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I call this "Grant's graphic" because I created this graphic based on this image, a picture taken by my friend, Grant here - flic.kr/p/JJkKoT, on Flickr
Here's what I did. I first imported Grant's original picture (shown below) into Photoshop. I cleaned up the raster image and after getting the edge details as sharp as possible, this was saved as a Photoshop file (.psd) to my desktop. I then opened the .psd file in Adobe Illustrator and using the Illustrator "Image Trace" feature, I created a "vector" version of this graphic. * You then need to select and click on Object > Expand to make the vector image editable in Illustrator.
However, being that flickr does not allow for the upload of vector images, I had to import the Illustrator file back into Photoshop and then save the image in .png format. (which is the best format for images having no graduations of colors or tone - basically "spot colors" which were used in this graphic.) I then uploaded this image as a .png file. (BTW - .png does not allow for the storage and display of EXIF metadata.)
If I were able to upload the vector image (in it's vector format - .ai or .eps) it could be seen how enlargement of the image has no deteriorating affect on sharpness of edge detail - whereas in raster format, enlargement of an image will show ragged edges due to pixeliation. And yes, the colors in this design can easily be changed to any color (or gradient) one chooses.
Now folks, when you view this image on your monitor you will see jagged edges because in order to upload this graphic, it needs to be converted back into a rasterized image. If however, you want to come to my house and view this as a vector image on my monitor, you will not see any jagged edges regardless how much I enlarge the image. I'll even offer ya a cold beer...................
Now how many people really care about all this......... very few, I'm sure.
................ and I think Grant should have this design tattooed on his arm.............or ??
Designed by Roman Cieslewicz, the Polish master of contemporary graphic design 1979 .
Constructivism, photomantage, Expressionism, revolutionary graphic design, and more from his lifetime of work.
polymer clay and cotton cord necklace.
the graphic design was achieved by rolling out a thin sheet of red, blue and yellow, cutting into angular shapes and baking.
i covered the bead form in the med/thick sheet of white clay and embedded the coloured shapes. i then pressed the blunt edge of a tissue blade into the white chay to form the black lines which were back filled with black clay onces the beads were baked.
Graphic experimentation from a recent shoot with Scarlett Quimby. Very fun concept to pull together and thanks to those that made it happen.
Model: Scarlett Quimby (MM: 4171579)
H/MUA: Cheressa (IG: @funsized_cheressa)
Find me on Instagram as MusingEye as well
This is my big brother Sid (well, my only brother). He came to visit me last week for a day, would have been 2 days but he took the long way to get to my house, via San Antonio, about 2 hours out of his way because he said the highway was nicer... LOL I offered to get him a map back to Arkansas via Canada ha ha.
He's been into magic since he was about 10 years old. It's his passion much like photography is mine... my lighting skills need a lot of work! but we had fun anyways...
IN ENGLISH BELOW THE LINE
La Graflex Century Graphic fou una càmera de gran format relativament compacte, fabricada entre 1949 i 1970. Era la germana petita de les famoses Speed Graphic de 4x5 polzades, ja que és de 2 1/4 x 3 1/4 (generalment anomenat 2x3), el que la fa molt facilment adaptable a emprar rodets de format 120. Al contrari que les Speed Graphic, aquestes estan frabricades en plastic, amb un dors Graflok integral.
Aquesta deu ser una de les primeres, ja que per nº de serie sembla del 1950-52; compta amb un telemetre Kalart (que funciona però quasi no es pot veure) i un manec accessori que permet montar un flaix (el flaix és modern) i disparar des d'allà mateix.
L'objectiu és un Schneider Kreutznach Xenar f3.5 / 105mm montat en un obturador Synchro Compur. Per desgràcia quan la vaig comprar, l'obturador estava completament embussat, i he aconseguit desbloquejar-lo despres de desmontar el Compur. Obviament aquest no és un dels objectius originals d'aquesta càmera.
graflex.org/speed-graphic/century-graphic.html
www.shutterbug.com/content/2x3-century-graphic-inexpensiv...
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The Graflex Century Graphic was a relatively compact large format camera, made between 1949 and 1970. It was the smaller sister of the famed 4x5 Pacemaker Speed Graphic, at 2 1/4 x 3 1/4 (usually called 2x3) format , which makes it very easy to use 120 roll film. Unlike Speed Graphic cameras, they are made of plastic and have an integral Graflok back.
This must be one of the first, as by serial number it seems from c.1950-52; it has a Kalart rangefinder (which works but you can barely see the patch) and an accessory handle for mounting a flash (the flash is modern) and a remote shutter release.
The lens is a Schneider Kreutznach Xenar f3.5 / 105mm mounted on a Synchro Compur shutter. Unfortunately when I bought it, the shutter was completely jammed, and I managed to unlock it after partial disassembly.
graflex.org/speed-graphic/century-graphic.html
www.shutterbug.com/content/2x3-century-graphic-inexpensiv...
