel Berlanger, pénètre dans le monde merveilleux de l’illusion optique. Le plasticien bruxellois propose une installation où la peinture, la lumière et le son résonnent dans un même espace, une immense plate-forme dans le centre d’art contemporain flambant neuf de WIELS. Berlanger confectionne lui-même ses supports. Ils sont composés de fibre de verre transparente rigidifiée à la résine liquide, qu’il recouvre de peinture reflétant la lumière. La structure fibreuse du support et la reproduction hyperréaliste font que l’on qualifie parfois ses œuvres de peintures photographiques. Dans TORE, le concept lumière de Julie Petit-Etienne intensifie les subtilités de l’illusion optique. Des cycles lumineux alternants immergent l’espace et l’œuvre dans diverses tonalités et suggèrent diverses dynamiques. Chaque métamorphose aiguillonne, titille et stimule la perception du visiteur.
Concept : Marcel Berlanger
Lighting design : Julie Petit-Etienne
Music : Cédric Dambrain
Presentation : Wiels, Kunstenfestivaldesarts
Coproduction : Wiels, Kunstenfestivaldesarts
© Marcel Berlanger
Yesterday we visited an exhibition of hyper-realistic sculptures in the Kunsthal in Rotterdam. I knew a few of these sculptures from magazines, but the real thing surpassed my expectations. Some of these creations looked so extremely "real" that you were inclined to stroke their skin.
This sculpture by Ron Mueck is called " A girl" and is about three meters long. Its size makes it very unrealistic, but you tend to forget that when you watch it.
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate fractal otherworldy geometric tessalated landscape, hyperrealistic, alien, subdued aquatic blue-green palette, gloomy, underlighting, recessed lighting, volumetric light, gilded edges, vast panorama --ar 2:3 "
"Hyperrealistic Sunrise" - Altendorf Franconia - Germany ©
In Germany there is a saying "The early bird catches the worm".
Very early in the morning the light is phantastic - a time to make photographs with someting magic in there. It was extremely cold (-14 ° C) and the sun had just risen - this atmosphere could only captured with HDR technique. I took five photographs to reproduce the scene as I have seen them.
Press L (or just click image) to see it on a dark gray background.
Equipment:
Fullformat Camera +
135 mm
ND-Filter + Pol Filter
Tripod
Remote control
Copyright 2012 - O l i v e r F r e i m u t h - All Rights Reserved.
My photos are copyrighted and may not be reproduced, published
ore transmitted in any way without my permission.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1Trv5VX
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✰Featuring The Amazing: @studio.fehniger ✰ ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄
One more bird 🐥🐤 #art #illustration #pencil #pencildrawing #artwork #blackandwhite #drawing #worldofpencils #pencilart #Sketch_daily #draw #sketch #artoftheday #artist #arts_gallery #artcollctive #artistic_unity_ #flavoredtape #art_blend #art_spotlight #artworkzz #artposts #arts_help #art_hyperrealistic #art_conquest #illustratenow #bird #birddrawing
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Hyperrealistic sculpture by Marc Sijan in polyester resin and oil painted display at the lobby of OUE Bayfront.
Ausstellungsansicht | Exhibition View
Kunsthaus Graz, Space01, Lendkai 1, 8020 Graz
Laufzeit | Duration: 10.04.-30.08.2015
www.museumsblog.at/Hyperamerika
© Universalmuseum Joanneum / N. Lackner
Keith More hyperrealistic pencil drawing. A3 size as usual it's called Displaced, once again inspired by a photograph created for me by the totally wonderful photographer Shannon Haughton Gill.
ТАНЕР ДЖЕЙЛАН - 1553
☆
Location: Istanbul Modern, a.k.a. Istanbul Museum of Modern Art, Istanbul, Turkey.
Sources: www.sanatatak.com/view/batili-gozuyle-taner-ceylan
arthive.com/ru/publications/388~Novoe_litso_Turtsii_galer...
Photographed at the Istanbul Modern.
Taner Ceylan stadied painting at Mimar Sinan Fine Art University. He is widely regarded as one of the most remarkable praktitioners of the hyperrealistic style. While depicting on his canvases elements that are outside established gender stereotypes and specific to life and culture, he accepts realism not only as a technical achievement, but also as an expression, even emphasis, of truth. He says: ''What I expect of a painting is that it should give me as much reality as possible; it should give me the reality of beauty, my own reality. It should be real not just visibly but meaningfully too. I want powerful images.''
The title of Ceylan's painting ''1553'', inspired by Süleyman the Magnificient's wife Hürrem Sultan, is a reference to the year when Süleuman had his son Prince Mustafa killed. The blood spread on the paintings surface reminds us of the tension between power, and violence. According to Ceylan eternal life and everlasting beauty always require sacrifice. The veil that conceals the face of the subject in the painting also symbolizes the way power nourishes itself on a covert violence. The artist works with people in his close circle such as Alp, the model for this painting, whom he has often used as a model in his previous works.
Rus: Танер Джейлан изучал живопись в Университете изящных искусств Мимара Синана. Художник широко известен как один из самых выдающихся практиков гиперреалистического стиля. Изображая на своих полотнах элементы, выходящие за рамки устоявшихся гендерных стереотипов и специфичные для жизни и культуры, он воспринимает реализм не только как техническое достижение, но и как выражение, даже подчеркивание истины. Он говорит: ''Я ожидаю от картины того, что она должна дать мне как можно больше реальности; она должна дать мне реальность красоты, мою собственную реальность. Полотно должно быть реальным не только визуально, но и осмысленно. Мне нужны мощные изображения''.
Название картины Джейлана ''1553'', вдохновлено женой Сулеймана Великолепного Хюррем Султан, и является отсылкой к году, когда Сулейман убил своего сына принца Мустафу. Кровь, разлившаяся по поверхности картины, напоминает нам о напряжении между властью и насилием. По мнению Джейлана, вечная жизнь и вечная красота всегда требуют жертв. Вуаль, скрывающая лицо героя картины, также символизирует то, как власть питается скрытым насилием. Художник работает с людьми из своего близкого окружения, такими как Альп, моделью для этой картины, которого он часто использовал в качестве модели в своих предыдущих работах.
Prompt
3D render of a young boy riding a futuristic steampunk hoverbike, intricate details, whimsical, adventurous, vibrant, playful, dusty desert setting, dynamic pose, detailed textures, cinematic lighting, hyperrealistic, 8k, art by Pascal Blanche, trending on ArtStation
Solarpunk utopian cute hi-tech nerdy second to none, full body, sci-fantasy, digital art, masterpiece painting, ultra detailed, ultra high definition, 8K resolution, cel shading, superior quality, cover illustration, complex design, radiant highlights, rich vibrant colours, hyperrealistic, meticulously hyper detailed, high contrast, artstation @Saralgam
The tourists are getting more 'intmate' and silly, with this sculpture. Lots think it is either performance art (a real person) or a wax figure.