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Vibrant hues of handwoven textiles explode against the dusty, sun-drenched backdrop of the Argentine Northwest in this candid market scene. A local vendor, clad in a striking crimson sweater, leans intently over towering stacks of folded blankets and garments, her patterned wide-brimmed hat shielding her from the intense Andean sun. The bustling energy of an outdoor craft market is palpable, where the tactile richness of alpaca and sheep's wool invites passersby to touch the intricate geometric patterns. These textiles are not merely souvenirs; they are the woven narratives of indigenous Andean culture, reflecting centuries-old traditions passed down through generations in the high-altitude villages. Photographed with a deliberately shallow depth of field, the subject and her colorful wares are rendered with sharp clarity, while the background melts into a soft, dreamlike blur. This bokeh effect beautifully isolates the vendor's focused posture and the intricate textures of the woven goods from the surrounding environment. The brilliant, natural altiplano lighting acts as a natural spotlight, enhancing the rich reds, deep blues, and earthy ochres of the stacked fabrics. Subtle shadows cast by the hats and folds of clothing add a three-dimensional depth to the composition, highlighting the sheer volume of the artisanal inventory. In the softly blurred background, the unmistakable silhouettes of towering cardón cacti and a rustic adobe building ground the image firmly in the rugged, arid landscapes characteristic of the Quebrada de Humahuaca or Iruya. This visual juxtaposition of delicate, colorful craftsmanship against a harsh, sun-baked desert environment perfectly captures the resilient spirit of the Norte Argentino. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Los tonos vibrantes de los textiles tejidos a mano estallan contra el telón de fondo polvoriento y bañado por el sol del noroeste argentino en esta cándida escena de mercado. Una vendedora local, vestida con un llamativo suéter carmesÃ, se inclina con atención sobre imponentes pilas de mantas y prendas dobladas, mientras su sombrero de ala ancha con estampados la protege del intenso sol andino. La energÃa bulliciosa de un mercado de artesanÃas al aire libre es palpable, donde la riqueza táctil de la lana de alpaca y oveja invita a los transeúntes a tocar los intrincados patrones geométricos. Estos textiles no son meros recuerdos; son las narrativas tejidas de la cultura indÃgena andina, que reflejan tradiciones centenarias transmitidas de generación en generación en los pueblos de gran altitud. Fotografiada con una profundidad de campo deliberadamente baja, la protagonista y sus coloridos productos se muestran con gran nitidez, mientras que el fondo se desvanece en un desenfoque suave y onÃrico. Este efecto bokeh aÃsla maravillosamente la postura concentrada de la vendedora y las texturas intrincadas de los productos tejidos del entorno que los rodea. La brillante iluminación natural del altiplano actúa como un foco natural, realzando los rojos intensos, los azules profundos y los ocres terrosos de las telas apiladas. Las sutiles sombras proyectadas por los sombreros y los pliegues de la ropa añaden una profundidad tridimensional a la composición, destacando el gran volumen del inventario artesanal. En el fondo suavemente desenfocado, las inconfundibles siluetas de los imponentes cactus cardón y un edificio rústico de adobe sitúan firmemente la imagen en los paisajes escarpados y áridos caracterÃsticos de la Quebrada de Humahuaca o Iruya. Esta yuxtaposición visual de la delicada y colorida artesanÃa contra un entorno desértico, duro y horneado por el sol, captura a la perfección el espÃritu resiliente del Norte Argentino. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Project 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
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📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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The stark, geometric expanse of the Salinas Grandes stretches endlessly under the fading light of the Andean sun, its surface a mosaic of crystalline hexagonal fractures. A dramatically elongated human shadow, cast by the photographer, bisects the textured foreground, creating a striking focal point that emphasizes the immense scale of the high-altitude desert. Golden hour illumination bathes the vast salt flat in rich, warm amber tones, beautifully contrasting with the cool, shadowed crevices of the salt crust. Shot with a deep depth of field, the image sharply captures the rough, granular texture of the salt polygons in the immediate foreground while maintaining the clarity of the distant horizon. In the background, a small, blindingly white mound of harvested salt sits near the edge of the flats, a subtle nod to the region's traditional extraction methods. Tiny vehicles and a solitary flagpole mark the boundary of this surreal landscape, dwarfed by the sheer magnitude of the Puna de Atacama region. A rugged line of ochre-colored mountains rolls across the horizon, their peaks lightly dusted with distant clouds against a clear, pale blue sky. The visual distortion of the stretched shadow introduces a playful, almost surrealist element to the otherwise barren and harsh environment. This stark geography is deeply emblematic of the Argentine Northwest, a region where extreme altitudes and arid conditions forge landscapes of unparalleled and desolate beauty. The interplay of light, shadow, and geometric earthforms creates a captivating documentary frame that transports the viewer directly onto the crunching surface of the salt pan. