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Konzeption und Gestaltung eines Veranstaltungsplakates im DIN-A-1-Format.
Theresa Priewe, 3. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Veranstaltungsplakates im DIN-A-1-Format.
Katja Rogall, 3. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Child with a cleft-lip waiting for examination at a cleft-camp. After examination the child wil be given a registration number and be scheduled for a free surgery. Cleft-children Int. is a NGO that provides free treatment for children with a cleft defect. Surgery will be 45min. that will give the boy a better future... www.cleft-children.org
Ausstellungseröffnung: Donnerstag, 24. März2016,19 Uhr
Nach dem Ersten Weltkrieg entstand in Frankfurt am Main ein einzigartiges Modernisierungs- und Gestaltungsprojekt, das als „Das Neue Frankfurt“ vor allem in die Architekturgeschichte eingegangen ist.
Es handelte sich dabei jedoch um ein sehr viel umfangreicheres Vorhaben, das politische, gesellschaftliche und gesamtkulturelle Dimensionen besaß und keinen geringeren Anspruch hatte, als eine neue Stadt und eine neue Gesellschaft zu erschaffen. In der Ausstellung „Alles neu!“ wird erstmalig eine systematische Aufarbeitung dieser Epoche für den Bereich Typografie und Grafikdesign vorgenommen.
Die Schau stellt die 1920er Jahre ins Zentrum, spannt den zeitlichen Bogen weiter über die Nachkriegszeit bis in die 1980er Jahre und wird durch Spotlights auf die lebendige Designszene heute ergänzt.
1920er Jahre: Neue Typografie in der Sammlung Philipp Albinus
Ausgangspunkt der Ausstellung ist eine rund 7.000 Stücke umfassende Sammlung von Geschäfts- und Privatdrucksachen aus dem Nachlass des Buchdruckermeisters und Schriftsetzers Philipp Albinus, einem der wichtigsten Vertreter der „Neuen Typographie“.
Bis in die 20er Jahre wurden in Drucksachen gebrochene Schriften verwendet, die noch auf die Zeit der Erfindung des Buchdrucks zurückgingen. Mit der „Neuen Typographie“ zog die Gestaltungsmoderne innerhalb weniger Jahre in den Bereich der gedruckten Schriften ein. Quelle: www.museumangewandtekunst.de/de/museum/ausstellungen/100-...
One of a series of three magazine adverts reproduced in the "Travel Advertising" special issue of "Das Plakat" for August 1920. The design is by Fritz Neumann-Fred who employs a strong 'plakatstil' look across much of the advertising he was commissioned to design by LVG at the time. The bulk of his work for LVG appears to have been c.1918.
Luft-Verkehrs-Gesellschaft m.b.H. had its origins in the use of dirigibles (for both passenger flights and advertising) in 1911 but by 1912 had started to undertake both the design and manufacturing of aircraft. Based in Berlin-Johannisthal they employed at various times some well known names in German aviation including Ernst Heinkel and Franz Schneider. As can be imagined the company was busy during World War One fulfilling military orders; at the end of hostilities the company was producing some 170 planes a month and employing 3,500 workers. Post-war it would appear that LVG were required ti construct or convert military aircraft for civilian use.
I am unsure if LVG followed the route of other German aircraft builders at the time and went into direct airline operation.
The printers are shown as Gebrüder Feyl of Berlin SW 48. I have to like an advert that also shows telephone or telegraph insulators!
Konzeption und Gestaltung von zwei Doppelseiten für ein fiktives Magazin.
Daniela Brockmann, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Roberta Czirjak, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
An insert advert in the April 1929 issue of Gebrauchsgraphik, the German magazine for "promoting art in advertising". Issued by the Berlin printer Hugo Sensch to mark the company's 50th anniversary this really is a superlative piece of offset printing as the scan 'hides' the quality of the paper and printing in the real thing. The company was based in Köpenicker Strasse 113, Berlin SO 16. Sadly the artist "KW" is not given a full name.
Konzeption und Gestaltung
eines Veranstaltungsplakates
im DIN-A-1-Hochformat.
Sandra Meyer, 3. Semester
Sommersemester 2009
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Helen Förster, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Christian Bäßmann, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Sari Scheunemann, 3. Semester
Sommersemester 2010
Fach: Typografie
Dozent: Michael Wassenberg
I like this logo-design for trucker-cap-wearing artist "parker" a lot cause it is so simple and telling ... more on my website
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Imke Cecilie Hahn, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Die bm - gesellschaft für bildung in medienberufen mbh ist mit ihrem Berufskolleg, der Berufsakademie und der School of Games im Herbst/Winter 2016 an den Sachsenring 79 in der Kölner Neustadt Süd umgezogen.
Die bm - gesellschaft für bildung in medienberufen mbh ist mit ihrem Berufskolleg, der Berufsakademie und der School of Games im Herbst/Winter 2016 an den Sachsenring 79 in der Kölner Neustadt Süd umgezogen.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
A beautifully designed and printed prospectus issued by the local group in Munich of the "Verein der Plakat Freunde" - the Association of Poster Friends - a German membership organisation who existed from c.1908 unti 1922 and who studied the graphic arts allied to posters and advertising. It is by noted designer Emil Pirchan (1884 - 1957) who had moved to Munich in 1908. In later life he became particularly associated with the field of set design.
