New York Railways 5000; these Hedley Doyle "stepless" cars were the forerunners of the modern "low-floor" tram concept. Prototype car 5000 was produced in 1912; the single step into the car through its center entrance was only 10 inches, and there were no steps inside the car (although the floor was ramped). Prototype 5000 was followed by an order of 175 cars in 1913-14, and there were also double-decker variants as well as smaller numbers produced for other cities. The Southern Pacified purchased a batch of 36 for its electric lines in California, including some for Pacific Electric. The PE cars were nicknamed "Dragons".

 

The low floor was achieved much as it is today, by moving equipment normally under the car to the roof and other locations (in this case the driver's cabs got the air compressor and resistor grids), combined with the use of unconventional running gear.

 

B&W print in my collection, photographer unknown.

LEGO Minifig-scale Sentinel, 343 Guilty Spark, and flood infection forms.

Always adapting….

This is just me trying to figure out where stuff wil go. The blue is where a creek will go. I wil add a Forerunner... something... so let me know what it should be and where it should go.

"O Prophet and Forerunner of the presence of Christ, we who fervently honour you cannot worthily praise you. For by your revered and glorious birth the barrenness of your mother and the muteness of your father were unbound, and the incarnation of the Son of God is proclaimed to the world."

 

15th-century painting by an unknown Master in the National Gallery of Art, Washington DC.

"The Ferrari Monza SP1, together with the Monza SP2, are the forerunners in a new concept, known as ‘Icona’ (Icon), that taps into a leitmotif of the most evocative cars in the company’s history to create a new segment of special limited series cars for clients and collectors. The intention is to use a modern aesthetic to reinterpret a timeless style, with technologically advanced components and the highest performance possible through continuous innovation..."

  

Source: Ferrari

  

Photographed at Goodwood Festival of Speed - the event which offers enthusiasts an unrivalled opportunity to get close to the action, and to meet the great champions who gather at Goodwood each summer.

 

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The Volkswagen Type 2, known officially (depending on body type) as the Transporter, Kombi or Microbus, or, informally, as the Bus (US) or Camper (UK), is a forward control panel van introduced in 1950 by the German automaker Volkswagen as its second car model. Following – and initially deriving from Volkswagen's first model, the Type 1 (Beetle) – it was given the factory designation Type 2.

 

As one of the forerunners of the modern cargo and passenger vans, the Type 2 gave rise to forward control competitors in the United States in the 1960s, including the Ford Econoline, the Dodge A100, and the Chevrolet Corvair 95 Corvan, the latter adopting the Type 2's rear-engine configuration.

 

European competition included the 1947-1981 Citroën H Van, the 1959-1980 Renault Estafette (both FF layout), and the 1953-1965 FR layout Ford Transit.

 

Japanese manufacturers also introduced the platform in different configurations, such as the Nissan Caravan, Toyota LiteAce and the Subaru Sambar.

 

Like the Beetle, the van has received numerous nicknames worldwide, including the "microbus", "minibus", and, because of its popularity during the counterculture movement of the 1960s, Hippie van/wagon, and still remains iconic for many hippies today.

 

Brazil contained the last factory in the world that produced the T2. Production in Brazil ceased on December 31, 2013, due to the introduction of more stringent safety regulations in the country. This marks the end of an era with the rear-engine Volkswagens manufactured (after the 2002 termination of its T3 successor in South Africa), which originated in 1935 with their Type 1 prototypes.

 

HISTORY

The concept for the Type 2 is credited to Dutch Volkswagen importer Ben Pon. (It has similarities in concept to the 1920s Rumpler Tropfenwagen and 1930s Dymaxion car by Buckminster Fuller, neither of which reached production.) Pon visited Wolfsburg in 1946, intending to purchase Type 1s for import to the Netherlands, where he saw an improvised parts-mover and realized something better was possible using the stock Type 1 pan. He first sketched the van in a doodle dated April 23, 1947, proposing a payload of 690 kg and placing the driver at the very front. Production would have to wait, however, as the factory was at capacity producing the Type 1.

 

When capacity freed up, a prototype known internally as the Type 29 was produced in a short three months. The stock Type 1 pan proved to be too weak so the prototype used a ladder chassis with unit body construction. Coincidentally the wheelbase was the same as the Type 1's. Engineers reused the reduction gear from the Type 81, enabling the 1.5 ton van to use a 25 hp (19 kW) flat four engine.

 

Although the aerodynamics of the first prototypes were poor (with an initial drag coefficient of Cd=0.75), engineers used the wind tunnel at the Technical University of Braunschweig to optimize the design. Simple changes such as splitting the windshield and roofline into a "vee" helped the production Type 2 achieve Cd=0.44, exceeding the Type 1's Cd=0.48. Volkswagen's new chief executive officer Heinz Nordhoff (appointed 1 January 1948) approved the van for production on 19 May 1949 and the first production model, now designated Type 2, rolled off the assembly line to debut 12 November. Only two models were offered: the Kombi (with two side windows and middle and rear seats that were easily removable by one person), and the Commercial. The Microbus was added in May 1950, joined by the Deluxe Microbus in June 1951. In all 9,541 Type 2s were produced in their first year of production.

 

An ambulance model was added in December 1951 which repositioned the fuel tank in front of the transaxle, put the spare tire behind the front seat, and added a "tailgate"-style rear door. These features became standard on the Type 2 from 1955 to 1967. 11,805 Type 2s were built in the 1951 model year. These were joined by a single-cab pickup in August 1952, and it changed the least of the Type 2s until all were heavily modified in 1968.

 

Unlike other rear engine Volkswagens, which evolved constantly over time but never saw the introduction of all-new models, the Transporter not only evolved, but was completely revised periodically with variations retrospectively referred to as versions "T1" to "T5" (a nomenclature only invented after the introduction of the front-drive T4 which replaced the T25). However, only generations T1 to T3 (or T25 as it is still called in Ireland and Great Britain) can be seen as directly related to the Beetle (see below for details).

 

The Type 2, along with the 1947 Citroën H Van, are among the first 'forward control' vans in which the driver was placed above the front roadwheels. They started a trend in Europe, where the 1952 GM Bedford CA, 1958 RAF-977, 1959 Renault Estafette, 1960 BMC Morris J4, and 1960 Commer FC also used the concept. In the United States, the Corvair-based Chevrolet Corvan cargo van and Greenbrier passenger van went so far as to copy the Type 2's rear-engine layout, using the Corvair's horizontally opposed, air-cooled engine for power. Except for the Greenbrier and various 1950s–70s Fiat minivans, the Type 2 remained unique in being rear-engined. This was a disadvantage for the early "barndoor" Panel Vans, which could not easily be loaded from the rear because the engine cover intruded on interior space, but generally advantageous in traction and interior noise.

 

VARIANTS

The Type 2 was available as a:

 

Panel van, a delivery van without side windows or rear seats.

Double-door Panel Van, a delivery van without side windows or rear seats and cargo doors on both sides.

High Roof Panel Van (German: Hochdach), a delivery van with raised roof.

Kombi, from German: Kombinationskraftwagen (combination motor vehicle), with side windows and removable rear seats, both a passenger and a cargo vehicle combined.

Bus, also called a Volkswagen Caravelle, a van with more comfortable interior reminiscent of passenger cars since the third generation.

Lotação (share-taxi), a version exclusive to Brazil, with 6 front-hinged doors for the passenger area and 4 bench-seats, catering to the supplemental public transport segment.[citation needed] Available from 1960 to 1989, in both the split-window and "clipper" (fitted with the bay-window front panel) bodystyles.

Samba-Bus, a van with skylight windows and cloth sunroof, first generation only, also known as a Deluxe Microbus. They were marketed for touring the Alps.

Flatbed pickup truck, or Single Cab, also available with wider load bed.

Crew cab pick-up, a flatbed truck with extended cab and two rows of seats, also called a Doka, from German: Doppelkabine.

Westfalia camping van, "Westy", with Westfalia roof and interior. Included optional "pop up" top.

Adventurewagen camping van, with high roof and camping units from Adventurewagen.

Semi-camping van that can also still be used as a passenger car and transporter, sacrificing some camping comforts. "Multivan" or "Weekender", available from the third generation on.

 

Apart from these factory variants, there were a multitude of third-party conversions available, some of which were offered through Volkswagen dealers. They included, but were not limited to, refrigerated vans, hearses, ambulances, police vans, fire engines and ladder trucks, and camping van conversions by companies other than Westfalia. There were even 30 Klv 20 rail-going draisines built for Deutsche Bundesbahn in 1955.

 

In South Africa, it is known as a well-loved variation of the ice cream van (first, second and third generations). The mere sight of one (in South Africa) sparks the familiar rhyme: I scream, We scream, We all scream for Ice-Cream!

 

FIRST GENERATION (T1; 1950–1967)

The first generation of the Volkswagen Type 2 with the split windshield, informally called the Microbus, Splitscreen, or Splittie among modern fans, was produced from 8 March 1950 through the end of the 1967 model year. From 1950 to 1956, the T1 (not called that at the time) was built in Wolfsburg; from 1956, it was built at the completely new Transporter factory in Hanover. Like the Beetle, the first Transporters used the 1100 Volkswagen air-cooled engine, an 1,131 cc, DIN-rated 18 kW (24 PS; 24 bhp), air-cooled flat-four-cylinder 'boxer' engine mounted in the rear. This was upgraded to the 1200 – an 1,192 cc 22 kW (30 PS; 30 bhp) in 1953. A higher compression ratio became standard in 1955; while an unusual early version of the 30 kW (41 PS; 40 bhp) engine debuted exclusively on the Type 2 in 1959. This engine proved to be so uncharacteristically troublesome that Volkswagen recalled all 1959 Transporters and replaced the engines with an updated version of the 30 kW engine. Any 1959 models that retain that early engine today are true survivors. Since the engine was totally discontinued at the outset, no parts were ever made available.

 

The early versions of the T1 until 1955 were often called the "Barndoor" (retrospectively called T1a since the 1990s), owing to the enormous rear engine cover, while the later versions with a slightly modified body (the roofline above the windshield is extended), smaller engine bay, and 15" roadwheels instead of the original 16" ones are nowadays called the T1b (again, only called this since the 1990s, based on VW's retrospective T1,2,3,4 etc. naming system.). From the 1964 model year, when the rear door was made wider (same as on the bay-window or T2), the vehicle could be referred to as the T1c. 1964 also saw the introduction of an optional sliding door for the passenger/cargo area instead of the outwardly hinged doors typical of cargo vans.

 

In 1962, a heavy-duty Transporter was introduced as a factory option. It featured a cargo capacity of 1,000 kg instead of the previous 750 kg, smaller but wider 14" roadwheels, and a 1.5 Le, 31 kW (42 PS; 42 bhp) DIN engine. This was so successful that only a year later, the 750 kg, 1.2 L Transporter was discontinued. The 1963 model year introduced the 1500 engine – 1,493 cc as standard equipment to the US market at 38 kW (52 PS; 51 bhp) DIN with an 83 mm bore, 69 mm (2.72 in) stroke, and 7.8:1 compression ratio. When the Beetle received the 1.5 L engine for the 1967 model year, its power was increased to 40 kW (54 PS; 54 bhp) DIN.

 

German production stopped after the 1967 model year; however, the T1 still was made in Brazil until 1975, when it was modified with a 1968–79 T2-style front end, and big 1972-vintage taillights into the so-called "T1.5" and produced until 1996. The Brazilian T1s were not identical to the last German models (the T1.5 was locally produced in Brazil using the 1950s and 1960s-era stamping dies to cut down on retooling, alongside the Beetle/Fusca, where the pre-1965 body style was retained), though they sported some characteristic features of the T1a, such as the cargo doors and five-stud 205 mm Pitch Circle Diameter rims. Wheel tracks varied between German and Brazilian production and with 14-inch, 15-inch and 16-inch wheel variants but commonly front track varied from 1290 mm to 1310 mm and rear track from 1370 mm to 1390 mm.

 

Among American enthusiasts, it is common to refer to the different models by the number of their windows. The basic Kombi or Bus is the 11-window (a.k.a. three-window bus because of three side windows) with a split windshield, two front cabin door windows, six rear side windows, and one rear window. The DeLuxe model featured eight rear side windows and two rear corner windows, making it the 15-window (not available in Europe). Meanwhile, the sunroof DeLuxe with its additional eight small skylight windows is, accordingly, the 23-window. From the 1964 model year, with its wider rear door, the rear corner windows were discontinued, making the latter two the 13-window and 21-window respectively. The 23- and later 21-window variants each carry the nickname 'Samba', or in Australia, officially 'Alpine'.

 

SAMBA

The Volkswagen Samba, in the United States also known as Sunroof Deluxe, was the most luxurious version of the T1. Volkswagen started producing Sambas in 1951.

 

Originally Volkswagen Vans were classified according to the number of windows they had. This particular model had 23 and later 21 windows including eight panoramic windows in the roof. To distinguish it from the normal 23 or 21-window Volkswagen van the name Samba was coined.

 

Instead of a sliding door at the side the Samba had two pivot doors. In addition the Samba had a fabric sunroof. At that time Volkswagen advertised with the idea of using the Samba to make tourist trips through the Alps.

 

Sambas were painted standard in two colors. Usually, the upper part was colored white. The two colored sections were separated by a decorative strip. Further the bus had a so-called "hat": at the front of the van the roof was just a little longer than the car itself to block the sun for the driver. The windows had chrome tables and the van had a more comprehensive dashboard than the normal T1.

 

When Volkswagen started producing the successor of the T1 (the T2) the company also stopped producing the Samba so there are no Sambas in later versions of the Transporter.

 

US CHICKEN TAX

Certain models of the Volkswagen Type 2 played a role in a historic episode during the early 1960s, known as the Chicken War. France and West Germany had placed tariffs on imports of U.S. chicken. Diplomacy failed, and in January 1964, two months after taking office, President Johnson imposed a 25% tax (almost ten times the average U.S. tariff) on potato starch, dextrin, brandy, and light trucks. Officially, the tax targeted items imported from Europe as approximating the value of lost American chicken sales to Europe.

 

In retrospect, audio tapes from the Johnson White House, revealed a quid pro quo unrelated to chicken. In January 1964, President Johnson attempted to convince United Auto Workers' president Walter Reuther not to initiate a strike just before the 1964 election, and to support the president's civil rights platform. Reuther, in turn, wanted Johnson to respond to Volkswagen's increased shipments to the United States.

