View allAll Photos Tagged graphic
Solent Seaside Graphic.
A really windy, stormy Winter's day.
I chose yellow and blue to remind me of the warmer Summer Days we enjoyed just a few weeks ago.
The edges of the timber were covered in seaweed which softened the sharp edges below the high water mark.
30 sec exposure to blow everything except the dark black sea defences and warning marker triangle at a very low tide.
#AbFav_ABSTRACT_MINIMALISM_ ♋️
Unexpected images I found during outings with my friend: my camera! LOL
The beautiful stairs in the museum in Liverpool.
Graphic and minimalist.
Have a sunny day, thanx, M, (*_*)
For more here: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
people, window, curves, ceiling, graphic, colour, minimalist, stairs, museum, lights, Liverpool, horizontal, NikonD200, "Magda Indigo"
Graphic published on the Health & Science section describing the basics of tattooing as well as the latest trends in body art. Illustrator, Photoshop and illustrations done in pencil and ink.
Online interactive: www.washingtonpost.com/wp-srv/special/health/guide-to-tat...
The Graphic 35 is a 35mm rangefinder camera built by Graflex - the company mostly known for its line of Speed Graphic large format cameras. I knew of these before, but this is the first time I've had one in hand. I was lucky enough to stumble on this very clean and functional copy, and I'm wicked impressed! This is vintage American industrial design at its finest. By far the most unique feature here is the focusing. Those two black buttons on either side of the shutter/lens assembly are rocked back and forth to acheive the desired focus. Also, what looks like a self-timer lever is actually the shutter release. It's not quite working on this one (the only thing that appears to not work), but the design of this is really cool - if you use your index fingers on the focusing rocker buttons, you can use your middle finger of your right hand to pull the shutter release lever sideways without taking your eye away from the viewfinder. Though I should add that the rangefinder window is separate from the viewfinder window. Still, I found I was able to focus via the rangefinder, switch to the viewfinder, and pull the shutter release all without taking my eye away from the camera. Other functionality is more old school, such as the winding knobs, and the fact that you have to manually cock the shutter before taking your next shot.
My graphic design in 1969. An independent study bulletin for the University of Iowa.
I followed the rural mailman in my volkswagen beetle taking photographs of him delivering mail. He finally stopped and asked what I was doing and I explained that I was taking pictures to use at the university. That cleared things up as Iowans have a deep respect for their universities.
At least I didn't have to develop and print my shots as the university handled that through their photo lab and it was just as well. I had very little spare time because my youngest daughter played in the Iowa City high school marching band. If you've ever lived in the mid-west you would understand. I knew every high school football field from Keokuk to What Cheer. And I never realized how many kids and musical instruments could fit into a volkswagen!
In this issue, you will find the entire 1,943 postings that have been created ever since Manystuff launched in January 2007. It is, so to speak, Manystuff the printed version.
Alvin Lustig believed that graphic designers should exhibit their work in the same manner as the fine arts. He saw little distinction between the applied arts and fine arts 1949.
I call this "Grant's graphic" because I created this graphic based on this image, a picture taken by my friend, Grant here - flic.kr/p/JJkKoT, on Flickr
Here's what I did. I first imported Grant's original picture (shown below) into Photoshop. I cleaned up the raster image and after getting the edge details as sharp as possible, this was saved as a Photoshop file (.psd) to my desktop. I then opened the .psd file in Adobe Illustrator and using the Illustrator "Image Trace" feature, I created a "vector" version of this graphic. * You then need to select and click on Object > Expand to make the vector image editable in Illustrator.
However, being that flickr does not allow for the upload of vector images, I had to import the Illustrator file back into Photoshop and then save the image in .png format. (which is the best format for images having no graduations of colors or tone - basically "spot colors" which were used in this graphic.) I then uploaded this image as a .png file. (BTW - .png does not allow for the storage and display of EXIF metadata.)
If I were able to upload the vector image (in it's vector format - .ai or .eps) it could be seen how enlargement of the image has no deteriorating affect on sharpness of edge detail - whereas in raster format, enlargement of an image will show ragged edges due to pixeliation. And yes, the colors in this design can easily be changed to any color (or gradient) one chooses.
Now folks, when you view this image on your monitor you will see jagged edges because in order to upload this graphic, it needs to be converted back into a rasterized image. If however, you want to come to my house and view this as a vector image on my monitor, you will not see any jagged edges regardless how much I enlarge the image. I'll even offer ya a cold beer...................
Now how many people really care about all this......... very few, I'm sure.
