I am a Rolls-Royce and Bentley enthusiast, so I can keep up to date with the latest news of both manufacturers and their vehicles I joined both companies press club, I get an email with the latest media information. On Thursday 16th May 2019, I received a email from Bentley Motors Ltd announcing a new book to be published to celebrate the 100th anniversary of Bentley. This got me very excited indeed, then I started to read the press Information. The book which has 800 pages, almost a metre wide when opened and weighs in at 30kg making it the heaviest book ever published telling the story the story of an automotive brand. Created, printed and hand-bound by master binders in England, the book utilises leather hides from the same source as those used in Bentley models, while the Bentley Wings badge that adorns the front cover is an official hand- crafted badge same as used on every on every Centenary Bentley model.

The book covers the history of Bentley in nine chapters, subjects Include core Bentley values and uses many never seen before photographs. There are special gatefold pages measuring two metres across. The Mulliner edition also Includes a collection of Bentley model watercolours commissioned exclusively for this project. The Mulliner edition also offers a bespoke option so owners can have photographs of their own Bentley included in the book.

There are three versions of the book published by Opus available.

The Mulliner Edition with only 100 copies available costs £12,500.

Centenary Edition with only 500 copies available costs £3 000

100 Carat Edition is adorned with 100 carats of diamonds with only seven copies available and costs a jaw dropping £200, 000!

Bentley claims these books will be a sound investment for the future, I kid you not! I guess the ritch will be queuing to order their copy? But a true Bentley enthusiast will laugh and buy a really good book about Bentley for less than £70.

I guess Bentley will only publish good things about themselves and over look that it was Rolls-Royce who saved Bentley, and in the eighties and nineties Bentley models outsold the Rolls-Royce models.

I think it is safe to say you won't be seeing these books in your local Waterstones (other high street book shops are available)

Copyright: Bentley Motors Ltd

Dunluce Castle is thought to be the inspiration for Cair Paravel in C.S. Lewis' Chronicles of Narnia. In 1973 the castle appeared on the inner gatefold of the multi-million selling Led Zeppelin album Houses of the Holy.

This exciting album features the soundtrack to the most beloved and much missed Disneyland attraction, AMERICA SINGS (1974-1988) starring Burl Ives as Sam the Eagle and Sam Edwards as Ollie, (his owl friend/co-host) This book and record package features artwork concept by the late Marc Davis (who also did the story with Al Bertino) with music arranged by the late Buddy Baker. This is re-posted as I redone the photo for better quality. Note also that a non-gatefold booklet version was also released, too.

Card made by Jenny Kearley using products from Craft Creations Ltd.

www.craftcreations.com

GF31U-43 - White Linen Gatefold Card.

DCD572 - Birthday Layer Cake Die-Cut Découpage.

CP081S - Pink Flowers with Silver Foil Creative Paper.

STD34PA4 - Stardream Punch Paper.

GEM59 - 3mm Silver Gems.

Reprise, Canada, 1968

Physical

Newton-John, Olivia

MCA MCA-5229

1981

Full color booklet with song lyrics and images from the movie Frozen.

I just got around to opening my Deluxe Frozen Soundtrack Vinyl Record Album, that I received a couple of weeks ago. It is a limited edition of 3000, mine is number 2412. The album is of trifold construction, and is 12 1/4'' H x 12 1/2'' W. It consists of three twelve inch vinyl records and a full color glossy booklet with images from the movie and lyrics and credits. There are spectacular images from the movie on the inside covers of the album. Finally there are frosty embossed images of Elsa, Anna and Olaf on the flip side of Disc Two, which has music tracks only on side A. The images are best seen silhouetted against a bright background. The album is still available, but back ordered, at the official Disney Music Store site. Below is a link and product information from the site.

OFFICIAL DISNEY FROZEN DELUXE VINYL

$74.98

Backordered

Includes:

• Three 12-inch color vinyl LPs

• Double-gatefold, foil, embossed jacket

• Full-color booklet containing lyrics and gallery quality images from the film

• Individually numbered package

Track Listing:

• Frozen Heart - The Cast of Frozen

• Do You Want to Build a Snowman? - Kristen Bell, Agatha Lee Monn & Katie Lopez

• For the First Time in Forever - Kristen Bell & Idina Menzel

• Love Is an Open Door - Kristen Bell & Santino Fontana

• Let It Go - Idina Menzel

• Reindeer(s) Are Better Than People - Jonathan Groff

• In Summer - Josh Gad

• For the First Time in Forever (Reprise) - Kristen Bell & Idina Menzel

• Fixer Upper - Maia Wilson & The Cast of Frozen

• Let It Go (Single Version) - Demi Lovato

• Vuelie (feat. Cantus) - Frode Fjellheim & Christophe Beck

• Elsa and Anna - Christophe Beck

• The Trolls - Christophe Beck

• Coronation Day - Christophe Beck

• Heimr Àrnadalr - Christophe Beck

• Winter's Waltz - Christophe Beck

• Sorcery - Christophe Beck

• Royal Pursuit - Christophe Beck

• Onward and Upward - Christophe Beck

• Wolves - Christophe Beck

• The North Mountain - Christophe Beck

• We Were So Close - Christophe Beck

• Marshmallow Attack! - Christophe Beck

• Conceal, Don't Feel - Christophe Beck

• Only an Act of True Love - Christophe Beck

• Summit Siege - Christophe Beck

• Return to Arendelle - Christophe Beck

• Treason - Christophe Beck

• Some People Are Worth Melting For - Christophe Beck

• Whiteout - Christophe Beck

• The Great Thaw (Vuelie Reprise) - Christophe Beck & Frode Fjellheim

• Epilogue - Christophe Beck

Deluxe Content:

• For the First Time in Forever (Demo) - Kristen Anderson-Lopez

• Love Is an Open Door (Demo) - Kristen Anderson-Lopez & Robert Lopez

• We Know Better (Outtake) - Kristen Anderson-Lopez

• Spring Pageant (Outtake) - Kristen Anderson-Lopez, Robert Lopez, Annie Lopez & Katie Lopez

• More Than Just the Spare (Outtake) - Kristen Anderson-Lopez

• You're You (Outtake) - Kristen Anderson-Lopez & Robert Lopez

• Life's Too Short (Outtake) - Kristen Anderson-Lopez

• Life's Too Short (Reprise) [Outtake] - Kristen Anderson-Lopez

• Reindeer(s) Remix (Outtake) - Robert Lopez

• The Ballad of Olaf & Sven (Teaser Trailer) [Score Demo] - Christophe Beck

• Queen Elsa of Arendelle (Score Demo) - Christophe Beck

• Hans (Score Demo) - Christophe Beck

• It Had to Be Snow (Score Demo) - Christophe Beck

• Meet Olaf (Score Demo) - Christophe Beck

• Hands for Hans (Score Demo) - Christophe Beck

• Oaken's Sauna (Score Demo) - Christophe Beck

• Thin Air (Score Demo) - Christophe Beck

• Cliff Diving (Score Demo) - Christophe Beck

• The Love Experts (Score Demo) - Christophe Beck

• Elsa Imprisoned (Score Demo) - Christophe Beck

• Hans' Kiss (Score Demo) - Christophe Beck

• Coronation Band Suite (Source Score) - Christophe Beck

• Let It Go (Instrumental Karaoke) - Kristen Anderson-Lopez & Robert Lopez

www.shopdisney.com/ariel-and-prince-eric-limited-edition-...

