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©2018 Gary L. Quay
Volkswagon innards.
Camera: Nikon D810
Lens: 90mm Tamron Macro
# #volkswagon #garyquay #nikon
My Website and Blog: Gary L. Quay Photography
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This was a permission visit after sunrise.
A revisit to a local scrapyard that had loads of barn finds and salvage vehicles. Due to the council and environmental changes, a lot of the stuff had to be removed but there were some bits n pieces left in the buildings.
Generator wire holder that allows for easy removal. The customer came up with this idea and made it. I think I'll use this idea again. It's quite clever and effective.
These are just some of the 74 generators in the Saint Marys Falls Hydropower Plant at the Soo. The plant is now operated by Cloverland Electric Cooperative.
Photographed using a Sony A7R using a Nikkor 18mm f/4 lens.
NRP Arpão (S161) is a Tridente class submarine of the Portuguese Navy.
Spotted at Funchal, Madeira island.
Class and type:Tridente class submarine
Name:NRP Arpão
Builder:HDW
Laid down:2005
Commissioned:22 December 2010
Status:In active service
General characteristics
Displacement:
1,700 tons (surfaced)
2,020 tons (submerged)
Length:67.7 m (222 ft)
Beam:6.35 m (21 ft)
Draught:6.6 m (22 ft)
Propulsion:
2 generators AIP Siemens Sinavy (BZM-120); 240 KW
2 diesel engines MTU 16V396 TB-94; 6,24 MW
1 electric engine Siemens Permasyn; 2,85 MW
1 axis
Speed:
20 knots (37 km/h) submerged
10 knots (19 km/h) surfaced
6 knots (11 km/h) AIP system
Range:12,000 nautical miles (22,000 km) at 8 knots (15 km/h)
Endurance:60 days
Test depth:superior to 300 m (984 ft)
Capacity:14 marines
Complement:
33 men:
7 officers
10 sergeants
16 sailors
Sensors and
processing systems:
Kelvin Hughes KH-1007 (F) navigation radar
Atlas Elektronik GmbH ISUS 90 combat management system
Armament:
8 × 533 mm torpedo tubes
12 × Alenia Marconi Systems IF-21 Blackshark torpedo reloads
6 × Sub-Harpoon UGM 84 capable
This video was generated on Runway.
Perchance Original Furry Generator helped create the image used as reference for the video.
Prompty helped elaborate on the prompt used for the image and video.
The basic story I'm running with is Penelope, wife of Odysseus is transported into the distant future. Where her ancient home of Ithaca once was, a new version of the city called Neo-Ithaca was created during a modern Hellenic revival in the 22nd century. Being a city of the future, it has become both a novelty of progressive transhumanist cyberpunk culture mixed with various tributes to its ancient past. Odysseus is praised for his innovation and the many greats grandfather of the first hacker 'virus' of the Trojan Horse, of which later was inspiration for late 20th century computer hackers.
Penelope, on the other hand, because of her strange disappearance from history, is unfortunately in an altered timeline where she is not praised for her 20 year fidelity to Odysseus, but a person of unsolved mystery and conspiracy theories as to how she vanished. Among those is the belief that Odysseus might of dabbled in an ancient form of alchemy, and one of his inventions was a time machine that swallowed up Penelope in a wormhole, taking her to who knows where (or when)?
Rumors circulate among the revived Hellenic cults that the gods might of used the wormhole to bring her to the 22nd century where she is believed to be the mysterious lioness that prowls the city streets at night and takes refuge on the rooftops. While vilified as a vigilante by the authorities, and considered by the more progressive sorts as a lunatic that takes advantage of the gullible cultists wanting to believe their heroine truly is the Penelope of long ago, Only one person truly knows, and that is the Cyberpunk Princess herself. But if indeed she is Penelope, she is neither denying, nor confirming the rumor, and thus remains the great mystery of the 22nd century
Before General Veers destroyed the Rebels' main power generator, he sent a recon force to scout ahead and take out the rebels guarding the generator.
Some how I had lost the original so, I had to steal this from one of my sites. Sorry for the low quality.
a close up shot of one of the wheels on the gigantic refrigeration generator left behind at the abandoned armour meat packing plant in national city, illinois right outside of east st. louis.
if you look closly on the wheel, you can see the peeling paint remains from the gold pinstriping - they just don't make things like they use too.
YOUR COMMENT IS THE GREATEST "AWARD" YOU COULD GIVE -- No graphics please.
THANKS IN ADVANCE FOR ANY COMMENTS!!!
The quiet places.
These are one of the things I enjoy most about my photography - the thrill of discovering and seeing with my own eyes the remote, little known and sometimes utterly deserted sites built on by man. I have no doubt of those thus far encountered, the vast majority I would never have visited (nor even known about) were it not for my desire to commit scenes like this one to permanent media. It's odd though, you'd be forgiven for thinking within this wide scope I might include historic buildings - abandoned churches, castles and the like, and in some cases you'd be right - except commonly these are still frequented by people and as such their interest wains for me. So how do I categorise these quiet places? Well, there are no hard and fast rules, but generally I find the less appeal a location has to the masses the more it holds for me. Old industrial sites, fortified remnants of the world wars, lighthouses, forgotten mines, ruined bridges and so forth all intrigue me. Does it have a single lane road, near-impassable dirt track or nothing at all leading to it? Chances are I will want to go there! Not listed on a map, cordoned off, hidden from sight by near-impregnable undergrowth? Tell me, where is it?!
