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Another amazing sky on my walk to work. When I left my flat it was dark, but the light was just about bouncing off the upper clouds. So I thought it was promising, but by the time I got downstairs and outside this is what I saw!
There were another couple of people around taking photos as well - happens quite often. I think they are going to ambush me one morning and steal my 10-20mm
This is a panorama of about 4 images, no colour processing though.
Clouds are fibrous cirrus merging into fibrous cirrostratus (apparently).
see the rest of my walk to work set
An addition to my collection of panoramas of US cities. Comments welcome.
Yet again, I used the wonderful free Hugin software to stitch three images together.
Experimenting with stitched panoramas. This was a "shot" of my garage, taken with 27 exposures with a 24mm lens, and stitched together. I used Hugin (http://hugin.sourceforge.net) to stitch the panorama.
A equirectangular panorama of Quorn Cross, the center of the village I live in.
Taken from 4 portrait and 1 nadir using my Nikon D50 and Peleng Fisheye Lens. Taken handheld, then the raw files tonemapped in photomatix then stitched using Hugin, autopano-sift and enblend. Post proccessing in photoshop.
The stereographic projection is here
Part of my Panoramas and Stereographic projections set
View this panorama in the interactive viewer.
The Cathedral of Toledo is a world in itself, the centuries bestowing it with such an accumulation of great works of art, very diverse one from another, that the fabulousness of its riches and the attractiveness of its diversity, produce to the point of incredulity an impression of astonishment.
------------------------------------ Élie Lambert
Toledo's Cathedral never left my mind, since I've "discovered" it without really knowing what to expect, seven years ago. Today, reviewing it after all these years, the emotion is different, more mature and understanding, yet still full of surprise by the fact that such a space is possible.
Walking through its interior, the word that comes to mind is "inconceivable" . One cannot conceive such human aspiration, such tenderness , hope, pain, and even terror, as reflected in the greatness of its spaces, the sumptuousness of its stained glass windows, the richness of its detail in stone, wood and metal. And, however, inconceivable as such, there it is, still today, squeezed through the steep streets of Toledo.
The Cathedral is an admirable translation of the medieval European soul. Built on the site of an ancient mosque, after the reconquest of the city by Spanish Catholics in the eleventh century, like all medieval cathedrals it is a beautiful symbiosis between power and religion. Her beauty is overwhelming, and constantly reiterates the fear and the inevitability of death and the final judgment. God's love, the motherly tenderness of Mary (in the name of which , since its beginning , the Cathedral is dedicated), share space with the memory of wars and conquests , with the monsters that inhabited medieval imagery, the terror of the deep unknown that pervaded even the everyday live of people .
It is easy for a modern citizen walking through these spaces and forget that when these walls and columns were erected, Greek rationalism was largely forgotten in Europe, the Italian Renaissance was centuries ahead, the Enlightenment was still inconceivable. Doubt was not a possibility, but an unspoken, unspeakable sin -- like the doubts of the Knight of The Seventh Seal, by Bergmann , which by happy coincidence I had the opportunity to review a few days ago. The only possible negotiation of a human being with death -- at the end, the greater certainty for every human being -- was through the church. Hence, as I said before, such human aspiration converges to the construction of works like this.
In a world sometimes so shallow, it simplily makes me fell better to know that the Cathedral of Toledo exists, and stays there, so full of meaning and beauty, inconceivable.
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A Catedral de Toledo é um mundo em si mesma, os séculos conferindo-lhe tal acúmulo de obras de arte, tão diversas umas das outras, que a sua fabulosa riqueza, e sua atrativa diversidade, produzem uma sensação de admiração que beira a incredulidade.
------------------------------------ Élie Lambert
A Catedral de Toledo nunca saiu da minha cabeça, desde que a "descobri", sem saber muito bem o que me esperava, há sete anos atrás. Hoje, revendo-a depois destes anos, a emoção é diferente, mais madura e compreensiva, e no entanto ainda cheia de surpresa por tal espaço ser possível.
Caminhando pelo seu interior, a palavra que me vem a mente é "inconcebível". Não pode ser concebida tamanha aspiração humana, tanta ternura, esperança, dor e, mesmo, terror, que se traduzem na grandiosidade de seus espaços, na suntuosidade de seus vitrais, na riqueza dos detalhes de pedra, madeira e metal. E, no entanto, inconcebível como tal, lá está ela, ainda hoje, espremida pelas ruelas íngremes de Toledo.
