View allAll Photos Tagged geometricpattern
A skyward view of the iconic "palm tree" vault at the Jacobins Convent in Toulouse. Shot from the base of the central column, this perspective reveals the intricate geometry of 22 radiating ribs that form this unique 13th-century Gothic masterpiece. The harmony between medieval architecture and contemporary light installation is enhanced by natural light filtering through the stained glass windows, while the characteristic Toulouse red brick and stone create a timeless chromatic pattern.
Printed circuit boards contain an interesting collection of electronic components, conductive traces, and geometric patterns that become more noticeable at high magnification. With macro photography, even ordinary electronic equipment can provide opportunities for creative compositions. Converting the image to black and white emphasizes the shapes, textures, and contrast of the components. It's a good example of how everyday objects can become interesting photographic subjects when viewed from a different perspective.
See my circuit board macro photography project and techniques.
Exploring the stunning rice terraces of Pu Luong, I was overwhelmed by the incredible symphony of greens that stretched across the mountainous landscape. This lone farmer, bent over her work in the vast expanse of terraced fields, embodied the timeless relationship between people and the land in rural Vietnam.
My intention was to capture both the geometric beauty of these ancient agricultural terraces and the human element that brings them to life. The repetitive lines and curves of the rice paddies create a natural artwork, while the farmer's presence reminds us that this stunning landscape is also a working environment where families have cultivated rice for generations.
This image represents my fascination with how traditional agriculture can create some of the world's most beautiful landscapes. The Pu Luong terraces are not just functional - they're a testament to human ingenuity and harmony with nature. Sometimes the most breathtaking views emerge from the most practical human needs, where centuries of careful cultivation have sculpted the mountains into living art.
North Kensington
Fujifilm Superia X-Tra 400 (expired)
Shot at 400
Canon EOS 30
Sigma 20mm f/1.4 DG HSM Art
When I encountered this doorway, I was struck by its bold geometric simplicity and the strong interplay of colors. My goal was to capture the essence of modernist design principles through this seemingly simple entrance. I carefully composed the shot to emphasize the perfect symmetry of the white vertical bands against the green wall, while the rounded square frame creates a striking portal effect. I positioned myself to ensure the concrete steps at the bottom would ground the composition while maintaining the geometric harmony above. The soft, even lighting helped to preserve the subtle details and textures while maintaining the minimalist feel I was after. For me, this image represents the beautiful intersection of form and function in modern architecture, where even a simple doorway becomes a statement of design principles.
As a photographer exploring Paris's contemporary landmarks, I was drawn to the striking angular design of the DUO Towers. For this image, I isolated one of the towers against a dark, dramatic sky, choosing a bold upward perspective that emphasizes its powerful geometric presence. The building's distinctive slanted facade and precise grid pattern of windows created the perfect subject for a minimalist black and white study. Through careful composition and post-processing, I aimed to create a high-contrast image that transforms this modern Parisian tower into an almost abstract geometric form. By eliminating color and embracing deep shadows in the sky, I wanted to emphasize the building's strong architectural lines and create a dramatic interplay between light and shadow. My goal was to present this recent addition to Paris's skyline in a way that celebrates its bold, contemporary design while creating an artistic interpretation that focuses on form, pattern, and architectural power.
Light pours here, molten and unhurried, gilding timber, steel, and glass until every surface glows the same shade of ember. Wooden fins fan like feathers mid flight, window panes absorb the day's last honeyed hour, and across the sky, another tower catches the very same light, geometry glowing.
Architectural Elegance gazing up into the geometric grandeur of Tokyo Station's restored dome. A symphony of radial beams, ornate moldings, and classical windows converge towards the central skylight. This monochrome capture emphasizes the interplay of light and shadow, highlighting the timeless craftsmanship of early 20th-century design
I was in the mood for geometric patterns today. So, I shot this while downtown, near our City Hall.
You see that massively weird hunk of metal hanging off the side of the buidling? That is part of what is to be Edmonton's new Art Gallery.
Um, you be the judge. Because this jury, is out, and will remain out until opening day.
Blessings,
Sheree
Catching the golden hour over the slate tiles and weathered brick chimneys of Oxford, UK. Looking closely through the skyline, you can see centuries of architecture standing side-by-side—from the mid-18th century Baroque dome of the Radcliffe Camera (1749) to the towering 1850s Neo-Gothic spire of Exeter College Chapel.
