View allAll Photos Tagged generated
E-Commerce Masterplan, Order Fullfillment & Using Twitter to Generate Business
Three excellent presentations today:
Gerry Kierce is the Managing Director of Euroroute Logistics Ltd. Gerry has a proven track record in delivering innovative solutions to clients that are specific to their needs and adding value to their business and contributing to improved efficiencies and bottom-line performance.
Samantha Kelly is the Owner of Tweetinggoddess. Mother of two, A Dragons Den participant, creator of #irishbizparty on twitter, twitter for business trainer, star of the recent RTE show She's the Business and former owner of Funky Goddess Samantha has a great story to tell.
Chloe Thomas is an Online Marketer and the Author of E-Commerce Masterplan. The book has been described by Elite Business Magazine as "worth its weight in internet gold" Chloe has worked with "over 50 eCommerce businesses, improving their online marketing, saving them money and time in the process. She helps businesses reach success faster, and stop wasting money and time on the wrong marketing".
HISTORY
Blackburn Meadows electricity generating station was built by the Sheffield Corporation in 1921,mainly to support the steel industry in the Lower Don Valley. The station was expanded in the 1930s, requiring the construction of Cooling Towers 6 and 7 in 1937-8 to supplement earlier square cooling towers to the north east.
These new hyperbolic shaped towers were designed by LG Mouchell and Partners. This was the same partnership responsible for the first hyperbolic cooling towers in the country (built in Liverpool in 1925) and some 150 towers subsequently built across the United Kingdom. Blackburn Meadows was one of those power stations nationalised to form part of the National Grid after the Second World War. It was decommissioned and mainly demolished in the 1970s.
ASSESSMENT
The Blackburn Meadows cooling towers are nationally rare surviving remains of pre-nationalisation large scale electricity generation. They are thought to be the only pre-1950 hyperbolic cooling towers surviving nationally, with nearly all the other 500 or so towers in the country dating to 1960or later. In addition to their early date, the association with LG Mouchell, the design features such as the banding and the thinness of the shell all give the towers interest. The addition of the spray coating of concrete following the 1964 disaster at Ferrybridge adds further interest by showing a development in the industry.
Even without the clouds of steam that signify operational examples, the cooling towers are also very prominent landmark features, providing a visual indication of the former scale and importance of the Sheffield steel industry in the Lower Don Valley.
However the two hyperbolic cooling towers are just one component of an extensive complex that formerly existed. The plant at Blackburn Meadows generated electricity by using steam turbines to turn electric generators, with the steam produced using coal fired boilers, the coal supplied by rail.
The railway system, coal handling plant, boiler complex, turbine and generating halls, as well as the switchgear for connecting the plant to the electricity grid and the earlier square cooling towers have all been lost. Water used by the steam turbines would have been maintained within a closed system, the steam leaving the turbine then passing through a condenser to change it back to hot water before being reboiled to produce steam to turn the turbine.
The cooling towers were used to cool water circulating in a separate system that was used to cool the condensers other equipment.
With the demolition of the rest of the generating station, the surviving cooling towers have lost their context so it is difficult to see how they functioned as an integrated part of a much wider plant.
Functionally, cooling towers still in use consist of far more than just the shell of the tower that survives at Blackburn Meadows. In operation, water is piped into the lower portion of the cooling tower into a complex network of pipes or troughs ending with sprinklers.
A fine mist of water is then sprayed on to a timber or asbestos lattice of staging and screens filling the lower 4-5m of the tower, with the water being cooled via natural evaporation aided by air being drawn upwards by the tower above. Any water droplets carried by this updraft are intercepted by a layer of louvers positioned above the sprinklers. In addition, operational cooling towers have a network of maintenance access ways. All bar one pipe in one of the towers has been stripped out from the cooling towers at Blackburn Meadows, leaving very little indication of how the towers actually functioned.
The Blackburn Meadows cooling towers are thus not only a very partial survival of an electricity generating station, they are also only a very partial survival of a pair of cooling towers. Even given the national context of the highly fragmentary survival of the pre-nationalisation power generation industry, designation of the Blackburn Meadows cooling towers cannot be justified.
The rest of the generating station has been lost, depriving the towers of their functional context and the loss of pipe work, staging, screens and access ways means that a highly significant part of the interest of the towers as cooling towers has also been lost.
www.tinsley-towers.org.uk/pages/english_heritage.pdf
If you’ve ever driven into Sheffield from the M1, you’ll be familiar with the Tinsley Cooling Towers - a piece of industrial landscape that’s become one of the city’s most famous landmarks. For now at least.
Three quarters of the public want them saved
The BBC online poll established www.bbc.co.uk/southyorkshire/content/image_galleries/tins… that three quarters of the public want them saved. This makes more than half a million supporters in Sheffield and Rotherham alone. E.ON’s own poll was flawed by a mix-up of criteria.
English Heritage wrote www.tinsley-towers.org.uk/pages/english_heritage.pdf that the Towers, built in 1938, are the oldest surviving hyperbolic Cooling Towers in the UK and that their prominence provides a visual indication of the former scale and importance of Sheffield’s steel industry.
A series of AI-generated pictures of Brigitte B. in different art styles.
To be continued.
Pictures made with Midjourney.
I'm always happy to accept invites to groups as long as I can see the content. If I see "this group is not available to you", my photos won't be made available to that group. Thanks for your understanding.
AI generated art. I used MidJourney to help generate this. Enjoy!
