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TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
Students practice taping wrist injuries in Jerome Genz's human kinetics class on Wednesday, Dec. 4, 2017.
Genzano di Roma, Italia
(Full size/resolution photos: reijo.kivela@viapori.fi, Copyright: Markus Kivelä 2011-12)
Come see Dave Genz in person!
Thursday January 15, 2008
6pm- 8pm
Read here for more:
burlingtonboatyard.com/blog/2008/10/25/dave-genz-set-to-b...
These new GenZ Sock Monkeys are created with babies in mind. No button eyes on these guys! Embroidered eyes mean no choking hazard and tons more hugging! Of course GenY and GenX love them too! Fresh from the sock monkey factory here in the Garden State, grab one for your special someone!
This guy is 18" tall and 18" from one hand to the other.
Materials: polyester fiberfill, embroidery floss, one new pair of socks.
GenZ - Kênh công nghệ, cuộc sống, giải trí dành cho GENZ - giới trẻ hiện nay. Nơi chuyên giới thiệu, đánh giá các sản phẩm công nghệ, điện tử tiêu dùng. genz.com.vn/
Stylianos Kountalis ha progettato e realizzato, per la prima volta in Italia, una piazza interamente illuminata con tecnologia LED. Sei cilindri in acciaio inox di altezze crescenti svettano come tronchi d’albero su una duna erbosa illuminando Piazza Cina, porta della città di Genzano. Le lampade, realizzate con taglio al laser sull’acciaio, riprendono le venature di una foglia. Gli alberi stilizzati si animano dall’interno, creando giochi di intersezioni luminescenti: alla luce del giorno il contrasto tra la “pelle” lucida dei cilindri e i vuoti degli intarsi rende quasi “vivi” questi tronchi artificiali, di notte le lampade flood rgb multicolore ricreano la magia delle antiche lanterne cinesi. L’impiego di acciaio inox speciale e dei Led a basso consumo consente un impatto ambientale bassissimo ed un effetto scenografico molto suggestivo. L’idea, ispirata dall’Albero di Budda, originario dell’India e Cina sudoccidentale, suggerisce un’atmosfera di accoglienza quasi “orientale” della città.
TESLA Festival de Música Electrónica y Experimentación Sonora organizado por PRODUCCIONES INFAMES que tuvo lugar el sábado 21 de febrero´15 en León.
Sesión vespertina en el Museo de León con la actuación en directo de FIBONACCI grupo electrónico de reciente creación compuesto por los artistas leoneses Notone y Genzo P.
Toda la información sobre el Festival TESLA
Álbum TESLA FESTIVAL DE MÚSICA ELECTRÓNICA Y EXPERIMENTACIÓN SONORA - LEÓN 21.02.015
© Genz, Lindner / transmediale
www.transmediale.de/content/ideomotoric-chatroom-glitch-m...
The Glitch Moment(um) | Rosa Menkman
The Glitch Moment(um), is a audiovisual work in which Rosa Menkman sets out to tell the story of “every glitch” as a particular moment. Often described as an uncanny, threatening loss of control, the glitch throws a spectator into a void, which finally gives birth to new meaning. This can take place via exciting, archetypal or mundane forms and explains why eventually every glitch can become a new fashion, despite its initial critical potential.
Cuore, corpo, inchiostro.
Marco Morici, a cura di Susanna Elettra Cecchini, Palazzo Sforza Cesarini, Genzano (dicembre 2010)
foto Giulia Nardi
© Genz, Lindner / transmediale
www.transmediale.de/content/liquid-state-machine-wolfgang...
Borrowing terms from the cognitive and computer sciences, Liquid State Machine usually describes a soup of connected nodes, a situation with inputs, nonlinear functions and outputs which computes something or assists in its computation.
In this instance, the performance space becomes the computational soup bucket, an experimental Space-Noise-Continuum based on the connections between the plentiful nodes of both the kinetic-electromagnetic-noise apparatus of Martin Howse and the analogue/digital projection-machines of Wolfgang Spahn.
The performance begins with the subtle influence across these two distinct systems, arriving at an ultimate feedback between light (waves) and sound. LSM presents a play with transformations between distinct physical system domains.