Imagine stepping off a narrow side street and finding yourself face-to-face with this stunning, classic corner of Portugal, most certainly in the historic heart of Porto. This image encapsulates the country’s profound love affair with azulejo tiling, as an entire multi-story building is wrapped in beautiful blue and white ceramic tiles. The patterns are intricate and traditional, primarily geometric and floral, creating a visually rich texture that gives the old building a fresh, almost shimmering facade under the bright sun.
The building itself maintains a sturdy, historic feel, featuring numerous windows and small wrought iron balconies on the upper floors, typical of Portuguese residential architecture from the late 19th or early 20th century. The blue and white coloring—the colors most commonly associated with Portuguese decorative arts—is a deliberate choice that ties the modern streetscape directly to centuries of craft and tradition.
The setting is pure European cobblestone charm. The intersection is paved with rough, irregular stones (calçada), leading the eye into the background where the street narrows into a dimly lit canyon flanked by taller buildings. The contrast is sharp: the bright, tiled façade on the left stands out against the pale, unadorned stone and plaster of the neighboring buildings. The scene is grounded by modern urban elements, including traffic signs (a clear 'Do Not Enter' sign), bollards, and a solitary figure walking quickly away from the intersection, giving a sense of the place being both a historic museum and a living, bustling part of the city. The presence of small shops and ground-floor businesses hints at the commercial activity sustaining this beautiful urban core. This view is a perfect snapshot of urban elegance and historic resilience, capturing the unique texture and light of a Portuguese afternoon.
Optical Illusion Eye in Distortion by Kaye Menner #Photography Wide variety #Prints & lovely #Products at:
kaye-menner.pixels.com/featured/optical-illusion-eye-in-d...
At first glance, you see bold horizontal red waves flowing across the frame. These lines undulate smoothly, creating a rhythmic, almost fabric-like motion. Beneath them sits a tightly packed grid of black-and-white vertical stripes, which appears to bulge outward in the center.
The interaction between the red curves and the striped background creates a powerful illusion of a three-dimensional form—almost like a rounded surface or a lens pushing forward from the middle. The center feels like a focal “eye” or dome, where the distortion is strongest, giving the impression of depth and curvature on an otherwise flat image.
The high contrast between red, black, and white intensifies the visual vibration, making the image feel dynamic—even though it’s completely still. It’s a great example of how pattern, contrast, and distortion can trick the brain into seeing movement and form where none physically exists.
One of the things I like about travelling is having the opportunity to do some urban photography, which I don't do very much at home. I don't feel very inspired by the buildings where I live but when I am elsewhere, they always seem to be so much more interesting.
❖ Thank you as always for your visits, appreciation and your comments
❖ Merci comme toujours de vos visites, vos appréciations et vos commentaires.
❖ You can also see my work on 500PX,
When capturing this facade in Saint-Malo at dusk, I wanted to seize the contrast between the geometric rigor of the architecture and the warmth of the illuminated windows. The selective black and white treatment emphasizes this duality, transforming each lit window into a golden lantern piercing through the austerity of granite. I was particularly drawn to the perfect symmetry of the openings and how the lights seem to play a silent game of chess across the facade.
The architectural details - the ornate roof dormers, wrought iron balconies, flowered window boxes - add a historical dimension that anchors the image in Saint-Malo's heritage. What fascinated me was how contemporary life expresses itself through these centuries-old windows, creating a dialogue between past and present, between the coldness of stone and the warmth of the homes within it.
A White Wagtail that erases all distance between itself and the street. The choice behind this shot comes from its total identification with the asphalt: the plumage turns into texture, the body becomes one with the urban stone. Yet, this is a deceptive invisibility, a purely aesthetic surrender. Beneath that perfect camouflage beats a vigilant soul that reverses the roles: you think you are watching her, but she is the one watching you.
Auf den ersten Blick scheint hier eine ganze Reihe von Hochhäusern dicht hintereinanderzustehen. Helle Fassadenbänder wiederholen sich, springen vor und verschwinden wieder im Dunkel. Doch je länger man die Schwarz-Weiß-Aufnahme betrachtet, desto weniger eindeutig wird der Raum. Die ungewohnte Perspektive macht aus einem Architekturdetail ein grafisches Vexierbild. Wo genau beginnt das nächste Gebäude? Steht das Gebäude überhaupt so im Raum?
English:
At first glance, a whole row of high-rises seems to stand close together, one behind another. Bright bands of façade repeat, jut out and disappear into shadow. Yet the longer you look at this black-and-white photograph, the harder it becomes to make sense of the space. The unusual perspective turns an architectural detail into a graphic visual puzzle. Where exactly does the next building begin? Is the building even oriented the way it appears?