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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La extensión austera y geométrica de las Salinas Grandes se extiende interminablemente bajo la luz menguante del sol andino, con su superficie convertida en un mosaico de fracturas hexagonales cristalinas. Una sombra humana dramáticamente alargada, proyectada por el fotógrafo, divide el primer plano texturizado, creando un punto focal llamativo que enfatiza la inmensa escala del desierto de gran altitud. La iluminación de la hora dorada baña el vasto salar en tonos ámbar ricos y cálidos, contrastando maravillosamente con las grietas frÃas y sombreadas de la costra de sal. Tomada con una gran profundidad de campo, la imagen captura nÃtidamente la textura áspera y granular de los polÃgonos de sal en el primer plano inmediato, al tiempo que mantiene la claridad del horizonte distante. En el fondo, un pequeño y cegador montÃculo blanco de sal cosechada se asienta cerca del borde del salar, un sutil guiño a los métodos de extracción tradicionales de la región. Pequeños vehÃculos y un asta de bandera solitaria marcan el lÃmite de este paisaje surrealista, empequeñecidos por la pura magnitud de la región de la Puna de Atacama. Una lÃnea escarpada de montañas de color ocre se extiende por el horizonte, con sus picos ligeramente espolvoreados de nubes distantes contra un cielo azul pálido y despejado. La distorsión visual de la sombra estirada introduce un elemento lúdico, casi surrealista, en este entorno por lo demás estéril y severo. Esta geografÃa implacable es profundamente emblemática del Noroeste Argentino, una región donde las altitudes extremas y las condiciones áridas forjan paisajes de una belleza desolada e inigualable. La interacción de luz, sombra y formas geométricas de la tierra crea un cautivador encuadre documental que transporta al espectador directamente a la superficie crujiente del salar. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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This photograph captures a stark, minimalist scene of bare, reddish-brown branches silhouetted against a light-colored, textured brick wall. The strong, diagonal shadow cast across the wall adds depth and a sense of drama, contrasting the organic, chaotic lines of the branches with the rigid, geometric pattern of the bricks. The image evokes a quiet, late winter or early spring mood, focusing on texture, line, and the interplay of light and shadow.
Triangular indentations in concrete blocks have been ornamentally arranged for our enjoyment. This is driving me wild!
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In West Allis, Wisconsin, on April 29th, 2021, at a commercial office building (built in 1963) at the northeast corner of West Greenfield Avenue (Wisconsin Highway 59) and South 87th Street.
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Getty Thesaurus of Geographic Names terms:
• Milwaukee (county) (1002672)
• West Allis (2122668)
Art & Architecture Thesaurus terms:
• commercial buildings (300005147)
• concrete blocks (300374976)
• exterior walls (300002523)
• geometric patterns (300165213)
• gray (color) (300130811)
• Mid-Century Modernist (300343610)
• office buildings (300007043)
• recessed (300375746)
• triangles (polygons) (300009806)
Wikidata items:
• 29 April 2021 (Q69306035)
• 1960s in architecture (Q11185676)
• 1963 in architecture (Q2812335)
• April 29 (Q2535)
• April 2021 (Q61313052)
• Milwaukee metropolitan area (Q1146039)
• Milwaukee-Racine-Waukesha, WI Combined Statistical Area (Q110495108)
• Treaty of Chicago (1833) (Q87256769)
• Wisconsin Highway 59 (Q841295)
Library of Congress Subject Headings:
• Concrete masonry (sh85030722)
• Concrete walls (sh85030747)
• Office buildings—Wisconsin (sh85094178)
