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Le Consortium Museum est un centre d'art contemporain basé à Dijon géré par l'association Le Coin du Miroir, active depuis 1977. Depuis 2011, il est installé dans un bâtiment de 4000 m2 conçu par les architectes Shigeru Ban et Jean de Gastines.
Le centre d'art occupe progressivement, à partir de 1991, une ancienne usine de liqueur L'Heritier-Guyot, construite en 1943. La conception est réalisée par l'architecte allemand Hostettler en collaboration avec Joly-Delvalat (1906-1990), professeur à l'Académie des Beaux-Arts de Dijon. L’architecture s’inspire du style international, avec une tendance post-Bauhaus, c’est-à-dire une construction lisse en béton sans ornementation, caractéristique du mouvement moderne où la rationalité et la fonctionnalité déterminent l’esthétique de l’architecture. Après une rénovation et une extension du bâtiment réalisée sous la conduite des architectes Shigeru Ban, et Jean de Gastines8, l'espace de 4 000 m², dont 2 000 m² sont réservés aux expositions, est rouvert au public en juin 2011 et inauguré par le ministre de la Culture Frédéric Mitterrand, le 14 septembre 2011. Ce nouveau bâtiment est passé d’un “L” à un rectangle qui englobe une cour intérieure.
The Consortium Museum is a contemporary art center based in Dijon managed by the association Le Coin du Miroir, active since 1977. Since 2011, it has been housed in a 4000 m2 building designed by architects Shigeru Ban and Jean de Gastines.
The art center has gradually occupied, since 1991, a former L'Heritier-Guyot liqueur factory, built in 1943. The design was carried out by the German architect Hostettler in collaboration with Joly-Delvalat (1906-1990), professor at the Academy of Fine Arts in Dijon. The architecture is inspired by the international style, with a post-Bauhaus tendency, that is to say a smooth concrete construction without ornamentation, characteristic of the modern movement where rationality and functionality determine the aesthetics of architecture. After a renovation and extension of the building carried out under the supervision of architects Shigeru Ban and Jean de Gastines8, the 4,000 m² space, of which 2,000 m² are reserved for exhibitions, was reopened to the public in June 2011 and inaugurated by the Minister of Culture Frédéric Mitterrand on September 14, 2011. This new building has changed from an “L” to a rectangle that includes an interior courtyard.
Le Consortium Museum est un centre d'art contemporain basé à Dijon géré par l'association Le Coin du Miroir, active depuis 1977. Depuis 2011, il est installé dans un bâtiment de 4000 m2 conçu par les architectes Shigeru Ban et Jean de Gastines.
Le centre d'art occupe progressivement, à partir de 1991, une ancienne usine de liqueur L'Heritier-Guyot, construite en 1943. La conception est réalisée par l'architecte allemand Hostettler en collaboration avec Joly-Delvalat (1906-1990), professeur à l'Académie des Beaux-Arts de Dijon. L’architecture s’inspire du style international, avec une tendance post-Bauhaus, c’est-à-dire une construction lisse en béton sans ornementation, caractéristique du mouvement moderne où la rationalité et la fonctionnalité déterminent l’esthétique de l’architecture. Après une rénovation et une extension du bâtiment réalisée sous la conduite des architectes Shigeru Ban, et Jean de Gastines8, l'espace de 4 000 m², dont 2 000 m² sont réservés aux expositions, est rouvert au public en juin 2011 et inauguré par le ministre de la Culture Frédéric Mitterrand, le 14 septembre 2011. Ce nouveau bâtiment est passé d’un “L” à un rectangle qui englobe une cour intérieure.
The Consortium Museum is a contemporary art center based in Dijon managed by the association Le Coin du Miroir, active since 1977. Since 2011, it has been housed in a 4000 m2 building designed by architects Shigeru Ban and Jean de Gastines.