Price: $750.00

The Disney store proudly presents our Limited Edition doll set celebrating the 30th Anniversary of Disney's animated classic The Little Mermaid. Intricately crafted, Princess Ariel and Prince Eric are envisioned in their storybook wedding finery, with Max in attendance, for a collector's dream come true.

Magic in the details

Limited Edition of 710

Includes Certificate of Authenticity

Ravishing, detailed white satin bridal gown with aqua trims

Aqua organza underlayer on back of skirt

Satin bodice with embroidered filigree

Tiered scalloped lace front skirt overlay with embroidered shell and filigree accents

Organza leg of mutton sleeves

Sparkling rhinestone stud accents

Gem-encrusted crown

Dangling teardrop gem earrings

Fine mesh veil with bead detailing

Crinoline underskirts

Embroidered white groom's tunic with silver buttons

Blue satin jacket with gold brocade details and buttons

Epaulets with gold thread and chains

Belt with buckle

White satin pants with metal stud buttons

Beautifully styled, rooted hair for both dolls

Rooted eyelashes

Molded shoes and boots

Fully posable

PVC Max figure

Plastic sword

Display stands included

Comes in elegant window display packaging with rosegold foil filigree, frosted windowpanes, and storybook gatefold cover with magnetic closure

Designed by Disney store artists

Celebrating the 30th Anniversary Disney's The Little Mermaid (1989)

The bare necessities

Ages 6+

Plastic / polyester / PVC

Ariel: 17'' H

Prince Eric: 17 1/2'' H

Imported

Safety

WARNING: CHOKING HAZARD - Small Parts. Not for children under 3 years.

Item No. 460033325660

I just got around to opening my Deluxe Frozen Soundtrack Vinyl Record Album, that I received a couple of weeks ago. It is a limited edition of 3000, mine is number 2412. The album is of trifold construction, and is 12 1/4'' H x 12 1/2'' W. It consists of three twelve inch vinyl records and a full color glossy booklet with images from the movie and lyrics and credits. There are spectacular images from the movie on the inside covers of the album. Finally there are frosty embossed images of Elsa, Anna and Olaf on the flip side of Disc Two, which has music tracks only on side A. The images are best seen silhouetted against a bright background. The album is still available, but back ordered, at the official Disney Music Store site. Below is a link and product information from the site.

OFFICIAL DISNEY FROZEN DELUXE VINYL

$74.98

Backordered

Includes:

• Three 12-inch color vinyl LPs

• Double-gatefold, foil, embossed jacket

• Full-color booklet containing lyrics and gallery quality images from the film

• Individually numbered package

Track Listing:

• Frozen Heart - The Cast of Frozen

• Do You Want to Build a Snowman? - Kristen Bell, Agatha Lee Monn & Katie Lopez

• For the First Time in Forever - Kristen Bell & Idina Menzel

• Love Is an Open Door - Kristen Bell & Santino Fontana

• Let It Go - Idina Menzel

• Reindeer(s) Are Better Than People - Jonathan Groff

• In Summer - Josh Gad

• For the First Time in Forever (Reprise) - Kristen Bell & Idina Menzel

• Fixer Upper - Maia Wilson & The Cast of Frozen

• Let It Go (Single Version) - Demi Lovato

• Vuelie (feat. Cantus) - Frode Fjellheim & Christophe Beck

• Elsa and Anna - Christophe Beck

• The Trolls - Christophe Beck

• Coronation Day - Christophe Beck

• Heimr Àrnadalr - Christophe Beck

• Winter's Waltz - Christophe Beck

• Sorcery - Christophe Beck

• Royal Pursuit - Christophe Beck

• Onward and Upward - Christophe Beck

• Wolves - Christophe Beck

• The North Mountain - Christophe Beck

• We Were So Close - Christophe Beck

• Marshmallow Attack! - Christophe Beck

• Conceal, Don't Feel - Christophe Beck

• Only an Act of True Love - Christophe Beck

• Summit Siege - Christophe Beck

• Return to Arendelle - Christophe Beck

• Treason - Christophe Beck

• Some People Are Worth Melting For - Christophe Beck

• Whiteout - Christophe Beck

• The Great Thaw (Vuelie Reprise) - Christophe Beck & Frode Fjellheim

• Epilogue - Christophe Beck

Deluxe Content:

• For the First Time in Forever (Demo) - Kristen Anderson-Lopez

• Love Is an Open Door (Demo) - Kristen Anderson-Lopez & Robert Lopez

• We Know Better (Outtake) - Kristen Anderson-Lopez

• Spring Pageant (Outtake) - Kristen Anderson-Lopez, Robert Lopez, Annie Lopez & Katie Lopez

• More Than Just the Spare (Outtake) - Kristen Anderson-Lopez

• You're You (Outtake) - Kristen Anderson-Lopez & Robert Lopez

• Life's Too Short (Outtake) - Kristen Anderson-Lopez

• Life's Too Short (Reprise) [Outtake] - Kristen Anderson-Lopez

• Reindeer(s) Remix (Outtake) - Robert Lopez

• The Ballad of Olaf & Sven (Teaser Trailer) [Score Demo] - Christophe Beck

• Queen Elsa of Arendelle (Score Demo) - Christophe Beck

• Hans (Score Demo) - Christophe Beck

• It Had to Be Snow (Score Demo) - Christophe Beck

• Meet Olaf (Score Demo) - Christophe Beck

• Hands for Hans (Score Demo) - Christophe Beck

• Oaken's Sauna (Score Demo) - Christophe Beck

• Thin Air (Score Demo) - Christophe Beck

• Cliff Diving (Score Demo) - Christophe Beck

• The Love Experts (Score Demo) - Christophe Beck

• Elsa Imprisoned (Score Demo) - Christophe Beck

• Hans' Kiss (Score Demo) - Christophe Beck

• Coronation Band Suite (Source Score) - Christophe Beck

• Let It Go (Instrumental Karaoke) - Kristen Anderson-Lopez & Robert Lopez

Paradise Ballroom

Edge, Graeme Band

London PS 686

1977

near Romont ...

ngm.nationalgeographic.com/redwoods/gatefold-image

another tree.... redwood gatefold... great...

made it to Explore on Flickr !

Vangelis

Blade Runner - Original soundtrack (1994)

Warner/East West reissue (2015)

180 gram heavyweight vinyl in gatefold sleeve. Issued with black die-cut antistatic protective inner.

Michael James Aleck Snow CC RCA (December 10, 1928 – January 5, 2023) was a Canadian artist who worked in a range of media including film, installation, sculpture, photography, and music. His best-known films are Wavelength (1967) and La Région Centrale (1971), with the former regarded as a milestone in avant-garde cinema.

