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Given the glow of the flower wanted to photograph this with light from above. Later it turned out to look like a signature with letters M and V/Y
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VOl ______ ···---......""""-r ~'"llluntn4TJ:.~ ..JNUsu ELECTION '06 .
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Friend~ .
1 .
Candid; .
Soihia How gender..§.cnsitivc is the campus?.
Friends, .
take rhi .
serious/ .
OG-11-06.
sincere .
1am a student of M.A in SSS. Last year when I came to JNU as a fresher, I was given a booklet regardmg GSCAS/ co/lccti .
was told that our campus is a classic example of gender sensitivity, and I bel1evcd it, but after a year passed, m} helicf.
vital in 1 changed. As it happens in SSS. I supported SFt (biggest mistake I ever did) as a wenr 1 1.
fresher. to SF! meetings, and.
rhe rou .
hd c\ed 111 "lwt the) "lid I felt th at 'FI ruled the roost (or so it claimed) by vrtue ofits idelogy. .
operari .
back f, .
llut afier 1he eleclfons 1vcrc over, the same person (SSS councilor from SF!) whom I had eiected and was in lal~ingcomme .
lerms with. breached my trust, and made the worst kind of sexually colored remarks that a girl could face This all .
everytl .
happened when I was in his room as his room Partner was my classmate. When I reacted, at first he tried to make a fool of .
-'-.
me sa.' ing, "I was just testing, what type of girl you are" bur when he could not deceive me. he told me tha he was a.
appeal enerQi"" leader ofSF! and r.o one can do anything to him! .
rethin~ .
and ta / ;iled a comp/ainr (ten months back) in GSCASH, and fro.n there on my testing time began... 1 .
benefr .
1am writing this pam ph let, nor for any pol ilical mileage, as I am neither contesting for any post, nor 1suppon any party in.
nation.
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P<~rtcular. I am doing this only to counter the wbisper campaign they are carrying against me, with the obvious Intention.
and tr democ to malign my reputation as if I had committed a grave mistake by speaking our against d1e councilor of SFJ. At lirs1, 1 enlarg started the pamphlet addressing, 'friends', and 1 mean it. 1 want to clear my stand only to my friends and well '-ishers s 1 depoli camous . gender sensirive?.
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am fed up of hearing disgraceful remarks against me day after day. So the question remains. to what extent s currheror .
not b .
Intimidation in pu blic..
and o .
opmu .
lands, .
.
Last night there was a meeting ofGSCASH candidates in Godavari mess. I was present there, and "'~en I tried I a,k ,,.
impe1 .
TheJ question regarding the time factor for a sexual harassment case, citing the example of m} case. some girls of, f1 and outgomg GSCASH representative!SSS councilor candidate from SFI started ~nes are pending in cowt. Should not I be worried when JO monrhs have passed and nc-th,g substential has .
i). Fo .
come our'> Is it not a matter of concern for me when I see that sexual harasser daiiy, giving n impression as if he were.
insta I .
and i questioning, 'what could you do against me?' Shouldn 't I have the fear oflosing the case when I see Mr. Councilor posin~.
healt' as ifhis character were beyond suspicion! Is not my apprehension well-founded when /see Mr. Councilor sittinr in the .
fares canteen and sharing cigarettes With none other that the GSCASH representative be,.sclf? .
Rs.l c .
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J\11 r. Councilor-A serial sexual harasser..
vi). I .
facit .
breal .
Thi, was not the first time thai Mr. Councilor had articulated his grueson1e desires. He had earli<!r made .
audil .
JOun sexually colored remarks to a foreign student and in the most abominable fashion tiled a complaint against her. .
facil be/Ore she could make the mauer public, as a safety measure so that his political prospects are not jcopar !iz~d .
Unit When the giri finally muslered enough courage to speak out SFI supporters from Godavari hostel in a 111oc .rgarnsr an~ COlli pia inant agarnst 'C\u, I.
1'1 ~~I{S..
am .
It,, · ··"11enI '" Ihis shall heIp build a healthj environmem where 11 omen "nuld und:tunlc'<Jiy stand up for the'ir g~lhler.
to .
vo .
Gi .
Sd/ -Cumplain:un ,,gainsr \Ir Couneilr ISf·I) .
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We were given a list of 50 items to take photos of around London on a recent day trip. We managed 45.
YORK, ENGLAND - SEPTEMBER 14: during an i2i Soccer Academy Training Session at Haxby Road on September 14th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
I was given the opportunity to photograph the Tri-Pride festivities in Victoria Park, Kitchener during Pride Week.
Here are the rainbows
Full shot set here....
YORK, ENGLAND - FEBRUARY 28: during an i2i Soccer Academy Training Session at Haxby Road on February 28th 2023 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
Bergen has given a warm welcome to its visitors for more than 900 years. Bryggen has become a symbol of our cultural heritage and has gained a place on UNESCO's World Heritage List.
