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Nasturtium pieces cut and ready to organize.

The Australian Flexible Framework team will no longer be sharing offices with the Teaching and Learning team at TAFE and are moving into head office in the city.

Iron Man Records works with Simon Reeves at Framework Recording Studios, a purpose built recording studio based in the heart of Birmingham. Simon specialises in recording, mixing and mastering.

 

Framework Recording Studios

UNIT 8A, Western Industrial Complex, Western Road, Birmingham, B18 7QD

Bookings: Telephone (UK+44) 07790 158210 email siframework@gmail.com

 

The vast majority of the 40,000 songs uploaded daily to Spotify are home recordings. For artists and songwriters to share content at a fast and frequent pace, it makes sense to sharpen your music production. It doesn’t have to cost a fortune to employ a top producer to help you capture something creative.

 

Better production creates a stronger impression and sets you apart from the rest when it comes to your demos, recordings, and releases.

 

Framework Recording Studios has worked with Napalm Death, Carcass, Cathedral, Meathook Seed, P.J.Harvey, Ride, Family Cat, Lock-Up, Charger, Harpies, Narcosis, Ambervoid, Sist, Damn Dirty Apes, Last Under The Sun, I.O.D, Godsize, Long Time Dead, Locus of Control, Piss On Authority, Police Bastard, Spirit Bomb, Selfless, Cerebral Fix, Drongos For Europe, Ted Chippington, Academy Morticians, Rainbow Grave, John Sinclair, Robert Anton Wilson, Steve Fly and many more.

 

Simon Reeves Instruments & Performance:

Damn Dirty Apes, Last Under The Sun, Police Bastard

 

Some highlights include:

 

Production:

Narcosis - Heart Slows Down (2001)

Long Time Dead - Universal Cry For Help (2004)

Last Under The Sun - All Empires Crumble (2004)

Last Under The Sun - Gone (2009)

Police Bastard - It’s Good To Hate (2010)

Last Under The Sun - Hooligan Jihad (2011)

Police Bastard - Confined (2013)

Spirit Bomb - Killer In Your Stereo (2014)

Gasfoodlodging - All Trashed Out (2019)

 

Technical:

Meathook Seed - Basic Instructions Before Leaving Earth (1999)

I.O.D. - Mundane Existence (1999)

Last Under The Sun - Windfall (2003)

Ted Chippington - Walking Down The Road (A History Of Ted Chippington) (2007)

Cerebral Fix / Selfless - split 7” (2015)

Cerebral Fix - Disaster of Reality (2016)

Drongos For Europe - Who’s Got The Power? (2016)

Rainbow Grave - No You (2019)

 

Getting here:

 

Framework Recording Studios, UNIT 8A, Western Industrial Complex, Western Road, Birmingham, B18 7QD.

 

By Car:

Sat Nav postcode: B18 7QD or try 78 Western Road.

Look out for the red and white barrier across the entrance to the Industrial Complex.

Please call on arrival at the barrier so we can open it for you.

 

Parking is available free at the Studio when arranged in advance for loading and unloading.

On street parking at the end of Western Road is free over the Canal Bridge on Crabtree Road, and on New Spring Street North.

 

By Taxi:

15 minute ride from New Street Station

 

By Metro (Tram)

Nearest Tram stop is Jewellery Quarter (15 minute walk)

 

By Train:

Nearest Train Station Jewellery Quarter (15 minute walk)

 

By Bus:

From New Street Station - Bus 80 to West Bromich (Get off at Dudley Road. 15 Min walk)

From Birmingham Museum and Art Gallery - Bus 82 to Bearwood, 87 to Dudley (Get off at Heath Street South. 5 Min walk)

From Colmore Row Stop SH3 - Bus 101 to Handsworth (Get off at Pitsford Street. 8 Min Walk)

 

By Air:

Birmingham Airport, formerly Birmingham International Airport is located 7 Miles from Birmingham City Centre. Airport Code - BHX

Take the train to New Street Station, change, then take train to Jewellery Quarter.

 

Ammenities:

Tescos 24hr at 32 Ellen St, Birmingham B18 7LF. There is also a Petrol Station on site. (12 Min Walk)

 

Lidl 167 Dudley Rd, Birmingham B18 7QY (10 Min walk)

 

Nisa Local at 47-49 Crabtree Rd, Birmingham B18 7HR (5 min walk)

 

Post Office 119 Vyse St, Birmingham B18 6JS (15 Minute walk)

 

Terms and conditions

 

HOURS

Working hours are from 10am till 8pm. Extra time over any 10 hour session will be charged at £25 per hour. Overtime is available at our discretion.