Life

Michael James Aleck Snow was born in Toronto on December 10, 1928. He studied at Upper Canada College and the Ontario College of Art. He had his first solo exhibition in 1957. In the early 1960s Snow moved to New York with his wife, artist Joyce Wieland, where they remained for nearly a decade. For Snow this move resulted in a proliferation of creative ideas and connections and his work increasingly gained recognition. He returned to Canada in the early 1970s "an established figure, multiply defined as a visual artist, a filmmaker, and a musician."

His work has appeared at exhibitions across Europe, North America and South America. Snow's works were included in the shows marking the reopening of both the Centre Pompidou in Paris in 2000 and the MoMA in New York in 2005. In March 2006, his works were included in the Whitney Biennial.

Snow's first wife was fellow artist Joyce Wieland, whom he married in 1956. The couple moved to New York City in 1963, but they moved back to Toronto about a decade later and divorced in 1976. Snow exhibited with the Isaacs Gallery in Toronto throughout the 1960s, becoming even more involved with the gallery upon his return to Toronto in 1971. In 1990, he married curator and writer Peggy Gale, and they had one son.

He was the uncle of filmmaker and video artist Su Rynard.[6]

Snow died from pneumonia in Toronto on January 5, 2023, at the age of 94.

Films

Snow is considered one of the most influential experimental filmmakers of all time. Annette Michelson, in writing about Snow, his 1967 film Wavelength, and his films in general, speaks of the impact of Snow's films, placing viewers in a "position to more fully understand the particular impact of Snow's filmic work from 1967 on, to discern the reasons for the large consensus given" to Wavelength when it was honoured with the Grand Prize at the 1967 Experimental Film Festival EXPRMNTL 4 in Knokke, Belgium, and that "Wavelength, [appears] as a celebration of the 'apparatus' and a confirmation of the status of the subject, and it is in those terms that we may begin to comprehend the profound effect it had upon the broadest spectrum of viewers...." Wavelength has been the subject of numerous retrospectives internationally. Film scholar Scott MacDonald says of Snow that "[f]ew filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow, whose Wavelength is probably the most frequently discussed 'structural' film."

Wavelength has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada and was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century .

Snow's films have premiered in film festivals worldwide and five of his films have premiered at the Toronto International Film Festival (TIFF).[citation needed] In 2000, TIFF commissioned Snow, along with Atom Egoyan and David Cronenberg, to make a series of short films collectively titled Preludes, for the 25th Anniversary of the festival.

In his Village Voice review of Snow's 2002 film *Corpus Callosum, J. Hoberman writes that Snow's films are "[r]igorously predicated on irreducible cinematic facts [and] Snow's structuralist epics—Wavelength and La Région Centrale—[announce] the imminent passing of the film era. Rich with new possibilities, *Corpus Callosum heralds the advent of the next. Whatever it is, it cannot be too highly praised." *Corpus Callossum was screened at the Toronto, Berlin, Rotterdam, and Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association's Douglas Edwards Experimental/Independent Film/Video Award for *Corpus Callosum.

Music

Originally a professional jazz musician, Snow has a long-standing interest in improvised music, as indicated by the soundtrack to his film New York Eye and Ear Control. As a pianist, he has performed solo and with other musicians in North America, Europe and Japan. Snow performed regularly in Canada and internationally, often with the improvisational music ensemble CCMC and has released more than a half dozen albums since the mid-1970s. In 1987, Snow issued The Last LP (Art Metropole), which purported to be a documentary recording of the dying gasps of ethnic musical cultures from around the globe including Tibet, Syria, India, China, Brazil, Finland and elsewhere, with thousands of words of pseudo-scholarly supplementary notes, but was, in fact, a series of multi-tracked recordings of Snow himself, who gave the joke away only in a single column of text in the disc's gatefold jacket, printed backwards and readable in a mirror. One track, purported to be a document of a coming-of-age ritual from Niger, is a pastiche of Whitney Houston's song "How Will I Know."

Snow, with Richard Serra, James Tenney and Bruce Nauman, performed Steve Reich's Pendulum Music on May 27, 1969 at the Whitney Museum of American Art.

Other media

Before Snow moved to New York in 1963, he began a long-term project that for six years would be his trademark: the Walking Woman. Martha Langford in Michael Snow: Life & Work describes this work as employing a single form that offered an infinite number of creative possibilities, the figure itself perceived variably as "a positive (a presence to be looked at) and a negative (an absence to be looked through)." His 1962 work Four to Five consisted of a grid of photographs of the Walking Woman placed in Toronto streets and subway stations, inviting the viewer to consider how public space transforms the sculpture.

Langford identifies duality as a guiding principle in Snow’s work. By combining materials and methods Snow creates hybrid objects that often defy classification. A work which exemplifies Snow's testing of stylistic boundaries is his 1979 installation Flight Stop (also titled Flightstop), a site-specific work in Toronto's Eaton Centre mall, which looks like a sculptural representation of sixty geese, but is in fact an intricate combination of fibreglass forms and photographs of a single goose.

In 1982, Snow sued the corporate owner of the Toronto Eaton Centre for violating his moral rights by altering Flight Stop. In the landmark case Snow v Eaton Centre Ltd, the Ontario High Court of Justice affirmed the artist's right to the integrity of their work. The operator of the Toronto Eaton Centre was found liable for violating Michael Snow's moral rights by putting Christmas bows on the work.

Snow's works have been in Canadian pavilion at world fairs since his Walking Women sculpture was exhibited at Expo 67 in Montréal.[citation needed] He was chosen to represent Canada at the Venice Biennale in 1970; this was the first solo exhibition held at the Biennale's Canadian Pavilion. His bookwork BIOGRAPHIE of the Walking Woman / de la femme qui marche 1961-1967 (2004) was published in Brussels by La Lettre vole. It consists of images of the public appearances of his globally famous icon.

Anarchive2: Digital Snow describes Michael Snow as "one of the most significant artists in contemporary art and cinema of the past 50 years." This 2002 DVD was initiated by Paris’ Centre Pompidou and was produced with the support of la foundation Daniel Langlois, Université de Paris, Heritage Canada, the Canada Council, Téléfilm Canada and Montreal’s Époxy. It is an encyclopedia of Snow's works across media, browsed in a manner inimitably and artfully created by Snow. Its 4,685 entries include film clips, sculpture, photographs, audio and musical clips, and interviews.

Retrospectives and honours

In 1993, The Michael Snow Project, lasting several months, was a multivenue retrospective of Snow’s works in Toronto exhibited at several public venues and at the Art Gallery of Ontario and The Power Plant. Concurrently his works were the subjects of four books published by Alfred A. Knopf Canada. Snow has shown internationally in both galleries and cinemas, including a retrospective of his work at the British Film Institute, London where his celluloid works were shown in the cinemas and his digital works in the gallery (The BFI Gallery). The project, titled 'Yes Snow Show', took place in 2009 and was co-curated by Elisabetta Fabrizi and Chris Meigh-Andrew.