The art center has gradually occupied, since 1991, a former L'Heritier-Guyot liqueur factory, built in 1943. The design was carried out by the German architect Hostettler in collaboration with Joly-Delvalat (1906-1990), professor at the Academy of Fine Arts in Dijon. The architecture is inspired by the international style, with a post-Bauhaus tendency, that is to say a smooth concrete construction without ornamentation, characteristic of the modern movement where rationality and functionality determine the aesthetics of architecture. After a renovation and extension of the building carried out under the supervision of architects Shigeru Ban and Jean de Gastines8, the 4,000 m² space, of which 2,000 m² are reserved for exhibitions, was reopened to the public in June 2011 and inaugurated by the Minister of Culture Frédéric Mitterrand on September 14, 2011. This new building has changed from an “L” to a rectangle that includes an interior courtyard.
Le Consortium Museum est un centre d'art contemporain basé à Dijon géré par l'association Le Coin du Miroir, active depuis 1977. Depuis 2011, il est installé dans un bâtiment de 4000 m2 conçu par les architectes Shigeru Ban et Jean de Gastines.
Le centre d'art occupe progressivement, à partir de 1991, une ancienne usine de liqueur L'Heritier-Guyot, construite en 1943. La conception est réalisée par l'architecte allemand Hostettler en collaboration avec Joly-Delvalat (1906-1990), professeur à l'Académie des Beaux-Arts de Dijon. L’architecture s’inspire du style international, avec une tendance post-Bauhaus, c’est-à-dire une construction lisse en béton sans ornementation, caractéristique du mouvement moderne où la rationalité et la fonctionnalité déterminent l’esthétique de l’architecture. Après une rénovation et une extension du bâtiment réalisée sous la conduite des architectes Shigeru Ban, et Jean de Gastines8, l'espace de 4 000 m², dont 2 000 m² sont réservés aux expositions, est rouvert au public en juin 2011 et inauguré par le ministre de la Culture Frédéric Mitterrand, le 14 septembre 2011. Ce nouveau bâtiment est passé d’un “L” à un rectangle qui englobe une cour intérieure.
The Consortium Museum is a contemporary art center based in Dijon managed by the association Le Coin du Miroir, active since 1977. Since 2011, it has been housed in a 4000 m2 building designed by architects Shigeru Ban and Jean de Gastines.
The art center has gradually occupied, since 1991, a former L'Heritier-Guyot liqueur factory, built in 1943. The design was carried out by the German architect Hostettler in collaboration with Joly-Delvalat (1906-1990), professor at the Academy of Fine Arts in Dijon. The architecture is inspired by the international style, with a post-Bauhaus tendency, that is to say a smooth concrete construction without ornamentation, characteristic of the modern movement where rationality and functionality determine the aesthetics of architecture. After a renovation and extension of the building carried out under the supervision of architects Shigeru Ban and Jean de Gastines8, the 4,000 m² space, of which 2,000 m² are reserved for exhibitions, was reopened to the public in June 2011 and inaugurated by the Minister of Culture Frédéric Mitterrand on September 14, 2011. This new building has changed from an “L” to a rectangle that includes an interior courtyard.
1947 Delahaye 135MS Roadster Guillore
blackhawkcollection.com/index.cfm?carid=71&action=details&tab=...
This Delahaye was produced just in time to debut at the 1948 Paris Auto Show and although built after WW II its design still resembles the grand styling of many pre-war Delahaye cars. The early history of the car is unknown, but in the 1950's a woman named Helene Hostettler purchased it in Switzerland.
1947 Delahaye 135MS Roadster
Guillore coachwork
One-off Paris salon vehicle
1 st in Pebble Beach 2001
1st CCCA National Winner
1st National AACA winner 2003
1st Meadow Brook Concours 2003
1st Newport Beach Concours
1st Palos Verde
1st Houston Keels and Wheels 2004
Includes Fitted Louis Vouton Luggage
Documented Ground Up Restoration
1947 Delahaye 135MS Roadster Guillore
blackhawkcollection.com/index.cfm?carid=71&action=details&tab=...