The old Hanseatic wharf is architecturally unique and is perhaps one of the most familiar image in all of Norway.
Ever since the intrepid King Olav Kyrre sailed into the harbour and founded the city in 1070, Bergen has attracted people from all quarters of the world. Some came and went, others decided to make Bergen their home. Bergensers travelled abroad and learned and so Bergen became a melting-pot of cultures and Norway's most international city.
Bergen grew up around its colourful harbour - it was the hub of commerce, seafaring and crafts-manship. We became the north's largest city, Norway's first capital city and the seat of royalty. So important was Bergen by the 13th century that the Hansas - the German medieval guild of merchants - opened one of their four European offices on the wharf called Bryggen.
Some of the Hansas chose to become Bergensers. And so have many others throughout the centuries. But Bryggen stays the same, its contour just as it was in the 11th century, untouched by shifting times. It has become a symbol of our cultural heritage and has gained a place on UNESCO's World Heritage List. Bergen has become a World Heritage City.
Side view of the chest armor mold. I tried to replicate stormtrooper armor so that I could use the same mold for both costumes. It is too wide, too deep, to "cut" and too tall.
ICAH's Youth Leadership Council created poetry inspired by initial research findings from their PAR project about Given and Chosen Families
19/05/2024. Ladies European Tour. Amundi Ladies German Open, Golf and Country Club Seddiner See, Berlin, Germany, 16th - 19th May. Eleanor Givens of England during the final round. Credit: Tristan Jones / LET
YORK, ENGLAND - FEBRUARY 14: during an i2i Soccer Academy Training Session at Haxby Road on February 14th 2023 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
YORK, ENGLAND - JANUARY 18: during the BUCS Men’s Northern Tier 6 Group C match between York St John University 8ths and Richmond University 1sts at Haxby Road on January 18th 2023 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
YORK, ENGLAND - SEPTEMBER 16: during an i2i Soccer Academy Training Session at Haxby Road on September 16th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
YORK, ENGLAND - SEPTEMBER 16: during an i2i Soccer Academy Training Session at Haxby Road on September 16th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
YORK, ENGLAND - SEPTEMBER 16: during an i2i Soccer Academy Training Session at Haxby Road on September 16th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
04/08/2023. Ladies European Tour 2023. The Women's Scotland Open. Dundonald Links, Troon Irvine. Scotland, 3rd - 6th August. Eleanor Givens of England during the second round. Credit: Mark Runnacles / LET
YORK, ENGLAND - FEBRUARY 14: during an i2i Soccer Academy Training Session at Haxby Road on February 14th 2023 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
The visit to the National Trust property in Derbyshire, Kedleston Hall.
Kedleston Hall is a neo-classical manor house owned by the National Trust, and seat of the Curzon family, located in Kedleston, Derbyshire, approximately 4 miles (6 km) north-west of Derby. The medieval village of Kedleston was moved in 1759 by Nathaniel Curzon to make way for the manor. All that remains of the original village is the 12th century All Saints Church, Kedleston.
The current house was commissioned in 1759 by Nathaniel Curzon and designed by Robert Adam.
The Curzon family, whose name originates in Notre-Dame-de-Courson in Normandy, have been in Kedleston since at least 1297, and have lived in a succession of manor houses near to or on the site of the present Kedleston Hall. The present house was commissioned by Sir Nathaniel Curzon (later 1st Baron Scarsdale) in 1759. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo.
At the time a relatively unknown architect, Robert Adam, was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with his designs that Adam was quickly put in charge of the construction of the new mansion.
On the death of Richard Curzon, 2nd Viscount Scarsdale in 1977, expenses compelled the heir, his cousin (Francis Curzon), to transfer the property to the care of the National Trust.
