View allAll Photos Tagged geometricpattern
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
On several occasions I have tripped up or down these stairs because I was distracted by my admiration of the attractive pattern of concrete blocks in beige paint.
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In downtown Tallahassee, Florida, on March 4th, 2019, outside the Florida AFL-CIO at the northeast corner of East College Avenue and South Monroe Street (U.S. Route 27 and Florida state roads 61 and 373). The building was erected in 1958.
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Getty Thesaurus of Geographic Names terms:
• Leon (county) (2000276)
• Tallahassee (7013938)
Art & Architecture Thesaurus terms:
• beige (color) (300266234)
• blue (color) (300129361)
• concrete blocks (300374976)
• corporate headquarters (built works) (300132690)
• exterior walls (300002523)
• geometric patterns (300165213)
• handrails (300002022)
• light brown (300127503)
• Mid-Century Modernist (300343610)
• paint (coating) (300015029)
• openwork (300253899)
• stairs (300003228)
• trade unions (300026023)
Wikidata items:
• 4 March 2019 (Q57349890)
• 1950s in architecture (Q11185577)
• 1958 in architecture (Q2812203)
• AFL–CIO (Q464271)
• Florida AFL–CIO (Q5461170)
• Florida Panhandle (Q1430068)
• Florida State Road 373 (Q2432739)
• Florida State Road 61 (Q2432471)
• March 4 (Q2396)
• March 2019 (Q31275158)
• North Florida (Q7055353)
• U.S. Route 27 (Q408924)
Library of Congress Subject Headings:
• Color in architecture (sh85028595)
• Concrete masonry (sh85030722)
• Geometry in architecture (sh00000156)
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
A pretty little casement window in a red brick villa in the Melbourn suburb of Thornbury. The window features a smart leadlight glass window of geometric patterns with three pieces of stained glass.
Unlike conventional floral ceilings, its 296 panels depict a remarkable variety of plants, reflecting the botanical knowledge introduced to Satsuma. Looking up, it feels less like a decorated ceiling and more like a botanical atlas spread across the shrine's ceiling
Located on Ballarat’s Doveton Street, the former Lutheran Church was built in 1876 to the grand designs of local Ballarat architect C. D. Figgis and was constructed by Taylor & Ellis.
The church building is architecturally quite striking with a formal composition with elements of a Ruskinian Italian Gothic style. It features with banded brick arches, Lombardic motifs and an attenuated version of a stepped arcaded corbel table leading to the central tower. The tall blind arcading of the tower is similar to the Campanile at Venice. The tower has an arcaded corbel table with trefoil arches, above which is a parapet with quatrefoil openings surmounted by a slate clad pyramidal roof. The lower part of the building consists of more conventional elements. There are two occuli in the gable ends flanking the tower and the banded Gothic openings have nail head brick label moulds. At the base of the tower there are two entrance doors under a Gothic banded arch surrounded by cream brick nail head moulding, and an outer Scotia label mould; these continue down to a low impost height and return horizontally as a string course across the facade. Banded Gothic openings and a patterned string course at low impost height lightens the heaviness of the red brickwork. The side elevation has the same nail head and Scotia string course at impost level rising up as stilted segmental arches over the double lancet windows in each of the five bays. The combination of unusual elements in patterned relief brickwork, and the imposing superimposed Venetian Campanile combine to make this a unique church composition.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Sampler, signed AB or RB 1669. Linen with silk threads in a design of alphabets, geometric patterns and flower motifs in a wide variety of stitches. 89x17 cm.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Kimo Theatre
U.S. National Register of Historic Places
N.M. State Register of Cultural Properties
Albuquerque Historic Landmark
Location:423 Central Avenue NW, Albuquerque, New Mexico
Coordinates:35°5′5.99″N 106°39′7.11″WCoordinates: 35°5′5.99″N 106°39′7.11″W
Built:1927
Architect:Boller Brothers; Carl Boller
Architectural style:Pueblo Deco
Governing body:Private
NRHP Reference#:77000920 [1]
NMSRCP #:453
Significant dates
Added to NRHP:May 2, 1977
Designated NMSRCP:July 30, 1976
Interior of the KiMo Theatre
The KiMo Theatre is a theatre located at 423 Central Avenue NW in downtown Albuquerque, New Mexico and it is probably the city's best-known landmark. It was built in 1927 in the extravagant Art Deco-Pueblo Revival Style architecture, which is a blend of adobe building styles (rounded corners and edges), decorative motifs from indigenous cultures, and the soaring lines and linear repetition found in American Art Deco architecture.[2]
The KiMo was conceived by entrepreneur Oreste Bachechi and designed for him by Carl Boller of the Boller Brothers architecture firm, who conducted an extensive investigation into the cultures and building styles of the Southwest before submitting his design. The theater is a three-story stucco building with the stepped massing characteristic of native pueblo architecture, as well as the recessed spandrels and strong vertical thrust of Art Deco skyscrapers. Both the exterior and interior of the building incorporate a variety of indigenous motifs, like the row of terra cotta shields above the third-floor windows.