The cover to the prospectus, of the figure viewing the poster of a figure viewing a poster, was used for many years by the association including being used on the covers of the bound sets of the magazine "Das Plakat". The lettering reads;
"Einladung zum vortrag Dr. W. E. Bredt. Das Plakat, seine freunde, seine feinde, sein recht, sein reich. 20 Mai 1912. Saal des Kunstgewerbevereines, Pfandhausstrasse 7. Anfang 8h. Eintritt 50pfg. Ortsgruppe München."
Roughly translated as ;
"Invitation to the lecture by Dr. W. E. Bredt. The poster, its friends, its enemies, its rights, its empire. May 20, 1912. Hall of the Arts and Crafts Association, Pfandhausstrasse 7. Starts at 8 p.m. Admission 50 pfg. Munich Local Group."
Exhibition-Design: Poster for ›Zoo‹ Photography-XPo. Size: 297 x 420 mm. StyleWork by »OH«.
Photo and Graphic-Design by »Jupiter«. – Early January 2012.
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Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Konzeption und Gestaltung eines Veranstaltungsplakates
im DIN A-1-Hochformat mit – möglichst ausschließlich –
typografischen Mitteln.
Max Jalost, 3. Semester
Sommersemester 2013
Fach: Typografie
Dozent: Michael Wassenberg
Der Typografie-Kurs der Kunstschule Wandsbek besuchte Print 64, eine Offset- und Siebdruckerei in Norderstedt. (Foto: Michael Wassenberg)
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Exhibition-Design: Flyer for ›2Plus‹ Photography-XPo. Size: 210 x 148 mm. StyleWork by »Mero«.
Photo and Graphic-Design by »Jupiter«. – Early May 2012.
Every now and then a particular acquisition to my collection stands out and this Supplement to the run of the Verein der Plakatfruende's magazines for 1912 is one of those. It contains examples of "Gasthaus Graphik"; items relating to inns, taverns, restaurants and dining establishments and it consists of a number of tipped in original examples that cover a wide range of designs and style. The cover to the Supplement is designed by Martin Jacoby-Boy; the previous month's issue of Verein der Plkatfreunde Berlin, for July 1912, has a major article on his work and includes another cover. Jacoby-Boy (1883 - 1971) was a German designer and artist who had to flee Germany in 1933 and emigrated to Argentina.
One of the most stylish designs, remarkably contemporary in style, is a menu card/Speisekarte for Die Bierritze at Jäger Strasse 13, in Berlin designed by Paul Leni. Leni (1885 - 1929) was famous for his film works and was a key player in the German Expressionist movement in the years before his death in 1929. He had initially been an artist and set designer, and this appears to have been one of his works. Die Bierritze appears in a few pre-WW1 postcards.
The card was printed by Ernst Marx, Berlin W.8.
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Anna Bruck, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
The March 1937 issue of Gebrauchsgraphik, the influential German monthly magazine of advertising art, was a special issue focussing on advertising and publicity trends in London. At the time British graphic design and especially "commercial art" was in a period of some critical acclaim. As the magazine's articles and illustrations show this was, in some ways, down to the work and patronage of several individuals and companies such as London Transport, who particularly in the post-WW1 years, had helped raise the standards of such art, design and publicity.
This is evident from the magazine's editorial; the name Christian Barman, who had joined the new London Passenger Transport Board (successors to the Underground Group) a year after its formation in 1933, is in evidence and the eminence grise of London's transport, Frank Pick, who was also influential across other authorities such as the Empire Marketing Board, the Design & Industries Association to name but two, contributed an article.
There are many examples of LT's long commissioning of posters, press adverts and publicity reproduced in the issue including works by artists and designers who had no place in the Germany of 1937. Like all other German publications Gebrauchsgraphik had by this date been eviscerated by the censorship, and worse, of the National Socialist dictatorship.
This double page shows a variety of the "car cards" or "window bills" many of which were truly ephemeral being for weekend or single day events and that were pasted up, removed or covered up. They are often the un-sung heroes of LT's publicity. This can also be said for press advertising, examples here including those commissioned to sell LT's own Commercial Advertising that sold space to advertisers on the Board's vehicles, stations and other structures.
There are works here by Betty Swanwick, Oscar Lancaster, Clifford and Rosemary Ellis (here as C & RE) Walter Spradbury, and Eckersley-Lombers. Two artists here had effectively, like so many others, abandoned Germany or had been forced out because of their Jewish heritage; Walter Goetz (1911 - 1995) and Zéró, aka Hans Schleger both had long and illustrious careers in the UK. Goetz famously had been drafted in at short notice to broadcast the German version of Chamberlain's BBC broadcast on 27 September 1938 and about which there was some furore.
Foto-Impressionen von der Exkursion am 10. November 2011.
Fotos: Michael Wassenberg, Typografie-Dozent.
Konzeption und Gestaltung eines Veranstaltungsplakates
im DIN A-1-Hochformat mit – möglichst ausschließlich –
typografischen Mitteln.
Simone Holzapfel, 3. Semester
Sommersemester 2013
Fach: Typografie
Dozent: Michael Wassenberg
Konzeption und Gestaltung eines Kalenderblatts im DIN-A-3-Hochformat mit – möglichst ausschließlich – typografischen Mitteln.
Nina Kuphal, 2. Semester
Wintersemester 2010/2011
Fach: Typografie
Dozent: Michael Wassenberg
Mit einigen Studenten meines Typografie-Seminars im 2. Semester der Kunstschule Wandsbek besuchte ich am 12. August 2013 den Spiegel-Verlag.
Foto: Michael Wassenberg, Typografie-Dozent