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Part of East London Printmakers Exhibition at Triangle Gallery, SPACE, Hackney. 15-19 July 2010. Collaboration with printmakers Jairo Zaldua and Nicola Green. Dance: Katsura Isobe. Photo by Gigi Giannella.
#funnyquotes #wisdomquotes #straightup #fyf #realtalk #lifequotes #dopequotes #wepost #godfearingquotes #teamaquarius #likesifyoufeelit #inspirationalquotes #singlelife #clutch #humble #knowledgequotes #lol #fitlife #hardtimes #memories #imahandsomedude #life #aforismi - fragments.of.life
A terracotta fragment with the head of a demonic deity, possibly Sino-Tibetan origin. Period 18th century of earlier.
Measurements 9,5 x 6,7 x 3,7 cm.
little scraps of paper in your pockets
names & numbers ~ things you are to remember...
are they of any consequence to the slumbering soul?
For more information on this journal spread visit my blog:
kimraenugent.blogspot.com/2012/03/fragmented-journal-cont...
Daily Shoot: Focus on a fragment of an object today. Make a photograph that only shows part of an object, not the whole thing.
Part of our garden light, also reflecting fragments of our house and the setting sun.
The church of St Michael & All Angels in Cosby is a handsome building of mainly 14th century date with later additions. The nave has just one side aisle on the south side.
Within the church is somewhat restored but does retain some fragments of original glass in the nave traceries and a small window in the chancel.
I am not sure what the normal opening arrangements are here but believe it is open and welcoming more often than most in the county.
An image I created inspired by a paragraph written by Susan Sontag - 'The modern way of seeing is to see in fragments. It is felt that reality is essentially unlimited, and knowledge is open-ended. It follows that all boundaries, all unifying ideas have to be misleading, demagogic; at best, provisional; almost always, in the long run, untrue. To see reality in the light of certain unifying ideas has the undeniable advantage of giving shape and form to our experience. But it also – so the modern way of seeing instructs us – denies the infinite variety and complexity of the real. Thereby it represses our energy, indeed our right, to remake what we wish to remake – our society, our selves. What is liberating, we are told, is to notice more and more.'
This embroidered cotton fragment is from the 18th century Greek Islands. According to the Metropolitan Museum site, it was made by Friedrich Fischbach and was purchased from the 1909 Rogers Fund, with measurements of 9 1/2 inches long x 6 1/2 inches wide (24.1 x 16.5 cm). The given accession number is 09.50.1370. This fragment is included in the "Met's Open Access Program" offering copyright-free use for the public (public domain). Intricate almost geometric designs are seen that seem to picture birds or plant leaves. It is not known if this piece is "on view".
I've learned that letting your emotions roam in anger and bursting forth in anger... isn't always the best option... just makes things fragmented later.
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Part of a series I'm starting... making a series of images that use the same base image and create different emotions and meanings through any means possible.
There is a wonderful collection of Norman & possibly Anglo Saxon fragments in the porch. They are piled high, there is also a cross in the churchyard.
View from the Historic F.S. Harmon building in the Nalley Valley of Tacoma, Washington. The building was constructed in 1908.
Print version: society6.com/VoronaPhotography/Factory-fragment_Print
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