The name "KiMo" (literally translated as "mountain lion" in Tewa, and sometimes loosely translated as "king of its kind") was supplied by Isleta Pueblo Governor Pablo Abeita,[3] who won $50 for his suggestion.
By 1977, the theater had fallen into disrepair but was saved from the wrecking ball when voters approved a plan for the City of Albuquerque to purchase the structure. It has undergone several phases of continuing restoration to return it to its former glory and is once again open to the public for performances. The most recent preservation was completed in 2000 with the installation of new seating and carpet, main stage curtain, new tech booth, lighting positions hid between and behind "vigas" on the ceiling, and a re-creation of the KiMo's original proscenium arch.
The KiMo Theatre is rumored to be haunted by the ghost of Bobby Darnall, a six-year old boy killed when a water heater in the theater's lobby exploded in 1951. The theater staff maintains a space in a backstage stairwell for gifts and offerings in an attempt to "appease the spirit."[cite this quote] Some claim to have actually seen Bobby's ghost, clad in jeans and a striped shirt. An investigation by Benjamin Radford turned up evidence contradicting the origins of the haunting.[4]
From Wikipedia, the free encyclopedia
A striking black and white architectural photograph showcasing the curved modernist façade of 1 St Peter's Square in Manchester, captured from street level on Oxford Street. The building's distinctive sweeping form creates a dramatic upward perspective, with its repetitive window pattern and sleek contemporary lines contrasting beautifully against the moody sky. The bare winter tree branches in the foreground add an organic counterpoint to the geometric precision of this iconic Manchester office tower. This image perfectly captures the bold architectural statement of this prominent city center landmark through its sculptural curves and modernist design principles.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
A dense lattice of steel transmission towers fills the frame in stark black and white, their crisscrossing girders and insulator strings forming an intricate geometric web against a flat, overcast sky. Thick bundles of power lines sag between the towers, strung with ceramic insulators that catch what little light filters through the clouds. A tall, narrow pole rises through the center of the composition, cutting a clean vertical line through the tangle of horizontal and diagonal beams surrounding it. Below the main structures, smaller transformers and switching equipment cluster together, their boxy silhouettes partially obscured by the maze of supporting scaffolding. A low building bearing a partially visible utility company sign sits at the base of the substation, grounding the towering ironwork in its industrial function. Stripped of color, the image emphasizes pure form and structure, transforming the utilitarian machinery of the power grid into an almost abstract study of line, shadow, and repetition.
💀 Bit of rework and additional new tooth (apologies for the repost, I’ve managed not to compress this one too badly 🙈) www.lucyhammond.co.uk
Colorful hot air balloon as it inflates sunrise Kent International balloon classic Kent Washington State USA
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved - Contact me at jimcorwin39 [at] yahoo.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
Today I wanted to show you how some of the patterns that I’ve previously shown you for ‘My pattern design of the week’ would look like as wallpapers. The patters have been slightly changed and I’ve also added a few other design elements to them where I thought the design needed a little extra work.
Please visit my blog at claudiaowen.wordpress.com/ or my website at claudiaowen.com/
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This smart Queen Anne style brick villa in the Melbourne suburb of Travancore features a magnificent bay window with an Art Nouveau stained glass showing geometric patterns.
Jacob Burckhardt Haus in Basel, aus der Luft gesehen. Diese Serie von Drohnenaufnahmen zeigt den langgestreckten Baukörper, die Abfolge der Höfe und die Lage direkt an den Gleisen der Basler Bahninfrastruktur. Mich interessierte, wie sich das Gebäude als Teil eines grösseren Stadtraums lesen lässt: nicht nur als Fassade, sondern als Volumen, das sich über Bahntrasse und Verkehrsachsen spannt. Die Luftperspektive ergänzt meine vorherige Serie vom Boden aus und verbindet Architektur- und Infrastrukturelemente zu einer klaren, dokumentarischen Bildsprache.
