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We grew it outside.
A clue for those of you of a certain age, you may remember a tv advert that had this line in it. 'I knows it 'cause I grows it'. 😀.
Pentax 6x7, SMC Takumar 150mm f2.8, 10 stop ND filter, Arista Ultra 100 @80, Rodinal 1:50, 9 min. 32 second exposure.
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Sunset Sigoldugljufur Falls Valley of Tears Icelandic Highlands Iceland Midnight Sun Fuji GFX100s Medium Format Fine Art Landscape Photography ! Elliot McGucken Master Fine Art Nature Photographer Fujifilm GFX 100s & FUJIFILM GF 20-35mm F4 Lens
"Beauty will save the world." --Dostoevsky
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
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“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
mamiya 645 - 80mm 2.8 - trx400 - epson3200
May was exceptionally dry, causing the rye (think it is) to look like its time to harvest.
Tip: press "L" or click on the photo for the large format!
After Pont-Ste-Maxence, I headed south to the Dijon region. Because I was suffering from quite a heavy (but non-Covid) cold, however, I just went straight to the hotel and did not make use of the evening anymore. The next morning, I drove to the four-track section of the ligne impériale between Les Laumes and Blaisy-Bas. The sun had not quite dispensed with the hilltop shadows as the only freight train passed by. It is headed by BB 27089, with the grey BB 26092 running idle ("en véhicule") in second position. According to Julian (thanks!), the destination is probably Gevrey; it would then have originated at Le Bourget-Triage near Paris. Villotte-St-Seine, 07-09-2021.
Medium format film, on-camera diffusion filter, no post-filtering. Kodak Tri-X shot at 1200, semi-stand Rodinal.
In Valencia, May 2016.
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Original shot taken with a Revere Eyematic EE127, Wollensack Raptor 58mm F2.8 lens, 40x40 format on 80 asa B/W Agfa 127 rollfilm expired in 1953 (exposed at 10 asa)
Taken with a medium format camera from around 1937 (a Photo-Plait Duxo Prontor II).
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Self-portrait
Film
Developed and scanned at home
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Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Circa 1909 Kodak Folding No 3 Model D with Ilford Pan F 50 in Ilford DD-X. f/16 @ approx. 1.5 seconds
This camera was converted from original 124 film frame to 120 pano & sports a simple Bausch & Lomb meniscus lens of about 150 mm.
www.flickr.com/photos/journeysend1750/51368273579/in/phot...
This was processed with Photomator 16-bit HDR exported in JPEG XL format.
Reference: L1052374-photomator-hdr-hokkaido06s.jpg
IN ENGLISH BELOW THE LINE
Ferrotip en format 4x5 polzades, realitzat amb una Graflex Pacemaker Speed Graphic fabricada cap al 1949; objectiu Kodak Anastigmat f4.5; col·lodió Quinn Quick Clear fet per mi; revelador també fet per mi, amb salnitre afegit per millorar el contrast.
Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.
ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit
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The box was bought in Morocco.... and the engraved walrus tusk... from Canada or Alaska.
Tintype in 4x5 format, made with a Graflex Pacemaker Speed Graphic (from 1949); objectiu Kodak Anastigmat f4.5; Quinn's Quick Clear collodion, mixed by me. Developer also home made, this time with added potassium nitrate for brighter plates.
The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.
en.wikipedia.org/wiki/Collodion_process
intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...