View allAll Photos Tagged fullspectrum
Lensbaby Sweet 35 Optic
FotografÃa Infraroig. - (photography infrared).
Espectre Complet. - (fullspectrum).
Filtre IR 630 nm. - (filter 630 nm).
Horquillado HDR 3 disparos con 1 paso EV - (braketing 3 shots with 1 EV step).
Loads of IR (makes it red). Full spectrum (full range of the Silicon CMOS), Maybe down to 350 nm (Near UV) Through near IR and upwards. Overcast day, not much UV.
EOS 600D / T3i , L series 24-70 lens, Spectrosil fused silica (Quartz) modification (Passes above 180 nm), Low pass filters and cleaning mechanism removed.
The lens has multi coatings and lots of elements that will reduce the spectrum responce.
2012
Img_7580
Reggie Watts at TED2012: Full Spectrum, February 27 - March 2, 2012. Long Beach, CA. Photo: James Duncan Davidson
The linen-bound program guide for TED202: Full Spectrum, designed by David Albertson. As seen in Target's creative Social Space at TED2012: Full Spectrum. February 27 - March 2, 2012. Long Beach, CA. Photo: Robert Leslie
A few of TED's engineers camp out in the Media Cave. From right: UX designer Aaron Weyenberg with engineers Mark Bogdanoff, George Riley and Ken Hill. Backstage at TED2012: Full Spectrum. February 27 - March 2, 2012. Long Beach, CA. Photo: Robert Leslie
Yann Arthus-Bertrand, Philippe Starck and Al Gore at TED2012: Full Spectrum. February 27 - March 2, 2012. Long Beach, CA. Photo: Robert Leslie
John Hockenberry at TED2012: Full Spectrum, February 27 - March 2, 2012. Long Beach, CA. Photo: James Duncan Davidson
Fellows at TED2012: Full Spectrum. February 27 - March 2, 2012. Long Beach, CA. Photo: James Duncan Davidson
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
Katherine McCartney at TED2012: Full Spectrum. February 27 - March 2, 2012. Long Beach, CA. Photo: James Duncan Davidson
Les Cuatre Columnes.
Estas cuatro columnas se levantaron en 1919 en el lugar que hoy en dÃa ocupa la Font Mà gica de Montjüic en la ciudad de Barcelona. Fueron derribadas en 1928 por la dictadura de Primo de Rivera, siendo reconstruidas en 2010 a pocos metros de su ubicación original.
B/W Landscape
Made with Fullspectrum Camera and a so called pop filter red (Hoya), probably from the 70ies or 80ies. Although this filter is red, obviously, it's not an IR filter. I don't have any specs. Pop filters were used to colorise to one single color on color-film. Not used like colored filters for B/W. Interestingly, this one does not show a too strong IR ("wood") effect, and also the sky is not getting almost black, but gets a middle tone. Overall contrast is high, though, but still it does not produce that IR look, but rather something B/W film like. It was the first try with this filter, obviously another abuse, In need to check out this more. Seems to be a way to get a quite natural looking B/W, or almost B/W image. Few more to come, I struggle with the processing of those a bit. If anyone has specifications for pop filters or knows more ... please let me know!
Canon 1100d fullspectrum CLS CCD; Star Adventurer
Canon 70-200 f4 L; 200mm f4/f5; ISO 100/800 - 1h55' (68); Darks & Flats
DSS + PS + LR
Canon 1100D Fullspectrum CLS CCD Tecnosky 70/420 ED 1X; Skywatcher AZEQ5
ISO 1600 - Exp: 5h48' (58x6') ASI120MC guide; Darks & Flats & Bias
APP + PS (Astronomy Tools; Tonalitymasks)
Siena, 15-16/06/2018
i have just bought a new camera (a canon eos 450d) that has been modified for astophotography , just need some cloudless nights now !
basically the camera has had the internal filters removed that block out ultra violet and infra-red light through which would mess up a normal photo.
differant filters are used to block out certain wave leagnths of light for differant uses and results.
in these shots i have used an r72 filter to block out visible light . still need to figure out how to use the camera proper,the instuction manual doesn't help as it's in Japanese !
My friend Debbie told me that her pastor was going to be doing blessing with ash for Ash Wednesday in our little town square. She told me this because I had mentioned that I would love to photograph some people that are being blessed, and/or have the ash on their forehead. I am kind of obsessed with spiritual and religious rights and not being a Christian, I often don't get to witness these events. I also value and respect the sacredness of all traditions so wouldn't crash anyone's party just to get a photo. Anyway, I went down to the square and after asking permission, of course, was able to grab some images of people during and after their blessings. This was one of the images I got of a person I did not know who was willing to let me grab a capture.
This image was taken in full-spectrum with a converted Sony A55. It was taken in RAW and processed in Linux using RawTherapee.
Canon 1100d fullspectrum CLS CCD Tecnosky 70/420 ED; Skywatcher AZEQ5
ISO 1600 - Exp: 2h 16mn with autoguider; Darks & Flats & Bias
DSS4 + PS (Astronomy Tools; Tonalitymasks) * CROP
Siena, 21/04/2018