#ai #aiart #art #arts #midjourney #midjourneyart #midjourneyAI #tech #technology #CGI #CG
To the surprise of probably nobody that knows my habits, I preordered what is probably the last Scarlett Johansson Black Widow Figuarts release - of course, I'm speaking of the one for her movie, which we would have seen by now under normal circumstances.
Interestingly enough though, despite being seen in at least two costumes, there was only one Widow figure solicited, and the entire movie only generated two figures - Widow and Taskmaster, which I didn't bother to get.
A bit about the box art first.. bottom right hand corner of the front shows Natasha with her hair down, but wearing the black costume. So for those keeping score, that's now potentially four different hair styles I've seen within the scope of one movie, which will make things interesting if Hot Toys decides to actually make anything for this movie.
If you bought the Endgame release of Natasha, you're basically already familiar with the payload - there's the figure in her all new suit and one of several hair new hair styles, no additional faces this time, two baton handles for her backpack, two batons, one sickle, two empty holsters, two pistols, two filled holsters, Widow's Bite effects mounted on two fists, and pretty much the same extra hands (except her left hand no longer has the Quantum Watch).
If the face looks familiar, it's because she's had that face since Infinity War, and somehow I think maybe Tamashii Nations intended it to be a two faced package, but the same MSRP as before, might have nixed that idea.
If you look at the profile view of her head, you'll see the surgical scars there.
Otherwise, you'll notice that the batons and the handles have paint on them this time, which was not present on the Endgame version (not in the movie anyway) but was lacking from the Infinity War version, and naturally the paint is on the sickles.
A bit more before we move on from comparisons to the previous versions.
You'll notice that this version of Nat is shorter than previously. After a bit of staring.. and more staring, I FINALLY arrived at the conclusion she's not shorter, she's just not wearing platform boots anymore.
Finally, I don't know what happened, but the Endgame version ended up looking much more jaundiced compared to both her predecessor and her successor. Thank goodness they fixed that because it certainly wasn't a one time thing, seeing how my backup Endgame Nat has the same complexion.
The new Widow suit appears to be a very stylized version of her comic suit, including finally gold accents, and she gains some neat elbow pads. It'll be interesting to see if they explain how her movie suits evolve into the IW ensemble that displeased many a viewer, as it appears to borrow many elements from her Endgame outfit, despite taking place between Civil War and Infinity War.
I don't know what to make of her hair. I mean, it's hair.. it's red.. so I guess that's a good start. Her massive ponytail is well detailed and painted for something of this scale. It just feels to me that they might have made her head too square at the forehead and the overall shape of her hair, making her head seem a tad undersized. The ponytail is relatively pliable, so you don't have to worry about it snapping off easily.
Articulation is effectively identical to what Endgame got you - toes, ankles, double jointed knees, hips on ball joints with a floating crotch section for improved range of motion, waist, mid torso, shoulders with some collapse and bicep swivel, single jointed elbows with forearm pivot, wrists, neck, and head. Her upper torso (bust to neck) has more restrictions on range of motion compared to Endgame as she no longer has that gap at the bottom of the piece and her abs.
The good news is that she looks slightly better from the side with fuller bust.
Paint work is once again an area with no real concerns (especially since I'm going forward in time for a review for once). The base black that Nat has all over the body is smooth, and there are no concerns I have to raise with regards to the gold, silver, and red accents on her body, though some of the silver paint on her weapons have seen better days (arguably the fault of the less than stellar finish).
Hands are consistent, which is to say they've been.. alright. You can tell they're fingers and that's about it - the Figma guys definitely have a better product from this perspective.
Hair and face I touched up on earlier. Solid stuff, especially with a decent Scar Jo sculpt and that digital painting stuff that has been working well for the past three iterations (AoU, IW, Endgame) and the new healthy complexion.
Finally there's build quality.. which strangely enough feels a slight step back. There's the anal retentive stuff (to my fingers, the box feels flimsier), and then there's the fact this is first Marvel Figuarts I've picked up that actually had a joint pop apart (fortunately it was something you could snap back together) and the left arm actually popped out of the socket (again, easily reassembled)
There are no other issues with QC (the rough finish on the baton handles were probably always there, just no paint to highlight them). The plastic itself definitely feels softer than Endgame (bringing it back more in line with Infinity War) and this is probably due to the lack of extensive fine textures, which were prevalent on the Endgame suit.
Well that about wraps it up for this Widow. It's still pretty good, despite trading aesthetics for articulation, having only one face, and some minor quality quips. She won't be the one travelling with me (my Endgame Nat is already play worn, so not point damaging another figure) but she'll be at home in the horde, keeping order when I'm not around.
This has to be seen on black.
Closed in 2006, the Kearny Generating Station sits dark along the shore of the Hackensack River. When the station opened in 1925 it was the largest electric generating station in New Jersey.
Although the old station sits abandoned, immediately behind it is a newer gas turbine generating station known as a "peaker". Peaking stations switch on and off as needed, only generating electricity and consuming resources when the demand requires it.
Unlike the old coal/steam fired plant, which once started and online, must run continually, even if the electricity it is generating isn't specifically needed at the moment.
Dragon was an experimental high temperature gas-cooled reactor at Winfrith in Dorset, England, operated by the United Kingdom Atomic Energy Authority.
Its purpose was to test fuel and materials for the European High Temperature Reactor programme, and it was built and managed as an Organisation for Economic Co-operation and Development/Nuclear Energy Agency international project.
It operated from 1965 to 1976 and is still in the process of being decommissioned