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This didn't really make a lot of sense until I remembered that Twitter stores the tweet time by GMT.
How I did it: blog.kejadlen.net/articles/2008/01/02/twitter-stats
Inspiration from Damon Cortesi: dcortesi.com/2007/12/27/twitter-stats/
Roberta Tatulli (left) and Olivia Blake (right) greet Graph Expo attendees at the Pitney Bowes booth on day 3 of the show.
7-365: I am uploading this at 11:55 PM-ish from the computer pod at school, and I am knocking it all down! I have been working on final projects all day, and with no end in sight I am starting to realize that some things in this world just have to be half-assed. I am hoping that my pretty graph will distract from the fact that I don't fully understand what is going on!
On the positive side, all the drive I have been wishing for has finally kicked in, and I have decided that tonight is the night I will finish school. (Or at least all of the commitments for my undergraduate degree...)
Graphing Collatz transformations of both types 'n/2' (red) and 3n+1 (green).
The height of the arcs simply denotes how many positions the transformation gains or loses. So from 1-->4, the height is 3, whereas from 2-->1, the height is 1.
Could just as easily have made the height the same as the "final value" after the transformation. Was a somewhat arbitrary decision.
Tempted to make a version with both the "positions moved" and "final value" 'heights' superimposed.
Might also make a version where it's literally just a half-circle, terminating on the starting and ending values, with no height considerations (height just determined by standard circle radius).
Mur d'expression libre - les taggeurs et grapheurs sont libres d'y laisser libre court à leurs inspirations. Ces oeuvres sont très éphémères et seront sans doute recouvertes et remplacées par d'autres dans quelques jours ou semaines comme les précédentes.
Wilkhahn - Graph
Az új klasszikus
Kiemelkedő minőségű és formatervezésű asztalok és székek tökéletes összhangban
Design: Markus Jehs, Jürgen Laub
Nézze meg személyesen és próbálja ki bemutatótermünkben!
Europa Design, 1022 Budapest, Bimbó út 37.
Graphing linear equations is one of the most important concepts of algebra and proper understanding is necessary to be good with it. Get help from an algebra tutor online and learn about graphing linear equations, understand all the basic and advance concepts of equations and achieve quality help here. Below is an example of graphing linear equations with one variable for a better understanding.
Movements of adults and juveniles beyond MPA boundaries
As fishes and invertebrates become more abundant inside a marine reserve, some adults and juveniles may leave the marine reserve to live in less crowded areas elsewhere. They also may leave because they need a different habitat as they grow or because they reproduce in a specific place outside the reserve. This 'spillover' of adult and juvenile fishes and invertebrates can contribute to marine populations living in fished waters outside reserves, where they can benefit fisheries.
The graph to the left shows how far different fish species (which had been tagged inside a marine reserve) traveled from the reserve - in some cases up to hundreds of miles.
I remember when I was younger, watching Speed Grapher. Really cool, inspired me to do a lot of crazy things!
Here we have a cos curve. This was taken on Harrison street in the front yard of someone who apparently supports Barack Obama. These little walkway decorations fit a sin curve farily well, but since the picture is off slightly not all of them math the graph. The equation for the graph is f(x) = (cos (2.74x) +5)/3.8. It does have y-axis symmetry if the picture was not off centered.
This graph shows the activity on my flickr photostream for the last 30 days. In that time, the most views i had was on April 4th where i had over 14000 views (14467), and the least was on March 31st with 3794 views
Light-Graph, 2017
Fotografia informale
La parola fotografia deriva dall’unione di due parole greche luce (phôs) e grafia (graphis) che unite significano “scrivere/disegnare con la luce".
Il progetto nasce nel 2013 con la serie “Signs and Spots”. Si basa sullo studio del segno grafico, dall’incisione calcografica alla serigrafia, dalla pittura allo schizzo a carboncino, e degli eventuali metodi e mezzi per la riproduzione digitale di tali segni e tecniche. L’obiettivo di tale progetto è dunque quello di rimediare vecchie e nuove tecniche seguendo la teoria sociologica di Bolter e Grusin. I due autori parlano di “doppia logica della rimediazione”, proponendo da un lato la logica dell’immediatezza e dall’altro quella dell’ipermediazione. Con immediatezza gli autori intendono quelle pratiche mediali accomunate dalla “convinzione che esista un punto di contatto tra il medium e ciò che viene rappresentato”. Nella prospettiva di Leon Battista Alberti la logica dell’immediatezza si esprime tramite “la finestra” definita dalla cornice, attraverso la quale si può guardare la realtà, quale essa è; l’unica condizione posta è che non si guardi la cornice e che l’operazione artistica sia fedele imitatrice della natura. “Se la logica dell’immediatezza porta a cancellare o a rendere automatico l’atto di rappresentazione, la logica dell’ipermediazione riconosce l’esistenza di atti di rappresentazione multipli e li rende visibili” (Bolter e Grusin). L’ipermediazione ci spinge a guardare la cornice e l’atto di mediazione, non pretendendo di soddisfare il nostro desiderio di immediatezza, ma cercando di “riprodurre la ricchezza sensoriale dell’esperienza umana” . Immediatezza significa trasparenza e autenticità dell’esperienza (della realtà reale), ipermediazione invece significa opacità e autenticità dell’esperienza (della realtà mediale).
Con i media digitali, le due logiche agiscono e reagiscono contemporaneamente.
Bolter e Grusin propongono una dinamica complessa al punto da contenere al proprio interno la rimediazione dei vecchi media da parte dei nuovi, e viceversa.
L’artista basandosi su tale teoria, conduce il suo esperimento attraverso l’utilizzo della fotocamera digitale, giungendo al suo obiettivo.
Difatti in questa nuova serie “Light-Graph”, come nella serie precedente, i segni creano un’illusione, una confusione tra ciò che rappresentano e ciò che sono realmente. Sembra di osservare dei dipinti, delle pennellate di colore su tela, delle incisioni, tutto tranne che fotografie digitali.
Signs and Spots | flic.kr/s/aHskeZZSsD
My Photoblog's ( www.8pmdaily.com ) graph, made with: www.aharef.info/static/htmlgraph
I run my photo blog with help of PixelPost.