In 1981, he was made an Officer of the Order of Canada and was promoted to Companion in 2007 "for his contributions to international visual arts as one of Canada’s greatest multidisciplinary contemporary artists". In 2000 he was one of the seven first winners of the Governor General’s Award in Visual and Media Arts.

In 2004, the Université de Paris I, Panthéon-Sorbonne awarded him an honorary doctorate. The last artist so awarded was Pablo Picasso.[citation needed] In 2006, Lima's Museum of Art (MALI) held a selective retrospective exhibition as well as a screening of his films in Peru, as part of the Vide/Art/Electronic Festival.

Honorary degrees

Université de Paris I, Panthéon-Sorbonne (2004), Emily Carr Institute, Vancouver (2004) Nova Scotia College of Art and Design, Halifax (1990), University of Toronto (1999), University of Victoria (1997), Brock University (1975).

Academic appointments

Visiting Artist/Professor at MAPS (Master of Art in Public Sphere), Ecole Cantonale d’Art du Valais, Sierre, Switzerland (February 2005, January 2006)

Visiting Artist/Professor at L’école Nationale Supérieure d’Art de Bourges, France. (December 2004, May 2005)

Visiting Artist/Professor, École nationale supérieure des Beaux-Arts, Paris, 2001

Visiting Artist/Professor, le Fresnoy, Tourcoing France, 1997-8

Visiting Professor, l'Ecole Nationale de la Photographie, Arles France, 1996

Visiting Professor, Princeton University, 1988

Professor of Advanced Film, Yale University, 1970

CCMC artists in residence, La Chartreuse, Avignon Festival, France, 1981

Other awards

Gershon Iskowitz Prize, 2011

Los Angeles Film Critics Association Award for Independent/Experimental Film and Video Award for "*Corpus Callosum", 2002

Queen’s Golden Jubilee Medal, 2002

Governor General’s Award in Visual and Media Arts, 2000

Chevalier de l'ordre des arts et des lettres, France, 1995

Los Angeles Film Critics Association Award for Independent/Experimental Film and Video Award for "So Is This", 1983

Guggenheim Fellowship, 1972

Grand Pix of the Knokke Experimental Film Festival for "Wavelength", 1967

Member, Royal Canadian Academy of Arts

Major installations

"The Windows Suite" is a permanent installation consisting of 32 varied sequences of images, which are presented on 65" plasma screens in 7 of the windows of the façade of the Toronto Pantages Hotel and Spa and related condo buildings facing Victoria Street in central Toronto. Some of these sequences one might possibly glimpse in the windows of a sophisticated hotel, condo, spa and parking garage building, but many sequences are "impossible," e.g. in one sequence fish swim from window to window. This installation was opened as an official event of the Toronto International Film Festival September 2006.

Flight Stop - Toronto Eaton Centre a collection of life sized Canada geese in flight hanging over the main section of the mall. In 1982, the installation was the subject of a leading Canadian court decision on moral rights, Snow v. The Eaton Centre Ltd.

The Audience (1989) - SkyDome (now Rogers Centre in Toronto) is a collection of larger than life depictions of fans located above the northeast and northwest entrances. Painted gold, the sculptures show fans in various acts of celebration.

Filmography

A to Z (1956)

New York Eye and Ear Control (1964)

Short Shave (1965)

Wavelength (1967)

Standard Time (1967)

One Second in Montreal (1969)

Dripping Water (with Joyce Wieland, 1969)

<----> or Back and Forth (1969)

Side Seat Paintings Slides Sound Film (1970)

La Région Centrale (1971)

Two Sides to Every Story (double 16mm installation, 1974)

"Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974)

Breakfast (Table Top Dolly) (1976)

Presents (1981)

So Is This (1982)

Seated Figures (1988)

See You Later (1990)

To Lavoisier, Who Died in the Reign of Terror (1991)

Prelude (2000)

The Living Room (2000)

Solar Breath (2002)

*Corpus Callosum (2002)

WVLNT ("Wavelength For Those Who Don't Have the Time") (2003)

Triage (2004), with Carl Brown

SSHTOORRTY (2005)

Reverberlin (2006)

Puccini Conservato (2008)

Cityscape (2019)

The Dead Sea

Stefan Marx (Hamburg, Germany)

3 Posters in Gatefold Record Sleeve, 60 x 90 cm, b/w color Offset,

Edition of 500, 2011, Published by Smallville and Nieves

www.nieves.ch/catalogue/stefanrecord.html

Portraits of thee members of Throbbing Gristle from the inside of the gatefold sleeve of Heathen Earth. Signed for me by Chris Carter and Cosey Fanni Tutti.

Brooklyn Masonic Temple in Fort Green, Brooklyn Thursday, April 16, 2009.

The Alan Parsons Project / Eve

Side one:

- "Lucifer" - 5:03

- "You Lie Down with Dogs" - 3:47

- "I'd Rather Be a Man" - 3:53

- "You Won't Be There" - 3:34

- "Winding Me Up" - 4:04

Side two:

- "Damned If I Do" - 4:50

- "Don't Hold Back" - 3:37

- "Secret Garden" - 4:41

- "If I Could Change Your Mind" - 5:49

(All songs written and composed by Alan Parsons and Eric Woolfson.)

Andrew Powell – orchestral arrangements, choral arrangements, conductor

David Paton – bass, lead and backing vocal

Stuart Elliott – drums, percussion

Ian Bairnson – electric and acoustic guitars

Eric Woolfson – keyboards, executive producer

Duncan Mackay – keyboards

Alan Parsons – production, engineering, Morse code (E . V ..._ E .) on "Lucifer"

Chris Rainbow – lead and backing vocals

Lesley Duncan – lead vocal

Clare Torry – lead vocal

Dave Townsend – lead vocal

Lenny Zakatek – lead vocal

The Orchestra of the Munich Chamber Opera care of Eberhard Schoener

Recorded: December 1978–June 1979 at Super Bear Studios, France

sleeve design: Hipgnosis (the gatefold cover features three women wearing veils, with their faces partially in shadow.)

Label: Arista Records / 1979

ex Vinyl-Collection MTP

en.wikipedia.org/wiki/Eve_(Alan_Parsons_Project_album)

finally hung some of my favourite 70s albums on the wall. I should get back into vinyl. There's nothing like listening to a new album while holding and smelling the gatefold cover

KATE BUSH Never For Ever Japanese exclusive 11-track CD album, Kate's 3rd longplayer, originally released in 1980, including the hit singles 'Babooshka' and 'Army Dreamers', superbly presented in laminated mini LP-style gatefold cardsleeve with mini replica inner sleeve, fold-out Japanese/English lyric sheet + obi-strip).

edited by William R.Howe & Scott Pound.

Buffalo (NY/USA) & Toronto, Essex Studios & Tailspin Press, fall/winter 1997/8.