 

The Chicken Tax directly curtailed importation of German-built Type 2s in configurations that qualified them as light trucks – that is, commercial vans (panel vans) and pickups. In 1964, U.S. imports of automobile trucks from West Germany declined to a value of $5.7 million – about one-third the value imported in the previous year. After 1971, Volkswagen cargo vans and pickup trucks, the intended targets, "practically disappeared from the U.S. market". While post-1971 Type 2 commercial vans and single-cab and double-cab pickups can be found in the United States today, they are exceedingly rare. Any post-1971 specimen found ostensibly has had its import tariff paid. As of 2013, the "chicken tax" remains in effect.

 

SECOND GENERATION (T2; 1967–1979)

In late 1967, the second generation of the Volkswagen Type 2 (T2) was introduced. It was built in Germany until 1979. In Mexico, the Volkswagen Kombi and Panel were produced from 1970 to 1994. Models before 1971 are often called the T2a (or "Early Bay"), while models after 1972 are called the T2b (or "Late Bay").

 

This second-generation Type 2 lost its distinctive split front windshield, and was slightly larger and considerably heavier than its predecessor. Its common nicknames are Breadloaf and Bay-window, or Loaf and Bay for short. At 1.6 L and 35 kW (48 PS; 47 bhp) DIN, the engine was also slightly larger. The battery and electrical system was upgraded to 12 volts, making it incompatible with electric accessories from the previous generation. The new model also did away with the swing axle rear suspension and transfer boxes previously used to raise ride height. Instead, half-shaft axles fitted with constant velocity joints raised ride height without the wild changes in camber of the Beetle-based swing axle suspension. The updated Bus transaxle is usually sought after by off-road racers using air-cooled Volkswagen components.

 

The T2b was introduced by way of gradual change over three years. The first models featured rounded bumpers incorporating a step for use when the door was open (replaced by indented bumpers without steps on later models), front doors that opened to 90° from the body, no lip on the front guards, unique engine hatches, and crescent air intakes in the D-pillars (later models after the Type 4 engine option was offered, have squared off intakes). The 1971 Type 2 featured a new, 1.6 L engine with dual intake ports on each cylinder head and was DIN-rated at 37 kW (50 PS; 50 bhp). An important change came with the introduction of front disc brakes and new roadwheels with brake ventilation holes and flatter hubcaps. Up until 1972, front indicators are set low on the nose rather than high on either side of the fresh air grille – giving rise to their being nicknamed "Low Lights". 1972's most prominent change was a bigger engine compartment to fit the larger 1.7- to 2.0-litre engines from the Volkswagen Type 4, and a redesigned rear end which eliminated the removable rear apron and introduced the larger late tail lights. The air inlets were also enlarged to accommodate the increased cooling air needs of the larger engines.

In 1971 the 1600cc Type 1 engine as used in the Beetle, was supplemented with the 1700cc Type 4 engine – as it was originally designed for the Type 4 (411 and 412) models. European vans kept the option of upright fan Type 1 1600 engine but the 1700 Type 4 became standard for US spec models.

 

In the Type 2, the Type 4 engine was an option for the 1972 model year onward. This engine was standard in models destined for the US and Canada. Only with the Type 4 engine did an automatic transmission become available for the first time in the 1973 model year. Both engines displaced 1.7 L, DIN-rated at 49 kW (67 PS; 66 bhp) with the manual transmission and 46 kW (63 PS; 62 bhp) with the automatic. The Type 4 engine was enlarged to 1.8 L and 50 kW (68 PS; 67 bhp) DIN for the 1974 model year and again to 2.0 L and 52 kW (71 PS; 70 bhp) DIN for the 1976 model year. The two-litre option appeared in South African manufactured models during 1976, originally only in a comparably well-equipped "Executive" model. The 1978 2.0 L now featured hydraulic valve lifters, eliminating the need to periodically adjust the valve clearances as on earlier models. The 1975 and later U.S. model years received Bosch L-Jetronic electronic fuel injection as standard equipment; 1978 was the first year for electronic ignition, utilizing a hall effect sensor and digital controller, eliminating maintenance-requiring contact-breaker points. As with all Transporter engines, the focus in development was not on power, but on low-end torque. The Type 4 engines were considerably more robust and durable than the Type 1 engines, particularly in Transporter service.

 

In 1972, for the 1973 model year, exterior revisions included relocated front turn indicators, squared off and set higher in the valance, above the headlights. Also, square-profiled bumpers, which became standard until the end of the T2 in 1979, were introduced in 1973. Crash safety improved with this change because of a compressible structure behind the front bumper. This meant that the T2b was capable of meeting US safety standards for passenger cars of the time, though not required of vans. The "VW" emblem on the front valance became slightly smaller.

 

Later model changes were primarily mechanical. By 1974, the T2 had gained its final shape. Very late in the T2's design life, during the late 1970s, the first prototypes of Type 2 vans with four-wheel drive (4WD) were built and tested.

 

T2c

The T2c, with a roof raised by about 10 cm was built starting in the early 1990s for the South American and Central American markets. Since 1991, the T2c has been built in México with the water-cooled 1.8 L inline four-cylinder 53 kW (72 PS; 71 bhp) carbureted engine - easily identified by the large, black front-mounted radiator - and since 1995 with the 1.6 L air-cooled engines for the Brazilian market.

 

Once production of the original Beetle was halted in late 2003, the T2 was the only Volkswagen model with an air-cooled, rear-mounted boxer engine, but then the Brazilian model shifted to a water-cooled engine on 23 December 2005. There was a 1.6 L 50 hp (37 kW; 51 PS) water-cooled diesel engine available from 1981 to 1985, which gave fuel economy of 15 km/l to 18 km/l - but gave slow performance and its insufficient cooling system led to short engine life.

 

The end of the Volkswagen air-cooled engine on a worldwide basis was marked by a Special Edition Kombi. An exclusive Silver paint job, and limited edition emblems were applied to only 200 units in late 2005, and were sold as 2006 models.

 

Stricter emissions regulations introduced by the Brazilian government for 2006 forced a shift to a flexible-fuel water-cooled engine[citation needed] able to run on petrol or alcohol. Borrowed from the Volkswagen Fox, the engine is a rear-mounted EA-111 1.4 L 8v Total Flex 1,390 cc, 58 kW (79 PS; 78 bhp) on petrol, and 60 kW (82 PS; 80 bhp) when run on ethanol, and 124 N·m (91 lbf·ft) torque. This version was very successful, despite the minor changes made to the overall T2-bodied vehicle. It still included the four-speed transmission, but a new final-drive ratio enabled cruising at 120 km/h (75 mph) at 4,100 rpm. Top speed was 130 km/h (81 mph). 0 to 100 km/h (0 to 62 mph) acceleration took 22.7 seconds (vs. 29.5 seconds for the last air-cooled version). Other improvements included 6.6% better fuel economy, and nearly 2 dB less engine noise.

 

The Volkswagen Type 2 is by far the longest model run in Brazil, having been introduced in September 1950 as the Volkswagen "Kombi", a name it has kept throughout production.[citation needed] Only produced in two versions, bus (nine-seater or 12-seater – a fourth row is added for metro transportation or school bus market) or panel van, it offers only one factory option, a rear window defogger.[citation needed] As of June 2009, the T2 was being built at the Volkswagen Group's São Bernardo do Campo plant at a rate of 97 per day.

 

The production of the Brazilian Volkswagen Kombi ended in 2013 with a production run of 600 Last Edition vehicles.[28] A short movie called "Kombi's last wishes" was made by VW Brazil.

 

POST_TYPE 2 GENERATIONS

THIRD GENERATION (T3; 1979–1992)

The Volkswagen Type 2 (T3) also known as the T25, (or Vanagon in the United States), the T3 platform was introduced in 1980, and was one of the last new Volkswagen platforms to use an air-cooled engine. The Volkswagen air-cooled engine was phased out for a water-cooled boxer engine (still rear-mounted) in 1984. Compared to its predecessor the T2, the T3 was larger and heavier, with square corners replacing the rounded edges of the older models. The T3 is sometimes called "the wedge" by enthusiasts to differentiate it from earlier Kombis.

 

FOURTH GENERATION (T4; 1990–2003)

Since 1990, the Transporter in most world markets has been front-engined and water-cooled, similar to other contemporary Volkswagens, almost two decades later than it did for the passenger cars. T4s are marketed as Transporter in Europe. In the United States, Volkswagen Eurovan is the brand name.

 

FITH GENERATION (T5; 2003–2015)

The Volkswagen Transporter T5 range is the fifth generation of Volkswagen Commercial Vehicles medium-sized light commercial vehicle and people movers. Launched 6 January 2003, the T5 went into full production in April 2003, replacing the fourth generation range.

 

Key markets for the T5 are Germany, the United Kingdom, Russia, France and Turkey. It is not sold in the US market because it is classed as a light truck, accruing the 25% chicken tax on importation. The T5 has a more aerodynamic design. The angle of the windshield and A-pillar is less; this makes for a large dashboard and small bonnet.

 

In June 2009, Volkswagen Commercial Vehicles announced the one-millionth T5 rolled off the production line in Hanover.

 

T5 GP introduced in 2010. Heavily face-lifted with some new power plants including the 180 bi-turbo range topper. These new engines saw the demise of the now "dirty" 5 cylinder units.

 

Late 2015 will see the arrival of the "Neu Sechs", the New 6. The T6 will offer further engine changes in early 2016, but will launch with the previous generation engines. The new engines will see the introduction of Ad-Blu to meet with euro 6 emission compliance. The new 6 was expected by many to be more than just a face lift.

 

With the T6 now hitting the roads it is very clear it would appear to be just a face lift. New front, new tailgate and a new dash. There are quality improvements, sound deadening, new colours and improved consumption, but many believe VW have missed an opportunity to go back to the top.

Sixth generation (T6; 2015–)

 

The new T6 will launch with the old Euro 5 non AdBlue power-plants, but will be offered with a Euro 6 diesel engine with 204bhp and AdBlue. Three further Euro 6 Adblue diesel power-plants with 84ps, 102ps and 150ps will also be offered.

 

There is some debate in the community over whether the T6 is a new model, or simply a face-lift. There are obvious external changes to the nose and tailgate, while internally there is a new dash in 2 versions. Volkswagen are claiming refinement to ride, handling and noise levels.

 

ADDITIONAL DEVELOPMENTS

In 2001, a Volkswagen Microbus Concept was created, with design cues from the T1 generation in a spirit similar to the New Beetle nostalgia movement. Volkswagen planned to start selling it in the United States market in 2007, but it was scrapped in May 2004 and replaced with a more cost-effective design to be sold worldwide.

 

NAMES AND NICKNAMES

Like the Beetle, from the beginning, the Type 2 earned many nicknames from its fans. Among the most popular,[citation needed] at least in Germany, are VW-Bus and Bulli (or Bully) or Hippie-van or the bus. The Type 2 was meant to be officially named the Bully, but Heinrich Lanz, producer of the Lanz Bulldog farm tractor, intervened. The model was then presented as the Volkswagen Transporter and Volkswagen Kleinbus, but the Bully nickname still caught on.

 

The official German-language model names Transporter and Kombi (Kombinationskraftwagen, combined-use vehicle) have also caught on as nicknames. Kombi is not only the name of the passenger variant, but is also the Australasian and Brazilian term for the whole Type 2 family; in much the same way that they are all called VW-Bus in Germany, even the pickup truck variations. In Mexico, the German Kombi was translated as Combi, and became a household word thanks to the vehicle's popularity in Mexico City's public transportation system. In Peru, where the term Combi was similarly adopted, the term Combi Asesina (Murdering Combi) is often used for buses of similar size, because of the notorious recklessness and competition of bus drivers in Lima to get passengers. In Portugal it is known as Pão-de-Forma (Breadloaf) because its design resembles a bread baked in a mold. Similarly, in Denmark, the Type 2 is referred to as Rugbrød (Rye bread). Finns dubbed it Kleinbus (mini-bus), as many taxicab companies adopted it for group transportation; the name Kleinbus has become an appellative for all passenger vans. The vehicle is also known as Kleinbus in Chile.

 

In the US, however, it is a VW bus, a "vee-dub", a minibus, a hippie-mobile, hippie bus, or hippie van, "combie", Microbus or a Transporter to aficionados. The early versions produced before 1967 used a split front windshield (giving rise to the nickname "Splitty"), and their comparative rarity has led to their becoming sought after by collectors and enthusiasts. The next version, sold in the US market from 1968 to 1979, is characterised by a large, curved windshield and is commonly called a "bay-window". It was replaced by the Vanagon, of which only the Westfalia camper version has a common nickname, "Westy".

 

It was called Volksie Bus in South Africa, notable in a series of that country's TV commercials. Kombi is also a generic nickname for vans and minibuses in South Africa and Swaziland, often used as a means of public transportation. In Nigeria it was called Danfo.

 

In the UK, it is known as a "Campervan". In France, it was called a "camping-car" (usually hyphenated) though this has been expanded to include other, often more specialized vehicles in more recent times.

 

MEXICAN PRODUCTION

T2 production began in 1970 at the Puebla assembly factory.

 

Offered initially only as a nine-passenger version called the Volkswagen Kombi, and from 1973 also its cargo van version called the Volkswagen Panel, both variants were fitted with the 1.5 L air-cooled boxer engine and four-speed manual gearbox. In 1974, the 1.6 L 44 bhp (33 kW; 45 PS) boxer engine replaced the 1.5 previous one, and production continued this way up to 1987. In 1987, the water-cooled 1.8 L 85 bhp (63 kW; 86 PS) inline four-cylinder engine replaced the air-cooled 1.6 L. This new model is recognisable by its black grille (for its engine coolant radiator), bumpers and moldings.

 

In 1975, Volkswagen de Mexico ordered two specially made pickups from Germany, one single cab and one double cab, for the Puebla plant. These were evaluated for the possibility of building pickups in Mexico, and were outfitted with every option except the Arctic package, including front and rear fog lights, intermittent wipers, trip odometer, clock, bumper rubber, PVC tilt, and dual doors on the single cab storage compartment. VW de Mexico was interested in having the lights, wiring, brake systems and other parts manufactured in Mexico. Ultimately, VW de Mexico declined to produce pickups, and the pickups were sold to an Autohaus, a Volkswagen dealer in San Antonio, Texas, since they could not be sold in Mexico. By law, no German-made Volkswagens were to be sold in Mexico. These are probably the only pickups that were produced in Germany for Mexican import, and have the "ME" export code on the M-code plate. The green double cab was sold to a new owner in New York, and has been lost track of. The light gray (L345, licht grau) single cab still exists. Pickups were not manufactured in Mexico, nor were they imported into Mexico from Germany, save for these two examples.

 

In 1988, a luxury variant – the Volkswagen Caravelle – made its debut in the Mexican market to compete with the Nissan Ichi Van, which was available in cargo, passenger and luxury versions.

