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متاحة للبيع
#REACH #STACKER
نوع المركبة :Brand: #KALMAR
لموديل :Model: #DCE80-45E7
لقدره :Capacity: 35.5-TONS
السنة :Year: 2003
تشغيل ساعات : Running Hours: 32767
زيارة الرابط لمزيد من التفاصيل : www.al-quds.com/category.php?id=54
U.S. Air Force Staff Sgt. Sean Schwartz, an 87th Security Forces Squadron military working dog handler, is grabbed by military working dog Ilay during training at the New Jersey National Guard Training and Training Technology Battle Lab at Joint Base McGuire-Dix-Lakehurst, N.J., March 11, 2015. The Battle Lab features realistic indoor urban combat environments as well as combat simulators and multimedia classrooms. (U.S. Air National Guard photo by Tech. Sgt. Matt Hecht/Released)
Großes Interesse an den Waren eines westlichen fliegenden Händlers auf dem Leipziger Marktplatz. Leipzig 1990.
Gradall 534D9-45 rear pivot steering telescoping boom rough terrain material handler fitted as forklift for delivery of masonry materials. YMCA, Ann Arbor, 2004.
Diesen Evalia sah ich kürzlich beim Nissan-Händler in Kiel stehen. Er hat Ecanto 15"-Felgen (Diese hier? ECANTO E 110 Black Polish - obwohl die ja nicht black polish sind. ;-) und Dunlop outside Sport blue response in 185/60 R15 88H Extra Load.
The Asus Eee Pc and the Cowon A2 (20/30gb) mediaplayer are perfect partners for many reasons. Space, portability, and last but not least, their pearly white coats are practically identical. An ultra portable mediacenter basically. Also both are of a great build quality while staying extremely affordable.
Daughter #2 got a rather nice LEGO set for Christmas.
LEGO haven't shied away from the reality of dogs - there is even LEGO poops in the set. The bags of parts are now paper after years of being plastic.
www.lego.com/en-gb/product/mobile-police-dog-training-60369
Charles Dawson would have loved this set.
Om Rene Asmussen
in the field
At være “BilledMager” handler for Rene Asmussen, udelukkende om det færdige resultat! Hvordan han når der til er ikke vigtigt. Det handler om at billedet, og billedets helt eget personlige udtryk. Mange ting skaber dette udtryk. Det kan være toningen, en tung himmel, en smuk model, et flot landskab eller bare et skønt øjeblik som man husker. Fotografiets mangfoldighed er med til, at alle kan udtrykke sig kunstnerisk og fremtvinge den stemning de føler de oplevede og ikke det kameraet faktisk registrerede.
Billedmager og Fotograf Rene Asmussen har arbejdet i 10 år med fotografiet i alle dets afskygninger. Det gode gamle mørkekammer og det sort/hvide fotografi, med Kentmer papir, Baryt papir. Infarød film, polaroid transfering, håndkolurering af sort/hvide billeder med vandfarver, diaspositiver fremkaldt som negativer og omvendt. Og resultatet af alle disse gamle teknikker har gjort det nemmere for ham at overføre disse teknikker til Photoshop og genskabe det originale “gamle” look!
Rene Asmussens vej som autodidakt fotograf er lang, og bestemt ikke uden “huller i vejen”. Flere gange har han overvejet at stoppe. Af flere årsager : manglende inspiration, fotografiets til tider “ensomme” verden. Men heldigvis er han hvergang tanken har strejfet ham, vendt tilbage til hans oprindelige udgangspunkt: den gode gamle skabertrang. Følelsen af at skabe noget kunstnerisk og forhåbentligt : unikt! Gør billedmager Hr. Asmussen ikke kan undvære det fantastiske univers som fotografiet tilbyder.
English:
My name is Rene Asmussen, and I live in Denmark, Scandinavia, lands of the Vikings. I have been working with photography for 10 years now. I have worked with different kinds of photography, the old techniques like black and white darkroom, poraloid transfering and handcolouring. I have learned a lot working with these old techniques which I try to apply to my digital work today. I work a lot with toning, mastering the contrast and greyscale in the digital universe. My work is inspired by fellow photographers and painters like Rembrandt and Da vinci and also new painters like Odd Nerdrum and Giger. When I work with my photography I work with it like the painter with his canvas. I remove the things I do not want and add the things I love. I add the colours I need and find the dark clouds that creates the drama. People have always fascinated me. I love the different sides of a human being. I believe we all have a bright and a dark side. There is always a inner struggle of good and evil and I find both very useful for my work. We all need to have a way of expressing our emotions. I use my art to show my inner struggle. I use Photoshop to create the mood I want, using multiple colour blendings and desaturation to keep the colouring faded and dreamy. I have helped alot of bands with material to their cd..s. And I usally offer my work for free. Because I love seeing my work on print! Write me if your band needs new material and lets find a solution! All my best wishes to you all. /Rene Asmussen Fotograf fra Århus i Danmark, med speciale i mode, kunst og portræt fotografi. Fotograf fotograf fotograf fotograf fotograf fotograf!!!
Jen K picks up our 6-lb lobster pick (HK lobster dinner set) for restaurant stop 2 on our 3 stop tour.
Back on the Chinese Restaurant Award tour.
Fishman Lobster Clubhouse Restaurant
Image taken with my iPhone
Dog training, late 1965 or early '66 - not sure if already part of the 212th MP or not.. Scanned from negative strip.
STERILE AREA –
RAF Barnham Nuclear Weapons Storage Facility was heavily secured and at the time was probably one of the most secure locations in the United Kingdom. The security element was the responsibility of the RAF Police (RAFP). Personnel from differing operating periods at RAF Barnham have stated that there were up to three varieties of RAF Police specialisations working at the site: 'Provost' 'Station' and 'Qualified Police Dog' (dog handlers).