This Delahaye was produced just in time to debut at the 1948 Paris Auto Show and although built after WW II its design still resembles the grand styling of many pre-war Delahaye cars. The early history of the car is unknown, but in the 1950's a woman named Helene Hostettler purchased it in Switzerland.
1947 Delahaye 135MS Roadster
Guillore coachwork
One-off Paris salon vehicle
1 st in Pebble Beach 2001
1st CCCA National Winner
1st National AACA winner 2003
1st Meadow Brook Concours 2003
1st Newport Beach Concours
1st Palos Verde
1st Houston Keels and Wheels 2004
Includes Fitted Louis Vouton Luggage
Documented Ground Up Restoration
1947 Delahaye 135MS Roadster Guillore
blackhawkcollection.com/index.cfm?carid=71&action=details&tab=...
This Delahaye was produced just in time to debut at the 1948 Paris Auto Show and although built after WW II its design still resembles the grand styling of many pre-war Delahaye cars. The early history of the car is unknown, but in the 1950's a woman named Helene Hostettler purchased it in Switzerland.
1947 Delahaye 135MS Roadster
Guillore coachwork
One-off Paris salon vehicle
1 st in Pebble Beach 2001
1st CCCA National Winner
1st National AACA winner 2003
1st Meadow Brook Concours 2003
1st Newport Beach Concours
1st Palos Verde
1st Houston Keels and Wheels 2004
Includes Fitted Louis Vouton Luggage
Documented Ground Up Restoration
Rudolf Hostettler: Type – A selection of types / Auswahl guter Typen / Une sélection de caractères, Teufen: Niggli, 1958.
TM 4/62
Typografische Monatsblätter
Schweizer Graphische Mitteilungen
Revue suisse de l'Imprimerie
Nr. 4, 1962, 81. Jahrgang
Inhalt
---------------------------------------------------
Sondernummer Kleinoffset
257 Ernst Christen, Basel: Kleinoffset auch in der Buchdruckerei
279 Kommentar zu den vorliegenden Druckbeispielen
280 H. U. Rickenmann, Zürich: Die Herstellung von Druckplatten für Kleinoffset
282 O. Schmucki, Zürich: Erfahrungen mit Kleinoffset
283 Hermann Macher, Zürich: das erste Jahr an der Kleinoffsetmaschine
284 Erich Kohl, Zürich: Im Kleinoffset ist sorgfältiges Planen wichtig
285 Hans Hirt, Zürich: Ausbildung von Lehrlingen des Kleinoffsetgewerbes in der Fachschule
286 Klaus Petersen: Vorbeschichtete Ozasol-Offsetdruckplatte
287 R. Hostettler, St. Gallen: Die wichtigsten Maschinentypen für den Kleinoffsetdruck
291 Maschinentabelle
311 Paul Aubort, offsetiste, Saint-Sulpice: Les petites offset de bureau
313 Appareil à copier Roteprint-Reprocessor
315 Equipements électrostatiques Rank-XeroX
315 Zubehör für den Kleinoffset
316 La combinaison de procédés: Offset-sec ou quand la typo rejoint l'offset
317 L'impression hélio-offset
318 Jean-Pierre Defago, Genève: L'imprimerie et son évolution industrielle
Betriebsführung, l'organisation
254 Neues in Kürze, Neue Maschinen und Geräte
326 Graphibref
Satz, la composition
296 O.Wider, Zürich: Der moderne Setzer – ein perfekter Maschinenschreiber
319 Charles Castioni, Genève: Photocomposeuses – Machines à composer en couleur – Nouveau clavier TTS – Chute des matrices contrôlée
322 Fernand Chuard, Genève: Activité intéressante – Froid et chaud – Vitesse et usure
325 René Pellouchoud, Lausanne: Correcteurs
Druck, l'impression
323 Charles-Henri Cornaz, Lausanne: L'apport de la matière plastique et des plastifiants dans la fabrication des rouleaux d'imprimerie
Ausbildung, l'éducation
297 Neue Bücher
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
Selected close-up sections of this postcard can be seen here, from left to right in the image.