A Catedral é uma tradução admirável de alma medieval européia. Construída sobre o terreno de uma antiga mesquita, após a reconquista da cidade pelos católicos espanhóis no século XI, como toda catedral medieval representa magnificamente a simbiose entre o poder e a religião. Sua beleza é esmagadora, e reitera constantemente o temor e a inevitabilidade da morte e do juízo final. O amor de Deus, a ternura maternal de Maria (a qual, desde seus primórdios, é dedicada a Catedral) convivem com a lembrança de guerras e conquistas, com os monstros que habitavam o imaginário medieval, com o terror de um desconhecido que habitava o dia a dia das pessoas.
É fácil para um cidadão moderno caminhar por esses espaços e esquecer que, quando essas paredes e colunas foram eregidas, o racionalismo grego estava em grande parte esquecido na Europa, o renascimento italiano estava séculos a frente, o iluminismo era ainda inconcebível. Duvidar não era uma possibilidade, mas sim um pecado indizível, inconfessável -- como o que aflige o cavaleiro de O Sétimo Selo, de Bergmann, que por feliz coincidência tive a oportunidade de rever há poucos dias. A única negociação possível do ser humano com a morte -- ao final, a grande e maior certeza para todo ser humano -- era através da igreja. Daí, como antes disse, tamanha aspiração humana converge para a construção de obras como essa.
Num mundo por vezes tão superficial, faz-me bem, simplesmente, saber que a Catedral de Toledo existe, e lá permanece, tão carregada de significado e beleza, inconcebível.
en.wikipedia.org/wiki/Toledo_Cathedral
en.wikipedia.org/wiki/Seventh_seal
This is a panorama made from 12 photos, stitched by the free software Hugin.
Musée de Lille. Cliché initial pris en 2012. Issu d'une projection équirectangulaire déformé verticalement (H->2H) et collé 2 fois dans une nouvelle image
Главное здание МГУ им Ломоносова на Ленинских горах, одна из семи "сталинских высоток" Москвы.
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Lomonosov Moscow State University main building, one of famous "Stalin's Seven Sisters". en.wikipedia.org/wiki/Seven_Sisters_(Moscow)
The Susquehannock Trail Performance Rally (STPR) is set in one of the most scenic places I know, Pennsylvania's Tioga State Forest.
This 11 shot pano encompasses about 270 degrees of view as you look across the hills. This is also the only corner I worry about in the woods, as if one makes a mistake here, there is plenty of time to think about the consequences.
The pano was assembled using the Hugin toolset.
See original version for much more detail (4.5MB @ 11,407x3,564)
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Taken a few years back. I must confess I no longer remember what mountain this was. Anyone?
Panorama from 3 photos, you can just make up the left seam on the grass.
Nice on black!
A Vectorama Overlooking the Ciborium and ceiling of the apse. In the foreground the table of last Supper...
About this image: Gear used: Nikon D7000 /10-24mm 1/2sec f8 using Tripod.
This is an 8 HDR Mode Vectorama processed out of 24 original images.
8 HDR images were stiched in Hugin Software using Equirectangular projection.
© All rights reserved
A view from Bahrain Castle. The castle mound was created around BC2300 and was inhabited and used as a fort until AD1700. Was Dilmun's civilization capital, and was declared by Unesco as a World Heritage Site in 2005.
180 degrees, Arvada, Colorado, USA. Stitched using 16 bit tiffs in Hugin to prevent banding in the sky.
And me, stylin' with the fanny pack and New Balance sneaks. ("You might be a middle-aged photographer if...")
7 ultrawide shots stitched in Hugin. This is the first exercise the little Q7 camera has had in a while. I need to get it out more, especially with this lens.
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Projection: Cylindrical (1)
FOV: 346 x 97
Ev: 11.53
Grazie per i vostri commenti
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Thank you for your comments
Please don't use this image on websites, blogs or other media without my explicit permission. © Riccardo GABRIELE. All rights reserved. Use without permission is illegal
A panaorama in equirectangular projection. Hugin's EXIF output said this covered 360 degrees horizontally, which can't be right. I'd estimate over 180 degrees though, maybe 220 or thereabouts.
The images are then positioned in hugin (manually setting the control points; the autopano-sift option doesn't work very well with fish-eye images. There is a proposal in the Google Summer of Code to implement the feature matching in the projection space, this should help a lot).
Each image is warped into a bit of equirectangular projection. Enblend is then used to blend the images together.
(I stole the idea of the floating images from manu; his explanations are much better)
You can also see how this would be transformed into a small planet.