................ and I think Grant should have this design tattooed on his arm.............or ??
Designed by Roman Cieslewicz, the Polish master of contemporary graphic design 1979 .
Constructivism, photomantage, Expressionism, revolutionary graphic design, and more from his lifetime of work.
polymer clay and cotton cord necklace.
the graphic design was achieved by rolling out a thin sheet of red, blue and yellow, cutting into angular shapes and baking.
i covered the bead form in the med/thick sheet of white clay and embedded the coloured shapes. i then pressed the blunt edge of a tissue blade into the white chay to form the black lines which were back filled with black clay onces the beads were baked.
Graphic experimentation from a recent shoot with Scarlett Quimby. Very fun concept to pull together and thanks to those that made it happen.
Model: Scarlett Quimby (MM: 4171579)
H/MUA: Cheressa (IG: @funsized_cheressa)
Find me on Instagram as MusingEye as well
To me graphic design consists of making communication sweet and full of vitamins !
Feel free to contact me for print info :)
IN ENGLISH BELOW THE LINE
La Graflex Century Graphic fou una càmera de gran format relativament compacte, fabricada entre 1949 i 1970. Era la germana petita de les famoses Speed Graphic de 4x5 polzades, ja que és de 2 1/4 x 3 1/4 (generalment anomenat 2x3), el que la fa molt facilment adaptable a emprar rodets de format 120. Al contrari que les Speed Graphic, aquestes estan frabricades en plastic, amb un dors Graflok integral.
Aquesta deu ser una de les primeres, ja que per nº de serie sembla del 1950-52; compta amb un telemetre Kalart (que funciona però quasi no es pot veure) i un manec accessori que permet montar un flaix (el flaix és modern) i disparar des d'allà mateix.
L'objectiu és un Schneider Kreutznach Xenar f3.5 / 105mm montat en un obturador Synchro Compur. Per desgràcia quan la vaig comprar, l'obturador estava completament embussat, i he aconseguit desbloquejar-lo despres de desmontar el Compur. Obviament aquest no és un dels objectius originals d'aquesta càmera.
graflex.org/speed-graphic/century-graphic.html
www.shutterbug.com/content/2x3-century-graphic-inexpensiv...
==============================================
The Graflex Century Graphic was a relatively compact large format camera, made between 1949 and 1970. It was the smaller sister of the famed 4x5 Pacemaker Speed Graphic, at 2 1/4 x 3 1/4 (usually called 2x3) format , which makes it very easy to use 120 roll film. Unlike Speed Graphic cameras, they are made of plastic and have an integral Graflok back.
This must be one of the first, as by serial number it seems from c.1950-52; it has a Kalart rangefinder (which works but you can barely see the patch) and an accessory handle for mounting a flash (the flash is modern) and a remote shutter release.
The lens is a Schneider Kreutznach Xenar f3.5 / 105mm mounted on a Synchro Compur shutter. Unfortunately when I bought it, the shutter was completely jammed, and I managed to unlock it after partial disassembly.
graflex.org/speed-graphic/century-graphic.html
www.shutterbug.com/content/2x3-century-graphic-inexpensiv...
Graphic View II 4 x 5, Ilex Acuton 190mm f4.8, Graflex compendium hood, Toyo Quick Roll Slider back with magnifier, Graflex 6x7 roll film holder, Polaroid Land Film Holder #500, Graflex 70mm roll film back, Calumet 6x7 roll film back, 14 4x5 sheet film holders, Grafmatic 4x5 film holder, Horseman 6x9/4x5 exposure meter.
My 1958 Crown Graphic
Shot with Yashicamat 124g, FP4+ in Eco-Pro Legacy for 10 minutes. Heavily cropped as the TLR has. 3.5' minimum focus and I could not fill the frame.
Looks like an old product shot
This makes me sick. Original graphic with sources is at the Center for American Progress.
I also linked this in a diary I wrote at The Great Orange Satan, if you feel like recommending it.
Looking at expanding the 919th.
Threw together these three concepts with combat rigged clones.
Left: Lego SWTOR Jace Malcolm Rig on SW Clone Torso.
Centre: Lego Jurassic Worlds ACU Guard Rig on SW Clone Torso.
Right: Lego Winter Soldiers Rig on SW Clone Torso.
Comments, Criticism or even other rigged torso's I could combine with Clone Troopers would be much appreciated.
To all the customisers out there, I'm more than willing to share the designs. I can remove the colours or even change the colours if you would like. Designs would be in PDF format and correct size for printing.