Vibrant hues of azure, neon green, and fiery orange collide across the textured surface of a concrete canvas in the heart of Buenos Aires. This extreme close-up captures the raw, kinetic energy of the city's legendary street art scene, where every alleyway serves as an open-air gallery. Employing an exceptionally shallow depth of field, the lens isolates a narrow vertical sliver of the mural, bringing the cracking layers of spray paint into razor-sharp focus. The left side of the frame dissolves into a smooth, abstract wash of color, with sweeping, out-of-focus curves guiding the viewer's eye toward the detailed ridge. Natural ambient light catches the uneven, weathered texture of the wall, highlighting the tactile nature of urban aerosol art. In neighborhoods like Palermo or Colegiales, these murals are not mere vandalism but celebrated expressions of Argentine identity, rebellion, and creative freedom. Bold black outlines intersect with vivid geometric patterns, creating a sense of chaotic beauty that reflects the dynamic pulse of the capital. The tight framing intentionally obscures the broader narrative of the piece, transforming the recognizable graffiti into a pure study of color, line, and form. The physical decay of the wall beneath the pigment adds a layer of urban grit, reminding the viewer of the ephemeral nature of street art. It is an intimate, almost microscopic look at the visual poetry that coats the streets of this South American metropolis. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Tonos vibrantes de azul, verde neón y naranja ardiente chocan sobre la superficie texturizada de un lienzo de hormigón en el corazón de Buenos Aires. Este primer plano extremo captura la energÃa cruda y cinética de la legendaria escena del arte callejero de la ciudad, donde cada callejón sirve como una galerÃa al aire libre. Empleando una profundidad de campo excepcionalmente reducida, la lente aÃsla una estrecha franja vertical del mural, enfocando con nitidez las capas agrietadas de pintura en aerosol. El lado izquierdo del encuadre se disuelve en un suave lavado abstracto de color, con curvas amplias y desenfocadas que guÃan el ojo del espectador hacia la cresta detallada. La luz ambiental natural capta la textura desigual y desgastada de la pared, resaltando la naturaleza táctil del arte urbano en aerosol. En barrios como Palermo o Colegiales, estos murales no son mero vandalismo, sino expresiones célebres de la identidad argentina, la rebelión y la libertad creativa. Audaces contornos negros se cruzan con vÃvidos patrones geométricos, creando una sensación de belleza caótica que refleja el pulso dinámico de la capital. El encuadre cerrado oculta intencionalmente la narrativa más amplia de la obra, transformando el grafiti reconocible en un estudio puro de color, lÃnea y forma. La decadencia fÃsica de la pared debajo del pigmento agrega una capa de crudeza urbana, recordando al espectador la naturaleza efÃmera del arte callejero. Es una mirada Ãntima, casi microscópica, a la poesÃa visual que recubre las calles de esta metrópolis sudamericana. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Heavy, oxidized wrought iron dominates the foreground, its elaborate scrollwork and floral motifs standing as silent sentinels to a bygone era of architectural grandeur. The thick layers of rust and weathered patina paint a textured palette of burnt orange, deep brown, and muted charcoal across the ornate metalwork. Shot from an extreme oblique angle, the fence creates a powerful leading line that draws the eye deep into the frame. A shallow depth of field sharply defines the intricate geometric patterns and classical urn shapes nearest the lens, allowing the receding fence line to gently blur. This masterful metalwork is quintessential of the Belle Époque aesthetic that defines the historic neighborhoods of Buenos Aires, a city often referred to as the "Paris of South America." Behind the sturdy ornamental bars, a finer wire mesh adds a secondary layer of security, creating a complex interplay of intersecting lines. Through the rusted fretwork, glimpses of a grand, classical stone facade emerge, complete with arched windows and decorative corbels. Lush, vibrant green foliage, including tropical palm fronds, spills around the stonework, offering a striking organic contrast to the rigid, decaying iron. The diffused natural light softens the scene, emphasizing the tactile, rough surfaces of the aged metal rather than casting harsh, distracting shadows. Such gates speak volumes about the city's opulent past, where European craftsmen imported their skills to construct palatial estates that now wear the beautiful scars of time. The juxtaposition of enduring craftsmanship and natural urban decay encapsulates the romantic, nostalgic atmosphere inherent to Argentina's capital. