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The University of Salford has created the country’s first repository to showcase unique, creative typefaces designed by students from Salford and across the UK.
Salford Type Foundry (STF) has been developed by the University’s Graphic Design students and lecturer Tim Isherwood to provide a home initially for Salford student fonts, with students designing and building the Foundry’s website at www.salfordtypefoundry.co.uk to promote their work to the creative industries and beyond.
Full story at www.salford.ac.uk/home-page/news/2012/uks-first-student-t....
Government limited: the corporate takeover of the public sector in Canada / 1984
Cover design by Miriam Bloom
A hipster dude I created in illustrator. I am going to use him as my avatar for a while. Am I a Hipster...fuck no!
See Fullimage: Surreal Photo Manipulation Martijn Schrijver
For More Information visit : Dezart Inspire | Graphic Design
some initial plans to print using silk screen. aiming to do one at A2 for my current uni project, Rebranding a Religion.
the shape im using across some of the ideas has been developed from a lotus flower, symbolic to the buddhist way of life.
the typeface used is Serif Gothic Black.
Display design and use of letterforms has interested me forever. It's everybody's art, whether it's sophisticated or otherwise and it defines the world we live in.
Apparently submitted by a nintendo fan, this logo uses 3D graphics and lighting to achieve a 2D letter design. The moving animation is made of cubes and so so complements the concept of the system. The video can be found here: www.youtube.com/watch?v=6CT2yHlzsDM
From the beginning of the twentieth century, the brush letter effect became very popular in type styles and hand designed display headings. I don't have this in color as I copied it from a January 1933 copy of Gebrauchsgraphik, an advertising art periodical published in Germany until 1944. After WWII it was started up again as Novum Gebrauchsgraphik, and then shortened to Novum.
I have two 1933 issues that are extremely interesting. The January issue interviewed several of the prominent advertising artists of the day in Europe and several of the articles are in both German and English.