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Original 15th century tiles from the Dome of the Rock, Jerusalem, at the new Cambridge Central Mosque, January 2020.

Playing around with angles and tight dof with the Canon EF 50mm f/1.4 USM...felling the lens out...

oil on canvas, 36 by 48 inches

open book displaying two black and white optical illusion artworks on facing pages page 64 features a geometric pattern of triangles creating a three dimensional effect page 65 shows a wavy vertical pattern made of stacked blocks labeled 190 v

High contrast transforms the shadows of a roof structure into a striking pattern of parallel lines.

 

Part of my fine art photography collection:

Abstract Photography

 

This is a photograph of an open book displaying a page of graphic design exercises. The left page features a column of black circles with various cutouts and a block of German text titled 'die kreisfläche als ausgangsform' which translates to 'the circular area as starting form'. The right page presents a grid of twelve examples, each showing a circle with a unique internal pattern or cutout design, labeled with identifiers like '25 v', '26 v', and '27 v'. The designs range from geometric grids to organic, wavy lines.

gouache and sharpie on paper, 22 by 28 inches

This is acrylic on canvas, 24 by 36 inches

Chair abstract indoors close-up of shadows and highlights on wall with strong contrast

 

All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.

 

©Jim Corwin_All Rights Reserved 2018 Contact me at jimcorwin@live.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.

My website is jimcorwin.photoshelter.com

My E-Mail Address is jscorwin@mac.com

Patterns left by snow blowing against a concrete block retaining wall. This one reminds me of Japanese or Chinese script...

San Antonio de Areco, Buenos Aires: A vibrant stained glass dome illuminates the interior with a celestial burst of red and blue light. The intricate craftsmanship captures a sun-like focal point that radiates outward through geometric panels and stylized botanical motifs, casting a serene, filtered glow onto the space below. Carefully inscribed along the dark circular frame, the date 04-06-1943 serves as a poignant historical marker, bridging the gap between past memory and contemporary observation. The low-angle perspective emphasizes the architectural grandeur and the deliberate alignment of the metal framework against the polychromatic glass panes. Soft shadows cling to the periphery of the frame, drawing the viewer's eye upward toward the brilliant center that seems to breathe life into the craftsmanship. This quiet corner of the town reflects a deeper commitment to preserving the heritage of the pampas, where even the smallest decorative details carry the weight of local tradition. Through the lens, the composition plays with the high contrast between the dark, solid support structure and the ethereal transparency of the artistry above. Such architectural nuances are essential for understanding the cultural layering present in Argentine small towns, where European influence blends seamlessly with local historical reverence. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.

 

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San Antonio de Areco, Buenos Aires: Una cúpula de vitrales vibrantes ilumina el interior con un estallido celestial de luz roja y azul. La intrincada artesanía captura un punto focal similar al sol que irradia hacia afuera a través de paneles geométricos y motivos botánicos estilizados, proyectando un brillo sereno y filtrado sobre el espacio inferior. Cuidadosamente inscrita a lo largo del marco circular oscuro, la fecha 04-06-1943 sirve como un conmovedor marcador histórico, cerrando la brecha entre la memoria pasada y la observación contemporánea. La perspectiva de ángulo bajo enfatiza la grandeza arquitectónica y la alineación deliberada de la estructura metálica contra los paneles de vidrio policromado. Las sombras suaves se aferran a la periferia del marco, atrayendo la mirada del espectador hacia el centro brillante que parece dar vida a la artesanía. Este rincón tranquilo de la ciudad refleja un compromiso más profundo con la preservación del patrimonio de la pampa, donde incluso los detalles decorativos más pequeños llevan el peso de la tradición local. A través del lente, la composición juega con el alto contraste entre la estructura de soporte oscura y sólida y la transparencia etérea del arte superior. Estos matices arquitectónicos son esenciales para comprender la estratificación cultural presente en las pequeñas ciudades argentinas, donde la influencia europea se mezcla perfectamente con la reverencia histórica local. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Project 23.

 

Explore more of our work:

Local Guides: cheargentinatravel.com & nomadicsamuel.com

🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com

📊 Project 23 Master Database

 

Photo by Samuel Jeffery & Audrey Bergner | Project 23

 

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~ Beautiful geometric pattern opens the main gates to London

Central Mosque, London.

gouache and sharpie on paper

oil on canvas, 16 by 20 inches, one of diptych

In the Topanga Canyon center - many walkways of the promenade are decorated with a variety of different styles of tiles - 4/21/2011 - Photo by Robin Kanouse

oil on canvas, 16 by 20 inches, part of diptych

Chair abstract indoors close-up of shadows and highlights on wall with strong contrast

 

All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.

 

©Jim Corwin_All Rights Reserved 2018 Contact me at jimcorwin@live.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.

My website is jimcorwin.photoshelter.com

My E-Mail Address is jscorwin@mac.com

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