O Festival Internacional de Jardins, que se realiza anualmente em Ponte de Lima de maio a outubro, é um evento que apresenta jardins efémeros e temáticos criados por artistas de várias partes do mundo. Desde a sua criação em 2005, o festival tem promovido a inovação na arquitetura paisagística, reunindo propostas de design de espaços verdes e sensibilizando para questões ambientais. A entrada para o recinto é marcada por uma pérgula metálica coberta de vegetação que conduz os visitantes a um percurso pavimentado, onde se destacam elementos pétreos com padrões geométricos, e onde se encontram as propostas de arquitetura paisagística de diversos países.
North Kensington
Fujifilm Superia X-Tra 400 (expired)
Shot at 400
Canon EOS 30
Sigma 20mm f/1.4 DG HSM Art
O Festival Internacional de Jardins de Ponte de Lima, evento anual dedicado à arte e inovação paisagística, destaca-se pela utilização criativa de suculentas. As plantas, do género Echeveria e nativas do México e América Central, são dispostas em padrões geométricos no solo, explorando a simetria natural das suas rosetas e a sua textura singular. A escolha destas espécies reflete também a sua resistência à seca, um fator relevante no design de jardins sustentáveis. O festival, realizado entre maio e outubro na margem direita do rio Lima, apresenta projetos efémeros, de autores nacionais e internacionais, selecionados por concurso, promovendo novas abordagens ao design de espaços verdes e sublinhando a importância dos jardins na melhoria da qualidade de vida urbana.
The Ponte de Lima International Garden Festival, an annual event dedicated to landscape art and innovation, stands out for its creative use of succulents. The plants, of the genus Echeveria and native to Mexico and Central America, are arranged in geometric patterns on the ground, exploiting the natural symmetry of their rosettes and their unique texture. The choice of these species also reflects their resistance to drought, a relevant factor in the design of sustainable gardens. The festival, held between May and October on the right bank of the River Lima, presents ephemeral projects by national and international authors, selected by competition, promoting new approaches to the design of green spaces and underlining the importance of gardens in improving the quality of urban life.
The Prince Bishops Car Park in Durham is a striking example of Brutalist architecture. Its bold concrete forms and geometric patterns create a visually intriguing structure, reflecting the functional yet sculptural approach of 20th-century design. Often admired for its raw aesthetic, the car park is a notable landmark in the city’s architectural landscape.
The photograph emphasizes the dramatic geometry of Edge at 30 Hudson Yards rather than presenting it as a conventional skyline landmark. The observation deck projects 80 feet from the 100th floor, and its triangular form is reinforced by the triangular stainless-steel panels covering the underside. KPF specifically selected the stainless steel for its reflective qualities.
From this low viewpoint, the deck appears almost suspended against the blue sky. The strong diagonals lead toward its sharp point, while the regular grid of the lower glass façade provides a contrasting, more orderly pattern. The distorted reflection of the deck in that façade introduces another large triangular shape and makes the photograph less immediately readable as architecture.
The small figures visible through the glass floor are particularly effective. They provide scale and reveal just how large and high the structure is—the deck is about 1,100 feet above street level, and its glass-floor section covers roughly 225 square feet.
Photographically, the image works through geometry, reflection, perspective and scale. The extensive clear sky gives the complex structure room to stand apart, while the blue façade and sky create a restrained color palette against the warmer metallic underside. The extreme upward perspective is central to the image; correcting the converging lines would diminish much of its visual force.
Detalhe decorativo de uma coluna na igreja de Saint-Eustache, em Paris. A riqueza de cores e padrões geométricos realça o estilo gótico tardio, evidenciando influências renascentistas que marcam este imponente edifício do século XVI.
One of the most stunning features of Hearst Castle is the opulent Roman Pool, an indoor swimming pool that looks straight out of a palace from ancient times. This jaw-dropping masterpiece is located beneath the tennis courts and is modeled after the luxurious baths of ancient Rome. Adorned with intricate blue and gold mosaic tiles, the pool is a symbol of wealth and grandeur, capturing the imagination of anyone who visits.