4o pp printed plus several inserts, laser in found offset covers. 9 x 9, stapled wrappers with cover labels & velcro seal, 8 tipped in leaves (all gatefolds but 2), 23 broadsides in tipped in pockets, 4 broadsides laid in (one on acetate) & an insert, TEXT BOOK, 2o pp/18 printed, 5-1/2 x 6-1/2, stapled wrappers (this copy in white covers).

includes 3 visual poems by Nichol – DOOR TO OZ (sketches for panels 1o & 11) & Mind Trap #1 – & a prose journal note, April 8– 1964. other contributions include concrete poetry by Fernando Aguiar, Cris Cheek, Dave Baptiste Chirot, William R.Howe, Beth Learn, Steve McCaffery, Darren Wershler-Henry, & an essay on McCaffery by Scott Pound, among other things. a somewhat over-complicated object but nevertheless a fun one, even if some of the content seems a little thin to deserve such ostentatious production.

175.oo

The "butcher" photo used on the 1966 Beatles album. This photo is taken from the gatefold of the 1980 album Rarities by The Beatles.

Wham!:

Album: Make It Big (1984)

12 Inch: Young Guns (Go For It!)

7' Singles:

Bad Boys (1983)

Wake Me Up Before You Go Go! (1984)

Last Christmas/ Everything She Wants (1984)

I'm Your Man (1985)

The Edge Of Heaven (1986) (Gatefold Sleeve)

George Michael:

12 Inch: Careless Whisper

7 Singles:

Careless Whisper (1984)

A Different Corner (1986)

I Knew You Were Waiting (For Me) (1987)

Faith (1987)

I Want Your Sex (1987)

Don't Let The Sun Go Down On Me (1991)

CD's

Faith

Older

Twenty Five

A Nice Pair is a compilation album by Pink Floyd, re-issuing their first two albums—The Piper at the Gates of Dawn and A Saucerful of Secrets—in a new gatefold sleeve. The album was released in December 1973 by Harvest and Capitol in the United States and the following month in the United Kingdom by Harvest and EMI

0877 NAE 1

Alessandro Fiori

TITLE: ATTENTO A ME STESSO

CATG N° URTO 1002

FORMAT CD

Jewel / Vinile gatefold

LABEL: URTOVOX

DISTR: AUDIOGLOBE-ITUNES

ORIGIN: ITALIA

Il disco solista è una nuova esperienza nella carriera musicale di Alessandro Fiori. Lo abbiamo conosciuto come fondatore, voce e frontman dei Mariposa, da anni faro nella scena musicale indipendente italiana, o con gli Amore, e con le sue altre collaborazioni eccellenti, come ”Betti Barsantini”, insieme a Marco Parente o ”Assodifiori” con Alessandro ”Asso” Stefana. Tutti questi progetti hanno in comune il suo comporre e scrivere canzoni, con lo stile di un cantautore moderno che riesce a coniugare una scrittura cruda, essenziale e al contempo poetica e visionaria.

Alessandro Fiori racconta storie dei nostri giorni e lo fa attingendo ai suoi tanti interessi e agli artisti (Raymond Carver, Julio Cortazar, il Jannacci di ”Giovanni Telegrafista”, Piero Ciampi, il primo Lucio Dalla, Ivan Graziani, Francis Bacon...) che in un modo o nell’altro ispirano le sue canzoni, i suoi scritti e la sua pittura.

Alessandro Fiori è uno dei giovani artisti più rappresentativi della scena musicale italiana, e difficilmente può essere accostato per stile ad altri. E’ lì col suo tocco dolce a mostrarti il lato impalpabile insieme a quello concreto e ruvido della nostra esistenza.

”Attento a me stesso” è un disco che descrive la consapevolezza che la morte è in essere senza sorpresa (qualcosa che c'è non ha da arrivare) e riflette sull'interrelazione tra abbandono e resistenza attraverso una curiosità ed un’arguzia lirica che ben si coniugano ad uno stile musicale assai originale e inconfondibile fin dai primi ascolti.

-Attento a me stesso (attentare / tentare di danneggiare qualcuno nella persona, nell'onore o negli averi) come abbandono;

-Attento a me stesso (fare attenzione / avere cura, riguardo, premura) come resistenza.

Non c'è vittoria (così come l'amore, che è accompagnamento: Fuori piove, Lungomare).

La sconfitta - contraltare di qualcosa che non esiste - è condizione di perenne disincanto (Abbandono, Labbra fredde) o ricordo che rende uniche le particolari sofferenze (Resistenza, La vasca).

Il disco, strutturato a mo’ di trittico pittorico, si apre con l'infinito spegnimento: Idrocarburi (che fa da prologo al disco) è l'estensione del tema de La luna ha molto tempo da buttare, brano contenuto nell' EP dei Mariposa Suzuki Bazuki del 2004.

Catino blu è paura atavica: le siringhe, il mostro di Firenze, l'esoterismo.

Fiaba contemporanea rappresenta l'ultimo e vano tentativo resistente.

Questi brani compongono il primo pannello.

Il secondo pannello (Lungomare, La vasca, Fuori piove, 2 cowboy per un parcheggio) è la parte del quotidiano, della ricerca di solitudine (Lungomare) e della paura della stessa (Fuori piove), della transitorietà fissata dal ricordo (La vasca - la vasca in questione è sita davanti alla stazione di Arezzo e gli spruzzi d'acqua bagnano la copia della chimera etrusca). 2 cowboy per un parcheggio è l'unico brano che fa due passi all'interno del mondo lavorativo/musicale.

Il terzo pannello si apre con Senza le dita, l'inutile ricerca di qualcosa che non c'è (vida es sueno, surrealismo spagnolo), la sgretolazione dei rapporti, la deriva nella dipendenza da qualcosa (“non ho colpe tesoro se sono sbronzo tutte le sere / questo andare dal quasi al mai più mette voglia di bere”) e da qualcuno.

Labbra fredde è la presa di coscienza della desolazione cittadina (“Lente giornate. Tutto superato.” Gottfried Benn) ed un sentito omaggio a Ivan Graziani (Agnese dolce Agnese è in assoluto il disco più ascoltato dal nostro negli ultimi 3 anni).

Lucyfer wash è una preghiera, una disperata richiesta d'aiuto nel climax della vulnerabilità, la minaccia della pazzia, la fine di tutto.

Con Trenino a cherosene, epilogo naif, si chiude il disco (“La vita è un mucchio di insignificanti e ironiche rovine”, Pier Paolo Pasolini).

É stato avvistato un disco solista, se raggiungerete il lungomare più vicino potrete vederlo anche voi.

Ma fate attenzione: così come gli alieni anche questo disco può rendervi addotti.

Registrato a Nave York da Alessandro "Asso" Stefana

Mixato all' Alpha Dept studio (BO) da Giacomo Fiorenza

Masterizzato a Lamaestà Mastering (MI) da Giovanni Versari

Suonato da

-ALESSANDRO FIORI: VOCE, PIANOFORTE, VIOLINO

-ALESSANDRO "ASSO" STEFANA: CHITARRE, BASSO

-MARCO PARENTE: BATTERIA

-ZENO DE ROSSI: BATTERIA

-DANILO GALLO: CONTRABBASSO

-ENRICO GABRIELLI:FIATI, VIBRAFONO.