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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El pesado hierro forjado oxidado domina el primer plano, con sus elaboradas volutas y motivos florales erigiéndose como centinelas silenciosos de una época pasada de grandeza arquitectónica. Las gruesas capas de óxido y la pátina desgastada pintan una paleta texturizada de naranja quemado, marrón intenso y carbón apagado sobre la ornamentada estructura de metal. Fotografiada desde un ángulo oblicuo extremo, la valla crea una poderosa lÃnea de fuga que atrae la mirada hacia la profundidad del encuadre. Una escasa profundidad de campo define nÃtidamente los intrincados patrones geométricos y las formas de urnas clásicas más cercanas a la lente, permitiendo que la lÃnea de la cerca que retrocede se desenfoque suavemente. Este magistral trabajo en metal es la quintaesencia de la estética de la Belle Époque que define los barrios históricos de Buenos Aires, una ciudad a menudo conocida como la "ParÃs de Sudamérica". Detrás de las robustas barras ornamentales, una malla de alambre más fina añade una capa secundaria de seguridad, creando una compleja interacción de lÃneas que se cruzan. A través del trabajo de celosÃa oxidado, emergen destellos de una gran fachada de piedra clásica, completa con ventanas arqueadas y ménsulas decorativas. El follaje verde exuberante y vibrante, que incluye frondas de palmeras tropicales, se derrama alrededor de la mamposterÃa, ofreciendo un sorprendente contraste orgánico con el hierro rÃgido y decadente. La luz natural difusa suaviza la escena, enfatizando las superficies táctiles y rugosas del metal envejecido en lugar de proyectar sombras duras y que distraigan. Tales puertas dicen mucho sobre el pasado opulento de la ciudad, donde los artesanos europeos importaron sus habilidades para construir fincas palaciegas que ahora lucen las hermosas cicatrices del tiempo. La yuxtaposición de la artesanÃa perdurable y la decadencia urbana natural encapsula la atmósfera romántica y nostálgica inherente a la capital de Argentina. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Project 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Images from three weeks discovering China, Taiwan, and Qatar. The majority of my trip was a solo food, photography, and discovery trip spent in China visiting several new places while revisiting old favorites.
All of these images are single exposure with basic edits - nothing added, nothing removed. The only use of AI is for noise reduction and dust removal.
All images by Alex Berger, please reach out directly for licensing or usage requests.
Find more of my work at alex-berger.com or on virtualwayfarer.com.
Piercing the flat, overcast sky, the iconic verdigris dome of Buenos Aires' architectural heritage is captured in an unconventional, gravity-defying horizontal orientation. The heavily oxidized copper surface reveals decades of weathering, transforming the grand cupola into a mesmerizing study of muted sea-green tones and intricate geometric patterns. Ribbed panels run along the curvature, punctuated by precise rows of decorative rivets and circular rosettes that draw the eye toward the base of the towering spire. Utilizing a telephoto lens, the composition compresses the distance between the viewer and the summit, isolating the intricate metalwork against the minimalist, desaturated backdrop of the heavens. The flat, diffuse lighting of an overcast day acts as a natural softbox, eliminating harsh shadows to perfectly illuminate the ornate, sculptural elements—including what appears to be classical figures or grotesques—anchoring the pinnacle. A deep depth of field ensures meticulous sharpness across the vast curved expanse, from the foreground rivets to the needle-like tip of the finial extending into the negative space. This structural behemoth likely crowns the Palacio del Congreso de la Nación, standing as a monumental testament to Argentina's turn-of-the-century prosperity and its aspiration to mirror European neoclassical grandeur. The surreal, sideways framing challenges spatial perception, forcing a deliberate re-examination of familiar civic architecture as pure abstract form. It strips away the bustling street-level context of the capital, offering instead a quiet, almost reverent focus on the enduring craftsmanship suspended above the city. Even a solitary bird caught in flight near the needle's tip adds a fleeting sense of scale to this massive display of historic authority. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Perforando el cielo plano y nublado, la icónica cúpula de cardenillo del patrimonio arquitectónico de Buenos Aires es capturada en una orientación horizontal poco convencional que desafÃa la gravedad. La superficie de cobre fuertemente oxidada revela décadas de intemperie, transformando la gran cúpula en un estudio fascinante de tonos verde mar apagados y patrones geométricos intrincados. Paneles acanalados recorren la curvatura, acentuados por filas precisas de remaches decorativos y rosetones circulares que atraen la mirada hacia la base de la imponente aguja. Utilizando un teleobjetivo, la composición comprime la distancia entre el espectador y la cumbre, aislando la intrincada estructura metálica contra el fondo minimalista y desaturado de los cielos. La iluminación plana y difusa de un dÃa nublado actúa como una caja de luz natural, eliminando las sombras duras para iluminar perfectamente los elementos esculturales ornamentados —incluyendo lo que parecen ser figuras clásicas o grutescos— que anclan el pináculo. Una gran profundidad de campo garantiza una nitidez meticulosa en toda la vasta extensión curva, desde los remaches del primer plano hasta la punta de