www.flickr.com/photos/hoosier_recollections/28679427194/i...
www.flickr.com/photos/hoosier_recollections/28681179353/
www.flickr.com/photos/hoosier_recollections/28679426634/i...
www.flickr.com/photos/hoosier_recollections/29193809182/i...
www.flickr.com/photos/hoosier_recollections/29193808752/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/28681179993/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/28681179993/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
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Felix Harzenmoser Yamaha TZ 350 1974 Oldtimer GP Schwanenstadt (c) 2016 Бернхард Эггер фото :: rumoto images 2520
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/28681179993/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/28681179993/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
c1910 postcard view of Main Street in Charlestown, Clark County, Indiana. The photographer was looking northeast through the Market Street intersection. An electric light hung above the intersection and two boys were riding their bikes toward the camera. The public school was the building behind the trees on the left. The school stood on a small block bounded by Main Cross Street on the northeast, Main Street on the southeast, Market Street on the southwest and Short Street on the northwest. The 1911 Sanborn™ fire insurance map set for Charlestown shows the Carlton Hotel at the southwest end of that block (just outside this view).
The buildings in the background were along the northeast side of Main Cross Street. The building with the hip roof was on the north corner at the Main Cross Street intersection. The 1911 map set shows a dry goods and notions business on the first floor and a “Public Hall” on the second floor.
The only business signs were across Main Street from the school. The largest sign advertised _. O. HOSTETTLER. This may have been Edgar O. Hostettler who was a businessman in Charleston. The other two signs advertised BUTTERICK PATTERNS and McCALL PATTERNS. This was probably a millinery business and the 1911 map set shows a millinery business in a two-story brick building at that approximate location.
The two rolls of fence near the street corner would usually be associated with a hardware store, but neither the 1899 nor the 1911 Sanborn™ map set shows a hardware business in that vicinity.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/28681179993/i...
Copyright 2014-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
I was surprised to see that in the mid-1950s, Jan Tschichold used Alte Schwabacher as the typeface for his personal letterhead. This letter from October 1956 is addressed to Rudolf Hostettler. The year before, Tschichold moved back to Basel to work for Hoffmann-La Roche.
Spotted in the exhibition Einige von Hand geschriebene Briefe [Several letters written by hand], with a selection from Jost Hochuli’s private collection of c. 400 letters, including items sent from and to Walter Käch, Paul Standard, Gerrit Noordzij and several others. On display during Tÿpo St. Gallen 2013 (invitation as pdf)
TM Typographische Monatsblätter
SGM Schweizer Graphische Mitteilungen
RSI Revue suisse de l'lmprimerie
Nr. 10 Oktober/Octobre 1959, 78. Jahrgang
INHALT:
Satz, la composition
493 Jan Tschichold, Die Herstellung eines mehrfarbigen Holztafeldruckes in Japan
498 Hans Rudolf Boßhard, Gegen die Rechtschreibreform
499 Die Seite der Sprache
