View allAll Photos Tagged geometricabstraction
Emulsion on canvas; 221.9 x 222.9 cm.
She studied in London at Goldsmiths College (1949–52) and the Royal College of Art (1952–5). From 1958 to 1959 she worked in an advertising agency while painting in a pointillist technique. She was encouraged in this by her teacher, the painter Maurice de Sausmarez (d 1970), who directed her to study the art of Seurat. Her interest lay in the energy and color vibrations radiated by objects, seen in Pink Landscape (1960) which depicts the violent color vibrations given off by an Italian landscape in intense heat. She later conveyed a similar effect of heat on landscape, from shale on a French mountain, in Static 3 (1966) composed of 625 tiny ovals. . She won a first prize at the Venice Biennale in 1968. Other notable works include “Drift No. 2” (1966) and “Nineteen Greys” (1968).
Oil on canvas; 91 x 64 cm.
Since 1945 Piero Dorazio studied architecture in Rome. At the same time first abstract works were executed. In 1947 he received a scholarship from the Ecole nationale supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to diffuse avant-garde arts in Italy.
During a one year stay in the USA he got acquainted with leading characters of Abstract Expressionism like Marc Rothko, Robert Motherwell and Barnett Newman. At that time he also intensively studied Kandinsky's essays, whose theory of the immaterial aspects in painting influenced him strongly. In 1959 Piero Dorazio participated in the "documenta II" in Kassel. Afterwards he accepted a teaching position at the University of Pennsylvania, where Piero Dorazio founded the Institute of Contemporary Art in 1963 and was appointed professor in 1968.
In the 1960's the first compositions of ink ribbons were executed in his studio in New York, which dominated his work henceforth. After his return to Italy Dorazio moved to the former romanic cloister of Todi in Umbria. Piero Dorazio was regarded up to great age as one of the leading Italian artists of concrete color painting.
Piero Dorazio died at the age of 77 in Perugia on 17 May 2005.
collaboration work
Anton Eager & Kamel
"Present Time"
Italian park / Urban happening "Art doesn't smell"
Togliatti, Russia / 2017
Совместная работа
Anton Eager и Kamel
"Настоящее Время"
Итальянский Парк / городской хэппенинг " Искусство не пахнет"
Тольятти, Россия / 2017
Oil on paper; 24 1/8 x 36 in.
Mario Schifano was an Italian painter and collagist of the Postmodern tradition. He also achieved some renown as a film-maker and rock musician. He is considered to be one of most significant and pre-eminent artists of Italian postmodernism, alongside contemporaries such as Francesco Clemente, Sandro Chia and Giulio Paolini. His work was exhibited in the famous 1962 "New Realists" show at the Sidney Janis Gallery with all the young Pop art and Nouveau réalisme luminaries, including Andy Warhol and Roy Lichtenstein. He became part of the core group of artists comprising the "Scuola Romana". Reputed as a prolific and exuberant artist, he nonetheless struggled with a life-long drug habit that earned him the label maledetto, or "cursed".
Collaboration with: M Hunt - Anton Eager
A series of works: "3/4 Deformations"
street-art gallery "Бэкграунд"
Art Loft, Samara, Russia / 2017
Fall 2012 - Geometric Abstract Art in Paintings and Prints and Contemporary Photographic Prints by Contemporary Artist Bryce Hudson.
As always, everything can be seen at www.brycehudson.com
« Analogikonumerikoglyphe » de l’analogique au digital , du numérique à l astroglyphe Astroglyphe bleu à Château Thierry photo par Alex Perret
Gouache on cardboard; 39 x 42 cm.
