View allAll Photos Tagged geometricabstraction
Jaap Egmond, 1973, cardboard relief, geometric abstract construction, 90 x 90 cm.
More info: www.klasema-art.nl/collection/
Manette van Hamel Cramer, 1965, oil on canvas, geometric painting, 107 x 90 cm.
More info: www.klasema-art.nl/contact/
Año: 2010 medidas 74 x 64 x 38 cm ( Op art, Arte cinético ) Colección privada.Caja con motor y movimiento
A view of the brand new racking awaiting the arrival of art from our old store. #geometricabstraction
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My website: www.hollycawfieldphotography.net/
My Other Flickr Photostream:
www.flickr.com/photos/188106602@N04/
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Hand made, hand painted, using acrylic, oil, spray paint, wood and glass
Geometric abstract art
50 x 70 cm deep edge frame
Two sheets of glass, both painted
Textured ridges on bottom sheet of glass
Mosaic squares on top sheet of glass
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My website: www.hollycawfieldphotography.net/
My Other Flickr Photostream:
www.flickr.com/photos/188106602@N04/
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Art Abstractov - Not your romance
Opening of the exhibition "Your hands were cold last March"
Togliatti Art Museum / 2016
Tomie Ohtake (1913-2015) Untitled (1983). In the collection of Centro de Arte Moderna (CAM), Fundação Calouste Gulbenkian, Lisbon.
The geometric forms are suspended and respond to the viewers presence by rotating on its own axis; forever changing the painting.
Also, each layer of fabric is extremely unique in relation to the other fabrics: The first layer is off-white lace, the second is sheer white fabric with vertical stripes, the third is a hand woven quilt, cream colored, with Christian iconography, and the fourth is a torn up eggshell-white curtain.
acrylic on canvas
2001
36" x 36"
collection of David and Amy Kern, KY
All of my paintings, prints, publications and more can be found at www.brycehudson.com
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My website: www.hollycawfieldphotography.net/
My Other Flickr Photostream:
www.flickr.com/photos/188106602@N04/
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The Onlooker, 1958-62
Ronald Moody
Teak
Moody moved to Paris in 1938, but was forced to flee in 1940, two days before it fell to Nazi occupation. He returned to Britain in 1941, where he remained until his death in 1984. In the 1950s and 1960s Moody exhibited regularly in London.
The Onlooker is a rare work in wood from this period and reveals his view of the artist's role in society, as observer.
In the late 1960s, Moody became an active member of the Caribbean Artists Movement. In 1970, the movement named their journal, Savacou, after his sculpture of a mythical Carib bird for the University of the West Indies, Jamaica.
[Tate Britain]
Painting in Six Related Rhythms, 1955
Denis Williams
Oil paint, ink and graphite on board
In this painting, Williams trades organic forms for geometric planes. The diamond shape of the canvas recalls the early twentieth century Dutch De Stijl school of geometric abstraction. But the dense layering of planes evokes the filtering of light and shadow through a rainforest canopy. Williams's daughter Evelyn Williams has suggested the rhythms of the title may reference the formal complexity and spiritual significance of African drumming, and the African foundations of the Caribbean identity.
[Tate Britain]
From the exhibition
Life Between Islands: Caribbean-British Art 1950s – Now
(December 2021 – April 2022)
This exhibition explores the work of artists from the Caribbean who made their home in Britain, alongside other British artists whose work has been influenced and inspired by Caribbean themes and heritage.
Spanning visionary paintings to documentary photography, fashion, film and sculpture, Life Between Islands traces the extraordinary breadth and impact of Caribbean British art, in one setting.
This exhibition celebrates how people from the Caribbean have forged new communities and identities in post-war Britain – and in doing so have transformed what British culture and society looks like today.
The exhibition features over 40 artists, including Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, Peter Doig, Hurvin Anderson, Grace Wales Bonner and Alberta Whittle.
[Tate Britain]