 

The main differences between the two are that the Caravelle was sold as an eight-passenger version, while the Combi was available as a nine-passenger version, the Caravelle was only painted in metallic colors, while the Combi was only available in non-metallic colors, and the Caravelle was fitted with an AM/FM stereo cassette sound system, tinted windows, velour upholstery, reading lights, mid and rear headrests, and wheel covers from the European T25 model.

 

In 1991, the 10 cm higher roof made its debut in all variants, and the Combi began to be offered in eight- or nine-passenger variants. In 1991, since Mexican anti-pollution regulations required a three-way catalytic converter, a Digifant fuel injection system replaced the previous carburetor. The three variants continued without change until 1994.

 

In 1994, production ended in Mexico, with models being imported from Brazil. The Caravelle was discontinued, and both the Combi and the Panel were only offered in white color and finally in 2002, replaced by the T4 EuroVan Pasajeros and EuroVan Carga, passenger and cargo van in long wheelbase version, inline five-cylinder 2.5 L 115 bhp and five-speed manual gearbox imported from Germany.

 

WIKIPEDIA

The Volkswagen Type 2, officially known as the Transporter or informally as Bus (US) or Camper (UK), was a panel van introduced in 1950 by German automaker Volkswagen as its second car model – following and initially deriving from Volkswagen's first model, the Type 1 (Beetle), it was given the factory designation Type 2.

As one of the forerunners of the modern cargo and passenger vans, the Type 2 gave rise to competitors in the United States and Europe, including the Ford Econoline, the Dodge A100, and the Corvair 95 Corvan, the latter adopting the Type 2's rear-engine configuration. European competition included the Renault Estafette and the Ford Transit. As of January 2010, updated versions of the Type 2 remain in production in international markets— as a passenger van, as a cargo van, and as a pickup truck.

Like the Beetle, the van has received numerous nicknames worldwide, including the "microbus", "minibus", "kombi" and, due to its popularity during the counterculture movement of the 1960s, "hippie van".

 

The concept for the Type 2 is credited to Dutch Volkswagen importer Ben Pon. (It has similarities in concept to the 1920s Rumpler Tropfenwagen and 1930s Dymaxion car by Buckminster Fuller, neither of which reached production.) Pon visited Wolfsburg in 1946, intending to purchase Type 1s for import to Holland, where he saw an improvised parts-mover and realized something better was possible using the stock Type 1 pan. He first sketched the van in a doodle dated April 23, 1947, proposing a payload of 690 kg (1,500 lb) and placing the driver at the very front. Production would have to wait, however, as the factory was at capacity producing the Type 1.

When capacity freed up a prototype known internally as the Type 29 was produced in a short three months. The stock Type 1 pan proved to be too weak so the prototype used a ladder chassis with unit body construction. Coincidentally the wheelbase was the same as the Type 1's. Engineers reused the reduction gear from the Type 81, enabling the 1.5 ton van to use a 25 hp (19 kW) flat four engine.

Although the aerodynamics of the first prototypes were poor (with an initial drag coefficient of 0.75), engineers used the wind tunnel at the Technical University of Braunschweig to optimize the design. Simple changes such as splitting the windshield and roofline into a "vee" helped the production Type 2 achieve a drag coefficient of 0.44, exceeding the Type 1's 0.48. Volkswagen's new chief executive officer Heinz Nordhoff (appointed 1 January 1948) approved the van for production on 19 May 1949 and the first production model, now designated Type 2, rolled off the assembly line to debut 12 November. Only two models were offered: the Kombi (with two side windows and middle and rear seats that were easily removable by one person), and the Commercial. The Microbus was added in May 1950, joined by the Deluxe Microbus in June 1951. In all 9,541 Type 2s were produced in their first year of production.

An ambulance model was added in December 1951 which repositioned the fuel tank in front of the transaxle, put the spare tire behind the front seat, and added a "tailgate"-style rear door. These features became standard on the Type 2 from 1955 to 1967. 11,805 Type 2s were built in the 1951 model year. These were joined by a single-cab pickup in August 1952, and it changed the least of the Type 2s until all were heavily modified in 1968.

Unlike other rear engine Volkswagens, which evolved constantly over time but never saw the introduction of all-new models, the Transporter not only evolved, but was completely revised periodically with variations retrospectively referred to as versions "T1" to "T5" (a nomenclature only invented after the introduction of the front-drive T4 which repaced the T25) However only generations T1 to T3 (or T25 as it is still called in Ireland and Great Britain) can be seen as directly related to the Beetle (see below for details).

The Type 2, along with the 1947 Citroën H Van, are among the first 'forward control' vans in which the driver was placed above the front roadwheels. They started a trend in Europe, where the 1952 GM Bedford CA, 1959 Renault Estafette, 1960 BMC Morris J4, and 1960 Commer FC also used the concept. In the United States, the Corvair-based Chevrolet Corvan cargo van and Greenbrier passenger van went so far as to copy the Type 2's rear-engine layout, using the Corvair's horizontally-opposed, air-cooled engine for power. Except for the Greenbrier and various 1950s–70s Fiat minivans, the Type 2 remained unique in being rear-engined. This was a disadvantage for the early "barndoor" Panel Vans, which couldn't easily be loaded from the rear due to the engine cover intruding on interior space, but generally advantageous in traction and interior noise.

 

The Type 2 was available as a:

Panel van, a delivery van without side windows or rear seats.

Nippen Tucket, available in six colours, with or without doors.

Walk-Through Panel Van, a delivery van without side windows or rear seats and cargo doors on both sides.

High Roof Panel Van (German: Hochdach), a delivery van with raised roof.

Kombi, from German: Kombinationskraftwagen (combination motor vehicle), with side windows and removable rear seats, both a passenger and a cargo vehicle combined.

Bus, also called a Volkswagen Caravelle, a van with more comfortable interior reminiscent of passenger cars since the third generation.

Samba-Bus, a van with skylight windows and cloth sunroof, first generation only, also known as a Deluxe Microbus. They were marketed for touring the Alps,

Flatbed pickup truck, or Single Cab, also available with wider load bed.

Crew cab pick-up, a flatbed truck with extended cab and two rows of seats, also called a Doka, from German: Doppelkabine.

Westfalia camping van, "Westy", with Westfalia roof and interior.

Adventurewagen camping van, with high roof and camping units from Adventurewagen.

Semi-camping van that can also still be used as a passenger car and transporter, sacrificing some camping comforts. "Multivan" or "Weekender", available from the third generation on.

Apart from these factory variants, there were a multitude of third-party conversions available, some of which were offered through Volkswagen dealers. They included, but were not limited to, refrigerated vans, hearses, ambulances, police vans, fire engines and ladder trucks, and camping van conversions by companies other than Westfalia. There were even 30 Klv 20 rail-going draisines built for Deutsche Bundesbahn in 1955.

 

The first generation of the Volkswagen Type 2 with the split windshield, informally called the Microbus, Splitscreen, or Splittie among modern fans, was produced from 8 March 1950 through the end of the 1967 model year. From 1950–1956, the T1 was built in Wolfsburg; from 1956, it was built at the completely new Transporter factory in Hanover. Like the Beetle, the first Transporters used the 1100 Volkswagen air cooled engine, an 1,131 cc (69.0 cu in), DIN-rated 18 kW (24 PS; 24 bhp), air-cooled flat-four cylinder 'boxer' engine mounted in the rear. This was upgraded to the 1200 – an 1,192 cc (72.7 cu in) 22 kW (30 PS; 30 bhp) in 1953. A higher compression ratio became standard in 1955; while an unusual early version of the 30 kW (41 PS; 40 bhp) engine debuted exclusively on the Type 2 in 1959. This engine proved to be so uncharacteristically troublesome that Volkswagen recalled all 1959 Transporters and replaced the engines with an updated version of the 30 kW engine. Any 1959 models that retain that early engine today are true survivors. Since the engine was totally discontinued at the outset, no parts were ever made available.

The early versions of the T1 until 1955 were often called the "Barndoor" (retrospectively called T1a since the 1990s), owing to the enormous rear engine cover, while the later versions with a slightly modified body (the roofline above the windshield is extended), smaller engine bay, and 15" roadwheels instead of the original 16" ones are nowadays called the T1b (again, only called this since the 1990s, based on VW's restrospective T1,2,3,4 etc. naming system.). From the 1964 model year, when the rear door was made wider (same as on the bay-window or T2), the vehicle could be referred to as the T1c. 1964 also saw the introduction of an optional sliding door for the passenger/cargo area instead of the outwardly hinged doors typical of cargo vans. This change arguably makes the 1964 Volkswagen the first true minivan, although the term wouldn't be coined for another two decades.

In 1962, a heavy-duty Transporter was introduced as a factory option. It featured a cargo capacity of 1,000 kg (2,205 lb) instead of the previous 750 kg (1,653 lb), smaller but wider 14" roadwheels, and a 1.5 Le, 31 kW (42 PS; 42 bhp) DIN engine. This was so successful that only a year later, the 750 kg, 1.2 L Transporter was discontinued. The 1963 model year introduced the 1500 engine – 1,493 cc (91.1 cu in) as standard equipment to the US market at 38 kW (52 PS; 51 bhp) DIN with an 83 mm (3.27 in) bore, 69 mm (2.72 in) stroke, and 7.8:1 compression ratio. When the Beetle received the 1.5 L engine for the 1967 model year, its power was increased to 40 kW (54 PS; 54 bhp) DIN.

  

1966 Volkswagen Kombi (North America)

German production stopped after the 1967 model year; however, the T1 still was made in Brazil until 1975, when it was modified with a 1968–79 T2-style front end, and big 1972-vintage taillights into the so-called "T1.5" and produced until 1996. The Brazilian T1s were not identical to the last German models (the T1.5 was locally produced in Brazil using the 1950s and 1960s-era stamping dies to cut down on retooling, alongside the Beetle/Fusca, where the pre-1965 body style was retained), though they sported some characteristic features of the T1a, such as the cargo doors and five-stud 205 mm (8.1 in) PCD) rims.

  

VW Bus Type 2 (T1), hippie colors

Among American enthusiasts, it is common to refer to the different models by the number of their windows. The basic Kombi or Bus is the 11-window (a.k.a. three-window bus because of three side windows) with a split windshield, two front cabin door windows, six rear side windows, and one rear window. The DeLuxe model featured eight rear side windows and two rear corner windows, making it the 15-window (not available in Europe). Meanwhile, the sunroof DeLuxe with its additional eight small skylight windows is, accordingly, the 23-window. From the 1964 model year, with its wider rear door, the rear corner windows were discontinued, making the latter two the 13-window and 21-window respectively. The 23- and later 21-window variants each carry the nickname 'Samba', or in Australia, officially 'Alpine'.

 

Certain models of the Volkswagen Type 2 played a role in an historic episode during the early 1960s, known as the Chicken War. France and West Germany had placed tariffs on imports of U.S. chicken. Diplomacy failed, and in January 1964, two months after taking office, President Johnson imposed a 25% tax (almost 10 times the average U.S. tariff) on potato starch, dextrin, brandy, and light trucks. Officially, the tax targeted items imported from Europe as approximating the value of lost American chicken sales to Europe.

In retrospect, audio tapes from the Johnson White House, revealed a quid pro quo unrelated to chicken. In January 1964, President Johnson attempted to convince United Auto Workers' president Walter Reuther not to initiate a strike just prior to the 1964 election, and to support the president's civil rights platform. Reuther, in turn, wanted Johnson to respond to Volkswagen's increased shipments to the United States.

The Chicken Tax directly curtailed importation of German-built Type 2s in configurations that qualified them as light trucks – that is, commercial vans (panel vans) and pickups. In 1964, U.S. imports of automobile trucks from West Germany declined to a value of $5.7 million – about one-third the value imported in the previous year. After 1971, Volkswagen cargo vans and pickup trucks, the intended targets, "practically disappeared from the U.S. market". While post-1971 Type 2 commercial vans and single-cab and double-cab pickups can be found in the United States today, they are exceedingly rare. As of 2009, the Chicken tax remains in effect.

(Source Wikipedia)

 

Shot at Båstnäs Vehicle graveyard with a Nikon D70.

Edited on a IPad 2

This is a bus from the late 1920s California Transit lines. They would become part of Greyhound by the 1930s. This from my Grandfather Frank's collection, he worked there from the 1920s to 1959.

New info this may have been the bus to drive the first Transcontinental trip across the USA. Yellow way bus lines owned by Wesley Elgin Travis bought a bus made by the California Transit Company and it was used for the first trip. they left at 8'0 clock Wednesday night on September 5, 1928. It took 5 days and fourteen hours, a day longer than a train trip. The mileage was 3,433, Travis rode on the last leg of the trip himself. My Grandpa Frank was a friend of Travis, from the founding of the Los Angeles branch. Travis sold Yellow Way to Greyhound in 1929 and became the Chairman of Pacific Greyhound lines.

One of the many split screen VW Type 2 buses in a Swedish classic car junk yard.

 

------------------------------------------

 

The Volkswagen Type 2, officially known as the Transporter or informally as Bus (US) or Camper (UK), was a panel van introduced in 1950 by German automaker Volkswagen as its second car model – following and initially deriving from Volkswagen's first model, the Type 1 (Beetle), it was given the factory designation Type 2.

As one of the forerunners of the modern cargo and passenger vans, the Type 2 gave rise to competitors in the United States and Europe, including the Ford Econoline, the Dodge A100, and the Corvair 95 Corvan, the latter adopting the Type 2's rear-engine configuration. European competition included the Renault Estafette and the Ford Transit. As of January 2010, updated versions of the Type 2 remain in production in international markets— as a passenger van, as a cargo van, and as a pickup truck.

Like the Beetle, the van has received numerous nicknames worldwide, including the "microbus", "minibus", "kombi" and, due to its popularity during the counterculture movement of the 1960s, "hippie van".

 

The concept for the Type 2 is credited to Dutch Volkswagen importer Ben Pon. (It has similarities in concept to the 1920s Rumpler Tropfenwagen and 1930s Dymaxion car by Buckminster Fuller, neither of which reached production.) Pon visited Wolfsburg in 1946, intending to purchase Type 1s for import to Holland, where he saw an improvised parts-mover and realized something better was possible using the stock Type 1 pan. He first sketched the van in a doodle dated April 23, 1947, proposing a payload of 690 kg (1,500 lb) and placing the driver at the very front. Production would have to wait, however, as the factory was at capacity producing the Type 1.

When capacity freed up a prototype known internally as the Type 29 was produced in a short three months. The stock Type 1 pan proved to be too weak so the prototype used a ladder chassis with unit body construction. Coincidentally the wheelbase was the same as the Type 1's. Engineers reused the reduction gear from the Type 81, enabling the 1.5 ton van to use a 25 hp (19 kW) flat four engine.