aguja del remate que se extiende hacia el espacio negativo. Este gigante estructural probablemente corona el Palacio del Congreso de la Nación, erigiéndose como un testamento monumental a la prosperidad de Argentina a principios de siglo y su aspiración de reflejar la grandeza neoclásica europea. El encuadre surrealista y lateral desafÃa la percepción espacial, forzando una reexaminación deliberada de la arquitectura cÃvica familiar como una forma puramente abstracta. Despoja el bullicioso contexto del nivel de la calle de la capital, ofreciendo en su lugar un enfoque tranquilo y casi reverente sobre la perdurable artesanÃa suspendida sobre la ciudad. Incluso un ave solitaria captada en vuelo cerca de la punta de la aguja añade un fugaz sentido de escala a este despliegue masivo de autoridad histórica. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Golden sunlight spills across a vibrant display of traditional textiles on a street in the Argentine Northwest, illuminating the intricate textures of locally woven garments. In the sharp foreground, a cream-colored poncho with delicate fringed edges commands attention, its tightly woven wool catching the warm, directional light. Just behind it, a mannequin models a striking grey and white patterned zip-up sweater paired with mustard-yellow trousers, showcasing the region's enduring knitwear traditions. Further back, a bold crimson poncho with stark black geometric accents adds a splash of intense color to the lively artisanal arrangement. The photographer utilizes a shallow depth of field to isolate the central garments, creating a soft, dreamy bokeh that blurs the background elements while maintaining a strong sense of place. Desaturated but culturally significant, a painted wooden sign reading "ARTESANIAS" hangs above the display, anchoring the scene in the context of a local craft market. The towering, porous skeleton of a dried cardón cactus stands among the wares, a quintessential symbol of the arid Andean landscape from which these crafts originate. To the right, brightly colored vertical stripes of traditional aguayo blankets cascade down the wall, adding layers of visual rhythm and indigenous heritage to the composition. The warm color palette, dominated by earthy ochres, deep reds, and natural wool tones, evokes the rustic charm and rich cultural tapestry of high-altitude towns like Iruya. Shadows fall softly across the fabric folds, emphasizing the tactile quality of the handmade clothing and inviting the viewer to imagine the crisp mountain air. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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La luz dorada del sol se derrama sobre una vibrante exhibición de textiles tradicionales en una calle del Noroeste Argentino, iluminando las intrincadas texturas de las prendas tejidas localmente. En el primer plano nÃtido, un poncho de color crema con delicados bordes de flecos llama la atención, su lana estrechamente tejida capturando la cálida luz direccional. Justo detrás, un maniquà modela un llamativo suéter con cremallera y estampado gris y blanco combinado con pantalones color mostaza, mostrando las perdurables tradiciones de tejido de la región. Más atrás, un audaz poncho carmesà con marcados acentos geométricos negros añade un toque de color intenso al animado arreglo artesanal. El fotógrafo utiliza una profundidad de campo reducida para aislar las prendas centrales, creando un bokeh suave y de ensueño que difumina los elementos del fondo mientras mantiene un fuerte sentido del lugar. Desaturado pero culturalmente significativo, un letrero de madera pintado que dice "ARTESANIAS" cuelga sobre la exhibición, anclando la escena en el contexto de un mercado de artesanÃa local. El imponente y poroso esqueleto de un cactus cardón seco se alza entre las mercancÃas, un sÃmbolo por excelencia del árido paisaje andino del que provienen estas artesanÃas. A la derecha, rayas verticales de colores brillantes de mantas tradicionales de aguayo caen en cascada por la pared, añadiendo capas de ritmo visual y herencia indÃgena a la composición. La paleta de colores cálidos, dominada por ocres terrosos, rojos profundos y tonos de lana natural, evoca el encanto rústico y el rico tapiz cultural de los pueblos de gran altitud como Iruya. Las sombras caen suavemente sobre los pliegues de la tela, enfatizando la calidad táctil de la ropa hecha a mano e invitando al espectador a imaginar el aire puro de la montaña. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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This photograph captures a close-up view of an intricately designed tin ceiling, showcasing repeating square panels with embossed floral and scrollwork patterns. The warm, ambient lighting casts soft shadows that accentuate the three-dimensional relief of the medallions, creating a rich, vintage atmosphere. The symmetrical grid and detailed craftsmanship evoke a sense of historical elegance, likely from a late 19th or early 20th-century building.