Freelance engineers can work whatever hours they wish on prior arrangement.

Any additional file preparation/transfer, CD burning will be included in booked studio hours.

 

BOOKING

Any enquiry via email or by telephone will be provisionally booked for up to 5 days. Within that time the client must provide a 25% deposit.

Once we have received payment the booking will be confirmed with you via email.

If we do not receive a deposit within 5 days we reserve the right to make the date(s) available to other customers.

 

Please note: The deposit is non refundable.

 

INFORMING US OF CHANGES

We would need up to 2 weeks notice for any changes to bookings.

If you give us less than two weeks notice we may, at our discretion, levy a charge of 20% of your total session cost against potential loss of business.

 

PAYMENT

Unless otherwise agreed, the final balance must be paid in full by cash or bank transfer at the end of the session.

For bookings over 7 days we may ask you to agree to a staggered payment schedule.

Recordings shall remain the property of Framework Recording Studios until the full balance is paid.

We will not release any audio recordings or master copies to you until the final balance has been received. We will however provide 192kbs mp3’s for your assessment.

 

MASTER COPIES

The term master copy refers to the set of unprocessed, multi-track files (in .wav format) that relate to a single song. Unless specifically requested, the quote for your session will not include the master copies of your work.

If you wish to retain master copies of your work you must provide an external hard drive of adequate space with a USB2, Firewire 400 or 800 interface. Transfer times will be included in session time.

We will not release any audio recordings or master copies to you until the final balance has been received. We will however provide 192kbs mp3 for your assessment.

 

PROJECT BACKUPS

We will archive all project files when your session is complete. These files can be reloaded from that archive at any point in the future. We cannot guarantee the integrity of that archive

Project backups can be transferred to a suitable USB2, Firewire 400/800 disc drive to be supplied by the client. Transfer times to be included in the session.

 

FREELANCERS

Any use of the studio equipment by the client must be agreed with Simon Reeves prior to the session.

All electrical equipment must be shut down when the studio is not in use.

 

DAMAGES

Damages incurred outside general wear-and-tear will be payable by the client.

Costs incurred due to cleaning beyond normal housekeeping in the studio shall be payable by the client at our discretion.

 

Read More: ironmanrecords.net/services/framework-recording-studios/

The Australian Flexible Framework team will no longer be sharing offices with the Teaching and Learning team at TAFE and are moving into head office in the city.

Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.

This is the second mandala Genevieve walks us through in her online class. I changed it a bit after drawing the framework. "Real" tangles I used are Auraknot, Betweed, Buttercup and Yang. Colored with prismacolor pencils.

Detail looking down from the watchtower onto the tempoary wooden framework covered by a white tarp that protected the roof of the Kiva Room Observation deck during the roof replacement project.

 

During the first phase of the 2010 renovations, the watchtower’s roof was replaced. Work on phase I of the project took place in January. Visitors had access to the interior of the tower throughout the renovations. However, it was necessary to close the observation deck for three weeks while the roof was being repaired.

 

The Watchtower is located at Desert View, the eastern-most developed area on the South Rim of Grand Canyon National Park. Recognized as a National Historic Landmark, the tower was constructed in 1932. Architect Mary Elizabeth Jane Colter’s design takes its influences from the architecture of the ancestral Puebloan people of the Colorado Plateau. She collaborated on the design with Hope artisans of the day, including well-known Hopi artist Fred Kabotie whose murals adorn much of the second level of the tower.

 

Sepik art - Papua New Guinea

Kanganaman's old Haus Tambaran was one of the most elaborately carved on the Sepik. Even in ruin, it was impressive. The village is located a short walk off the river. The carvers make elegant, sinuous figures including many suspension hooks (samban in Iatmul) with ancestor and crocodile figures. These carvings are expensive, even in the village, and so not many are bought for resale. They are usually finished with dark, soot-based paint.

uit:

www.art-pacific.com/artifacts/nuguinea/sepikriv/sepikmid/...

 

The people in the villages along the Sepik River and its tributaries are the most active carvers in New Guinea. Each village has its distinctive styles.

uit:

www.art-pacific.com/artifacts/nuguinea/sepikriv/sepikmrv.htm

 

Few masks are worn directly over the face, which explains the lack of holes for eyes. Some are fastened onto a large cone-shaped wicker framework for a dance costume called a tumbuan. Raffia is knotted into the bottom hoop for skirting and flowers, fruit and leaves added on for color and power at the time of the ceremony. Other masks are made only for display, most often in the men's Haus, to attract powerful and useful spirits.

