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If you by some weird logic or another to ask me if one could have too many pinhole images of the ocean, or even the Oregon coast specifically, I would probably answer with a question like; can the ocean have too many waves? Or can light fall on a sheer cliff too many times? Or can sand rearrange itself into hypnotic patterns often enough? Your answer to those would most likely match my answer to yours.
Reality So Subtle 6x6 pinhole / Kodak Ektar 100
Taken with a medium format camera from around 1937 (a Photo-Plait Duxo Prontor II).
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Self-portrait
Film
Developed and scanned at home
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IN ENGLISH BELOW THE LINE
Ferrotip en format 4x5 polzades, realitzat amb una Graflex Pacemaker Speed Graphic fabricada cap al 1949; objectiu Kodak Anastigmat f4.5; col·lodió Quinn Quick Clear fet per mi; revelador també fet per mi, amb salnitre afegit per millorar el contrast.
Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.
ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit
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The box was bought in Morocco.... and the engraved walrus tusk... from Canada or Alaska.
Tintype in 4x5 format, made with a Graflex Pacemaker Speed Graphic (from 1949); objectiu Kodak Anastigmat f4.5; Quinn's Quick Clear collodion, mixed by me. Developer also home made, this time with added potassium nitrate for brighter plates.
The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.
en.wikipedia.org/wiki/Collodion_process
intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...
In Valencia, May 2016.
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Original shot taken with a Revere Eyematic EE127, Wollensack Raptor 58mm F2.8 lens, 40x40 format on 80 asa B/W Agfa 127 rollfilm expired in 1953 (exposed at 10 asa)
Chamonix 045f1
Scheider Kreuznach Super Symmar HM 120mm f5,6 @ F11
Fomapan Classic 100 @80ASA
Kodak XTOL 1+1,5 7min (Rotation)
JOBO Expert Drum 3010
One Striplight, plain white paper back drop
Camera: Pentax 645z (Medium format digital)
Lens: HD Pentax-DA 645 28-45mm F4.5ED AW SR
English (Castellano a continuación) Ashford Mill ruins: In 1914, gold ore from “The Golden Treasure Mine”, file miles east, was processed in this building for shipment to a smelter. Legend has it that the Ashford brothers sold the mine for US$50,000 to a Hungarian Count, who later sold it to B. McCausland for US$105,000.
Castellano(English above) Las ruinas del Molino Ashford: En 1914, oro procedente de “The Golden Treasure Mine”, 8 kilómetros al este, era procesado en este edificio par ser luego enviado a una fundición. La leyenda cuenta que los hermanos Ashford vendieron la mina por US$50.000 a un conde húngaro, quien luego la vendió a B. McCausland por US$105.000.
Product Photography @ Photo-Club Rumelange
Shen Hao 4x5" Large Format Camera
Linhof Technika Schneider-Kreuznach Symmar Lens
Big softbox (with grid) on de left, reflector (EPS) on the right.
8 captures, focus-stacked in Photoshop.
Processed in Photoshop and Lightroom Classic.
Shen Hao: www.shen-hao.com
Linhof: en.wikipedia.org/wiki/Linhof
Large Format Camera: en.wikipedia.org/wiki/Large_format
Photo-Club Rumelange (PCR): www.pcr.lu