Brazilian painter and performance artist. In 1954 he began studies with Ivan Serpa at the Museu de Arte Moderna in Rio de Janeiro. He immediately devoted himself to a geometric vocabulary and joined the new Frente group (1954–6) and later the Neo-Concrete movement (1959–61). From 1964 to 1969 he made environmental, participatory events—among them Parangolé (1964), Tropicália (1967) and Apocalipopótesis (1968)—either in art centres or in the street. He was one of the leading exhibitors in the exhibition Nova objetividade brasileira (Rio de Janeiro, 1967), which reactivated the country’s avant-garde. In 1969 he exhibited an installation at the Whitechapel Art Gallery, London, and the following year his work was included in the show Information (New York, MOMA). A Guggenheim Fellowship took him in 1970 to New York, where he lived until 1978. During that period he prepared various multi-media projects in the form of texts, performances, films and environmental events. The 25 successive years of his Metaschemes, Bilaterals, Spatial Reliefs, Nucleii, Penetrables, Meteors, Parangolés, installations, sensory and conceptual projects from 1954 onwards showed a clear transition from modern to post-modern and represent his most finished achievements. Working with oppositions such as balance/effusion, contemplation/celebration and visual art/body art, he retained a radical stance. In 1981 in Rio de Janeiro his family created the H. O. Project, intended to care for, preserve, analyse and disseminate the work that he left.
Roberto Pontual
From Grove Art Online
© 2009 Oxford University Press
Enamel on paper laid down on canvas; 230 x 150 cm.
Mario Schifano was an Italian painter and collagist of the Postmodern tradition. He also achieved some renown as a film-maker and rock musician. He is considered to be one of most significant and pre-eminent artists of Italian postmodernism, alongside contemporaries such as Francesco Clemente, Sandro Chia and Giulio Paolini. His work was exhibited in the famous 1962 "New Realists" show at the Sidney Janis Gallery with all the young Pop art and Nouveau réalisme luminaries, including Andy Warhol and Roy Lichtenstein. He became part of the core group of artists comprising the "Scuola Romana". Reputed as a prolific and exuberant artist, he nonetheless struggled with a life-long drug habit that earned him the label maledetto, or "cursed".
Oil on canvas; 73 x 66.2 cm.
Pieter Cornelis "Piet" Mondriaan, after 1906 Mondrian, was a Dutch painter.
He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of white ground, upon which was painted a grid of vertical and horizontal black lines and the three primary colors.
Waterpaint on canvas; 100.5 x 81.3 cm.
Lucio Fontana was born in Argentina. His father was Italian and his mother Argentinean. He lived in Milan from 1905 to 1922 and then moved back to Argentina, where he worked as a sculptor in his father’s studio for several years before opening his own. In 1926, he participated in the first exhibition of Nexus, a group of young Argentinean artists working in Rosario de Santa Fé. Upon his return to Milan in 1928, Fontana enrolled at the Accademia di Belle Arti di Brera, which he attended for two years.
The Galleria Il Milione, Milan, organized Fontana’s first solo exhibition in 1930. The artist traveled to Paris in 1935 and joined the Abstraction-Création group. The same year, he developed his skills in ceramics in Albisola, Italy, and later at the Sèvres factory, near Paris. In 1939, he joined the Corrente, a Milan group of expressionist artists. In 1940, Fontana moved to Buenos Aires. With some of his students, he founded in 1946 the Academia de Altamira from which emerged the Manifiesto Blanco group. He moved back to Milan in 1947 and in collaboration with a group of writers and philosophers signed the Primo manifesto dello Spazialismo.
The year 1949 marked a turning point in Fontana’s career; he concurrently created the Buchi, his first series of paintings in which he punctured the canvas, and his first spatial environment, a combination of shapeless sculptures, fluorescent paintings, and black lights to be viewed in a dark room. The latter work soon led him to employ neon tubing in ceiling decoration. In the early 1950s, he participated in the Italian Art Informel exhibitions. During this decade, he explored working with various effects, such as slashing and perforating, in both painting and sculpture. The artist visited New York in 1961 during a show of his work at the Martha Jackson Gallery. In 1966, he designed opera sets and costumes for La Scala, Milan.
In the last year of his career, Fontana became increasingly interested in the staging of his work in the many exhibitions that honored him worldwide, as well as in the idea of purity achieved in his last white canvases. These concerns were prominent at the 1966 Venice Biennale, for which he designed the environment for his work, and at the 1968 Documenta in Kassel. Fontana died in Comabbio, Italy.
acrylic on canvas
2001-2005
48" x 48 "
collection of Henry Schein INC, NY
All of the recent paintings in a collection are here:
Geometric Abstraction by Bryce Hudson on Flickr
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I am very much influenced by geometric abstraction and the Neoplasticism movement from the early and mid 20th century.