Graphic View II 4 x 5, Ilex Acuton 190mm f4.8, Graflex compendium hood, Toyo Quick Roll Slider back with magnifier, Graflex 6x7 roll film holder, Polaroid Land Film Holder #500, Graflex 70mm roll film back, Calumet 6x7 roll film back, 14 4x5 sheet film holders, Grafmatic 4x5 film holder, Horseman 6x9/4x5 exposure meter.
My 1958 Crown Graphic
Shot with Yashicamat 124g, FP4+ in Eco-Pro Legacy for 10 minutes. Heavily cropped as the TLR has. 3.5' minimum focus and I could not fill the frame.
Looks like an old product shot
This makes me sick. Original graphic with sources is at the Center for American Progress.
I also linked this in a diary I wrote at The Great Orange Satan, if you feel like recommending it.
Looking at expanding the 919th.
Threw together these three concepts with combat rigged clones.
Left: Lego SWTOR Jace Malcolm Rig on SW Clone Torso.
Centre: Lego Jurassic Worlds ACU Guard Rig on SW Clone Torso.
Right: Lego Winter Soldiers Rig on SW Clone Torso.
Comments, Criticism or even other rigged torso's I could combine with Clone Troopers would be much appreciated.
To all the customisers out there, I'm more than willing to share the designs. I can remove the colours or even change the colours if you would like. Designs would be in PDF format and correct size for printing.
Endpapers, back cover. A Field Guide to the Birds of Texas (and adjacent states), Peterson Guide. Illustrated and written by Roger Tory Peterson; 1963 hardback edition; no dust jacket, but very clean. A classic birder's guide.
Graflex Crown Graphic
Schneider 90mm f8 Super Angulon
Fujichrome Provia 100F color reversal film
E-6 self-process
Epson Perfection V800
Silverfast AI Studio
20100718s90_0332
De voetgangerstunnel onder het NS station van Breda. Wordt 's avonds laat door hekken afgesloten want men ervaart deze tunnel als heel onveilig. Het ontwerp van de tegeltjes is van de hand van Peter Struycken en is aangebracht tijdens de verbouwing in 1975.
Deze foto is in large - on black - veel mooier en hij wordt zelfs magisch als je hem bekijkt als het buiten helemaal donker is.
Graphic altered in a session with This Tree and the surrounding landscape. 2008 © All rights reserved.
- it's been raining, and it stoped - still very dark clouds, then the sun came through - we have this changing weather here - and sometimes like this, always makes great sceneries !
BILD0634=(hdr)+(hdr)(IRF)_X2(hdr)+Enh1Porc
<The full moon last summer in the village
From Chinese Graphic Design of the Twentieth Century by Scott Minick and Jiao Ping. A new softcover edition of the book is now available.
Ark magazine cover August 1937, The Ark Press, Mid-China Printing Company, Tiajin.
Photography was part of the Progressive Movement in Chinese graphic design of the 1930's, especially the influence of the Russian Constructivist Rodchenko.
Logo / graphic for a forthcoming bunch of 4 prints for Opus Underground.
Im going to make 4 prints, one in each CMYK colour I think but I did this 'logo' using all 4.
I wanted to carry on the 'gang' theme and turn CMYK into the infamous Bristol gang the 'Clifton Murder Yardie Kids'.
You'd better watch out for them!
P.S Clifton is where I live, here in Bristol
** Update: I've changed the name to 'Cookie Mob Yardie Krew' as I didnt want to seem like this was glorifying violence in anyway, it's just a bit of tongue in cheek fun but there's been certain events in the news recently that haven't been nice so i'd rather stay away from creating something that seems violent - this is just graphical fun :) **
This is a detail image of the Frank Gehry designed Walt Disney Concert Hall located in Los Angeles, California. This side is mostly blocked by trees.. but I spotted its unique graphic form anyway. :)
At the end of the 100 Strangers met up in London after most people had left, Colin, Ben, Celine and I were going for a coffee before splitting up. On the way to the bistro we walked past this exquisitely stylish girl and I had to turn round and look - we all stopped and deliberated then encouraged by the others I ran after her to ask for her picture!
She was a bit resistant at first to a portrait, it always seems harder to convince people after dark however with a little persistence I was awarded the opportunity to take a few shots and this is how I met Christine (the last of the strangers I photographed in London that I pan to post - I had a few that I neglected but time to move on).
Christine was with a group of people on their way out to a museum. She is a graphic designer. I was chatting to one of her friends about the 100 strangers project and he was telling me about a friend he has that did a similar project after the London Riots last year where he went out and made portraits of the shopkeepers in the area.
I shot this one with the 35mm on and a SB600 providing additional light. I throw the camera back into AP mode for this to help combat the tricky light.
This is the 54th portrait in my 100 Strangers Project round 2.
See Round 1 for my first 100 strangers.
Find out more and get involved at www.100Strangers.com