This close-up photograph captures a repeating geometric pattern known as the Flower of Life, rendered in a muted gray against a rich, textured golden-yellow background. The surface appears aged or weathered, with small chips and imperfections adding character and depth to the image. The interplay of light and shadow across the pattern creates a subtle three-dimensional effect, highlighting the intricate design and the tactile quality of the material.
A close-up shot captures the corner where ornate, hand-painted ceramic tiles meet a plain, textured floor. The wall tiles feature a repeating geometric and floral motif in earthy tones of yellow, green, and dark blue, while the floor tiles are a simple, warm beige, creating a striking contrast in texture and design. The warm, low lighting casts soft shadows, enhancing the rustic and artisanal feel of the space.
Stark white naval uniforms sharply contrast against a textured, blood-red wall at the Cenotafio a los CaÃdos en Malvinas in Buenos Aires, Argentina. The solemn atmosphere of the memorial is palpable as two motionless guards from the Armada Argentina stand watch over the black marble plaques engraved with the names of the fallen. A heavy black wrought-iron fence adorned with geometric circles dominates the immediate foreground, deliberately creating a barrier that establishes a respectful distance between the observer and the monument. Bright, natural sunlight casts sharp shadows across the textured red concrete, emphasizing the raised letters spelling out "ISLAS MALVINAS" across the upper expanse. The pristine white of the guards' summer uniforms, complete with traditional sailor caps and dark neckerchiefs, draws the eye through the dark metallic bars of the fence. This memorial in Plaza San MartÃn serves as a poignant national tribute to the 649 Argentine soldiers who perished during the 1982 conflict. The composition employs a relatively flat depth of field behind the fence, compressing the guards, the plaques, and the vivid backdrop into a tight, highly organized tableau. The rigid posture of the sentinels reflects the unwavering respect and enduring grief embedded in the nation's collective memory. Small, pale rectangular stones sit at the base of the red wall, partially obscured by green grass and the ironwork, adding a subtle textural shift to the lower frame. Through careful framing, the image captures both the monumental scale of the loss represented by the dense columns of names and the stoic, ongoing vigil of the present generation. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Los inmaculados uniformes navales blancos contrastan marcadamente con una pared roja texturizada en el Cenotafio a los CaÃdos en Malvinas en Buenos Aires, Argentina. La atmósfera solemne del monumento es palpable mientras dos guardias inmóviles de la Armada Argentina vigilan las placas de mármol negro grabadas con los nombres de los caÃdos. Una pesada valla de hierro forjado negro adornada con cÃrculos geométricos domina el primer plano inmediato, creando deliberadamente una barrera que establece una distancia respetuosa entre el observador y el monumento. La luz solar brillante y natural proyecta sombras nÃtidas sobre el hormigón rojo texturizado, enfatizando las letras en relieve que deletrean "ISLAS MALVINAS" en la extensión superior. El blanco prÃstino de los uniformes de verano de los guardias, completos con gorros de marinero tradicionales y pañuelos oscuros, atrae la mirada a través de los oscuros barrotes metálicos de la valla. Este monumento en la Plaza San MartÃn sirve como un conmovedor tributo nacional a los 649 soldados argentinos que perecieron durante el conflicto de 1982. La composición emplea una profundidad de campo relativamente plana detrás de la valla, comprimiendo a los guardias, las placas y el fondo vÃvido en un cuadro apretado y altamente organizado. La postura rÃgida de los centinelas refleja el respeto inquebrantable y el dolor perdurable arraigado en la memoria colectiva de la nación. Pequeñas piedras rectangulares pálidas se asientan en la base de la pared roja, parcialmente oscurecidas por la hierba verde y la herrerÃa, agregando un sutil cambio de textura al marco inferior. A través de un encuadre cuidadoso, la imagen captura tanto la escala monumental de la pérdida representada por las densas columnas de nombres como la estoica y continua vigilia de la generación presente. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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A polished editorial fashion portrait pairing a structured black blazer with vivid geometric patterns, layered gold necklaces and a coordinating statement bag. The dark studio background concentrates attention on the model’s confident expression and the richly detailed styling.