So why do I like them so much? Well, leaving besides the obvious photographic possibilities, it's something about their auras. In my previous post I touched on how noise seems strangely amplified at night once people are sleeping - paradoxically enhanced when there's nobody to hear it. Of course, the cacophany we all make as we go about our daily lives is enough to drown out or deaden anything, and as you'll know visiting the kitchen in the middle of the night for a drink of water, or perhaps driving home after a night out with friends has a very different vibe than when all are awake and switched on... People create their own buzz, generating conflicting moods and atmospheres - they impress them not only upon themselves and others but also physical locations. Remove the people and the impressions fade. Remove them long enough and they vanish forever.
This building isn't completely bereft of activity, as you can perhaps tell from it's well maintained blockwork and fresh paint. It houses emergency generators for a working lighthouse, together with the frequency generators for a fog horn contained in the smaller building to the right. Despite this, just yards away is a row of five cottages that have remained empty for a decade, currently on the market for just under £1,000,000 the lot - or alternatively the same money will buy you the old, defunct lighthouse complex nearby now operating as a holiday let. Given the setting's extremely remote placement, as soon as I arrived I began to feel that familiar aura - an unmistakeable sense of solitude and calm. I've thought long and hard for a word that best describes my reaction to the mood(?), atmosphere(?), or ambience(?) that hits me when I'm at one of these quiet places. The closest I've come up with is reverence. It's a sense of profound pleasure at having been fortunate enough to visit, and a conscious, palpable regret that I may never have the opportunity to return.
When I occasionally meet other people at sites like this, I groan inwardly - knowing that social nicety (combined with the fact I have a camera on a tripod ergo instigating a talking point) will dictate us to interact, however briefly. It's not that I'm unsociable (my wife may disagree!), but I'm content in my own company. How odd then that conversely, chance encounters at quiet places are often with the most agreeable people one could hope to meet - as was the case here when Nick and Helen, as they introduced themselves, appeared beside me. We chatted a while about this and that before they headed on their way. My belief is a part of most of us enjoys these quiet places, yet at the same time we need affirmation that people are still within easy reach.
Hi Nick. Hi Helen.
On a side note for those of you with a paid subscription to Landscape Photography Magazine, my latest article can be found in the current issue #19. landscapephotographymagazine.com/
Created with Deep Dream Generator
Based on their vocal ability, cultural influence, and longevity from the 1960s to 2026, here are 10 of the most significant African American female singers. This list includes icons who established their careers in the 60s and 70s, as well as artists who have continued to shape music through the 2020s.
1) Aretha Franklin ("Queen of Soul," 1960s–2010s)
2) Whitney Houston ("The Voice," 1980s–2010s)
3) Beyoncé (1990s–2026)
4) Mariah Carey ("Songbird Supreme," 1990s–2026)
5) Tina Turner ("Queen of Rock 'n' Roll," 1960s–2020s)
6) Diana Ross (1960s–2020s)
7) Anita Baker ("The Songstress," 1980s–2020s)
8) Chaka Khan ("Queen of Funk," 1970s–2020s)
9) Gladys Knight ("Empress of Soul," 1960s–2020s)
10) Mary J. Blige ("Queen of Hip-Hop Soul," 1990s–2026)
Note: This list includes artists who released major work between the 1960s and 2026, featuring a mix of legendary, trailblazing, and contemporary vocalists.
Pic by Adrian
Note : I ran the list of the top 20 but could only feature the top 10 in the image so for those curious here are the other 10.
11) Janet Jackson (1980s–2020s)
12) Etta James (1960s–2000s)
13) Patti LaBelle ("Godmother of Soul," 1960s–2020s)
14) Sade Adu (1980s–2020s) <----My Personal Fave of all Time
15) Lauryn Hill (1990s–2020s)
16) Nina Simone ("High Priestess of Soul," 1960s–2000s)
17) Roberta Flack (1970s–2010s)
18) Donna Summer ("Queen of Disco," 1970s–2010s)
19) Alicia Keys (2000s–2026)
20) Toni Braxton (1990s–2020s)
Created in DALL-E 3.
My website: davidmanhire.com/
See more here: www.youtube.com/@journeymanplayer7459
Gateshead 'Generator' 47413 (D1512) departs Bristol Temple Meads on 18/06/88 with the 11.19 Paignton-York, ironically formed of a generator van + coaches instead of the booked HST set. This had just become an Immingham machine following the closure of Gateshead depot. Withdrawn in 1991 and cut in 1995
Generator 47 407 in Moreton Cutting near Didcot with 1O05, the 07:48 Birmingham New Street - Portsmouth
I first wrote a php script sphere generator back in 2005, scaling the idea that Bruce Lowell created to any size. At the time, it required you to have an LDraw viewer to see the results. Jump to 2021, and we now have a live, in-browser preview, layer step through, and mobile support. And you can still download the LDraw file if you want! Check it out at lego.bldesign.org/sphere/