Although the aerodynamics of the first prototypes were poor (with an initial drag coefficient of 0.75), engineers used the wind tunnel at the Technical University of Braunschweig to optimize the design. Simple changes such as splitting the windshield and roofline into a "vee" helped the production Type 2 achieve a drag coefficient of 0.44, exceeding the Type 1's 0.48. Volkswagen's new chief executive officer Heinz Nordhoff (appointed 1 January 1948) approved the van for production on 19 May 1949 and the first production model, now designated Type 2, rolled off the assembly line to debut 12 November. Only two models were offered: the Kombi (with two side windows and middle and rear seats that were easily removable by one person), and the Commercial. The Microbus was added in May 1950, joined by the Deluxe Microbus in June 1951. In all 9,541 Type 2s were produced in their first year of production.

An ambulance model was added in December 1951 which repositioned the fuel tank in front of the transaxle, put the spare tire behind the front seat, and added a "tailgate"-style rear door. These features became standard on the Type 2 from 1955 to 1967. 11,805 Type 2s were built in the 1951 model year. These were joined by a single-cab pickup in August 1952, and it changed the least of the Type 2s until all were heavily modified in 1968.

Unlike other rear engine Volkswagens, which evolved constantly over time but never saw the introduction of all-new models, the Transporter not only evolved, but was completely revised periodically with variations retrospectively referred to as versions "T1" to "T5" (a nomenclature only invented after the introduction of the front-drive T4 which repaced the T25) However only generations T1 to T3 (or T25 as it is still called in Ireland and Great Britain) can be seen as directly related to the Beetle (see below for details).

The Type 2, along with the 1947 Citroën H Van, are among the first 'forward control' vans in which the driver was placed above the front roadwheels. They started a trend in Europe, where the 1952 GM Bedford CA, 1959 Renault Estafette, 1960 BMC Morris J4, and 1960 Commer FC also used the concept. In the United States, the Corvair-based Chevrolet Corvan cargo van and Greenbrier passenger van went so far as to copy the Type 2's rear-engine layout, using the Corvair's horizontally-opposed, air-cooled engine for power. Except for the Greenbrier and various 1950s–70s Fiat minivans, the Type 2 remained unique in being rear-engined. This was a disadvantage for the early "barndoor" Panel Vans, which couldn't easily be loaded from the rear due to the engine cover intruding on interior space, but generally advantageous in traction and interior noise.

 

The Type 2 was available as a:

Panel van, a delivery van without side windows or rear seats.

Nippen Tucket, available in six colours, with or without doors.

Walk-Through Panel Van, a delivery van without side windows or rear seats and cargo doors on both sides.

High Roof Panel Van (German: Hochdach), a delivery van with raised roof.

Kombi, from German: Kombinationskraftwagen (combination motor vehicle), with side windows and removable rear seats, both a passenger and a cargo vehicle combined.

Bus, also called a Volkswagen Caravelle, a van with more comfortable interior reminiscent of passenger cars since the third generation.

Samba-Bus, a van with skylight windows and cloth sunroof, first generation only, also known as a Deluxe Microbus. They were marketed for touring the Alps,

Flatbed pickup truck, or Single Cab, also available with wider load bed.

Crew cab pick-up, a flatbed truck with extended cab and two rows of seats, also called a Doka, from German: Doppelkabine.

Westfalia camping van, "Westy", with Westfalia roof and interior.

Adventurewagen camping van, with high roof and camping units from Adventurewagen.

Semi-camping van that can also still be used as a passenger car and transporter, sacrificing some camping comforts. "Multivan" or "Weekender", available from the third generation on.

Apart from these factory variants, there were a multitude of third-party conversions available, some of which were offered through Volkswagen dealers. They included, but were not limited to, refrigerated vans, hearses, ambulances, police vans, fire engines and ladder trucks, and camping van conversions by companies other than Westfalia. There were even 30 Klv 20 rail-going draisines built for Deutsche Bundesbahn in 1955.

 

The first generation of the Volkswagen Type 2 with the split windshield, informally called the Microbus, Splitscreen, or Splittie among modern fans, was produced from 8 March 1950 through the end of the 1967 model year. From 1950–1956, the T1 was built in Wolfsburg; from 1956, it was built at the completely new Transporter factory in Hanover. Like the Beetle, the first Transporters used the 1100 Volkswagen air cooled engine, an 1,131 cc (69.0 cu in), DIN-rated 18 kW (24 PS; 24 bhp), air-cooled flat-four cylinder 'boxer' engine mounted in the rear. This was upgraded to the 1200 – an 1,192 cc (72.7 cu in) 22 kW (30 PS; 30 bhp) in 1953. A higher compression ratio became standard in 1955; while an unusual early version of the 30 kW (41 PS; 40 bhp) engine debuted exclusively on the Type 2 in 1959. This engine proved to be so uncharacteristically troublesome that Volkswagen recalled all 1959 Transporters and replaced the engines with an updated version of the 30 kW engine. Any 1959 models that retain that early engine today are true survivors. Since the engine was totally discontinued at the outset, no parts were ever made available.

The early versions of the T1 until 1955 were often called the "Barndoor" (retrospectively called T1a since the 1990s), owing to the enormous rear engine cover, while the later versions with a slightly modified body (the roofline above the windshield is extended), smaller engine bay, and 15" roadwheels instead of the original 16" ones are nowadays called the T1b (again, only called this since the 1990s, based on VW's restrospective T1,2,3,4 etc. naming system.). From the 1964 model year, when the rear door was made wider (same as on the bay-window or T2), the vehicle could be referred to as the T1c. 1964 also saw the introduction of an optional sliding door for the passenger/cargo area instead of the outwardly hinged doors typical of cargo vans. This change arguably makes the 1964 Volkswagen the first true minivan, although the term wouldn't be coined for another two decades.

In 1962, a heavy-duty Transporter was introduced as a factory option. It featured a cargo capacity of 1,000 kg (2,205 lb) instead of the previous 750 kg (1,653 lb), smaller but wider 14" roadwheels, and a 1.5 Le, 31 kW (42 PS; 42 bhp) DIN engine. This was so successful that only a year later, the 750 kg, 1.2 L Transporter was discontinued. The 1963 model year introduced the 1500 engine – 1,493 cc (91.1 cu in) as standard equipment to the US market at 38 kW (52 PS; 51 bhp) DIN with an 83 mm (3.27 in) bore, 69 mm (2.72 in) stroke, and 7.8:1 compression ratio. When the Beetle received the 1.5 L engine for the 1967 model year, its power was increased to 40 kW (54 PS; 54 bhp) DIN.

  

1966 Volkswagen Kombi (North America)

German production stopped after the 1967 model year; however, the T1 still was made in Brazil until 1975, when it was modified with a 1968–79 T2-style front end, and big 1972-vintage taillights into the so-called "T1.5" and produced until 1996. The Brazilian T1s were not identical to the last German models (the T1.5 was locally produced in Brazil using the 1950s and 1960s-era stamping dies to cut down on retooling, alongside the Beetle/Fusca, where the pre-1965 body style was retained), though they sported some characteristic features of the T1a, such as the cargo doors and five-stud 205 mm (8.1 in) PCD) rims.

  

VW Bus Type 2 (T1), hippie colors

Among American enthusiasts, it is common to refer to the different models by the number of their windows. The basic Kombi or Bus is the 11-window (a.k.a. three-window bus because of three side windows) with a split windshield, two front cabin door windows, six rear side windows, and one rear window. The DeLuxe model featured eight rear side windows and two rear corner windows, making it the 15-window (not available in Europe). Meanwhile, the sunroof DeLuxe with its additional eight small skylight windows is, accordingly, the 23-window. From the 1964 model year, with its wider rear door, the rear corner windows were discontinued, making the latter two the 13-window and 21-window respectively. The 23- and later 21-window variants each carry the nickname 'Samba', or in Australia, officially 'Alpine'.

 

Certain models of the Volkswagen Type 2 played a role in an historic episode during the early 1960s, known as the Chicken War. France and West Germany had placed tariffs on imports of U.S. chicken. Diplomacy failed, and in January 1964, two months after taking office, President Johnson imposed a 25% tax (almost 10 times the average U.S. tariff) on potato starch, dextrin, brandy, and light trucks. Officially, the tax targeted items imported from Europe as approximating the value of lost American chicken sales to Europe.

In retrospect, audio tapes from the Johnson White House, revealed a quid pro quo unrelated to chicken. In January 1964, President Johnson attempted to convince United Auto Workers' president Walter Reuther not to initiate a strike just prior to the 1964 election, and to support the president's civil rights platform. Reuther, in turn, wanted Johnson to respond to Volkswagen's increased shipments to the United States.

The Chicken Tax directly curtailed importation of German-built Type 2s in configurations that qualified them as light trucks – that is, commercial vans (panel vans) and pickups. In 1964, U.S. imports of automobile trucks from West Germany declined to a value of $5.7 million – about one-third the value imported in the previous year. After 1971, Volkswagen cargo vans and pickup trucks, the intended targets, "practically disappeared from the U.S. market". While post-1971 Type 2 commercial vans and single-cab and double-cab pickups can be found in the United States today, they are exceedingly rare. As of 2009, the Chicken tax remains in effect.

(Source Wikipedia)

Utility/Combination Wagon

(Forerunner of Farm Truck)

 

Identification

Manufacturer: Otto Hansen of Ludington

Brand/Model: N/A

Circa: Early 1900s

Remarks: Horse Drawn/Wooden Spoke Wheels

 

Purpose/Operation

*It was used to haul fruit (apples, setc.) from the orchard.

*Seats on each side of wagon were used to haul workers to the orchard.

*H. Butler (name on side of wagon) owned the orchard

If there's one place that I can definitely see myself visiting again and again, it's Mono Lake, CA. The 760,000 yr old lake is on the edge of belief, and thanks to many underwater springs and a unique calcium and carbonate reaction (science, baby!), it has formed a gorgeous, almost alien terrain. The entire lake is beautifully weird... and I like weird :D.

 

facebook: www.facebook.com/jasonsinnphotography

 

website: www.jasonsinnphotography.com

The North Adelaide Grammar School established 1854 by John Whinham, on land purchased by George Fife Angas, was the forerunner to this landmark Whinham College.

 

In 1873 John Whinham retired and his son Robert took the reins. In 1881, following an influx of scholars, plans were drawn up by architect Thomas Frost for the construction of new school buildings at the corner of Ward and Jeffcott Streets. The new buildings opened 1882.

It was reputed to be the most modern, best equipped secondary school in South Australia.

 

The main building with frontage to Jeffcott Street comprised centre building and two storeyed wings. Wings at the rear with transepts enclosed three sides of an open court.

The total, in Elizabethan style, contains more than 40 rooms. Its prominent feature is the clock tower of white and coloured bricks, with freestone columns that have carved caps.

 

In 1884 Robert Whinham was killed in a fall from a horse and John Whinham resumed control. He died in 1886, the school declined and closed in 1898.

 

From 1898 the property then became a training school for lady missionaries and known as Angas College.

 

In 1916 the army took possession of the property for use as a repatriation hospital.

 

In 1922 the United Evangelical Lutheran Church in Australia purchased the property for £13,500.

In 1923, Immanuel College and Seminary were officially opened. They operated until the Air Force commandeered the building in 1942, giving ten days’ notice to vacate.

 

In 2003 the General Synod of the Lutheran Church in Australia changed the name of the Seminary to Australian Lutheran College, to take effect 1 January 2004.

 

Ref: ALC - Australian Lutheran College Site History Brochure.

North Adelaide Institutions + Colleges DPA.

 

Destro leads his own private army of MARS troopers, the forerunners of the Iron Grenadiers.

The Lockheed EC-121 Warning Star was a United States Navy and United States Air Force Airborne early warning and control radar surveillance aircraft. A military version of the Lockheed L-1049 Super Constellation, it was designed to serve as an airborne early warning system to supplement the Distant Early Warning Line, using two large radomes, a vertical dome above and a horizontal one below the fuselage. EC-121s were also used for intelligence gathering (SIGINT).

 

It was introduced in 1954 and retired from service in 1978, although a single specially modified EW aircraft remained in service with the U.S. Navy until 1982. The U.S. Navy versions when initially procured were designated WV-1 (PO-1W), WV-2, and WV-3. Warning Stars of the U.S. Air Force served during the Vietnam War as both electronic sensor monitors and as a forerunner to the Boeing E-3 Sentry AWACS. U.S. Air Force aircrews adopted the civil nickname, "Connie" (diminutive of Constellation) as reference, while naval aircrews used the term "Willie Victor" based on a slang version of the NATO alphabet and the naval version of the aircraft's pre-1962 designation of WV-1, WV-2 or WV-3.

  

Development:

Since 1943 the Lockheed Constellation had been in USAAF service as the C-69. The use of the Constellation by the U.S. Navy for patrol and airborne early warning duties was first investigated in 1949, when the Navy acquired two Lockheed L-749 Constellations. First flown on 9 June 1949, the PO-1W carried large, long-range radars in massive radomes above and below the fuselage. As the radomes produced considerable more side area, the fins of the PO-1W had to be increased. After the PO-1W, which was redesignated WV-1 in 1952, had proved that it was possible to operate large radars on aircraft, the U.S. Navy ordered the WV-2 based on the L-1049 Super Constellation. The WV-1s were later transferred to the Federal Aviation Agency in 1958–1959.

 

The WV-2/EC-121D was initially fitted with a dorsal AN/APS-45 height finder radar and a ventral AN/APS-20 air search radar. These radars were later upgraded to AN/APS-103 and AN/APS-95 radars, although not simultaneously. The crew commonly numbered 18, six officers (two pilots, two navigators, two weapons controllers) and 12 enlisted personnel (two flight engineers, one radio operator, two crew chiefs, five radar operators, two radar technicians). However, when North Korea shot down a Navy EC-121 in 1969, a crew of 31 was on board.

 

Orders were placed totaling 142 PO-2W Constellations based on the Lockheed L-1049 Super Constellation with deliveries beginning in 1953. The type was redesignated WV-2 in 1954. The WV-2 was familiarly known to its crews as "Willy Victor". In 1962, with standardization of aircraft designations within the Department of Defense, the WV-2 then became the EC-121K. A total of 13 of these were converted to WV-2Q electronic intelligence aircraft (which became EC-121M in 1962), and nine were converted to WV-3 weather reconnaissance aircraft (WC-121N in 1962). The EC-121K was also operated by Training Squadron 86 (VT-86) at NAS Glynco, Georgia for training of Student Naval Flight Officers destined to fly both the EC-121 and the Grumman E-2 Hawkeye. When NAS Glynco was closed and VT-86 transferred to NAS Pensacola, Florida in 1973, the squadron's last EC-121 was also flown to NAS Pensacola for transfer to the collection of the National Museum of Naval Aviation where it remains today. A single aircraft became an NC-121K, an electronic warfare variant assigned to Tactical Electronic Warfare Squadron 33 (VAQ-33) at NAS Key West, Florida. This aircraft was the last EC-121 in operational service, flying until 25 June 1982.

