View allAll Photos Tagged geometricpattern
bathed in the stark midday sun, the terrace of the penthouse in cala mayor reveals a carefully crafted play of light and shadow. angular shadows stretch across the clean, white tiles, cast by a metal railing that seems both delicate and deliberate in its design. beyond the geometric confinements, the mediterranean unfolds in boundless blue, dotted with the serene glide of sailboats. this is where the construction's rhythm slows, where workers pause in the silhouette of progress, gazing out to where the sea kisses the sky. each frame of the railing offers a different vignette of tranquility—a pause in the narrative of labor, a breath between the toils.
Little wonders are all around us when you know where to look and how to capture them. This is why I love to be out for hours, staring at the sky.
In capturing this scene, I wanted to reveal the raw beauty that resides in modern architecture. My intention was to transcend the simple utilitarian function of a stair railing to extract an abstract and clean composition. I chose black and white to amplify the dialogue between geometric lines and concrete texture, thus creating a visual tension between the dynamic diagonal and the static wall. The regular circles left by the formwork add a subtle rhythmic punctuation to the whole. Through this image, I seek to invite the viewer to rediscover the hidden poetry in the architectural details that surround us daily, transforming a functional element into a contemplative work.
In capturing this modern building, I was drawn to the striking geometry created by its angular corner. I positioned myself to emphasize the converging lines that lead the eye upward into darkness, creating a sense of ascension and limitlessness. Working in black and white was a deliberate choice to strip away distractions and focus purely on form, texture, and the interplay of light and shadow. The dark negative space surrounding the building isolates the structure and creates a dramatic stage for architectural elements to perform. I wanted to transform this functional structure into something abstract and contemplative—revealing the hidden rhythm in the repeating patterns of sun shades and windows that might otherwise go unnoticed. Through this image, I aimed to challenge perceptions of scale and perspective, making the familiar unfamiliar. By focusing on this single corner, I invite viewers to consider how fragments can sometimes tell more compelling stories than whole scenes, much like how a single architectural detail can embody the philosophy behind an entire design.
Dusk over London — The Shard and London Bridge illuminated beneath the evening sky. A timeless view from the Sky Garden 🇬🇧
SCOUT: "Paddy? Paddy!"
PADDY: "Yes Scout?"
SCOUT: "Why do we have to sit on this wall, Paddy?"
PADDY: "Because Daddy thinks it's an interesting piece of geometry."
SCOUT: *Scratches head with paw.* "What's 'geometry'? Can we eat it?"
PADDY: "No, Scout! Geometry is the part of mathematics that studies the size, shapes, positions and dimensions of things. Squares, circles and triangles are some of the simplest shapes in flat geometry. Cubes, cylinders, cones and spheres are simple shapes in solid geometry. So too are triangles and pyramids, like the way these bricks are laid."
SCOUT: *Scratches head again.* "You know what I think about geometry, Paddy?"
PADDY: "No, what, Scout?"
SCOUT: "I think it's hard... especially on my soft little bottom!"
My Paddington Bear came to live with me in London when I was two years old (many, many years ago). He was hand made by my Great Aunt and he has a chocolate coloured felt hat, the brim of which had to be pinned up by a safety pin to stop it getting in his eyes. The collar of his mackintosh is made of the same felt. He wears wellington boots made from the same red leather used to make the toggles on his mackintosh.
He has travelled with me across the world and he and I have had many adventures together over the years. He is a very precious member of my small family.
Scout was a gift to Paddy from my friend. He is a Fair Trade Bear hand knitted in Africa. His name comes from the shop my friend found him in: Scout House. He tells me that life was very different where he came from, and Paddy is helping introduce him to many new experiences. Scout catches on quickly, and has proven to be a cheeky, but very lovable member of our closely knit family.
The stunning interior of a hotel in Turin, Italy showcases a breathtaking view of the atrium from the ground floor. The intricate wooden beams and railings create a mesmerizing geometric pattern leading up to a skylight, allowing natural light to illuminate the space. This architectural masterpiece blends modern design with historical charm.
Inside Málaga's Castillo de Gibralfaro, where Islamic geometric patterns adorn almost every ceiling, doorway and wall.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century.