Photographed by Phil Halfmann.
More photography: philhalfmann.com/
© Phil Halfmann. All Rights Reserved. Permission is required before reproduction or reuse.
Intricately carved and brightly painted, this handcrafted Andean chess set demands attention amidst the vibrant, bustling atmosphere of an artisanal market in the Argentine Northwest. The glossy ceramic pieces, depicting indigenous figures adorned in traditional garments and headdresses, stand battle-ready on a circular board. This unique reimagining of a classic European game serves as a profound cultural artifact, illustrating the historical clash and blending of empires within the Andean region. The board itself is a masterwork of regional design, decorated with striking geometric patterns including the Chakana, or Incan Cross, symbolizing the connection between the earthly and spiritual realms. Photographed with an exceptionally shallow depth of field, the composition sharply isolates the front rows of the stylized indigenous army. The background dissolves into a mesmerizing wash of creamy, colorful bokeh, highlighting the bustling, sensory overload of the surrounding market stalls. Natural light catches the varnished surfaces of the terracotta figures, enhancing the rich, earthy tones of red, green, ochre, and black. This selective focus technique not only draws the eye directly to the meticulous craftsmanship but also evokes a sense of intimacy within the chaotic vibrancy of a public bazaar. Such artisanal crafts are cornerstones of commerce in towns like Iruya and throughout Salta and Jujuy, offering travelers tangible pieces of Norteño heritage. The miniature warriors preserve centuries of ancestral pride, transformed into interactive art for modern explorers navigating the high-altitude landscapes of Argentina. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Tallado con intrincado detalle y pintado con colores brillantes, este ajedrez andino hecho a mano exige atención en medio de la vibrante y bulliciosa atmósfera de un mercado artesanal en el Noroeste Argentino. Las brillantes piezas de cerámica, que representan figuras indÃgenas adornadas con vestimentas y tocados tradicionales, se mantienen listas para la batalla sobre un tablero circular. Esta reinterpretación única de un clásico juego europeo sirve como un profundo artefacto cultural, ilustrando el choque histórico y la mezcla de imperios dentro de la región andina. El tablero en sà es una obra maestra del diseño regional, decorado con llamativos patrones geométricos que incluyen la Chakana, o Cruz Inca, que simboliza la conexión entre los reinos terrenal y espiritual. Fotografiada con una profundidad de campo excepcionalmente reducida, la composición aÃsla nÃtidamente las primeras filas del estilizado ejército indÃgena. El fondo se disuelve en un fascinante lavado de bokeh cremoso y colorido, resaltando la sobrecarga sensorial y bulliciosa de los puestos del mercado circundantes. La luz natural atrapa las superficies barnizadas de las figuras de terracota, realzando los ricos tonos terrosos de rojo, verde, ocre y negro. Esta técnica de enfoque selectivo no solo atrae la mirada directamente hacia la meticulosa artesanÃa, sino que también evoca una sensación de intimidad dentro de la caótica vitalidad de un bazar público. Tales artesanÃas son pilares del comercio en pueblos como Iruya y a lo largo de Salta y Jujuy, ofreciendo a los viajeros piezas tangibles de la herencia norteña. Los guerreros en miniatura preservan siglos de orgullo ancestral, transformados en arte interactivo para los exploradores modernos que navegan por los paisajes de gran altitud de Argentina. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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A person with curly brown hair is seen from behind, their bare shoulders and neck exposed, gazing up at a vast, repeating black grid of square recesses. The warm, soft lighting casts gentle highlights on the skin and the grid's edges, creating a quiet, contemplative mood against the stark, architectural backdrop. The composition emphasizes the contrast between the organic human form and the rigid, industrial pattern.
The Troas panel in the South Quire Aisle of Chester Cathedral depicts the episode from Acts 20:6–12 when St Paul, visiting the city of Troas, preaches late into the night in an upper room. The stained glass shows Paul, robed in green, addressing a small group of attentive listeners, the architectural framing hinting at the enclosed, lamplit gathering described in Scripture. This is the setting for the dramatic moment when the young Eutychus, seated in a window, falls asleep during Paul’s long sermon, tumbles from the third storey, and is miraculously restored to life by the apostle. Rich Gothic Revival borders of red, blue, green, and white floral and geometric motifs frame the scene, turning it into both a vivid biblical narrative and a moral reminder of the power of the Word and the vigilance it calls for.