502 Emil Hofstetter, Die Römertype
509 Die besten Plakate des Jahres 1958
513 Das Alphabet des Monats
527 Albert Précy, Photographisme
532 Raymond Sermet, De l’utilité du centreur automatique
532 Paul-Henri Colomb, Le centreur automatique
533 Etienne Mensignac, Centreur et machines à titres
Druck, l'impression
504 Dipl. Ing. ehem. R. Müller, Der Naß-auf-Naß-Druck - ein Farbproblem
505 100000 Heidelberger Druckautomaten
519 Gaston Burnand, Au Pays des Vikings … et des Tirfing
534 Gilbert Edelmann, Les systèmes photosensibles bichromates
Betriebsführung, l'organisation
497 Hermann Strehler, Vom Zeitungsleser zum Fernseher
500 Albert Aebi, Neue Tendenzen in der Werbung
508 Neues in Kürze
508 Neue Maschinen und Geräte
533 Graphibref
Ausbildung l’éducation
496 F. L. Vyrtisal, Der Weg vorwärts: Vom Lehrling zum Meister
506 Aus fremden Gärten. Ausgewählt von Rz
506 Neue Bücher
507 Emil Ruder, Aus der Werkstatt unserer Zeit
Herausgegeben vom Schweizerischen Typographenbund zur Förderung der Berufsbildung
Editée par la Fédération suisse des typographes pour l’éducation professionnelle
Druck und Administration:
Zollikofer & Co. AG, St. Gallen
Hauptredaktor: Rudolf Hostettler
Redaktionskommission:
Vorsitzender Fritz Schürch, Emil Hofstetter, Albert Filiinger,
Hermann Strehler (SGM),
Gaston Burnand, Ch.-Henri Cornaz, Charles Castioni (RSI)
Cycle Messenger World Championship - Championnats du monde des coursiers à vélo (Lausanne, le 4 août 2013)
Find here all my images of CMWC 2013 : www.flickr.com/photos/degust/sets/72157634898049995/
TM Typographische Monatsblätter
SGM Schweizer Graphische Mitteilungen
RSI Revue suisse de l'lmprimerie
Nr. 11 November/Novembre 1959, 78. Jahrgang
INHALT:
Satz, la composition
559 Ligaturen - wann und wozu?
560 Die Seite der Sprache
562 Frage 134 an die Technische Kommission
581 Das Alphabet des Monats
592 Charles Castioni, Genève, De tout un peu …
599 Maurice Grand, Lausanne, Le français comme il va
Druck, l'impression
563 A. B., Klischeemontage mit Aussparung
564 Jakob Kürsteiner, Fabrikbesichtigung bei der Firma Color Metal AG in Zürich
566 Neue Miehle-Bogen-Hochdruckrotationsmaschine
594 R. Bulcourt, Paris, Du nouveau sur le front de la couleur dans les quotidiens
600 F. Mutti, Zürich, Le cliché magnesium
Betriebsführung, l'organisation
561 A. Wälti, Bedarf der Vorgesetzte zur Erfüllung seiner Aufgaben einer ideellen Grundlage?
570 Ausstellungsbericht von der GEC'59 in Mailand
575 Neues in Kürze
575 Neue Maschinen und Geräte
593 Graphibref
Ausbildung, l’éducation
557 Jan Tschichold, Fingerabdruck und Stempel, chinesische Ahnen des Hochdrucks
567 Hans Rudolf Boßhard, Anthologie der Abseitigen: Kurt Schwitters
568 Emil Ruder, Aus der Werkstatt unserer Zeit
569 Aus fremden Gärten. Ausgewählt von Rz
576 Fotokurs der Handsetzervereinigung Basel
587 Philippe Schuwer, Paris, Psychologie de l'art graphique IV
Herausgegeben vom Schweizerischen Typographenbund zur Förderung der Berufsbildung
Editée par la Fédération suisse des typographes pour l’éducation professionnelle
Druck und Administration:
Zollikofer & Co. AG, St. Gallen
Hauptredaktor: Rudolf Hostettler
Redaktionskommission:
Vorsitzender Fritz Schürch, Emil Hofstetter, Albert Filiinger, Hermann Strehler (SGM),
Gaston Burnand, Ch.-Henri Cornaz, Charles Castioni (RSI)
1972 Arwidson Yamaha YZ635, raced by Pentti Korhonen during the Yamaha Classic Racing Team (YCRT) Demo. The bike in the back is a 1989 Yamaha OW01 raced by Mario van Rooijen.