Percy Wyndham Lewis was an English painter and author. He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST.
It was in the years 1913-15 that he developed the style of geometric abstraction for which he is best known today, a style which his friend Ezra Pound dubbed "Vorticism". Lewis found the strong structure of Cubist painting appealing, but said it did not seem "alive" compared to Futurist art, which, conversely, lacked structure. Vorticism combined the two movements in a strikingly dramatic critique of modernity.
In downtown Philadelphia on January 23rd, 2020, the 2018 mural Expanding Perspective: Infinite Movements by Brad Carney and Michael Konrad, at the northwest corner of South 12th Street and Walnut Street. The parking garage was built in 1981.
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Wikidata items:
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Library of Congress Subject Headings:
• Buildings—Pennsylvania (sh85017803)
This geometric abstraction is possibly the most avant garde artwork in West Virginia, and it points the way to an exciting future.
I need to come down here and look at it when its light gets turned on. Also I need to observe how the artwork changes with the movements of the shadow of its light fixture throughout the day.
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In downtown Parkersburg, West Virginia, on November 22nd, 2018, at the "Campbell's Plaza" building on the west side of 7th Street (West Virginia Route 618, formerly U.S. Route 50) between Juliana Street and Market Street.
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Getty Thesaurus of Geographic Names terms:
• Parkersburg (2119512)
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Art & Architecture Thesaurus terms:
• concrete blocks (300374976)
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Wikidata items:
• 22 November 2018 (Q45921852)
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• U.S. Route 50 (Q409726)
• West Virginia Route 618 (Q2508701)
Library of Congress Subject Headings:
• Concrete masonry (sh85030722)
Percy Wyndham Lewis was an English painter and author. He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST.
In the years 1913-15 that he developed the style of geometric abstraction for which he is best known today, a style which his friend Ezra Pound dubbed "Vorticism". Lewis found the strong structure of Cubist painting appealing, but said it did not seem "alive" compared to Futurist art, which, conversely, lacked structure. Vorticism combined the two movements in a strikingly dramatic critique of modernity.
Oil on canvas
76.2 x 45.7 cm (30 x 18 in.)
Geometric Abstraction - Charles Green Shaw 1937
de Young Museum
deyoung.famsf.org
Golden Gate Park - 50 Hagiwara Tea Garden Drive - San Francisco, CA 94118
Fall 2012 - Geometric Abstract Art in Paintings and Prints and Contemporary Photographic Prints by Contemporary Artist Bryce Hudson.
As always, everything can be seen at www.brycehudson.com
Sacred Star In Space is an Acrylic on 20”x20” Canvas. You are a Geometric Genetic Being of Profound Power! Share your Wisdom more often with the World & Express your Evolutionary Soul so that others will Grow! Give back to Gaia our Unified Love & Respect! We are Co-Creating this Experience together & the more we show Love, The more this Divine Mirror reflects back what you are Inside! Peace, Love & Harmony from the Heart! Original is for Sale for $275
Buy Prints @ www.leomystic.com/product/sacred-star-canvas-poster-art-p...
Children's dream / Детская мечта
collaboration work Art Abstractov - tet91
Shiryayevo, Samarskaya Luka, Russia / 2016
Acrylic on canvas; 153.0 x 153.0
She studied in London at Goldsmiths College (1949–52) and the Royal College of Art (1952–5). From 1958 to 1959 she worked in an advertising agency while painting in a pointillist technique. She was encouraged in this by her teacher, the painter Maurice de Sausmarez (d 1970), who directed her to study the art of Seurat. Her interest lay in the energy and color vibrations radiated by objects, seen in Pink Landscape (1960) which depicts the violent color vibrations given off by an Italian landscape in intense heat. She later conveyed a similar effect of heat on landscape, from shale on a French mountain, in Static 3 (1966) composed of 625 tiny ovals. . She won a first prize at the Venice Biennale in 1968. Other notable works include “Drift No. 2” (1966) and “Nineteen Greys” (1968).