Designed by architect Julia Morgan, the Roman Pool was completed in the mid-1920s and remains one of the most iconic aspects of Hearst Castle today. The small glass and gold tiles (tesserae) are laid out in mesmerizing geometric patterns, with the recurring motif of the ancient Greek key and several depictions of mythological figures, including Neptune and a Nereid. The deep blue hue of the tiles combined with the pool’s dramatic lighting creates a surreal and reflective effect, making it seem almost otherworldly. Eight Roman-style statues guard the space, adding to the classical grandeur.
Each corner and detail in the pool was meticulously planned, down to the alabaster lamps that stand elegantly by the pool’s edge, casting a soft glow. The ceiling, though weathered over time, complements the lavishness of the pool with its ornate design.
Visiting Hearst Castle and seeing the Roman Pool is like stepping into a different era, a place where art, architecture, and opulence meet. For architecture buffs and those with a love for history, this pool is not just a swimming area—it's an artistic experience not to be missed.
Interior do Forte da Graça, em Elvas, destacando-se a cúpula central de traços geométricos e tons dourados. Nas paredes, encontram-se símbolos náuticos e militares, acompanhados de inscrições que evocam o espírito de honra e sacrifício. Este espaço reflete a grandiosidade e o propósito estratégico deste forte, uma obra-prima da engenharia militar do século XVIII e Património Mundial da UNESCO.
Leica DC Vario-Elmarit 9.1-91mm f2.8-5.9 Asph
Three young women walk across a striking cobblestone plaza in Lisbon, Portugal. The ground features a dynamic pattern of wavy black and white stones that create a sense of movement. The women are engrossed in their phones, oblivious to the artistic design beneath their feet.
A grandiosidade da sala de orações da Mesquita Hassan II, situada em Casablanca, Marrocos. Inaugurada em 1993 e projetada pelo arquiteto francês Michel Pinseau, esta estrutura monumental é um dos maiores edifícios religiosos do mundo, com capacidade para acolher 25.000 fiéis no seu interior. A arquitetura reflete uma fusão sofisticada entre a tradição islâmica mourisca e a engenharia moderna. O vasto salão destaca-se pelas suas colunas robustas e pelo chão de mármore e travertino polido, que reflete a luz dourada emitida pelos imponentes lustres de vidro de Murano. O teto, meticulosamente trabalhado em madeira de cedro proveniente do Médio Atlas, possui uma secção retrátil de 1.100 toneladas, permitindo a ventilação natural e uma ligação simbólica direta ao céu. A construção deste monumento envolveu o trabalho de cerca de 6.000 mestres artesãos marroquinos ("maalems"), responsáveis pelos detalhados mosaicos de zellige e estuques esculpidos que adornam as paredes, perpetuando técnicas ancestrais num edifício que se estende parcialmente sobre as águas do Oceano Atlântico.
The grandeur of the prayer hall at the Hassan II Mosque, located in Casablanca, Morocco. Opened in 1993 and designed by French architect Michel Pinseau, this monumental structure is one of the largest religious buildings in the world, with a capacity to accommodate 25,000 worshippers inside. The architecture reflects a sophisticated fusion of Moorish Islamic tradition and modern engineering. The vast hall is notable for its sturdy columns and polished marble and travertine floor, which reflects the golden light emitted by the imposing Murano glass chandeliers. The ceiling, meticulously crafted from cedar wood sourced from the Middle Atlas Mountains, features a 1,100-ton retractable section, allowing for natural ventilation and a symbolic direct connection to the sky. The construction of this monument involved the work of around 6,000 Moroccan master craftsmen (“maalems”), responsible for the detailed zellige mosaics and sculpted stuccoes that adorn the walls, perpetuating ancestral techniques in a building that partially extends over the waters of the Atlantic Ocean.
this black-and-white photograph captures the sweeping architecture of a vast hallway, where repetitive cutouts and curving lines draw the viewer into a rhythmic flow. a single figure seated in the distance adds a poignant human element, highlighting the scale and solitude of the space. the dramatic contrast and geometric patterns transform the scene into an almost surreal moment, as if time is suspended within the architectural rhythm. it’s an invitation to pause and contemplate within the interplay of light, shadow, and form.
This photo shows a pillar and wall detail of the spectacular Salão Árabe (Arab Room) of the impressive Palacio da Bolsa (stock exchange). The room was intended as a reception area for visiting heads of states and dignitaries. Inspired by the Sala de los Embajadores of the Alhambra Palace, it was designed by Porto Architect Gancalves e Sousa and took 18 years to complete in 1880. The decor is Moorish Revival Style and includes remarkable geometric and arabesques patterns in brilliant colours. The photo was taken in August 2026, with my trusty Olympus digital camera. Enjoy.