BIOGRAFIA

Alessandro Fiori nasce ad Arezzo il 6/6/’76.

Compie studi musicali dall’età di 11 anni. Impara a suonare violino e pianoforte.

A 14 anni inizia a scrivere canzoni accompagnandosi con la chitarra del padre prima e col pianoforte poi.

Si diploma all’accademia d’arte drammatica “Piccolo Teatro Città di Arezzo”.

L’esperienza universitaria a Bologna non porta frutti se non l’intensificarsi dell’attività di scrittura di canzoni.

Nel 1999 fonda la band Mariposa con la quale ha all’attivo 9 dischi e più di 400 concerti.

Nel 2002 inizia a collaborare con il compositore Lorenzo Brusci (“Zarathustra” – Timet, 2002).

Nel 2004 fonda gli Amore, rock band di base a Firenze con la quale ha pubblicato 2 dischi.

Dal 2007 stringe un sodalizio artistico con Alessandro “Asso” Stefana (chitarrista con Vinicio Capossela, Mike Patton) e lavora come insegnante di teatro nelle scuole elementari del Mugello.

Viene ospitato in veste di violinista da alcuni colleghi musicisti come Andrea Chimenti (“Vietato Morire” - Soffici Dischi/Santeria, 2004) e Paolo Benvegnù (“Le labbra” - La pioggia, 2008).

Nel 2009 fonda con Marco Parente il duo Betti Barsantini.

“Attento a me stesso” (Urtovox, 2010), registrato con Alessandro Stefana, è il suo primo disco solista.

Dipinge e si diletta nella scrittura di poesie e racconti.

Label URTOVOX info@urtovox.it

Booking by LOCUSTA contact luca@locusta.net

uff stampa e promozione UNOMUNDO promo@unomundo.it

Management/Publishing A Buzz Supreme andrea@abuzzsupreme.it

Tarkus

Emerson, Lake and Palmer

Cotillion SD 9900

1971

Discovery

Electric Light Orchestra

Jet JT 6014

1979

RCA 12-inch LP, 1954. Gatefold mono-only album.

One of my favorite classic covers. SO cool.

Illustration is a very stylized suggestion of a female jazz pianist (the bracelets.....). Women jazz pianists were a rarity in the business at that time, and Carroll was one of the greats.

Grateful Dead / What a Long Strange Trip It's Been

Compilation Album

Side one:

- "New, New Minglewood Blues" (trad.; credited to McGannahan Skjellyfetti) – 2:35

from The Grateful Dead

- "Cosmic Charlie" (Jerry Garcia, Robert Hunter) – 5:31

from Aoxomoxoa

- "Truckin'" (Garcia, Hunter, Phil Lesh, Bob Weir) – 5:06

from American Beauty

- "Black Peter" (Garcia, Hunter) – 7:31

from Bear's Choice; live, February 13, 1970, Fillmore East, New York City

- "Born Cross-Eyed" (single version) (Weir) – 2:58

from "Dark Star" single

Side two:

- "Ripple" (Garcia, Hunter) – 4:10

from American Beauty

- "Doin' That Rag" (Garcia, Hunter) – 4:43

from Aoxomoxoa

- "Dark Star" (Garcia, Hunter) – 2:41

from "Dark Star" single

- "High Time" (Garcia, Hunter) – 5:14

from Workingman's Dead

- "New Speedway Boogie" (Garcia, Hunter) – 4:05

from Workingman's Dead

Side three:

- "St. Stephen" (Garcia, Hunter, Lesh) – 5:24

excerpt, from Live/Dead; live, February 27, 1969, Fillmore West, San Francisco

- "Jack Straw" (Weir, Hunter) – 4:53

from Europe '72; live, May 3, 1972, Olympia Theatre, Paris

- "Me & My Uncle" (John Phillips) – 3:04

from Grateful Dead (untitled); live, April 29, 1971, Fillmore East, New York City;

- "Tennessee Jed" (Garcia, Hunter) – 7:12

from Europe '72; live, May 3, 1972, Olympia Theatre, Paris

Side four:

- "Cumberland Blues" (Garcia, Hunter, Lesh) – 5:40

from Europe '72; live, April 8, 1972, Empire Pool, London

- "Playing in the Band" (Weir, Hunter, Mickey Hart) – 4:42

from Grateful Dead (untitled); live, April 6, 1971, Hammerstein Ballroom, Manhattan Center, New York City

- "Brown-Eyed Woman" (Garcia, Hunter) – 4:38

from Europe '72; live, April 14, 1972, Tivolis Koncertsal, Copenhagen

- "Ramble On Rose" (Garcia, Hunter) – 6:02

from Europe '72; live, May 26, 1972, Lyceum Theatre, London

Tom Constanten – keyboards

Jerry Garcia – guitar, vocals

Donna Jean Godchaux – vocals

Keith Godchaux – piano, keyboards

Mickey Hart – drums

Bill Kreutzmann – drums

Phil Lesh – bass guitar, vocals

Ron "Pigpen" McKernan – organ, vocals

Bob Weir – guitar, vocals

Recorded: 1967–1972

sleeve design: The inside of the gatefold features the first appearance of the iconic "dancing skeletons" graphic, rendered in white. Also featured are photographs of the band in concert.

Label: Warner Bros. Records / 1977

ex Vinyl-Collection MTP

en.wikipedia.org/wiki/What_a_Long_Strange_Trip_It%27s_Been

XI

Chicago

Columbia JC 34860

1977

Eric Clapton / Slowhand

Side one:

- "Cocaine" (J.J. Cale) - 3:38

- "Wonderful Tonight"(Eric Clapton) - 3:41

- "Lay Down Sally" (Eric Clapton, George Terry, Marcy Levy) - 3:56

- "Next Time You See Her" (Eric Clapton) - 4:01

- "We're All the Way" (Don Williams) - 2:32

Side two:

- "The Core"(Eric Clapton, Marcy Levy) - 8:45

- "May You Never" (John Martyn) - 3:01

- "Mean Old Frisco" (Arthur Crudup) - 4:42

- "Peaches and Diesel" (Eric Clapton, Albhy Galuten) - 4:46

Eric Clapton – lead vocals, guitar

George Terry – guitar

Dick Sims – keyboards

Carl Radle – bass guitar

Jamie Oldaker – drums, percussion

Mel Collins – saxophone

Yvonne Elliman – harmony and backing vocals

Marcy Levy – harmony and backing vocals, duet on "The Core"

Recorded: May 1977 at Olympic Studios, London

sleeve design: art direction and design by El & Nell Ink. (David Stewart, Nello); Andy Seymour (inner sleeve photos)

[The album's artwork was done by Clapton himself with the help of Pattie Boyd and Dave Stewart, credited as "El & Nell Ink"]

Label: RSO Records / 1977

ex Vinyl-Collection MTP

en.wikipedia.org/wiki/Slowhand

Physical

Newton-John, Olivia

MCA MCA-5229

1981

Low Budget Issue from 1978 (10.- DM) - No gatefold, no booklet !