 

The Air Force received 10 RC-121C and 74 EC-121D Warning Stars also based on the L-1049 beginning with diversions from the Navy contracts in October 1953. The 10 RC-121Cs became trainers, designated TC-121C. Between 1966 and 1969, 30 retired Navy EC-121s were transferred to the USAF and converted in EC-121Rs as sensor-monitoring aircraft. Of the 74 EC-121s, 42 were converted to the EC-121H upgrade beginning in 1962, and in 1969, 15 of the remaining EC-121Ds and seven of the EC-121Hs were further upgraded into the final operational variant, the EC-121T, which served as an AWACS prototype in Southeast Asia in 1972. Five EC-121Ds were modified to be broadcasting aircraft for psychological warfare operations, the predecessors of the EC-130 Commando Solo.

  

Operational service:

U.S. Navy-

WV-2s served from 1956 to 1965 in two "barrier" forces, one off each coast of the North American continent. These barrier forces consisted of five surface picket stations each manned by radar destroyer escorts and an air wing of WV-2s that patrolled the picket lines at 1,000-4,000 m (3,000-12,000 ft) altitude in six- to 20-hour missions. Their objective was to extend early warning coverage against surprise Soviet bomber and missile attack as an extension of the DEW Line.

 

The Atlantic Barrier (BarLant) consisted of two rotating squadron detachments, VW-13 and VW-15 home based at NAS Patuxent River, MD. and one squadron, VW-11, permanently based at Naval Station Argentia, Newfoundland. The mission was to fly orbits to the Azores and back. There was an AEW Training Unit based at NAS Patuxent River, Maryland. BarLant began operations on 1 July 1956, and flew continuous coverage until early 1965. The Barrier was shifted to cover the approaches between Greenland, Iceland, and the United Kingdom (GIUK) barrier in June 1961. Aircraft from Argentia were staged through NAS Keflavik, Iceland, to extend coverage times.

 

The Pacific Barrier (BarPac) began operations with one squadron based at NAS Barbers Point, Hawaii, operating from a deployment base at Naval Station Midway, on 1 July 1958. Its orbits overlapped the radar picket stations of the ships of Escort Squadron Seven (CORTRON SEVEN), from roughly Adak Island to Midway. Normally four or five WV-2s were required at any single time to provide coverage over the entire line.

 

Barrier Force operations were discontinued by September 1965 and their EC-121K aircraft placed in storage. However Navy EC-121 operations continued until 1975 in four other squadrons. VQ-1 and VQ-2 operated EC-121M intelligence gathering aircraft at NAF Atsugi, Japan, and Naval Station Rota, Spain, respectively. VW-4 operated Willy Victors between 1954 and 1975 as Hurricane Hunters, with its primary base at NAS Jacksonville, Florida and a forward base at Naval Station Roosevelt Roads, Puerto Rico, while its Pacific counterpart, VW-1, flew out of Agana, Guam, tracking typhoons. The aircraft was also operated by Training Squadron 86 (VT-86) at NAS Glynco, Georgia for training Student Naval Flight Officers and by Tactical Electronic Warfare Squadron 33 (VAQ-33) for the Fleet Electronic Warfare Systems Group (FEWSG) at NAS Norfolk, Virginia and later at NAS Key West, Florida. At the time of its retirement on June 25, 1982 VAQ-33 aircraft (Buno 141292) was the last NC-121K operated by the Navy.

  

Variants:

U.S. Navy variants-

*WV-1

Two prototypes, L-749A Constellation, designated PO-1W before 1952

*EC-121K (WV-2)

Main USN variant, designated PO-2W before 1952; 244 ordered, 142 produced (the rest went to the USAF).

*JC-121K

One modified EC-121K used as a U.S. Army avionics testbed

*NC-121K

Unknown number modified as special mission aircraft

*YEC-121K

One modified avionics testbed

*EC-121L (WV-2E)

One modified WV-2, testbed for rotating radar dome with an AN/APS-70 radar

*EC-121M (WV-2Q)

Electronic intelligence collection variant, 13 modified WV-2

*WC-121N (WV-3)

Weather reconnaissance variant, eight modified WV-2

*EC-121P

Unknown number modified from EC-121K as anti-submarine variant

*JEC-121P

Three EC-121P used by the USAF

 

U.S. Air Force variants-

*RC-121C

10 produced, initial USAF variant

*JC-121C

Two converted from C-121C and one TC-121C as avionics testbeds

*TC-121C

Nine RC-121C modified before 1962 as crew trainers

*EC-121D

73 produced 1953-55 as main USAF variant and one converted from C-121C, originally designated RC-121D

*EC-121D Quick Look

One testbed for QRC-248 IFF transponder interrogator

*EC-121H

42 USAF upgrades in 1962, 35 EC-121D and seven WV-2s transferred from the Navy

*EC-121J

Two USAF EC-121D modified with upgraded electronics

*EC-121M Rivet Top

One EC-121D testbed for Rivet Gym cryptologic linguist electronics suite, originally designated EC-121K

*EC-121Q

Four EC-121D modified with upgraded electronics for USAF Gold Digger missions

*EC-121R

30 EC-121K / EC-121P transferred to USAF in 1966–1967 and converted to Batcat sensor signal processor

*EC-121S

Five converted for Pennsylvania Air National Guard from USAF C-121 transports

*EC-121T

Final USAF variant. A total of 22 Ts were converted from 15 EC-121D and seven EC-121H. One is on display at Peterson Air and Space Museum.

*XW2V-1

Proposed naval development with new features such as four Allison T56-A8 turboprop engines, L-1649A Starliner wings and Bomarc missiles for defense. None built; was designated L-084 due to the large differences from its predecessors. (wiki)

  

141309 is on display at the McClellan Aviation Museum marked as USAF EC-121D 53-0552. Photo Credit's: photo by S.W. Robbins. (Kodachrome Slide dated December 1982)

Salome with the Head of Saint John the Baptist

Andrea Solario

Italian, Milan ca. 1465–1524 Milan.

Metropolitan Museum of Art, New york.

This is the finest of several versions of this composition painted by the Milanese artist and may have been painted for a noble patron in France, where Solario worked from about 1507–1509. Carried out with incredible attention to detail, the artist achieved a striking effect by contrasting Salome’s idealized beauty and jewels with the horrific view of the Baptist’s head held by the cropped arm of the executioner. The descriptive naturalism of reflections and surface textures is indebted to both Leonardo, who worked for decades in Milan, and Netherlandish painting. (Museum description)

Canon EF 50mm f/1.4 USM

©2015 Patrick J Bayens

 

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

Shortly after the end of World War II, the South Korean Air Construction Association was founded on August 10, 1946, to publicize the importance of air power. Despite the then-scanty status of Korean armed forces, the first air unit was formed on May 5, 1948, under the direction of Dong Wi-bu, the forerunner to the modern South Korean Ministry of National Defense. On September 13, 1949, the United States contributed 10 L-4 Grasshopper observation aircraft to the South Korean air unit. An Army Air Academy was founded in January 1949, and the ROKAF was officially founded in October 1949.

 

The 1950s were a critical time for the ROKAF as it expanded tremendously during the Korean War. At the outbreak of the war, the ROKAF consisted of 1,800 personnel but was equipped with only 20 trainers and liaison aircraft, including 10 North American T-6 Texan advanced trainers purchased from Canada. The North Korean air force had acquired a considerable number of Yak-9 and La-7 fighters from the Soviet Union, dwarfing the ROKAF in terms of size and strength. However, in the course of the war the ROKAF acquired 110 aircraft from the USA which equipped three fighter squadrons and one fighter wing. The first combat aircraft received were North American F-51D Mustangs, along with a contingent of US Air Force instructor pilots, as part of Bout One Project.

 

From the start of the Korean War, the Mustang proved useful. A "substantial number" of stored or in-service F-51Ds were shipped, via aircraft carriers, to the combat zone, and were used by the USAF, the South African Air Force, and the ROKAF. The F-51 was used for ground attack, fitted with rockets and bombs, and photo reconnaissance, rather than as interceptors or "pure" fighters. However, the losses of the rather fragile Mustang due to AA fire and even through small caliber weapons were high – especially the ventral radiator for the liquid-cooled engine turned out to be highly vulnerable.

After the first North Korean invasion, USAF units were forced to fly from bases in Japan and the F-51Ds, with their long range and endurance, could attack targets in Korea that short-ranged F-80 jets could not. Due to its lighter structure and a shortage of spare parts, the newer, faster F-51H was not used in Korea, and the F-47 Thunderbolt, which would have been better suited for most typical missions over the Korean peninsula, was not available in sufficient numbers to employ them overseas.

 

Nevertheless, the ROKAF participated with its F-51s in bombing operations and flew independent sorties. The only other suitable piston engine aircraft at hand and available in sufficient numbers was the Vought F4U Corsair. As ROKAF F-51 losses rose, a handful of F4U-4s were transferred in 1952 to fill these operational gaps. These were revamped USN and USMC aircraft from local field workshops that had been damaged and grounded through enemy fire or accidents, replaced in American service with new machines from overseas.

The F4U-4 was the last Corsair variant that had been introduced during WWII, but it only saw action during the final weeks of the conflict. At the outbreak of the Korean War, it was the USN and USMC’s most common carrier-borne aircraft. It had a 2,100 hp (1,600 kW) dual-stage-supercharged -18W engine, and when the cylinders were injected with the water/alcohol mixture, power was boosted to 2,450 hp (1,830 kW). The aircraft required an air scoop under the nose and the unarmored wing fuel tanks of 62 US gal (230 L) capacities were removed for better maneuverability at the expense of maximum range. The partly fabric-covered outer wings from the former Corsair versions were retained. To better cope with the additional power, the propeller was changed to a four-blade type. Maximum speed was increased to 448 miles per hour (721 km/h) and climb rate to over 4,500 feet per minute (1,400 m/min) as opposed to the 2,900 feet per minute (880 m/min) of the F4U-1A. Other detail improvements were introduced with the F4U-4, too: The windscreen was now flat bullet-resistant glass to avoid optical distortion, a change from the curved Plexiglas windscreens with the internal plate glass of the earlier Corsairs. The cockpit hood was furthermore without bracing and slightly bulged, similar to the P-51B/Cs’ Malcolm hood, to give the pilot a better field of view, esp. backwards.

 

The "4-Hog" retained the original armament of six 0.5” machine guns and had all the external load (i.e., drop tanks, bombs) capabilities of the F4U-1D. A major sub-type, the F4U-4B, was the same but featured an alternate gun armament of four 20 millimeters (0.79 in) AN/M3 cannon, 300 were built. The F4U-4P was a rare photo reconnaissance variant (only eleven were built) with an additional camera compartment in the rear fuselage, but fully combat-capable. The F4U-4 was the oldest active Corsair variant during the Korean War, and new post-WWII variants like the AU-1 for the USMC, optimized for ground attacks and low-level operations, or the F4U-5 and its F4U-5N night fighter sub-variant with onboard radar, were exclusively used by American forces.

 

The ROKAF Corsairs were constantly and heavily used. They operated primarily as fighter bombers because of the type’s ability to absorb a lot of damage and to carry up to 4,000 lb of ordnance on centerline and underwing pylon racks. The machines, all standard F4U-4s with six machine guns to maintain ammunition commonality with the F-51Ds, were allocated to ROKAF 1 Squadron. They equipped a dedicated attack wing within the unit and were flown by both South Korean and American pilots. To differentiate them from American machines, the first Korean F4U-4s were stripped off of their characteristic allover dark blue paint, received large ROKAF roundels on fuselage and wings and colorful ID-markings. These included a yellow band around the fuselage, a large “K” on the fin, and a red ring around the cowling as a unit identifier. Some machines featured additional individual highlights, like colored fin tips and tail sections, some had the canopy frame painted in individual colors, too, or had taglines (in Hangul writing) added on the flanks.

Major maintenance and repairs were, however, still carried out by American personnel at USMC workshops, so that transfer flights were common practice and limited the number of operational machines to only about half a dozen at a time. As battle damage and losses were frequent, repairs with cannibalized parts from American aircraft and full replacements with revamped or operational American F4U-4s were common – resulting in a large variety of liveries within the unit, as some machine retained the American all-blue paint scheme or received blue replacement parts to speed up repairs.

Due to this practice the exact number of ROKAF Corsairs until the end of hostilities in mid-1953 remains uncertain. However, less than 25 documented complete airframes were supplied in total, and no more than 15 machines were active at any time.

 

Together with Mustangs, the Corsairs continued flying with USAF, USN, USMC and other ROKAF fighter-bomber units on close support and interdiction missions in Korea until July 1953, when the fighting ended and the Korean Armistice Agreement was signed. By then, most piston engine fighter bombers had been largely replaced by USAF F-84s and by United States Navy (USN) Grumman F9F Panthers. After the war, the ROKAF quickly switched to F-86 Sabre fighters and all ROKAF F4Us were scrapped by late 1953 as they were regarded as outdated and disposable.

  

General characteristics:

Crew: One

Length: 33 ft 8 in (10.26 m)

Wingspan: 41 ft 0 in (12.50 m)

Height: 14 ft 9 in (4.50 m)

Wing area: 314 sq ft (29.17 m²)

Empty weight: 9,205 lb (4,238 kg)

Gross weight: 14,670 lb (6,654 kg)

Max takeoff weight: 14,533 lb (6,592 kg)

 

Powerplant:

1× Pratt & Whitney R-2800-18W radial engine with 2,100 hp (1,600 kW),

temporary 2,450 hp (1,830 kW) output when boosted with water/alcohol injection,

driving a 4-bladed propeller

 

Performance:

Maximum speed: 446 mph (717 km/h, 385 kn) at sea level

Cruise speed: 215 mph (346 km/h, 187 kn) at sea level

Stall speed: 89 mph (143 km/h, 77 kn)

Range with internal fuel, clean: 1,005 mi (1,617 km, 873 nmi)

Combat range with max. ordnance: 328 mi (528 km, 285 nmi)

Service ceiling: 41,500 ft (12,600 m)

Rate of climb: 4,360 ft/min (22.1 m/s)

 

Armament:

6× 0.5 in (12,7 mm) M2 Browning machine guns in the outer wings, 400 RPG

11× hardpoints under the wings and the fuselage for a total ordnance of 4,000 pounds,

including drop tanks, up to 8× 5 in (12.7 cm) high velocity aircraft rockets and/or bombs or

napalm tanks of up to 1.000 lb (454 kg) caliber

  

The kit and its assembly:

This what-if model was spawned from a leftover decal sheet from an Academy F-51D kit, which features markings for South Korean aircraft from the Korean War. This made me wonder if there could have been another type supplied to the South Korean forces beyond the Mustang? A fighter bomber would have made sense, and the P/F-47 was an immediate favorite. However, this was quickly discarded since maintenance and supplies for another type in the theatre would have been very complicated, and the potential, small number would also make no sense. So, I looked for alternatives and eventually settled upon the F4U from American sources. The F4U-4 was chosen because it was the oldest type in service at the time, and from there the model unspun almost naturally.