Geometric patterns occur in a variety of forms in Islamic art and architecture. These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork.
© Butch Leitz
All rights reserved
Ground floor at Versailles, straight in, back loge area (you enter via a main hall on the ground floor that "T"'s into this about 3 or 4 arches down on the right) (the room off to the left is like a huge windowed solarium type of thing running the length of this hall. The "solarium" looks out on the famous Versailles Gardens).
The thing I love about this shot is not only the obvious visual geometry, but how the edges of the colums are so sharp contrasted with the soft almost sensual quality of the stone work within each arch here - each appearing to melt into the next. The lighting was all natural, of course, and I love the way the shadows and light worked in this. I'm sure that different times of day would show dramatically different results in this hallway. The other thing I like is the lack of ornate over-the-top decoration compared to that found in the rest of Versailles.
Available for purchase, this looks fabulous in 20x30 or 30x40 in a formal frame or unframed mounted with wall offsets for nouveau settings. I had an office manager that bought a 20x30 and put it in an old fashioned gilt-gold ornate frame and hung it in her dining room. It looked fabulous, if I do say so myself! Starting at $450. (Don't worry, prints do not have watermarking shown here but are signed by me in the lower right corner after I have reviewed the print for quality.)
butchleitzphotography.blogspot.com/2011/01/versailles-pas...
a city of romance, a city of light—yet here, under the iron tower, life unfolds in its quiet contradictions. a child dances, lost in a world of her own. a mother looks ahead, caught between duty and dreams. a father scrolls, tethered to another reality. in the distance, people move like waves, oblivious. moments slip by, unnoticed.
Using stark upward perspective on this modern building's facade, I created an abstract study in geometric patterns. The monochromatic treatment emphasizes the sharp angles and repetitive elements, transforming functional architecture into a graphic composition.
Inside Istanbul's new airport, I was struck by how the architectural elements created this compelling composition. The subtle green tones and gentle curves, punctuated by precise lighting, offered a perfect study in modern architectural design. I composed the shot to emphasize the flowing lines and create a sense of spatial depth.
A black and white fine art photograph capturing the elegant spiral of a staircase, transformed into a cosmic vision through light, shadow, and geometry. With a minimalist and timeless aesthetic, Michel Rouabah reveals the poetry of architecture in motion. Paris-based award-winning photographer specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
This photo was taken inside the Bolo Haouz Mosque — a historic Friday mosque just across from the Ark of Bukhara, near Registan Square. Built in 1712, it was the official place of worship for the emirs during the final years of the Emirate of Bukhara.
"Bolo Haouz" means "Children's Pool", referring to the reflecting pool before the mosque. While the exterior is known for its elegant wooden columns, the interior is just as striking. Detailed geometric patterns, soft pastel colors, and Quranic calligraphy surround the mihrab (prayer niche).
I arrived at a quiet time — only one man was praying, alone in a peaceful place, surrounded by centuries of art and faith..
Jag gillar att studera olika byggnader och hus, deras former, färger, mönster, vinklar och linjer. Arkitektur är intressant. För veckans Fotosöndagtema föll sig därför valet naturligt att fånga en byggnads geometriska mönster med kameran. Detta är mitt bidrag.
I find architecture and the patterns, lines, forms, colours and angles of buidings and houses interesting. Therefore this week's Fotosöndag theme geometric patterns was especially fun to capture with my camera. This is my contribution to the theme.
An all-seeing eye under sterile chrome — surveillance camouflaged in elegance. At BMW Welt, function and design merge in silent observation
An abstract monochrome study of intersecting metal wires and patterned plastic, photographed inside a laundromat. By isolating repetition, geometry, and tone, an everyday object transforms into a modernist visual rhythm.
Library Square in Downtown Vancouver is a multi-use complex that brings together the Vancouver Public Library’s Central Branch, a Federal Office Tower, and various retail and service spaces. Designed by Moshe Safdie, the library’s distinct curved architecture was inspired by the Colosseum in Rome.
This photo captures layered reflections of the surrounding high-rises on the building’s glass surfaces, creating a blended cityscape where indoor and outdoor spaces merge.
Vancouver, BC, Canada
Precision and repetition — the lens never blinks. A calm, clinical landscape where lines dominate and surveillance becomes part of the aesthetic language.
