View allAll Photos Tagged geometricpattern
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Designer Geometric Fashion , Designer Toronto , Designer Canada , Geometry Fashion , Geometric Style , Intergalactic Fashion , Intergalactic Style, art , art-step , Canadian Crop Circles , Crop Circle Fashion Universal Streetwear , Canada Streetwear , Canada Street Fashion , Canada Streetwear , Toronto Streetwear Style Canada , Sacred Geometric , Sacred Geometrics , Sacred Geometry Clothes , Sacred Geometry Gear , Sacred Geometry Clothing , The Sacred G , Geometric Fashion , Geometric Style, Intergalactic Fashion , Intergalactic Style , art-step , Canadian Crop Circles , Crop Circle Fashion , Universal Streetwear , Canada Street Fashion , Canada Streetwear ,Toronto Streetwear , Style Canada Sacred Geometric , Sacred Geometrics , Sacred Geometry Clothes , Sacred Geometry Gear , Sacred Geometry Clothing , The Sacred G , Geometric Fashion , Crop Circle Clothing , God of Geometry , Designer Deco , Geometric Pattern , Sacred Styles , Sacred G Shoes , Next Dimension Design , Sacred G Style , 2012 Streetwear , Sacred G Streetwear , Sacred G Skateboards , 2013 Style , 2013 Fashion , 2012 Fashions , Art-Step , dubstep , 2012 STYLE , Deco Code , The Deco Code symmetry geometrics fashionable modern bold patterns supercool urban gear geometric shoes , shoes , shoe , patterned shoes , technofor the eyes , music for the eyes , Geometric-patterns , Geometric patterns , urban fashion 2012 generation zen , gen-zen , generation-zen
Whee doggy, it was a solid evening and a good morning for drop shots. Rain in the evening. Mist early in the morning. Gray, bleak, dreary -- a perfect time to run out, get damp, and snap some droplet shots.
Though, yet again, the neighbors surely wonder what the heck I'm up to.
True story: the other day, I was out there taking shots, and the (newish) neighbors had their children out there, and when I appeared, they quickly ushered them inside, like I was some kind of tiger shark entering the perimeter (or, more likely, they feared I was some kind of pre-vert, when really, I'm just some macro-obsessed weirdo).
Good times.
I'll be bouncing around photostreams while I have a free moment, today.
Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
These pretty peep windows feature on a Metroland Art Deco Villa in the Ballarat suburb of Wendouree.
Well proportioned, this small stand alone villa was biscuit coloured when previously photographed and unoccupied. In the ensuing months, the stuccoed brick walls have received a fresh coat of white paint. Sadly, this has covered the feature band of red and brown bricks around the foundations of the building which matches its neighbour. The picked out feature bricks around the chimney breast and above the windows to either side of the chimney have also been covered.
This style of home was one that aspirational middle-class families in the 1920s saught. Cottage like in style, it is not too showy, yet represented the comfort and modernity that the burgeoning Australian middle-class wanted. Adding to its cottage like appearance, it features latticed leadlight windows.
Fragment of a border, early 19th century. Black silk embroidery on white cotton in buttonhole and running stitches. 12.5x41 cm.
This block of Art Deco flats in East Melbourne has a wonderful entranceway with geometric Jazz Age designs around its stairwell windows. The stairwell area itself with its stepped roofline has been made an architectural feature as it stands out from the rest of the block's facade. This block of flats is typical of the Art Deco architecture that came out of England after the war. They are as chic today as when they were first built in the 20s or early 30s.
An abstract architectural study focusing on the repetition of form and the intensity of color. This tight crop isolates a series of leaf-like or flame-shaped cutouts in a dark metallic surface, illuminated from within by a powerful, saturated red glow. The diagonal orientation of the cutouts creates a sense of movement and energy, while the subtle highlights on the edges of the metal provide a sense of three-dimensional depth.
A close-up shot captures the intricate play of light and shadow on a weathered, grey-painted wooden door with classic raised panels. Diagonal shadows, likely cast by a nearby lattice or window frame, slice across the surface, creating a dynamic geometric pattern that contrasts with the door's formal, symmetrical design. The muted color palette and soft, directional lighting evoke a quiet, contemplative mood, highlighting the texture of the paint and the subtle imperfections of age.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
The amazing Kikagaku Moyo playing at Blaue Fabrik (Dresden, Germany) on a magical summer night in June 2016.
Listen: geometricpatterns.bandcamp.com/
Although not famous for its Art Deco architecture, the provincial Victorian city of Ballarat, which was established between the 1860s and 1880s when the area was at the centre of a gold rush, does have some fine examples of interwar and post war architecture when the gold boom was replaced with wealth generated through grazing and agriculture.
During the 1920s and 1930s, those people thriving from farming or local industry had plenty to spend in local shops. This wonderful Art Deco facade (circa 1925 - 1930) belongs to the PPL Building in Ballarat's main shopping thoroughfare, Sturt Street. Whilst the street level may have fallen victim to the changes in marketing, the upper floors remain unchanged by fickle owners. It still retains its striking minimalist Art Deco design. It features the building's name in a rounded cartouche on the building's corner facade which overlooks Albert Street. The PPL Building has a stylised stepped roofline, long spandrels with rounded edging and glass brick windows, all of which were popular architectural features of the Art Deco movement in the late 1920s and early 1930s. The rounded edges are very representative of the Streamline Moderne movement, and the building is everything a smart and successful business would want in the booming interwar years in Australia.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometric Pattern , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Ballarat is a provincial Victorian town established during the Australian Gold Rush. For many years it was an extremly prosperous town which demonstrated its wealth through architecture on a grand scale. As a result, there are buildings and public infrastructure from different decades and even different centuries right alongside one another. Although not famous for its Art Deco architecture, the city does have some fine examples of interwar and post war architecture when the gold boom was replaced with wealth generated through grazing and agriculture.
This wonderful Art Deco facade (circa 1930) with geometric designs and minimalist detailing belongs to a shop built in Ballarat's main shopping thoroughfare, Sturt Street. Sadly, years of weathering and neglect have left it marked, cracked and decaying.
Get this design on your choice of high quality fabric, at Spoonflower. From the Storyteller Blues color story; Also available on wall coverings, wall decals and giftwrap.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
A ceiling of backlit hexagonal cells, each lit unevenly and edged in dark wood, with one unlit cell near the top. The repeated grid gives the frame its rhythm. Taken in Istanbul in winter.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
An ancient polychrome mosaic floor pavement preserved from the Theodorian Paleochristian complex (3rd century) in the Basilica of Santa Maria Assunta, in Aquileia, Italy.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
This is one motif of my series Oriental Ornaments. There are 6 different designs in 10 colors at the moment.
Dies ist ein Motiv aus meiner Design-Serie Orientalische Ornamente, die zur Zeit aus Kombinationen von 6 Designformen in 10 verschiedenen Farben besteht.
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.