 

Another selling point for the F4U-4 was that I had a respective Hobby Boss kit in store without a proper plan yet. Since I did not want to change much about the aircraft to represent a former USN/USMC aircraft, I built the simple Hobby Boss kit almost OOB. Purists will certainly look down upon the toylike Hobby Boss offering – and you must not take a close look, esp. at the interior details. But when you only want a “canvas”, the kit is not too bad. You get fine recessed panels, a clear canopy (over a rudimentary cockpit without leg room but with separate gunsight!) in two pieces and a closed single-piece alternative, and the kit’s construction with good fit leaves almost no seam to sand or fill. The fabric-covered outer wing panels are there, but they are IMHO exaggerated and very deep, as if they had been made from corrugated sheet metal?

 

The weakest point is the kit’s HVAR armament: It comes with eight unguided missiles that are molded onto their launch rails (with separate tail fins, though), and the gap between the two small pylons that hold the rail under the wing in real life are molded into a single massive and deep piece. These pylons are to be mounted into 2mm wide and just as deep “slots” in the lower wing surface – a very crude and toylike solution. Even though I’d have liked to use the HVARs on the model (after all, it’s supposed to be a fighter bomber), I omitted them altogether and filled up the slots. To keep the attack profile visible, I cut the small pylons off from the OOB drop tanks and replaced them with American 750 lb (340 kg) M117 bombs from the spares bin – they look modern, but they were actually introduced during the Korea War.

  

Painting and markings:

Well, F4Us handed over from American to Korean units would certainly have left them in their typical all-blue paint scheme, with the “Stars and Bars” simply replaced by the South Korean “yin-yang” symbol and former tactical markings painted over. The ex-American F-51s were handled in a similar fashion, just that they came from overstock in bare metal finish.

To provide the ROKAF F4U with an individual touch I decided to strip the original Navy paint off and give it an NMF with colorful markings similar to the Mustangs. And for a weirdo touch the outer foldable wings would become blue donor parts from an American Corsair, together with a single rudder on the stabilizer.

 

The bare metal fuselage was painted with Revell 99 (Aluminum), post-shaded with Humbrol 27001 (Matt Aluminum MetalCote); the dark blue sections, including the landing gear, were painted with FS 35042 (Modelmaster 1718), the fabric-covered rudders on the tail with Humbrol 56 (Aluminum Dope). The landing gear wells and the cockpit were painted with Humbrol 80 (Grass Green) to simulate Zinc Chromate primer. To hide the lack of space inside of the cowling its interior walls were painted in a darker shade of green, with a dark grey engine block.

An olive drab anti-glare panel was added in front of the windscreen, the red unit markings on cowling, fin and tail tip were painted with Humbrol 19. The yellow ID fuselage band was created with decal sheet.

The ROKAF roundels came from the aforementioned Academy Mustang kit – and, yes, some ROKAF machines had national markings in six places instead of the US-style four. The tagline on the cowling comes from the same sheet, and it might read “I fly with confidence!” (uncertain, though). The tactical codes were created with single USAF 45° numbers from Superscale aftermarket sheets.

 

Graphite was used to create soot stains around the gun and the exhaust areas, and Tamiya “Smoke” was used to mimic oil spills from the engine around the forward fuselage. Finally, the kit was sealed with acrylic varnish; the bare metal sections became semi-gloss, the blue areas and the fabric-covered tail sections a slightly more matt finish.

  

An interesting result – an F4U in NMF looks pretty odd, and with the red and blue sections the Corsair somehow looks like a Reno Racer or a Red Bull heritage aircraft? But the ROKAF Corsair appears pretty plausible in its role and in the Korean War’s time frame: a whif nicely shoehorned into a historic framework. The simple Hobby Boss kit is certainly not the best model of the Corsair, but for a simple “livery variant” it was an O.K. basis, and the result is quite presentable. Just do not look into the cockpit or the landing gear wells.

The Imperial Germany Artillery fielded a number of specialy observation and measuring units, which grouped in the "Artillerie-Messwesen". The units became the forerunners of the reconnaissance artillery and were intended to prepare for the Feuerwalze which required precise measurement and calculation of firing plans for the artillery barrages which had to cover/support the advance of the infantry. The messtruppen included Mastfernrohrtrupps, Lichtmesstrupps, Schallmesstrupps and Richtungshörer-trupps, and the light and noise produced (e.g. muzzle flames) by the enemy were combined with visual observations on ground an air to determine the exact distances.

 

The inspector of the Artillerie-Messwesen in the OHL, appointed on August 30, 1916, took care of the further development of these new special units. To this end, in October 1917 the Artillery Mess-Schule was founded in Wahn am Rhein, where this picture was taken.

 

The men here are men of a Lichtmessabteilung and demonstrate the use of 2 pieces of equipment (including a special Zeiss camera) allowing to measure light and relate it to distance, a technique developped in 1915, which immediately gave rise to the fielding of 101 light measurement teams. By the end of the war, 160 light measuring teams were deployed.

 

Forerunner to the TM, with the Detroit Diesel almost out in the open air.

History

On March 31, 1913, Faisanterie Buitenlust, the forerunner of the current modern animal park Burgers' Zoo, opens its doors to the public for the first time. Since its foundation by Johan Burgers, the first owner and the one who named the animal park in Arnhem, the park has always remained a real family business.

 

Already from its inception the zoo caused a sensation due to its daring new organisation, which naturally is in the way the animals' accommodations are shaped as well as in the way the experiences for the visitors are created. Burgers' Zoo has a rich history, which has shaped the zoo into the way it is today, and as you can still find it now in the wooded area just north of Arnhem.

 

These pictures where taken in;

 

The largest indoor mangrove in the world

With a surface area of 3,000 square meters, visitors venture into the largest indoor mangrove in the world. From the beach bordering a Belizean town square, the mysterious world that is the mangrove calls. Further inland, the mangrove forest slowly transforms into a tropical dry forest, where hundreds of butterflies in all shapes, sizes, and colours are dancing in the air.

 

More: www.burgerszoo.com/

 

PHNOM PENH

Phnom Penh (/pəˌnɒm ˈpɛn, ˌpnɒm -/; Khmer: ភ្នំពេញ, Phnum Pénh [pʰnumˈpɨɲ]; lit. "Penh's Hill") is the capital and most populous city of Cambodia. It has been the national capital since the French protectorate of Cambodia, and has grown to become the nation's economic, industrial, and cultural centre.

 

Phnom Penh was founded in 1434 to succeed Angkor Thom as the capital of the Khmer nation but was abandoned several times before being reestablished in 1865 by King Norodom. The city formerly functioned as a processing center, with textiles, pharmaceuticals, machine manufacturing, and rice milling. Its chief assets, however, were cultural. Institutions of higher learning included the Royal University of Phnom Penh (established in 1960 as Royal Khmer University), with schools of engineering, fine arts, technology, and agricultural sciences, the latter at Chamkar Daung, a suburb. Also located in Phnom Penh were the Royal University of Agronomic Sciences and the Agricultural School of Prek Leap.

 

Once known as the "Pearl of Asia", it was considered one of the loveliest French-built cities in Indochina in the 1920s. Phnom Penh, along with Siem Reap and Sihanoukville, are significant global and domestic tourist destinations for Cambodia. Founded in 1372, the city is noted for its historical architecture and attractions. It became the national capital in 1434 following the fall of Angkor, and remained so until 1497. It regained its capital status during the French colonial era in 1865. There are a number of surviving colonial-era buildings scattered along the grand boulevards.

 

On the banks of the Tonlé Sap, Mekong, and Bassac Rivers, Phnom Penh is home to more than 2 million people, approximately 14% of the Cambodian population. The Phnom Penh metropolitan area includes 5 districts of Kandal Province.

 

ETYMOLOGY

Phnom Penh (lit. 'Penh's Hill') takes its name from the present Wat Phnom (lit. 'Hill Temple') or from the former Funan Kingdom, an ancient kingdom that existed from 1st to 6th century AD in Southeast Asia and the forerunner of the current Cambodian monarchy. Legend has it that in 1372, a wealthy widow named Penh found a Koki tree floating down the Tonlé Sap river after a storm. Inside the tree were four bronze Buddha statues and a stone statue of Vishnu. Penh ordered villagers to raise the height of the hill northeast of her house and used the Koki wood to build a temple on the hill to house the four Buddha statues, and a shrine for the Vishnu image slightly lower down. The temple became known as Wat Phnom Daun Penh, which is now known as Wat Phnom, a small hill 27 metres in height.

 

Phnom Penh's former official name is Krong Chaktomuk Serei Mongkol (Khmer: ក្រុងចតុមុខសិរីមង្គល, lit. 'City of the Brahma's Faces'), in its short form as Krong Chaktomuk (lit. "City of Four Faces"). Krong Chaktomuk is an abbreviation of the full name which was given by King Ponhea Yat, Krong Chaktomuk Mongkol Sakal Kampuchea Thipadei Serei Theakreak Bavar Intabat Borei Roat Reach Seima Moha Nokor (Khmer: ក្រុងចតុមុខមង្គលសកលកម្ពុជាធិបតី សិរីធរបវរ ឥន្ទបត្តបុរី រដ្ឋរាជសីមាមហានគរ, Khmer pronunciation: [ˌkɾoŋˌtɕaʔtoʔmuk̚ˌmŭəŋkŭəlˌsaʔkɒlˌkamputɕiəˌtʰɯp̚paʔdɤjˌseʔɾɤjˌtʰĕəʔɾĕəʔˌɓɒːʋɒːˌʔɤntĕəʔpat̚ˌɓoʔɾɤjˌɾŏət̚tʰaʔˌɾiəc̚ˌsɤjmaːˌmɔhaːˌnɔˈkɔː]). This loosely translates as "The place of four rivers that gives the happiness and success of Khmer Kingdom, the highest leader as well as impregnable city of the God Indra of the great kingdom".

 

HISTORY

The initial settlement of Phnom Penh is believed to have been established since the 5th century AD, according to the discovery of ancient kiln site in Choeung Ek commune of Dangkao district, southern part of central Phnom Penh in early 2000s. Choeung Ek archaeological site was one of the largest kiln pottery center in Cambodia and the earliest known kiln sites in Southeast Asia to produced the ceremonial vessels known as kendi from 5th to 13th century. Archaeologist stated that a large community is surrounded by a circular earthwork structure that is 740 metres in diameter and 4 metres high, built in the 11th century. In addition, there are remnants of other ancient village infrastructure, irrigation system, inscription, Shiva linga as well as an ancient brick temple foundation and its ornate remains which dated back to Funan era.

 

First recorded a century after it is said to have taken place, the legend of the founding of Phnom Penh tells of a local woman, Penh (commonly referred to as Daun Penh ("Grandmother Penh" or "Old Lady Penh") in Khmer), living at Chaktomuk, the future Phnom Penh. It was the late 14th century, and the Khmer capital was still at Angkor near Siem Reap 350 km to the north. Gathering firewood along the banks of the river, Lady Penh spied a floating koki tree in the river and fished it from the water. Inside the tree she found four Buddha statues and one of Vishnu.

 

The discovery was taken as a divine blessing, and to some a sign that the Khmer capital was to be brought to Phnom Penh from Angkor.[citation needed] To house the new-found sacred objects, Penh raised a small hill on the west bank of the Tonle Sap River and crowned it with a shrine, now known as Wat Phnom at the north end of central Phnom Penh. "Phnom" is Khmer for "hill" and Penh's hill took on the name of the founder, and the area around it became known after the hill.

 

Phnom Penh first became the capital of Cambodia after Ponhea Yat, king of the Khmer Empire, moved the capital from Angkor Thom after it was captured and destroyed by Siam a few years earlier. There is a stupa behind Wat Phnom that houses the remains of Ponhea Yat and the royal family as well as the remaining Buddhist statues from the Angkorean era. In the 17th century, Japanese immigrants also settled on the outskirts of present-day Phnom Penh.[16] A small Portuguese community survived in Phnom Penh until the 17th century, undertaking commercial and religious activity in the country.

 

Phnom Penh remained the royal capital for 73 years, from 1432 to 1505. It was abandoned for 360 years (from 1505 to 1865) by subsequent kings due to internal fighting between the royal pretenders. Later kings moved the capital several times and established their royal capitals at various locations in Tuol Basan (Srey Santhor), Pursat, Longvek, Lavear Em and Oudong.

 

It was not until 1866, under the reign of King Norodom I (1860–1904), the eldest son of King Ang Duong, who ruled on behalf of Siam, that Phnom Penh became the permanent seat of government and capital of Cambodia, and also where the current Royal Palace was built. Beginning in 1870, the French colonial authorities turned a riverside village into a city where they built hotels, schools, prisons, barracks, banks, public works offices, telegraph offices, law courts, and health services buildings. In 1872, the first glimpse of a modern city took shape when the colonial administration employed the services of French contractor Le Faucheur to construct the first 300 concrete houses for sale and rental to Chinese traders.

 

By the 1920s, Phnom Penh was known as the "Pearl of Asia", and over the next four decades, Phnom Penh continued to experience rapid growth with the building of railways to Sihanoukville and Pochentong International Airport (now Phnom Penh International Airport). Phnom Penh's infrastructure saw major modernisation under the rule of Sihanouk.