 

The individual elements of the masks are complex, beyond the scope of this article. They often refer directly or indirectly to ancestor or clan spirits and totems such as pig, cassowary (muruk), crocodile (pukpuk), eagle (taragau), or a water and bush bird (saun). There are many different types of masks for different purposes.

 

uit:

www.art-pacific.com/artifacts/nuguinea/maskspko.htm

 

Very interesting to read:

www.janesoceania.com/png_art/index1.htm

One of the entrances to the Sawgrass Mills shopping mall, Sunrise, FL, USA

The Australian Flexible Framework team will no longer be sharing offices with the Teaching and Learning team at TAFE and are moving into head office in the city.

afbraak - Leuven 28 nov 2012

Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.

afbraak - Leuven 28 nov 2012

CCAS Baltimore, MD || 05.20.11

afbraak - Leuven 28 nov 2012

The Australian Flexible Framework team will no longer be sharing offices with the Teaching and Learning team at TAFE and are moving into head office in the city.

The Australian Flexible Framework team will no longer be sharing offices with the Teaching and Learning team at TAFE and are moving into head office in the city.

afbraak - Leuven 28 nov 2012

afbraak - Leuven 28 nov 2012

Base shapes for Flemeth's greaves

River Cruise Dinner organised in the framework of the CEU Erasmus Staff Week - Image Credit: CEU - Zoltan Tuba

Part of the framework for the construction of the Professional Centre for Liverpool John Moores University on Clarence Street/Mount Pleasant

Die Geburtsstadt von Hermann Hesse mit ihren wunderschönen Fachwerkhäusern - The native town of Hermann Hesse with its wonderful framework houses.

Vermeer 5x4 wooden pinhole camera: FUJI FP100B45 4X5 B/W instant film pack

(further pictures you can see by clicking on the link at the end of page!)

Breitenseer parish church of St. Lawrence

Text: Stefan Malfer

In the north transept of the Breitenseer parish church a window with historicist stained glass is the 'Turks year' 1683 dedicated. The upper half of the window shows Marco d' Aviano blessing the army commanders before the decisive battle at Kahlenberg. In his left hand he holds his famous wooden cross. In the lower part of the window Emperor Leopold I prays to "Our Lady of Victory" for his residence city of Vienna, which is pictured in the background.

The Breitenseer parish church was built in 1896-1898, the Marco d' Aviano window was delivered in 1900, so only eighteen years after Onno Klopp's book about the great ,Turkish War', twelve years after Klopp's edition of the correspondence between Emperor Leopold I and Marco d'Aviano and eleven years after the initiation of the process of beatification. Maybe the window is the first visual representation of the subject in a building.

For the construction of the Breitenseer parish church

The not yet in Vienna incorporated small village of Breitensee in the west of Vienna above Penzing at the northern slope of the river Wien belonged to the parish Penzing and had only a small chapel. The expansion of the City of Vienna, the settlement of business enterprises, the construction of tenements and schools made ​​a larger church to an urgent necessity. 1886 founded the in Breitensee acting Benefiziat Ferdinand Ordelt a Church Building Association. Ten years later, in 1896, construction started in 1898 the neo-Gothic church was consecrated. It was financed by contributions from the population, the architect Ludwig Zatzka family who lived in Breitensee, the City of Vienna (the location was incorporated in 1892) and the Lower Austrian religious fund. 1899, the parish Breitensee was established.

Kaiser Jubilee Church

In 1893 the church building association decided that the church to the 50th jubilee of Emperor Franz Joseph I. should be completed and a Kaiser Jubilee Church should be. This idea in the Church is reflected in several places, most prominently in the great Breitenseer stained glass cycle on the "Pietas Austriaca" and on the cross devoutness of the House of Habsburg.

The Breitenseer glass painting cycle "Pietas Austriaca"

The by Ferdinand Ordelt conceived cycle represents in eight large glass windows on around 140 m2 "how the sublime Emperors from the House of Habsburg have honored the cross (Rudolf I), with the same sought comfort and help (Ferdinand II), fought for the same (Charles V) and themselves and their empire have placed under the protection of the Mother of God (Leopold I)". The underlying idea behind this simple but concentrated formulation is nothing less than a probably unique collection and representation of the Cross devotion of the Habsburg dynasty in the context of "pietas Austriaca". Ordelt was a pious, patriotic and educated priest and teacher of religious education. Prior to his activity in Breitensee he was tutor to the sons of Count Hardegg. He chose from the by the so-called Habsburg patriotism of the 19th Century (eg in textbooks and in the patriotic literature, even for the youth) intensively imparted stories of the "pietas Austriaca" all narratives on the topic veneration of the cross and put them in relation to salvation history, thereby expressing the fact that the secular rule of the House Habsburg, inclusively the his Jubilee celebrating Emperor Franz Joseph I, was based on the piety of the house and was nothing else but rule in the name of Christ.