Jacob Burckhardt Haus in Basel, seen from the air. This series of drone photographs shows the elongated volume of the building, the rhythm of its courtyards and its position right next to Basel’s railway infrastructure. I was interested in how the structure can be read as part of a larger urban landscape, not only as a facade but as a volume stretching across tracks and traffic axes. The aerial perspective complements my previous ground-based series and brings together architecture and infrastructure in a clear, documentary visual language.
Multicolored cootie catchers with numbers and positive words of encouragement game of chance
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved - Contact me at jimcorwin@live.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Get this design on your choice of high quality fabric, at Spoonflower. From the Still Winter Woods color story; Also available on wall coverings, wall decals and giftwrap.
Although not famous for its Art Deco architecture, the provincial Victorian city of Ballarat, which was established between the 1860s and 1880s when the area was at the centre of a gold rush, does have some fine examples of interwar and post war architecture when the gold boom was replaced with wealth generated through grazing and agriculture.
During the 1920s and 1930s, those people thriving from farming or local industry had plenty to spend in local shops. This wonderful Art Deco facade (circa 1925 - 1930) belongs to the PPL Building in Ballarat's main shopping thoroughfare, Sturt Street. Whilst the street level may have fallen victim to the changes in marketing, the upper floors remain unchanged by fickle owners. It still retains its striking minimalist Art Deco design. It features the building's name in a rounded cartouche on the building's corner facade which overlooks Albert Street. The PPL Building has a stylised stepped roofline, long spandrels with rounded edging and glass brick windows, all of which were popular architectural features of the Art Deco movement in the late 1920s and early 1930s. The rounded edges are very representative of the Streamline Moderne movement, and the building is everything a smart and successful business would want in the booming interwar years in Australia.
Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Patron: Badr al-Din Hasan (al-Nasir Badr al-Din Hasan ibn Muhammad ibn Qalawun, or al-Nasir Hasan) 1334/35-1361, Bahri Mamluk sultan of Egypt (r.1347–1351 & 1354-61).
Construction Supervisor: Muhammad ibn Bilik al-Muhsini, prominent emir, engineer & administrator.
Completed by: Bashir al-Gandar.
Islamic Monument #133
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Geometric , Geometric Patterns , Geometry , Patterns , crop circles , sacred geometry , Jai Deco , geometry , vinyl ,
Today I wanted to show you how some of the patterns that I’ve previously shown you for ‘My pattern design of the week’ would look like as wallpapers. The patters have been slightly changed and I’ve also added a few other design elements to them where I thought the design needed a little extra work.
Please visit my blog at claudiaowen.wordpress.com/ or my website at claudiaowen.com/
Situated at 25 to 29 Barkly Street in the Victorian provincial city of Ballarat, the former East Ballarat Free Library is to this day, still an imposing building. When it was built in 1867, it must have been even more imposing, as it would have been one of only a few permanent structures in the area, which was filled with tents as the are was hit by goldmining fever.
The East Ballarat Free Library is not only imposing, but has an unusual design using polychromatic brickwork to define separate highly individual elements of the facade, rather like much of the Methodist Church architecture built during slightly later periods. The library is the only known work of the architect C. Ohlfsen Bagge, and dates from 1867. At that date it represents an early use of coloured brick-work in Victoria. The building is of architectural importance as an early example of the polychromatic Gothic Revival style which survives substantially intact with a number of fine interiors including the spiral staircase, the original library, the hall and the pine-lined rear rooms. The construction of the front section of the Barkly Street was completed in 1869. C. Ohlfsen-Bagge acted as honorary architect and the interior design and supervision as carried out by J. J. Lorenz. The builders were Boulton and Fyfe and the interiors were completed by Fly Brothers.
Established in 1862 the East Ballarat Free Library was amongst the earliest of Ballarat's social and educational institutions and when housed in its own building in Barkly Street, the library built up an outstanding collection which was second in Australia only to the State Library of Victoria . It served as a focal point for educational purposes; the school of design founded there in 1870 advancing to become the Ballarat East branch of the school of mines in the 1900s. The library was officially closed in 1973 after a life of 111 years. The books were taken to the Camp Street Library and the Ballarat Historical Society's exhibits were moved from Camp St to the Old Ballarat East Library. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the East Ballarat Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition. In 1983, land formally occupied by the East Ballarat Free Library in Barkly St was gazetted as a reserve for educational purposes and allocated to the Ballarat School of Mines. In 1987 the former East Ballarat Library reopened after extensive renovations and repairs, as the Management Training Centre of the Ballarat School of Mines.