A black and white fine art photograph capturing the hypnotic spiral of a staircase, evoking the mystery of a distant galaxy. Through light, shadow, and geometry, Michel Rouabah transforms architecture into a cosmic vision. Award-winning photographer based in Paris, specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
This piece, 'Elevation Odyssey,' interprets the high-altitude odyssey of paragliders using digital art techniques. Crafted with Midjourney software to create a surrealistic landscape, it was then refined through Photoshop to enhance the visual contrasts and amplify the vibrant palette, encapsulating the adventurers' bold defiance of the serene mountain's daunting scale.
Lian Shan Shuang Lin Monastery, Singapore. Taken with YashicaFlex S using Ilford HP5 400. Developed in Tmax 1+9 and scanned with CanoScan 9000f Mark II.
Geometric shapes of varying shades of green form a stylized forest against a light yellow background. Transparent circles overlay the triangular tree shapes, creating a layered effect.
I took this shot inside one of the many mausoleums at Shah-i-Zinda, the "Street of the Living King." I think it might be the Tuman Aqa Mausoleum (built for one of Timur's wives)… but to be honest, there were so many stunning spots along the way and I got a bit sloppy with my notes. What I do remember clearly is stepping in, looking up, and just being blown away. That golden ceiling, with its detailed patterns and Arabic script all around… it felt like standing inside a piece of jewelry. One of those moments where you have to stop, stare, and say "wow."
The image depicts a woman in a sophisticated pose, wearing an elegant black off-shoulder dress, against a textured wall with geometric patterns. Her makeup is polished, and she has a poised expression.
Model : Fanny, Location:
SKP, Chengdu, Sichuan province, China
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Another shot from my ongoing "Urban Serendipity" project, taken in São Paulo, Lisbon. This vibrant neighborhood, with its mix of historic charm and modern energy, provides endless inspiration for capturing the contrasts of urban life. Excited to share more as this series evolves!
São Paulo, Lisbon, Portugal
O teto abobadado de uma ala do Palácio Real de Caserta, em Itália, projetado por Luigi Vanvitelli no século XVIII para os Bourbons de Nápoles, exemplifica a transição do Barroco tardio para o Neoclassicismo. Esta estrutura monumental, parte de um complexo que pretendia rivalizar com Versalhes, apresenta um design notavelmente simplificado em comparação com outras áreas do palácio. A decoração, caraterizada por linearidade e sobriedade, emprega caixotões geométricos (quadrados e losangos) dispostos em espiral e anéis concêntricos, culminando numa rosácea central. Molduras de mármore, baixos-relevos e elementos florais estilizados adornam o espaço, criando um efeito de cofragem concêntrica que realça a profundidade e a altura. A paleta clara, com tons de branco e cinza, acentua a luminosidade natural e a sensação de ordem, refletindo a busca neoclássica pela proporção e funcionalidade. O palácio, declarado Património Mundial da UNESCO em 1997, integra uma estética mais utilitária em algumas alas, demonstrando o domínio técnico de Vanvitelli na manipulação da forma e da luz.
The vaulted ceiling of a wing of the Royal Palace of Caserta in Italy, designed by Luigi Vanvitelli in the 18th century for the Bourbons of Naples, exemplifies the transition from late Baroque to Neoclassicism. This monumental structure, part of a complex intended to rival Versailles, features a remarkably simplified design compared to other areas of the palace. The decoration, characterized by linearity and sobriety, employs geometric coffers (squares and rhombuses) arranged in a spiral and concentric rings, culminating in a central rosette. Marble moldings, bas-reliefs, and stylized floral elements adorn the space, creating a concentric formwork effect that enhances depth and height. The light palette, with shades of white and gray, accentuates the natural light and sense of order, reflecting the Neoclassical quest for proportion and functionality. The palace, declared a UNESCO World Heritage Site in 1997, incorporates a more utilitarian aesthetic in some wings, demonstrating Vanvitelli's technical mastery in the manipulation of form and light.
Through careful composition of architectural elements, I created this abstract study where white lines intersect against pure black. The precise arrangement transforms a building's functional features into a geometric ballet of light and shadow.