Defense of Christianity against external enemies

Within this framework the ,Turks remembrance' twice is addressed, namely, in the representation of the crusading enterprise of Emperor Charles V against Tunis in 1535 and in the representation of the blessing of the Christian army commanders by Marco d' Aviano in 1683.

This remembrance results from the stations of the cycle: Stations of the Cross, Finding of the cross (Helena), Christian Empire (Emperor Constantine, King Rudolf I, King Stephen of Hungary), defense against internal enemies (Archduke Ferdinand III against the Protestants, Peter Canisius), defense against external enemies ( Emperor Charles V against Tunis in 1535, Marco d' Aviano and Emperor Leopold I. 1683), Last Judgment.

The crusade -like enterprise of Emperor Charles V against Chaireddin Barbarossa and the conquest of Tunis with the liberation of Christian slaves in 1535 is shown in the left window of the north transept, the events of 1683 in the right window of this transept.

www.tuerkengedaechtnis.oeaw.ac.at/ort/breitenseer-pfarrki...

central station Cologne / Germany

 

f=28mm, Fomapan 200 in Aculux 1+9, negscan

Following this past week's ice storm, I made quick stop on the way home from a dental appointment. The edge of an urban farm field will sometimes suffice for a photo-op.

 

This was not a planned photo outing, so I was not prepared with a dedicated camera at hand.

 

20190213_123712-E-S

Park Hill Flats awaiting the attentions of redevelopers Urban Splash

  

Interesting Info:

* Park Hill Flats are the largest listed building in Europe.

* Park Hill Flats are considered one of the leading examples of Brutalist architecture in the U.K along with the Trellick Tower.

* The Park Hill flats measured from end to end are 1,126 metres long.

 

www.skyscrapernews.com/buildings.php?id=741

en.wikipedia.org/wiki/Urban_Splash

www.architectsjournal.co.uk/home/tom-bloxham-and-urban-sp...

 

Inside Wisconsin's last remaining covered bridge. Near Cedarburg, Wisconsin.

 

5-image HDR, hand held.

Workers secure parts of the frames.

First Minister confirms plans to introduce standardised assessments for schools.

 

Scotland will seize the opportunity to be a world leader in assessing and driving forward educational progress for all children, First Minister Nicola Sturgeon said today.

 

Launching a new National Improvement Framework for education, the First Minister outlined her ambition to eliminate the attainment gap between the least and most deprived children, setting out the action already being taken to address the gap through initiatives such as the £100 million Attainment Challenge Fund

First Minister confirms plans to introduce standardised assessments for schools.

 

Scotland will seize the opportunity to be a world leader in assessing and driving forward educational progress for all children, First Minister Nicola Sturgeon said today.

 

Launching a new National Improvement Framework for education, the First Minister outlined her ambition to eliminate the attainment gap between the least and most deprived children, setting out the action already being taken to address the gap through initiatives such as the £100 million Attainment Challenge Fund

Laying down the framework for an idea I had this afternoon

Industry is frequently located along the region’s coasts in areas with high population density, sometimes within urban centers, and often in close proximity to other economic activities like agriculture and tourism. This means that pressures brought by industry to coastal and marine environments add to and interact with other types of pressures. The environmental pressures on the Mediterranean coastal marine environment generated by this broad range of industrial activities are multiple and varied, including the use of territory and natural resources (both marine and non-marine), the generation of waste and the release of pollutants into the atmosphere and water bodies.

 

For any form of publication, please include the link to this page:

www.grida.no/resources/5891

 

This photo has been graciously provided to be used in the GRID-Arendal resources library by: GRID-Arendal

Eagle Aerie Hall

December 2, 2013

Henderson, Nevada

Here is a rough sketch of a design strategy framework for building an online application. It's still very rough, but it highlights some key concepts. Here is the larger design strategy framework diagram.

 

This diagram is a quick sketch to showcase how ZURB thinks about some of the ideas that Robert Hoekman writes about in his article,

Web Anatomy: Introducing Interaction Design Frameworks.

 

ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).

Maroc, années 1950, charpente construite par Etienne Menjoulet. Photographie du bas de la construction

Morocco 1950s framework built by Etienne Menjoulet

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