The Best of The Guess Who

Guess Who

RCA LSPX-1004

1973

by dkngstudios ift.tt/1Xbcce0

SKUGGSJÁ is the epic sound of Norway's Norse history as told through harder music by Ivar Bjørnson (ENSLAVED) and Einar Selvik (WARDRUNA). Written by Bjørnson and Selvik for the 200th anniversary of the Norwegian Constitution, SKUGGSJÁ tells the history of Norway to the present day by highlighting ideas, traditions and instruments of their Norse past. In a magnificent tapestry of metal instrumentation, a wide variety of Norway and Scandinavia’s oldest instruments, and poetry in Proto-Scandinavian, Norse and Norwegian, SKUGGSJÁ fuses past and present, both lyrically and musically, and reflects on themselves as a people and nation.

credits

releases March 11, 2016

Lineup:

Ivar Bjørnson: vocals, guitars, bass, keyboards

Einar Selvik: vocals, taglharpa, Kravik-lyre, goat-horn, birch-bark lure, bone-flute, percussion, electronics

Contributing musicians:

Grutle Kjellson: vocals

Lindy-Fay Hella: vocals

Eilif Gundersen: birch bark lure

Olav L. Mjelva: Harding fiddle

Cato Bekkevold: drums

Genre: Pagan, Folk, Black metal

skuggsja.bandcamp.com/album/a-piece-for-mind-mirror

shop.season-of-mist.com/ivar-bjornson-einar-selvik-s-skug...

by Bill Bissett.

3rd edition. London (England), Writers Forum, may 1992.

56 pp/54 printed, photocopy. 5-13/16 x 8-1/4, side-stapled frenchfold sheets with one gatefold.

poetry & concrete poetry, initially printed mimeo in july 1973 & reprinted april 1974.

somewhat rumpled...

SOLD

gatefold inner

Cricklewood Green

Ten Years After

Deram DES 18038

1970

In an attempt to recreate the iconic gatefold sleeve photograph of Daft Punk's Homework album (mixmag.net/assets/uploads/images/_full/homeworkgatefold.jpg), I've been trying to identify and acquire as many objects seen in the image. Some items like the KISS poster I'll likely never be able to recover, but I have made some recent discoveries identifying previously unknown items like the book under the radio on the left, a Paris Nightlife guide from the 70s.

This project is like a weird treasure hunt, and the only clues or map I have is the original gatefold image, and a few grainy closeups from another side of the sleeve's fold-out. The portable turntable and the radio will be tricky, as they have no discern-able features remarkable to any brand that I can see, and the magazine containing that 'Up your fidelity' article about audio add-ons could indeed be an article, or just an advertisement, it's hard to tell.

Sir Paul McCartney almost gets distracted from playing I Saw Her Standing There by a 40-year younger version of himself in the gatefold of The Beatles' Sgt Pepper's Lonely Hearts Club Band LP held up by a fan during his BBC Electric Proms performance at the Roundhouse, Camden, London, England. It was in 1967 - shortly after the eponymous Sgt Pepper was released - that Paul was last at the Roundhouse, during the Million Volt Light and Sound Rave at which the Beatles legendary 13-minute lost track, Carnival of Light, was played for the only time in public.

And the song he was singing was first recorded 45 years ago...

For more photos, audio and video of this special gig, see

www.bbc.co.uk/electricproms/2007/artists/paulmccartney/

What happened on stage minute by minute, as seen by the BBC's Jane Long.

19.59 - At 7pm the queue stretched halfway to Belsize Park. Five minutes to go and already the packed crowd are going wild.

20.05 - And straight into Magical Mystery Tour. This is one man who doesn't need to worry about wasting his hits early in the set!

20.07 - Paul's looking damn sharp in a skinny mod suit.

20.09 - It's "a long time" since he's been in the Roundhouse...

20.12 - He's got his mandolin out. Must be time for Dance Tonight.

20.15 - The jacket comes off. Some ladies down the front seem a bit over excited!

20.16 - Only Mama Knows is complemented by a string octet.

20.18 - First Wings song of the night and it's the early b-side C Moon.

20.24 - Sticking at the piano for The Long And Winding Road. It's the first big singalong of the night.

20.29 - There are a lot of glowsticks in the audience tonight. Anyone would think we were at a Klaxons gig.

20.36 - Macca pays tribute to John with Here Today and gets the biggest cheer of the night so far.

20.42 - The strings return for Calico Skies.

20.43 - Paul asks for an audience wave, and he gets one.

20.48 - Eleanor Rigby now and Paul's drummer is up and dad-dancing at the back.

20.51 - The Wings songs are going down as well as The Beatles ones. Band On The Run now and two headbangers down the front are loving it.

20.55 - Signs in the crowd show people have travelled from as far afield as Canada and Japan for this gig.

21.04 - Macca's band take over Lennon's vocals on I Got A Feeling.

21.06 - Macca's spotted an X-Factor contestant in the audience...

21.08 - The James Bond 007 movie theme Live and Let Die comes complete with pyrotechnics.

21.09 - Paul's thumping those keys Jerry Lee Lewis style.

21.11 - An impromptu baby face turns into the ultimate singalong, Hey Jude.

21.15 - "Na na na, na na na na, na na na na Hey Juuuuuude!"

21.21 - He's off but not for long...Back to the piano for Let It Be.

21.22 - The smoking ban hasn't stopped an age-old tradition. Lighters in the air.

21.27 - The bass is back on for I Saw Her Standing There. That voice doesn't seem to have aged. Close your eyes and you could almost be in The Cavern

21.31 - What a gig! You can tell this audience will be talking about it for years to come.

21.33 - Hang on, he's back!

21.38 - Macca plays Get Back and then he's gone...but you get the feeling he could have gone on for a few more hours at least.

Taken on October 25, 2007.

The Twilight Sads latest 2019 Release by Rock Action Records

This is the Double Vinyl Issue to be played at 33 RPM

Comes in a Heavy Gatefold Sleeve

ROCKACT116LP

youtu.be/b3VLrAUeUQ0

Iron Maiden

The Final Frontier

EMI

2010

Front cover of 12" vinyl LP.

Released on Monday 16th August 2010.

The Final Frontier (Director's Cut)

Gatefold sleeve Demo & Recordings 2009 - 2014

edited by John Honderich.

