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Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.

 

There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.

 

'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.

 

Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.

― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)

by Werner Herzog

 

Source: Werner Herzog’s Maniacal Quests ―A newly published travel journal shows how walking, like filmmaking, brings us to the naked core of existence. (Noah Isenberg)

☁ ☁ ☀ ☁ ☁

☁ ☁ ☁ ☁

 

🌺🌱🌷🌿🌾🌻🌼🌱

 

Dites bonjour au printemps! Say hello to spring!

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn.

 

Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

 

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

 

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”

― Haruki Murakami, Kafka on the Shore

La Primavera

 

Allegro

Springtime is upon us.

The birds celebrate her return with festive song,

and murmuring streams are

softly caressed by the breezes.

Thunderstorms, those heralds of Spring, roar,

casting their dark mantle over heaven,

Then they die away to silence,

and the birds take up their charming songs once more.

 

Largo

On the flower-strewn meadow, with leafy branches

rustling overhead, the goat-herd sleeps,

his faithful dog beside him.

 

Allegro

Led by the festive sound of rustic bagpipes,

nymphs and shepherds lightly dance

beneath the brilliant canopy of spring.

 

...

 

The four concertos [of Vivaldi's The Four Seasons] were written to go along with four sonnets. Though it is not known who wrote these sonnets, there is a theory that Vivaldi wrote them himself, given that each sonnet is broken down into three sections, neatly corresponding to a movement in the concerto.

 

Whoever wrote the sonnets, The Four Seasons may be classified as program music, instrumental music that intends to evoke something extra-musical.— Excerpted from The Four Seasons (Vivaldi) on Wikipedia, the free encyclopedia.

Haruki Murakami's— "On Seeing the 100% Perfect Girl One Beautiful April Morning" #💕☔#🌿☁

...

One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

 

She is the 100% perfect girl for me.

 

He is the 100% perfect boy for me.

 

But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

 

A sad story, don’t you think?

 

Yes, that’s it, that is what I should have said to her. .

.

 

Source: Gravitytrope | On Seeing the 100% Perfect Girl One Beautiful April Morning — Haruki Murakami

Haruki Murakami's— "On Seeing the 100% Perfect Girl One Beautiful April Morning" #💕☔#🌿☁

...

One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

 

She is the 100% perfect girl for me.

 

He is the 100% perfect boy for me.

 

But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

 

A sad story, don’t you think?

 

Yes, that’s it, that is what I should have said to her. .

.

 

Source: Gravitytrope | On Seeing the 100% Perfect Girl One Beautiful April Morning — Haruki Murakami

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn.

 

Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

 

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

 

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”

― Haruki Murakami, Kafka on the Shore

Haruki Murakami's— "On Seeing the 100% Perfect Girl One Beautiful April Morning" #💕☔#🌿☁

...

One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

 

She is the 100% perfect girl for me.

 

He is the 100% perfect boy for me.

 

But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

 

A sad story, don’t you think?

 

Yes, that’s it, that is what I should have said to her. .

.

 

Source: Gravitytrope | On Seeing the 100% Perfect Girl One Beautiful April Morning — Haruki Murakami

“If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.”

― J.R.R. Tolkien

sakura (桜) cherry blossom air さくら 🌸🍃

 

Time after time

Alone in the city of whirling blossoms

Those petals fly in the whirling wind

The miracle of meeting you

In a city where the wind whispered through

The hanamidou tells of the end of spring

One petal from this misty flower.

 

Time After Time (花舞う街で) // In the Street of Dancing Flowers — Mai Kuraki

[theme song for Detective Conan: Crossroad in the Ancient Capital]

"A human being is a part of the whole called by us the Universe, a part limited in time and space. He experiences himself, his thoughts and feeling as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us.

 

Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty."

— Albert Einstein

Haruki Murakami's— "On Seeing the 100% Perfect Girl One Beautiful April Morning" #💕☔#🌿☁

...

She’s walking east to west, and I west to east. It’s a really nice April morning.

 

Wish I could talk to her. Half an hour would be plenty: just ask her about herself, tell her about myself, and - what I’d really like to do - explain to her the complexities of fate that have led to our passing each other on a side street in Harajuku on a beautiful April morning in 1981. This was something sure to be crammed full of warm secrets, like an antique clock build when peace filled the world.

 

After talking, we’d have lunch somewhere, maybe see a Woody Allen movie, stop by a hotel bar for cocktails. With any kind of luck, we might end up in bed.

 

Potentiality knocks on the door of my heart. .

.

 

Source: Gravitytrope | On Seeing the 100% Perfect Girl One Beautiful April Morning — Haruki Murakami

“When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured.

 

And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

 

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.”

 

― Hermann Hesse, Bäume. Betrachtungen und Gedichte

“When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured.

 

And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

 

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.”

 

― Hermann Hesse, Bäume. Betrachtungen und Gedichte

“The rabbits mingled naturally. They did not talk for talking's sake, in the artificial manner that human beings - and sometimes even their dogs and cats - do. But this did not mean that they were not communicating; merely that they were not communicating by talking.”

― Richard Adams, Watership Down

sakura (桜) cherry blossom air さくら 🌸🍃

 

Time after time

Alone in the city of whirling blossoms

Those petals fly in the whirling wind

The miracle of meeting you

In a city where the wind whispered through

The hanamidou tells of the end of spring

One petal from this misty flower.

 

Time After Time (花舞う街で) // In the Street of Dancing Flowers — Mai Kuraki

[theme song for Detective Conan: Crossroad in the Ancient Capital]

"The truth is, your lifestyle is not defined by the things you live with, but by the way you live and the happiness it brings to yourself and others." 🌟 🌈 ⋅

HelloSpring! PP Pattern by Charise Creates! I added a little Machine Embroidery Bee to it.

"The truth is, your lifestyle is not defined by the things you live with, but by the way you live and the happiness it brings to yourself and others." 🌟 🌈 ⋅

Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.

 

There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds. “Truth itself wanders through the forests,” Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.

 

Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.

― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974) by Werner Herzog

.

.(Article www.thenation.com/article/werner-herzogs-maniacal-quests/)

  

sakura (桜) cherry blossom air さくら 🌸🍃

 

Time after time

Alone in the city of whirling blossoms

Those petals fly in the whirling wind

The miracle of meeting you

In a city where the wind whispered through

The hanamidou tells of the end of spring

One petal from this misty flower.

 

Time After Time (花舞う街で) // In the Street of Dancing Flowers — Mai Kuraki

[theme song for Detective Conan: Crossroad in the Ancient Capital]

The makings of a good day:

 

Coffee.

Love.

Fresh air.

Time.

"The truth is, your lifestyle is not defined by the things you live with, but by the way you live and the happiness it brings to yourself and others." 🌟 🌈 ⋅

"A human being is a part of the whole called by us the Universe, a part limited in time and space. He experiences himself, his thoughts and feeling as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us.

 

Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty."

— Albert Einstein

Hello Spring Doubles Tournament at WVDG

Day 21 // Year 4 // 19.03.2011

 

Warmest day in forever. Caught up with my sleep, watched too much of The Wire with Lousey, and then sat on the roof to enjoy our rare visit from the sun (<3!).

 

One Year Ago . Two Years Ago . Three Years Ago

“When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured.

 

And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

 

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.”

 

― Hermann Hesse, Bäume. Betrachtungen und Gedichte

"We do not believe in ourselves until someone reveals that deep inside us something is valuable, worth listening to, worthy of our trust, sacred to our touch. Once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit.” ― E.E. Cummings

 

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