 

During the Vietnam War, Cambodia was used as a base by the People's Army of Vietnam and the Viet Cong, and thousands of refugees from across the country flooded the city to escape the fighting between their own government troops, the People's Army of Vietnam, the Viet Cong, the South Vietnamese and their allies, the Khmer Rouge, and American air strikes. By 1975, the population was 2–3 million, the bulk of whom were refugees from the fighting. The Khmer Rouge cut off supplies to the city for more than a year before it fell on April 17, 1975. Reports from journalists stated that the Khmer Rouge shelling "tortured the capital almost continuously", inflicting "random death and mutilation" on millions of trapped civilians. The Khmer Rouge forcibly evacuated the entire city after taking it, in what has been described as a death march: François Ponchaud wrote that "I shall never forget one cripple who had neither hands nor feet, writhing along the ground like a severed worm, or a weeping father carrying his ten-year old daughter wrapped in a sheet tied around his neck like a sling, or the man with his foot dangling at the end of a leg to which it was attached by nothing but skin"; Jon Swain recalled that the Khmer Rouge were "tipping out patients from the hospitals like garbage into the streets....In five years of war, this is the greatest caravan of human misery I have seen". All of its residents, including the wealthy and educated, were evacuated from the city and forced to do difficult labour on rural farms as "new people". Tuol Sleng High School was taken over by Pol Pot's forces and was turned into the S-21 prison camp, where people were detained and tortured. Pol Pot sought a return to an agrarian economy and therefore killed many people perceived as educated, "lazy" or political enemies. Many others starved to death as a result of failure of the agrarian society and the sale of Cambodia's rice to China in exchange for bullets and weaponry. The former high school is now the Tuol Sleng Genocide Museum, where Khmer Rouge torture devices and photos of their victims are displayed. Choeung Ek (The Killing Fields), 15 kilometersaway, where the Khmer Rouge marched prisoners from Tuol Sleng to be murdered and buried in shallow pits, is also now a memorial to those who were killed by the regime.

 

The Khmer Rouge were driven out of Phnom Penh by the People's Army of Vietnam in 1979, and people began to return to the city. Vietnam is historically a state with which Cambodia has had many conflicts, therefore this liberation was and is viewed with mixed emotions by the Cambodians. A period of reconstruction began, spurred by the continuing stability of government, attracting new foreign investment and aid by countries including France, Australia, and Japan. Loans were made from the Asian Development Bank and the World Bank to reinstate a clean water supply, roads and other infrastructure. The 1998 Census put Phnom Penh's population at 862,000; and the 2008 census was 1.3 million. By 2019, its population reached over 2.2 million, based on general population census.

 

GEOGRAPHICS

Phnom Penh is in the south-central region of Cambodia, and is fully surrounded by Kandal Province. The municipality is on the banks of the Tonlé Sap, Mekong, and Bassac Rivers. These rivers provide freshwater and other natural resources to the city. Phnom Penh and the surrounding areas consist of a typical flood plain area for Cambodia. Although Phnom Penh is at 11.89 metres above the river, monsoon season flooding is a problem, and the river sometimes overflows its banks.

 

The city, at 11.55°N 104.91667°E (11°33' North, 104°55' East), covers an area of 678.46 square kilometres, with some 11,401 hectares in the municipality and 26,106 ha of roads. The agricultural land in the municipality amounts to 34.685 km2 with some 1.476 km2 under irrigation.

 

CLIMATE

Phnom Penh has a tropical wet and dry climate (Köppen climate classification Aw). The climate is hot year-round with only minor variations. Temperatures typically range from 22 to 35 °C and weather is subject to the tropical monsoons. The southwest monsoon blows inland bringing moisture-laden winds from the Gulf of Thailand and Indian Ocean from May to November. The northeast monsoon ushers in the dry season, which lasts from December to April. The city experiences the heaviest precipitation from September to October with the driest period in January and February.

 

The city has two distinct seasons. The rainy season, which runs from May to November, sees high temperatures accompanied by high humidity. The dry season lasts from December to April; when overnight temperatures can drop to 22 °C.

 

ADMINISTRATION

Phnom Penh is a municipality of area 678.46 square kilometres with a government status equal to that of Cambodian provinces. The municipality is divided into 14 administrative divisions called khans (districts). The district s are subdivided into 105 sangkats (communes), and further subdivided into 953 phums (villages). All khans are under the governance of the Phnom Penh Municipality. Dangkao, Meanchey, Porsenchey, Sen Sok and Russei Keo are considered the outskirts of the city.

 

The municipality is governed by the governor who acts as the top executive of the city as well as overseeing the Municipal Military Police, Municipal Police, and Bureau of Urban Affairs. Below the governor is the first vice governor and five vice governors. The chief of cabinet, who holds the same status as the vice governors, heads the cabinet consisting of eight deputy chiefs of cabinet who in turn are in charge of the 27 administrative departments. Every khan (district) also has a chief.

 

DEMOGRAPHICS

As of 2019, Phnom Penh had a population of 2,129,371 people, with a total population density of 3,136 inhabitants per square kilometre in a 679 square kilometres city area. The population growth rate of the city is 3.92%. The city area has grown fourfold since 1979, and the metro area will continue to expand in order to support the city's growing population and economy.

 

A survey by the National Institute of Statistics in 2017 showed that 95.3% of the population in Phnom Penh are Khmer, 4% Chams, and 0.7% others, predominantly Chinese, Vietnamese, and other small ethnic groups who are Thai, Budong, Mnong Preh, Kuy and Chong. The state religion is Theravada Buddhism. More than 90% of the people in Phnom Penh are Buddhists. Chams have been practicing Islam for hundreds of years. Since 1993, there has also been an increase in the practice of Christianity which was practically wiped out after 1975 when the Khmer Rouge took over. The official language is Khmer, but English and French are widely used in the city.

 

The number of slum-inhabitants at the end of 2012 was 105,771, compared with 85,807 at the start of 2012.

 

Note: As stated in the "History" paragraph (The 1998 Census put Phnom Penh's population at 862,000; and the 2008 census was 1.3 million.) the information collides with the information provided in the "Historical population" table. Needs editing.

 

POLITIC

Phnom Penh is allocated 12 seats in the National Assembly, making it the largest constituency.

 

ECONOMY

Phnom Penh is Cambodia's economic centre as it accounts for a large portion of the Cambodian economy. Double-digit economic growth rates in recent years have triggered an economic boom in Phnom Penh, with new hotels, restaurants, schools, bars, high rises and residential buildings springing up in the city.

 

The economy is based on commercial interests such as garments, trading, and small and medium enterprises. In the past few years the property business has been booming, with rapidly increasing real estate prices. Tourism is also a major contributor in the capital as more shopping and commercial centres open, making Phnom Penh one of the major tourist destinations in South East Asia along with Siem Reap and Sihanoukville. According to the World Travel and Tourism Council, tourism made up 19.2 percent (US$2,053 million) of Cambodia's GDP in 2009 and accounts for 13.7 percent of total employment. One of the most popular areas in Phnom Penh for tourists is Sisowath Quay, alongside the Tonle Sap River. Sisowath Quay is a five kilometre strip of road that includes restaurants, bars, and hotels.

 

The US$2.6 billion new urban development, Camko City, is meant to bolster the city landscape. The Bureau of Urban Affairs of Phnom Penh Municipality has plans to expand and construct new infrastructure to accommodate the growing population and economy. High rise buildings will be constructed at the entrance of the city and near the lakes and riverbanks. Furthermore, new roads, canals, and a railway system will be used to connect Camko City and Phnom Penh.

 

Other projects include:

Grand Phnom Penh International City (under construction)

De Castle Royal Condominium (Completed)

Gold Tower 42 (On hold 32 floors construction begins again in the mid of 2018)

OCIC Tower (Completed)

Kokling super second floor house

Vattanac Capital Tower (completed)

The Bridge (Completed)

The Peak (under construction)

 

With booming economic growth seen since the 1990s, new shopping venues have opened, such as Sorya Center Point, Aeon Mall Phnom Penh, Aeon Mall Sen Sok City and Olympia Mall. Many international brands have opened such as Mango, Salvatore Ferragamo, Hugo Boss, Padini Concept Store, Lily, Timberland, Jimmy Choo, CC Double O, MO, Brands Outlet, Nike, Converse, Pony, Armani Exchange, and Super Dry.

 

The tallest skyscraper in Phnom Penh is Vattanac Capital Tower at a height of 188 metres, dominating Phnom Penh's skyline with its neighbour skyscraper Canadia Tower (OCIC Tower). The tower was completed in December 2014. Modern high rises have been constructed all around the city, not concentrated in any one particular area.

 

The Central Market Phsar Thmei is a tourist attraction. The four wings of the yellow colored market are teeming with numerous stalls selling gold and silver jewelry, antique coins, clothing, clocks, flowers, food, fabrics and shoes. Phsar Thmei is undergoing under a major renovation, along with the creation of newer stalls.

 

ADMINISTRATION

Phnom Penh is a municipality of area 678.46 square kilometres with a government status equal to that of Cambodian provinces. The municipality is divided into 14 administrative divisions called khans (districts). The district s are subdivided into 105 sangkats (communes), and further subdivided into 953 phums (villages). All khans are under the governance of the Phnom Penh Municipality. Dangkao, Meanchey, Porsenchey, Sen Sok and Russei Keo are considered the outskirts of the city.

 

The municipality is governed by the governor who acts as the top executive of the city as well as overseeing the Municipal Military Police, Municipal Police, and Bureau of Urban Affairs. Below the governor is the first vice governor and five vice governors. The chief of cabinet, who holds the same status as the vice governors, heads the cabinet consisting of eight deputy chiefs of cabinet who in turn are in charge of the 27 administrative departments. Every khan (district) also has a chief.

 

DEMOGRAPHICS

As of 2019, Phnom Penh had a population of 2,129,371 people, with a total population density of 3,136 inhabitants per square kilometre in a 679 square kilometres city area. The population growth rate of the city is 3.92%. The city area has grown fourfold since 1979, and the metro area will continue to expand in order to support the city's growing population and economy.

 

A survey by the National Institute of Statistics in 2017 showed that 95.3% of the population in Phnom Penh are Khmer, 4% Chams, and 0.7% others, predominantly Chinese, Vietnamese, and other small ethnic groups who are Thai, Budong, Mnong Preh, Kuy and Chong. The state religion is Theravada Buddhism. More than 90% of the people in Phnom Penh are Buddhists. Chams have been practicing Islam for hundreds of years. Since 1993, there has also been an increase in the practice of Christianity which was practically wiped out after 1975 when the Khmer Rouge took over. The official language is Khmer, but English and French are widely used in the city.

 

The number of slum-inhabitants at the end of 2012 was 105,771, compared with 85,807 at the start of 2012.

 

Note: As stated in the "History" paragraph (The 1998 Census put Phnom Penh's population at 862,000; and the 2008 census was 1.3 million.) the information collides with the information provided in the "Historical population" table.

 

POLITIC

Phnom Penh is allocated 12 seats in the National Assembly, making it the largest constituency.

 

ECONOMY

Phnom Penh is Cambodia's economic centre as it accounts for a large portion of the Cambodian economy. Double-digit economic growth rates in recent years have triggered an economic boom in Phnom Penh, with new hotels, restaurants, schools, bars, high rises and residential buildings springing up in the city.

 

The economy is based on commercial interests such as garments, trading, and small and medium enterprises. In the past few years the property business has been booming, with rapidly increasing real estate prices. Tourism is also a major contributor in the capital as more shopping and commercial centres open, making Phnom Penh one of the major tourist destinations in South East Asia along with Siem Reap and Sihanoukville. According to the World Travel and Tourism Council, tourism made up 19.2 percent (US$2,053 million) of Cambodia's GDP in 2009 and accounts for 13.7 percent of total employment. One of the most popular areas in Phnom Penh for tourists is Sisowath Quay, alongside the Tonle Sap River. Sisowath Quay is a five kilometre strip of road that includes restaurants, bars, and hotels.

 

The US$2.6 billion new urban development, Camko City, is meant to bolster the city landscape. The Bureau of Urban Affairs of Phnom Penh Municipality has plans to expand and construct new infrastructure to accommodate the growing population and economy. High rise buildings will be constructed at the entrance of the city and near the lakes and riverbanks. Furthermore, new roads, canals, and a railway system will be used to connect Camko City and Phnom Penh.

 

Other projects include:

Grand Phnom Penh International City (under construction)

De Castle Royal Condominium (Completed)

Gold Tower 42 (On hold 32 floors construction begins again in the mid of 2018)

 

OCIC Tower (Completed)

Kokling super second floor house

Vattanac Capital Tower (completed)

The Bridge (Completed)

The Peak (under construction)

 

With booming economic growth seen since the 1990s, new shopping venues have opened, such as Sorya Center Point, Aeon Mall Phnom Penh, Aeon Mall Sen Sok City and Olympia Mall. Many international brands have opened such as Mango, Salvatore Ferragamo, Hugo Boss, Padini Concept Store, Lily, Timberland, Jimmy Choo, CC Double O, MO, Brands Outlet, Nike, Converse, Pony, Armani Exchange, and Super Dry.

 

The tallest skyscraper in Phnom Penh is Vattanac Capital Tower at a height of 188 metres, dominating Phnom Penh's skyline with its neighbour skyscraper Canadia Tower (OCIC Tower). The tower was completed in December 2014. Modern high rises have been constructed all around the city, not concentrated in any one particular area.

 

The Central Market Phsar Thmei is a tourist attraction. The four wings of the yellow colored market are teeming with numerous stalls selling gold and silver jewelry, antique coins, clothing, clocks, flowers, food, fabrics and shoes. Phsar Thmei is undergoing under a major renovation, along with the creation of newer stalls.

 

CULTURE

Phnom Penh also has its own dialect of Khmer. Speakers of the Phnom Penh dialect often elide syllables, which has earned it a reputation for being lazy speech. Phnom Penh is also known for its influence on New Khmer Architecture. Phnom Penh is notable for Ka tieu Phnom Penh, its variation on rice noodle soup, a dish available in sit-down cafes as well as street cafes.

 

The city hosts a number of music events throughout the city. 'Indie' bands (those without corporate sponsors) have grown in number due also in part to the emergence of private music schools such as SoundsKool Music (also operating in the city of Siem Reap), and Music Arts School (registered as an NGO). The Cambodian fishing dance originated in Phnom Penh at the Royal University of Fine Arts in the 1960s.

 

The two most visited museums in the city are the National Museum, which is the country's leading historical and archaeological museum, and Tuol Sleng Genocide Museum, a former Khmer Rouge prison. The National Museum hosts celebrations of Cambodian dance and music, including a popular classic Apsara dance show of traditional folk dances as well as original creations.

 

CAMBODIAN NEW YEAR

At this time, Phnom Penh celebrates Cambodian New Year, an occasion increasingly popular with tourists. During this typically hottest part of the year, water gets thrown around adding to the party atmosphere along with dancing and music. The precise date changes year-by-year but this holiday lasts, at least, three days. This festival marks the turn of the year based on the ancient Khmer calendar and also marks the end of the prior year harvest.

 

WATER FESTIVAL

The largest annual festival in Phnom Penh, this lively gathering celebrates the reversing of the flow of the Tonlé Sap River. The holiday lasts three days as people flood into the city to enjoy the fireworks, boat races, live concerts, eating and partying. The boat racing dates back to ancient times marking the strengths of the Khmer marine forces during the Khmer Empire.