Grade I listed building
Details
SK 34 SW PARISH OF KEDLESTON KEDLESTON PARK 3/41 Kedleston Hall 25.9.51 GV I Large country house, set in large landscape park. 1758-65 by Matthew Brettingham, James Paine and Robert Adam. Interiors complete by the 1780s. Red brick faced in ashlar and render. Hipped Welsh slate roofs. Various brick stacks largely hidden within the roof wells. Main rectangular block with quadrant colonnades and rectangular pavilions following Palladio's Villa Mocenigo. Rusticated basement, piano nobile and attic storeys. Principal north front: Centre block of eleven bays. Hexastyle, giant Corinthian portico over a basement of five round arches. Three statues on the pediment. Double staircase. In the portico, central doorway flanked by niches with statues. Medallions above depicting vintage, pasturage, ploughing, and bear hunting, 1769 by William Collins. Dentilled cornice and blocking course. Three bays on either side of the portico with square sash windows to the basement, glazing bar sashes in pedimented aedicules above and rectangular attic windows with moulded surrounds. Quandrants on either side without an attic storey. The basement continues the round-arched arcade, with windows set in. Glazing bar sashes above, with balustrading below the sills as on the main block. The bays divided by Tuscan pilasters. Tripartite windows to the return walls. Linked to identical pavilions, lower than the main block but still with basement, piano nobile and attic storeys. The upper storeys are cement rendered. Five bays, with four attached Ionic columns supporting a pediment. Similar fenestration to main block but with plain surrounds. South front of 3-3-3 bays. The centre piece derived from the Arch of Constantine. Four detached Corinthian columns standing close to the antae and pilasters against the wall. Each column carrying its own piece of entablature with statues above, in front of an attic with the date 1765 inscribed. Shallow lead dome above. Double staircase with sharply curved flights. Central door- way with pedimented Corinthian aedicule, set within a blind round arch, and flanked by niches with statues and medallions above, as on the north front. Frieze of swags and medallions above. The outer bays are given similar but less grand treatment, to those on the main north front. The east and west elevations of 2-3-2 bays are treated more simply, with the central feature of a Venetian window. That on the west side was at an early date blocked. The south elevations of the pavilions are likewise treated in a plainer manner, the three centre bays advanced beneath a pediment. Interior: The main entrance is into the magnificent Marble Hall, about 67ft by 37ft, and 40ft high (taking in the attic storey). Two rows of giant Corinthian columns of pink Nottinghamshire alabaster. They were fluted in 1775, against the advice of Robert Adam. Frieze and coved ceiling with delicate stucco decoration by Joseph Rose to a design by George Richardson. Hoptonwood stone floor with inlay, designed by Adam. Around the walls are niches with casts of antique sculpture. Above are grisaille panels of Homeric subjects. Chimneypieces with elaborate over- mantles by Rose, incorporating painted roundels. Beyond, in the relationship of 'atrium' and 'Vestibulum', is the saloon, a full-height domed rotunda. Apsed niches in the corners filling the square outer walls. Coffered dome and central skylight. Pedimented doorcases with pilasters of blue scagliola. Frieze of anthemion and palmette. Painted panels of ruins, by Gavin Hamilton, and grisaille panels of scenes of British Worthies by J B Rebecca. In the niches are four cast iron vases on pedestals. Two of them are stoves. The Music Room has Ionic doorcases and delicate plaster ceiling designed by Adam. Marble chimneypiece inlaid with Blue John. The State Drawing Room, lit by a Venetian window to east. Corinthian order for the alabaster window and door surrounds. Chimneypiece with scene of virtue rewarded by honour and riches, by Spang. The Library with severe Roman Doric doorcase. Bookcases designed by Adam. Plaster ceiling divided into octagonal patterns. Triglyph frieze. Beyond the Saloon is the principal Dressing Room (also called the State Boudoir), preceeded by an anteroom, and the two divided by a tripartite screen with pierced segmental arch above the entablature. More delicate plaster ceiling. Chimneypiece brought from elsewhere c1908. Similar decoration in the State Bedroom with fine chimney- piece. Beyond is the Wardrobe (also called the Dressing Room) which communicates with the Dining Room. Apse at the west end, flanked by stucco medallions by William Collins. Ceiling with painted panels by Zucchi (continents), Hamilton (seasons) and Moorland (centre). Chimneypiece with termini caryatids by Spang. The Main Staircase is off the Marble Hall. Cantilvered stone staircase around a rectangular well. Carved tread ends, wrought iron balusters, delicate wreathed and ramped handrial. Stucco panels of 1924. The staircase leads up to the semi-state bedrooms with plain coved ceilings, dentil cornicing and plain marble chimneypieces. Some of the doors may be re-used from the earlier Hall. Three other staircases, of stone, cantilvered with stick balusters. Beneath the Marble Hall a low hall with two rows of stone columns, and two rows of iron columns inserted in 1806. The north west pavilion houses the kitchens and service rooms. The north east pavilion houses the family apartments.
Listing NGR: SK3127140296
Caesar's Hall
Was the everyday entrance to the central block and the family wing. There is bronzed plaster busts of Roman emperors in the niches.
The four wooden figures on the mantelpiece were by Michael Spang in 1758.
Given that Brown Hawk Owls are primarily nocturnal, I'm not sure why this one looks more awake at 07:50 than he did at 07:00.
Pecan Tassies baked before storm SANDY hit the U.S. East Coast. Story and recipe on my wordpress blog, Baking is my Zen.
bakingismyzen.wordpress.com/2012/11/08/pecan-tassies-bake...
I was given the task to produce a poster for a well known typography artist "Jonathan Barnbrook" I looked and some of his work and noticed a very vibrant pink poster which was very eye catching and used that as inspiration to make a poster in a similar style so it is recognisable to the public.