As well as a standard outer fence and main gate picket post, the facility included an inner perimeter fence and within that an inner concrete wall with another picket post. The area between these two latter perimeters was classed as ''sterile'', with trip wires and flares in the gap between them and atop the wall, to alert the guard force to intruders. Pole-mounted lighting was positioned at regular intervals within the sterile area and halfway between the towers was a V-shaped bulge in the fence to allow patrolling guards the ability to look up and down the fence line from a small path that ran within the area. A telephone post was located at these bulges.
Two electric sliding gates at the outer and inner fence and a traditional style split middle wire gate acted as ''vehicle traps'' for any vehicle driving in or out. At the front sliding gate was a personnel turnstile controlled by the RAFP guardroom. At the rear sliding gate was personnel access to the inner picket where flammables and other contraband (matches, cigarettes, lighters etc) were surrendered before entering the ''Danger Area''.
RAFP Dog Handlers patrolled the site and the RAFP station staff manned the watch towers and pickets. The area between the outer and middle fence was patrolled by the Dog Handlers, with elements of the outer perimeter reportedly just spools of barbed wire.
Five Watch Towers, one at each point of the pentagonal fence, were located on the inside of the middle fencing when the site was decommissioned. These were accessible along the path within the sterile area near the fence line, some elements of which are still visible under the moss and foliage. A 6th vantage point was located on the maintenance building towards the centre of the compound. Each tower could see the others at the time of operational use (trees get in the way now) and were fitted with searchlights at a third of the way up and right at the top, possibly similar to those used on ships. It has been reported that the angle of the lights had to be limited as the Officer Commanding RAF Lakenheath had made complaints that his pilots were getting dazzled by RAF Barnham's watch towers.
The existing tall metal towers were believed to have been installed in late 1959/early 1960. Prior to this there were wooden ones, described as being pretty basic and about 15ft high, with a base around 6ft square with a large searchlight mounted in the centre which could be swung almost 360° in either direction. Access was reportedly by a wooden ladder and there was a single railing round about waist height. There was a field telephone at the top of the ladder and ''special'' binoculars were issued. The platforms were in roughly the same positions of the new towers but on the inside of the concrete path. It has been reported by another source that when the new towers were built, the fences had to be modified to accommodate them, via a U-shaped cut-out, visible on the site today.
A former RAFP Dog Handler stated that before being posted to Barnham, you and more importantly your dog had to gain at least 90% in exams/tests, meaning they had some of the best personnel and animals in the trade. In comparison, the RAFP Station staff stated that they received no special training as such for the role. They did get sent on a special security course, but that it was of little relevance or use to RAF Barnham. They simply classed it as another security related job. Some have stated that they spent a lot of time on the range, with many of the Police being marksmen. It has been reported that the RAFP were issued automatic 9mm pistols towards the end of the site's operational period, replacing the Smith and Wesson .38 that had been in common use.
The shift pattern recalled by most RAFP personnel spoken to consisted of 9 consecutive shifts comprising 3 evenings (1500-2300), 3 midnights (2300-0700) and 3 days (0700-1500) which would then be followed by 2 days off. Approximately 14 Station staff were on shift, comprising of one Sergeant shift controller, one Corporal deputy shift controller and 12 others, some made up of National Service personnel. Therefore, with an off duty shift, this meant a guard force of around 56, plus all of the ''X'' flight staff (the term used for those involved with the weapon convoys), which had around 14 personnel. It was usually an hour on and an hour off on the old wooden watch towers. The Dog Handler shift patterns were (1800-0000) and (0000-0600), with no day patrols, around 8 dogs were on site at a time.
This and other RAFP sources have said that the security personnel knew very little about the goings on inside, even with the vantage points of the towers. It is reported that all movements were specially screened to be hidden from view, with even the large bombs themselves sheeted. One RAFP officer had even reported as quipping to a convoy commander about ''another glider'' coming in, making reference to the similarity between the ''Blue Danube'' pantechnicon and a glider trailer.
Information sourced from – rafbarnham-nss.weebly.com/security.html
Seans first time in the hound group. He was between Bill McFadden and Larry Fenner. These pro handlers helped him and were so nice to Sean. He got the biggest rindside cheer. Mark and I are giddy with pride!
PP in GIMP: softened the noise in the dark areas with NL filter, white balance/curves and no sharpening IIRC.
The first graduating class of TSA transportation security handlers at Auburn University's College of Veterinary Medicine, April 6, 2011
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Are all those ideas, words, pictures & dreams running amok in your mind? Pass them on to me, and let me handle them… then you’ll see just what they can become!
Created from an olde worn brown leather knitting bag, my coat is soft and rustic. The ends have been taken apart, and the zip removed so to house my delicious viscera. The sturdy bag handles have been left intact, so you can carry me around just as I always have been.
Rather than balls of wool and needles, I’m now filled with 32 sheets (64 pages) of Ecological white acid-free drawing paper by Fabriano. At 200gsm, this Italian made versatile paper is produced with 100& post consumer, recycled pulp. Cold pressed, this bright white paper is ideal for sketches & drawing with pencil, charcoal, pastel, graphite & ink. This paper carries the label "FSC 100% recycled” which guarantees that the product is made from post consumer reclaimed material.
Now you can feel even better while you sketch! My pages have been hand-torn to reveal a sumptuous deckled edge, and are stitched into my coat with heavyweight archival Irish linen thread.
I secure your sketches with two double leather wrap ties on each end so to ensure your precious creations don’t escape. Measuring 6 inches wide, 12 ½ inches tall with a 1 ½ inch spine, you can use me in either landscape or portrait format as you fill my pages with your artist’s touch. Since I am made from vintage materials I am unable to be repeated.