For the 1972 season Yamaha introduced a brand new production racer: the TD3. It was an aircooled 250 twin based on the new RD250 street bike, with bore and stroke at 54×54. Yamaha Motor NV established a “Factory Team” for the 125-250-350 classes. For the 250cc Yamaha Japan had developed a water-cooled version of the TD3. Two machines were send over one for Rod Gould (Hostettler Yamaha) and one for Barry Sheene (Sonauto Yamaha). After the Austrian GP the machine of Barry Sheene went to Jarno Saarinen (Arwidson Yamaha). Jarno won the 1972 Worldchampionship on the YZ635. The YZ635 had watercooling, special crankshaft, complete magnesium drum brakes, aluminum rear shocks, an aluminum rear brakepedal, nylon chokelever, slightly different magnesium waterpump (compared to the waterpump on the TZ350 of 1972), aluminum steering damper, and the riders had different gearbox ratios to choose from. This YCRT YZ635 replica is built with several factory parts, other parts were made in accordance to the factory specifications.
I took this photo during the Historic Grand Prix 2013 on Circuit Park Zandvoort in The Netherlands. I had such a great time with the following race classes:
MES Pre '66 Touring Cars
Grand Prix Cars Pre '61
Historic Formula Junior
FIA Historic Sports Cars
Historic Formula 2
Demonstratie - Yamaha Classic Racing Team Demonstratie
Demonstratie - Porsche Demonstratie
Demonstratie - Coloni Demonstratie
Youngtimer Trophy
Grand Prix Cars '61 - '65
NKHTGT - Nederlands Kampioenschap Historische Toerwagens & GT's
Demo - Yamaha Classic Racing Team Demonstratie
FIA Historic Formula 1
Historic Monoposto Racing
MES Gentlemen Drivers
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved - Alle rechten voorbehouden
Typografische Monatsblätter
Schweizer Grafische Mitteilungen
Revue suisse de l’Imprimerie
Nr. 3, 1978
Mai/Juni, Mai/Juin
97. Jahrgang, 97e année
Herausgegeben von der Gewerkschaft Druck und Papier zur Förderung der Berufsbildung
Mit Beilage für Buchbinder und Kartonager
Editée par Ie Syndicat du livre et du papier pour l’éducation professionnelle
Avec le Bulletin technique de la reliure et du cartonnage
Druck und Administration: Zollikofer AG
Hauptredaktor: Rudolf Hostettler
Rédaction et coordination de la Revue suisse de l’lmprimerie : Luciano Antonietti
Redaktionskommission: Erwin Gerster, Felix Berman, Roger Chatelain, Alfred Fischer, Jean-Pierre Graber, André Gürtler, Walter Huldi, Peter Kleiner (SGM), Hans-Rudolf Lutz, Jean Mentha, Marcel Probst (RSI)
Anzeigenleitung: Franz Wick
INHALT:
Typografie
— Gregory Vines, Basel: Zur Gestaltung der TM-Umschläge 1978
— Helmut Schmid, Osaka: Ein japanischer Wandkalender
— Medium Lyrik + Medium Plakat = big poem, Ein Experiment der Frankfurter Konzeptions- und Graphic-Design Gruppe Cevey Keller
— Adrian Frutiger, Paris: Der Mensch und seine Zeichen
Satzherstellung
— Erich Fritz, Waldbronn: Tastaturgesteuerte Fotosetzmaschinen Eine Marktübersicht
Schriftherstellung
— Günter Gerhard Lange, München: Ist die Qualität unserer Druckschriften gefährdet?
— Roger Chatelain: Humour et dessin
Dossier photocomposition
— Marcel Probst: La photocomposeuse ‹ Lasercomp › et le système Monotype 3000
— J.-F. Conrad : Les épreuves en photocomposition
Le relieur et cartonnier
— Müller-Martini: une nouvelle génération de machines à coudre au fil végétal
— Le présent et l’avenir des arts graphiques
Actualités graphiques
Cover Design: Gregory Vines