Pastel on cardboard; 78.5 x 107.5 cm.
Since 1945 Piero Dorazio studied architecture in Rome. At the same time first abstract works were executed. In 1947 he received a scholarship from the Ecole nationale supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to diffuse avant-garde arts in Italy.
During a one year stay in the USA he got acquainted with leading characters of Abstract Expressionism like Marc Rothko, Robert Motherwell and Barnett Newman. At that time he also intensively studied Kandinsky's essays, whose theory of the immaterial aspects in painting influenced him strongly. In 1959 Piero Dorazio participated in the "documenta II" in Kassel. Afterwards he accepted a teaching position at the University of Pennsylvania, where Piero Dorazio founded the Institute of Contemporary Art in 1963 and was appointed professor in 1968.
In the 1960's the first compositions of ink ribbons were executed in his studio in New York, which dominated his work henceforth. After his return to Italy Dorazio moved to the former romanic cloister of Todi in Umbria. Piero Dorazio was regarded up to great age as one of the leading Italian artists of concrete color painting.
Piero Dorazio died at the age of 77 in Perugia on 17 May 2005.
experiment on district, part 2 / эксперимент на районе, часть2
collaboration work Art Abstractov - tet91
116km, Samara, Russia / 2016
Oil on canvas; 72.3 x 54cm.
Since 1945 Piero Dorazio studied architecture in Rome. At the same time first abstract works were executed. In 1947 he received a scholarship from the Ecole nationale supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to diffuse avant-garde arts in Italy.
During a one year stay in the USA he got acquainted with leading characters of Abstract Expressionism like Marc Rothko, Robert Motherwell and Barnett Newman. At that time he also intensively studied Kandinsky's essays, whose theory of the immaterial aspects in painting influenced him strongly. In 1959 Piero Dorazio participated in the "documenta II" in Kassel. Afterwards he accepted a teaching position at the University of Pennsylvania, where Piero Dorazio founded the Institute of Contemporary Art in 1963 and was appointed professor in 1968.
In the 1960's the first compositions of ink ribbons were executed in his studio in New York, which dominated his work henceforth. After his return to Italy Dorazio moved to the former romanic cloister of Todi in Umbria. Piero Dorazio was regarded up to great age as one of the leading Italian artists of concrete color painting.
Piero Dorazio died at the age of 77 in Perugia on 17 May 2005.
This was taken at the incredible Praxis Gallery where Milena Yolis walked us through their four floors of art, patiently fielding our questions and showing us the most exciting art we've seen in a week and a half of museum-going and gallery hopping. The paintings we're seeing here are by Ines Raiteri.
Screenprint on plexiglass.
She studied in London at Goldsmiths College (1949–52) and the Royal College of Art (1952–5). From 1958 to 1959 she worked in an advertising agency while painting in a pointillist technique. She was encouraged in this by her teacher, the painter Maurice de Sausmarez (d 1970), who directed her to study the art of Seurat. Her interest lay in the energy and color vibrations radiated by objects, seen in Pink Landscape (1960) which depicts the violent color vibrations given off by an Italian landscape in intense heat. She later conveyed a similar effect of heat on landscape, from shale on a French mountain, in Static 3 (1966) composed of 625 tiny ovals. . She won a first prize at the Venice Biennale in 1968. Other notable works include “Drift No. 2” (1966) and “Nineteen Greys” (1968).
Born and trained in Germany, he moved to America during the Nazi era. His specialty was geometric abstraction and color study. Albers' work represents a transition between traditional European art and the new American art. His work incorporated European influences from the constructivists and the Bauhaus movement, and its intensity and smallness of scale were typically European. However, his influence fell heavily on American artists of the late 1950s and the 1960s. "Hard-edge" abstract painters drew on his use of patterns and intense colors, while Op artists and conceptual artists further explored his interest in perception.
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My website: www.hollycawfieldphotography.net/
My Other Flickr Photostream:
www.flickr.com/photos/188106602@N04/
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Fall 2012 - Geometric Abstract Art in Paintings and Prints and Contemporary Photographic Prints by Contemporary Artist Bryce Hudson.
As always, everything can be seen at www.brycehudson.com