By photographing this glass building, I created a complex geometric dance between the physical structure and its reflections. The repeated patterns multiply through mirrored surfaces, creating an infinite architectural maze where reality and reflection become indistinguishable. The monochromatic treatment emphasizes this visual puzzle, transforming a modern facade into an abstract exploration of depth and repetition.
This vessel is a historic Tamaya (Santa Ana Pueblo) storage jar (ah'sa).
Artwork Details
Artist: Unknown maker (historic Pueblo potter)
Origin: Tamaya / Santa Ana Pueblo, New Mexico
Date: Circa 1895
Materials: Clay, mineral paints, and rawhide casing
Dimensions: Approximately 14 inches tall by 16 inches wide (35.6 cm tall by 40.6 cm wide)
Collection: School for Advanced Research (IAF.874), featured in exhibitions at the Museum of Indian Arts & Culture
Visual Description
Form & Shape: Large, wide-bodied Pueblo storage jar featuring a flared rim, short neck, and round, bulbous belly designed for storing dry goods or grain.
Decoration & Color: Polychrome slip-painted finish using traditional earth pigments. Bold orange-red and dark brown/black geometric patterns—including large diamond motifs and opposing triangular shapes—are painted against a warm cream-colored background.
Rawhide Strap/Casing: Wrapped tightly around the upper midbody and neck of the vessel is an original crisscrossing rawhide thong/harness. Rawhide bindings like this were added historically either to repair, stabilize, or protect a crack in the clay or to provide a secure handle/support structure for transporting and carrying the jar.
Telling its story
The high afternoon sun sits above the banks of the Rio Jemez, warming the earth at Tamaya. In a shaded corner of the plaza, an artist’s hands move over native clay—coil by coil, smoothing the walls upward to form a broad, generous jar. She paints bold diamonds of rust-orange and dark mineral black across a warm cream slip, balancing geometric symmetry with the organic rhythm of the earth.
Decades pass. The jar sits in the cool interior of a adobe home, holding dried corn, seeds, or grain to nourish the family through the changing New Mexico seasons.
One season, a fine line opens along its side—a fissure from years of use and shifting temperatures. Rather than casting the vessel aside, a hand carefully measures wet rawhide, weaving a crisscrossing harness around its neck and waist. As the hide dries, it shrinks and grips the terracotta in a firm, protective embrace, mending the crack and binding its story permanently to its body.
Years later, the vessel makes its transition from the quiet rhythms of domestic pueblo life to the polished glass displays of Museum Hill in Santa Fe. Today, under the soft gallery lighting of the Museum of Indian Arts & Culture, it stands not just as a piece of historic pottery, but as a silent testament to Pueblo resilience, resourcefulness, and the enduring beauty of things made to last.
New Mexico 2026
Santa Fe Museum
Uma das galerias elevadas em mezzanine nas secções laterais da Sala de Orações da Mesquita Hassan II, em Casablanca. Estas plataformas suspensas, em forma de varandim, acompanham a divisão tradicional do espaço: a nave central, ao nível do piso térreo, é reservada aos homens, enquanto a galeria superior acolhe as mulheres durante a oração, com capacidade aproximada para 5 000 fiéis. A estrutura assenta em colunas cilíndricas de mármore escuro e granito rosa de Agadir, que suportam arcos lavrados em gesso esculpido à mão por maâlems, com frisos geométricos e motivos do repertório islâmico. O guarda-corpo, em madeira de cedro do Atlas e vazado por encaixes geométricos, assegura a privacidade sem comprometer a circulação do ar. Acima, o teto curvo mantém a linguagem andaluzo-magrebina através de padrões repetitivos em gesso e madeira pintada.
One of the elevated mezzanine galleries in the side sections of the Prayer Hall at the Hassan II Mosque in Casablanca. These suspended, balcony-like platforms follow the traditional division of the space: the central nave, at ground floor level, is reserved for men, while the upper gallery accommodates women during prayer, with a capacity of approximately 5,000 worshippers. The structure rests on cylindrical columns of dark marble and pink Agadir granite, which support arches crafted from plaster hand-carved by maâlems, featuring geometric friezes and motifs from the Islamic repertoire. The railing, made of Atlas cedar and openwork with geometric inlays, ensures privacy without compromising air circulation. Above, the curved ceiling maintains the Andalusian-Maghrebi style through repetitive patterns in plaster and painted wood.