Toronto, Toronto Star Newspapers Limited, 18 march 1989.

approx.13-1/2 x 11-3/4, 54 sheets & 2 halfsheets grey newsprint folded unbound to 22o pp in 17 signatures of 2-5 sheets each & again to tabloid, all printed black offset with red additions to most covers, with 1o inserts, all printed 4-colo0ur process offset except as noted:

1. SATURDAY MAGAZINE. 12-1/8 x approx.13-1/2, 8 sheets grey newsprint folded unbound to 32 pp tabloid, all printed black offset with 3-colour process additions to covers & centerspread;

2. comics. 1o-3/4 x approx.13-1/4, 3 sheets grey newsprint folded unbound to 12 pp tabloid, all except center adsheet printed 4-colour process offset, centersheet black & yellow;

3. STARweek. 8 x 1o-3/4, 22 sheets grey newsprint folded in 2 sheets white glossy pulp & white slightly heavier glossy cover & stapled twice to 1o2 pp with gatefold front cover, all printed black offset with 3-colour process additions to all glossy & end newsprint sheet with further colour additons to 8 interior pp;

4. THE BAY THIS WEEK ANNUAL celebration OF SPRING. 1o-1/8 x 12, 6 sheets semigloss newsprint folded & stapled twice to 24 pp in selfwrappers;

5. Woolco Easter Savings Hunt. approx.11-1/4 x 12-1/2, 2 sheets canary newsprint folded unbound to 8 pp tabloid, all printed black & red offset;

6. mobilia a styLe of Life. 8-1/8 x 1o-11/16, 6 sheets white semiglossy folded & gutterglued to 12 pp in selfwrappers;

7. towers Easter Sale. 9-9/16 x 1o-15/16, 6 sheets white newsprint folded unbound to 16 pp tabloid;

8. You Don't Work For A Company. You Are The Company. 7-1/2 x 8-1/2 single sheet white heavy bond folded twice vertically to 6 pp leaflet with perforated right fold & dry-gummed edge to half the inside third panel;

9. Loblaws & supercentre. approx.1o-3/4 x 13-1/2, 2 sheets grey nesprint folded unbound to 8 pp tabloid;

1o. Happy Easter food city. approx.1o-3/4x 1o-1/2, single sheet grey newsprint laid in same wrappers & folded horizontally.

primary cover photograph by Reg Innell with painting by Jan Rootius.

254 contributors ID'd:

Robert Aaron, Nancy Ackerman, Don Addis, Sid Adilman, Carolyn Adolph, John Alexander, Ken Allen, Brad Andersen, Doris Anderson, Marilyn Anderson, Jane Armstrong, Henri Arnold, Tony Aspler, Andrew Atkins, Jimmy Atkins, Gene Austin, Daniela Avery, Kim Bailey, Seth Ball, Gordon Barthos, Brian Basset, Jim Bawden, John Bayne, Keith Beaty, Kenneth Belcher, Bruce Blackadar, Vincent Blain, Tony Bock, Roger Bollen, Florence Brandenburg, Louise Branson, Robert Brehl, Jeremy Brown, Dik Browne, George Bryant, Thach Bui, Jim Byers, Elaine Carey, Geoff Chapman, Kevin Connolly, Doris Constable, Michael J.Cook, George Copeland, Michael Coren, Patrick Corrigan, David Crane, Trish Crawford, H.Fred Dale, Chris Davies, James Daw, Lawrence Day, Colleen Denike, Rita De Niro, Flor Dery, Martine Dickerson, Rosie DiManno, Mary Di Michele, Patrick Doyle, Stan Drake, Nadia Drost, Marilyn Dunlop, Milt Dunnell, Catherine Dunphy, Fred Edwards, Peter Edwards, Rick Eglinton, Stasia Evasuk, Patrick Fellows, Faye Fergusson, Marion Finlay, Janice Foord, Jim Foster, Bill Gardiner, Len Gasparini, Catherine George, K.A.Tony Gilchrist, Lew Gloin, Carol Goar, Jeff Goode, Charles Goodman, Rod Goodman, Peter Goodspeed, Alison Gordon, Andrea Gordon, B.Grace, Jim Grant, H.Gordon Green, Doug Hall, Joseph Hall, Catherine Hamilton, Stephen Handelman, Marilyn Harrington, Jay Harris, Johnny Hart, David R.Higgins, Michael Higgins, Bill Holbrook, Alfred Holden, Ted Horning, Peter Howell, Kellie Hudson, Christopher Hume, Paul Hunter, Doug Ibbotson, Reg Innell, Paul Irish, Lucy Izon, Tom Jacobs, Joyce Jillson, Lynn Johnston, Donald Jones, Graham Jones, Bil Keane, Kathleen Kenna, Jim Kenzie, Kenneth Kidd, Nicholas Koleszar, Betsy Lammerding, Ann Landers, Michael D.Lannan, Margaret Lawton, Bob Lee, Stan Lee, Frank Lennon, Larry Lieber, Frank Loncaric, Frank Longstaff, Ed Love, Neil MacCarl, David MacDonald, Jamie MacKinnon, Jeff MacNelly, Duncan Macpherson, John Mahler, Elizabeth Marsh, Nellie Marshall, Carol Ann Martin, Peter Maser, Barbara Massey, Andrew T.Mathews, Rick Matsumoto, Barbara Mayer, Jack McArthur, Michael McAteer, Shawn McCarthy, Mary McGrath, Marguerite R.McLaughlan, Gail McMichael, David McQueen, Henry Mietkiewicz, Anne Millard, I.Miller, Harris Mitchell, Paul Moloney, James Montagnes, Steve Moore, Dennis Morgan, Lillian Morgenthau, Elmar Moser, David Muller, Lowell Murray, Patricia Murray, Susan Musgrave, Bill Nelson, Margaret Ness, Karen Nicholson, Lilana Novakovich, Gary Oakes, Derek Oliver, Mary Ormsby, Frank Orr, Jo Ouellet, Charles Pachter, Brant Parker, Megan Perks, Mike Peters, Etienne Poirier, Warren Potter, John Power, Jim Proudfoot, Andy Puthon, Chris Raible, A.Revai, Arnold Rincover, Savina Rispoli, Margaret Roach, John Robertson, Vance Rodewalt, Charles Rodrigues, John Rootius, Louis Rukeyser, Allan Ryan, Diane Sawchuk, Jim Schachter, Charles Schulz, Val Sears, Joe Serge, Courtland Shakespeare, Judith Shostack, Mary E.Simmons, Robin Skelton, Tom Slater, Dan Smith, Fiona Smyth, Reg Smythe, B.J.Snelgrove, Tom Spears, Boris Spremo, Henry Stancu, Leonard Starr, Andrew Stawicki, Janet Steffenhagen, Edison Stewart, John Stilton, Henry Stolp, Alan Story, Bessie Strike, Sandra Strong, Paul Stuewe, Bill Suddick, Bob Suzuki, Gail Swainson, Robert Sykes, Rick Sylvain, Bill Taylor, John Terauds, Brent Thrall, Peggy Trautman, G.B.Trudeau, Peter Trueman, Jim Unger, Tony Van Alphen, Bill Vance, Bernie Vogt, Vit Wagner, Mort Walker, Alex Noel Watson, Bill Watterson, Tom Weissmann, Hans Werner, Bob Westover, Ben Wicks, Karen Williams, Lynne Williams, Cynthia Wine, Malcolm Yasny, Susan Yellin, Dean Young, Rita Zekas, Chris Zelkovich, Antonia Zerbisias, Eliseo Zompanti, Mark Zwolinski

includes:

i) Underground magazines: An honorable tradition, by Hans Werner (p.M3; prose article with references to Industrial Sabotage & quotes by jwcurry)