 

On November 22, 2010, at least 348 people were crushed to death in a bridge stampede at the festival.

 

ANCESTORS DAY

Ancestors' Day, also called Pchum Ben, is a very important aspect of Cambodian culture. It may be translated as "gathering together" to make offerings and is a time of reunion, commemoration, express love and appreciation for one's ancestors. By offering food and good karma to those possibly trapped in the spirit world, living relatives help assuage their misery and guide them back into the cycle of reincarnation.

 

VISAK BOCHEA

Vesākha is an annual holiday observed traditionally by Buddhists in Cambodia. Sometimes informally called "Buddha's Birthday", it actually encompasses the birth, enlightenment (nirvāṇa), and passing away (Parinirvāna) of Gautama Buddha.

 

CITYSCAPE AND ARCHITECTURE

The oldest structure is Wat Phnom from the founding days of the city, constructed in 1373. The main tourist attractions are the Royal Palace with the Silver Pagoda, and the National Museum, constructed during the French colonial era in the late-19th century in the classical Khmer style and hosting a vast collection of Khmer antiquities. The Independence Monument (Khmer: Vimean Akareach), although from the 1950s, is also constructed in the ancient Khmer style.

 

The French, who were the colonial masters from the 19th century to the 1940s, also left their mark, with various colonial villas, French churches, boulevards, and the Art Deco market Phsar Thom Thmei. A notable landmark of the colonial era is the Hotel Le Royal.

 

Starting with independence from the French in the 1950s and lasting until the era of the Khmer Rouge in the 1970s, Phnom Penh underwent tremendous growth as the capital city of a newly independent country. King Sihanouk was eager to present a new style of architecture and thus invigorate the process of nation building. A new golden era of architecture took off, with various projects and young Khmer architects, often educated in France, given opportunities to design and construct. This new movement was called "New Khmer Architecture" and was often characterised by a fusion of Bauhaus, European post-modern architecture, and traditional elements from Angkor. The most prominent architect was Vann Molyvann, who was nominated chief national architect by the king himself in 1956. Molyvann created landmark buildings such as the Preah Suramarit National Theatre and the Council of Ministers building. Other architects helped construct the newly founded Royal Khmer University, the Institute of Foreign Languages, and the National Sports Centre. With the growth of the upper and entrepreneurial middle classes, new suburbs were built in the 1950s and 1960s. Although these buildings survived the Khmer Rouge era and the civil war, today they are under threat due to economic development and financial speculation. Villas and gardens from that era are being destroyed and redeveloped to make place for bigger structures. The landmark National Theatre by Molyvann was razed in 2008 A movement is rising in Cambodia to preserve this modernist heritage. Old villas are sometimes being converted into boutique hotels, such as the Knai Bang Chatt.

 

Monuments and memorials to the genocide of the Khmer Rouge era in the 1970s are the Tuol Sleng Genocide Museum (a former high school used as a concentration camp) and, on the outskirts of the city, the Choeung Ek Genocide Center. The Cambodia-Vietnam Friendship Monument was commissioned by the Vietnamese communists as symbol of Khmer-Vietnamese friendship during the late-1970s following the liberation of Cambodia from the Khmer Rouge.

 

The population, foreign investment, and urban development in Phnom Penh grew dramatically during the 1990s and early-2000s. The rapid growth resulted in the city's infrastructure distinctly lacking (the drainage system is particularly notorious, and Phnom Penh frequently floods during the wet season), and a need for both residential and commercial spaces. The simultaneous demand for residential and commercial housing and the increase of international investment has led to the planning, if not construction, of several satellite cities. The largest of these cities are: Grand Phnom Penh International City, CamKo City, Diamond Island City, Boeung Kak Town, and Chruy Cangva City.

 

On the outskirts of the city, farmland has been developed into garment factories and housing for lower economic classes and those displaced by the new development in the city center.

 

2035 MASTER PLAN

Originally intended to be completed by 2020, the 2035 master plan is a French-funded project for the development of Phnom Penh. Although the plan was approved by the Ministry of Land Management, Urban Planning and Construction in 2005, it has yet to be ratified by the Cabinet of Cambodia. The original plan details five edge-city projects connected to the historical city centre by waterways and tree-lined corridors.

 

SPORT

The martial arts of Bokator, Pradal Serey (Khmer kick boxing) and Khmer traditional wrestling have venues in Phnom Penh watched by dedicated spectators. Cambodia has increasingly become involved in modern sports over the last 30 years. As with the rest of the country, football and the martial arts are particularly popular. Ultimate fighting and freestyle boxing have also become more common in recent years.

 

The most prominent sporting venue in the city is the Phnom Penh National Olympic Stadium with a capacity of 50,000—although the country never hosted the Olympic Games due to disruption by the civil war and the Khmer Rouge in the 1970s. Built in 1964, it is home to the Cambodian national football team. On completion the stadium was one of the largest in Asia. Volleyball, basketball, and Tai-Kwon-Do games are often hosted at the stadium. The stadium closed in 2000, but was redeveloped and reopened.

 

In footballing ventures, Phnom Penh is formally represented by Phnom Penh Crown FC despite being home to numerous football teams who plays in the Cambodian League. Including Visakha, Nagaworld, Boeungket and the aforementioned Phnom Penh Crown, amongst many others.

 

The National Sports Centre of Cambodia hosts swimming, boxing, and volleyball competitions. Noted local football clubs include Phnom Penh Empire, Khemara Keila FC and Military Police. The city will host the 2023 Southeast Asian Games and the 2023 ASEAN Para Games, this will mark the first time that Cambodia has hosted a multi-sport event.

 

TRANSPORT

Phnom Penh International Airport is the largest and busiest airport in Cambodia. It is seven kilometres west of central Phnom Penh. The airport is connected to the city center by taxi, train, and shuttle bus.

 

Cambodia's national flag carrier, Cambodia Angkor Air, launched in 2009, is headquartered in Phnom Penh and has its main hub there, with an additional hub at the Angkor International Airport.

 

Air France used to serve Phnom Penh from Paris-Charles de Gaulle but this service has since stopped. Qatar Airways now flies to and from Phnom Penh, via Ho Chi Minh City.

 

Taxis, pick-ups, and minibuses leave the city for destinations all over the country, but are fast losing ground to cheaper and more comfortable buses. Phnom Penh also has a rail service.

 

There are numerous bus companies, including Phnom Penh Public Transport and GST Express, running services to most provincial capitals, including Sihanoukville, Kampong Chhnang, Oudong and Takéo. Phnom Penh Sorya Transport Co. offers bus service to several provincial destinations along the National Routes and to Ho Chi Minh City. Giant Ibis is another bus company based in Phnom Penh, which travels to Sihanoukville, Kampot, Siem Reap and Ho Chi Minh, and has free Wi-Fi, air conditioning and modest pricing.

 

The city is Cambodia's main freshwater port, a major port on the Mekong River. It is linked to the South China Sea, 290 kilometres distant, via a channel of the Mekong in Vietnam.

 

PUBLIC TRANSPORT

Phnom Penh is served by air conditioned public buses. Initial attempts by the Japanese government to develop a Phnom Penh bus service began in 2001. An update of the JICA urban transport master plan for Phnom Penh was completed and implemented in 2014. The city is now served by 17 bus lines, operated by the Phnom Penh municipal government. Private transportation within the city include the cycle rickshaw, known in Khmer as "cyclo", the motorcycle taxi known in Khmer as "moto", the auto rickshaw known locally as "tuk-tuk", the trailer attached to a motorcycle taxi known in Khmer as "remorque", and the standard automobile taxicab known in Khmer as "taxi". Private forms of transportation used by locals include bicycles, motorbikes, and cars.

 

WATER SUPPLY

Water supply in Phnom Penh has improved dramatically in terms of access, service quality, efficiency, cost recovery and governance between 1993 and 2006. The number of customers has increased ninefold, service quality has improved from intermittent to continuous supply, water losses have been cut dramatically and the city's water utility went from being bankrupt to making a modest profit. These achievements were recognized through international awards such as the 2006 Ramon Magsaysay Award and the 2010 Stockholm Industry Water Award. The city's water utility is the Phnom Penh Water Supply Authority (PPWSA). Its main water sources are the Mekong River, the Tonle Sap river and the Tonle Bassac river.

 

WIKIPEDIA

Built for Global Challenge XIV on Merlin's Beard Forum.

The Cream of the Crop

 

Known as the Lenfald Elite Forerunner Troop, or LEFT as the scribes like to abbreviate it, this is a group of the top athletes in Lenfald. They are drawn from all walks of life and new members are chosen every year as needed following a week of varied games held near Stonewald on the shores of Everlyn's Tears Lake. Many consider the Forerunners, or Harbingers as they refer to themselves, to be loose arrows who are just asking to be killed. For this reason parents discourage their over eager offspring from considering a career as one of Adrian Windsprinter's trouble hunters.

 

Most of the Harbingers are in fact adrenaline junkies with a great love for the hunt and unlimited patience and self control. Those traits may not seem to go together, but in this case they work wonderfully well. The Harbingers are led by one Adrian Windsprinter from Dragonsmouth. He goes by the title Lead Forerunner and under him there are Primary, Secondary, and Tertiary Forerunners. Everyone else is simply called Forerunner.

 

Forerunners are Lenfald's primary military scouts who concentrate on finding out what the enemy is doing and reporting it as quickly as possible. They work closely with the Scout Snipers and there is a standing wager on who can sneak closest to the enemy position and get the most detailed information. Unlike the Scout Snipers, Forerunners do not carry weapons. Many Forerunners carry small knives, but they rely on stealth and speed for their protection. Sometimes Harbingers will be used as a distraction to lure an enemy force into chasing them. They are expert at staying just far enough away to not get hit, but too close to ignore.

The legendary Porsche 911 is the longest production run sports car of all time. It was conceived as a successor for the highly successful Porsche 356 and from the start had high aspirations for success. Ferry Porsche's son, Ferdinand Alexander Porsche, designed the 911. When it went into production it was labeled the 901 but Peugeot had claims to the name, so to avoid infringing on their naming scheme, it was changed to 911. As a result, only a few Porsches used the 901 name.

 

901

 

The Porsche 901, the forerunner for the famous 911, was the first 'new' vehicle Porsche had ever produced.

Prior to the 901, there was the 356. This vehicle had lived a relatively long lifespan and was nearing its end, both in mechanical capabilities and in appeal. Many variations of the 356 had appeared during its production-run, most improvements where mechanical with very few visual improvements. Albeit, the 356 was a very beautiful car and improvements to its design were not necessary.

 

In the Mid-1950's, the Porsche company began producing prototypes for the successor of the 356. The result was a vehicle built on the same unitary structure used for the 356 but with a new front suspension, front disc brakes, and a six-cylinder engine.

 

The Porsche 901 was introduced to the public in 1963 at the Frankfurt Motorshow. The silhouette body was available only in fixed-head coupe form. In 1967 a Targa bodystyle became available featuring a removable center roof section. The 1991 cc flat-six engine was air-cooled. It's 2-litre capacity was the same as its predecessor. The six-cylinder engine was chosen over the four to allow more room for growth and improvement in the future. Two Solex carburetors aided in the 130 horsepower output and was capable of a 130 mph top speed.

 

912

 

The Porsche 912 was similar in design to the 911 and eased the transition from the 356 to the 911. In comparison with the 911, the 912 had fewer amenities, less power, and weighed about 250 pounds less. A 5-speed gearbox was matted to a detuned 356-based 4-cylinder engine that produced 64 horsepower. The engine was mounted in the rear and powered the rear transaxle. Disc brakes and independent suspension with torsion bars gave the car excellent and impressive handling. The Recaro seats kept the driver planted and the rack-and-pinion steering was very responsive. For an additional cost, the owner could have air-conditioning, rear window wiper, halogen fog lights, electric sunroof, and/or three-point seatbelts.

The 912 came in both the coupe and targa flavors with the coupe being the more popular. About 2562 of the 34,959 912's were targas.

 

The 912 was offered to the public in 1965 and stayed in production until 1969 when the mid-engined 914 was introduced. Due to its low cost, it easily outsold the more powerful 911's during the first few years. In

1967, the 912 was awarded Car and Driver's 'Readers Choice' for its class. During that same year a 912, driven by Sobieslaw Zasada of Poland, won the European Rally Championship.

 

At the end of the 914 production in late 1975, a version of the 912, dubbed the 912E, was introduced. Internally, the vehicle was labeled the Type 923. The 'E' stood for 'Einspritzung', in German meaning 'fuel injection'. It was powered by a 2-liter, 914-derived fuel-injected engine and had had Bosch L-jetronic fuel injection and an air pump. It used the 911 body, but has smaller wheels and tires and non-vented brake rotors. The fuel-efficient engine, rising fuel costs, and lower speed limits made the 912E a safe-buy. After 2099 examples were produced, the 924 entered the scene. The 912E was the last air-cooled four-cylinder vehicle produced by Porsche.

 

During its production run that include the 912 and 912E, nearly 35,000 examples were produced. It had achieved victory in the racing world, served as European police cars, and was featured in the movie 'Spy Games' staring Robert Redford and Brad Pitt.

 

911 Targa

 

In 1965 the Targa was introduced. This was an open version of the 911. The Name Targa came from a road race in Sicily named 'Targa Florio'. Targa also meant 'Shield' used to describe the rollbar. The rear window could fold down while the panel between windshield and rollbar could be lifted off creating an open version of the 911.

 

911 S

 

In 1966 the 911 S was introduced as a better equipped and more powerful version of the standard 911. It featured engine modifications that resulted in 30 extra horsepower. The chassis was modified and bigger brakes were installed. An extra 5 pounds was saved from each corner of the car by using Fuch alloy wheels.

 

To increase sales, the 911 T was added to the line-up in 1967. This version had a de-tuned six-cylinder engine and produced 110 horsepower. It appealed to many buyers due to its attractive price, selling at a reduced cost from the base 911. Also in 1967, the 911S received ventilated disc brakes on all four corners.

 

In 1968, the Porsche 911S was no longer being exported to the United States due to new emissions and government standards and regulations. Porsche introduced a 911 L as a replacement which was basically a 911 S without the engine modifications. In 1969, the 911 S was once again allowed into the United States.

 

In 1969 the 911 E, the base model, was available with 140 horsepower for the United States and 160 horsepower for the European market. The 911 T had 125 horsepower on tap from the six-cylinder engine while the 911 S was available in the United States with 170 horsepower. The European version featured even more horsepower, rated at 190. A five-speed manual gearbox was introduced.

 

In 1970 the engine bore was enlarged by 4mm and increased the engine capacity to 2165 cc. This made the six-cylinder engine more powerful. The 911T was rated at 125 horsepower, the 911 E was rated 155 horsepower while the 911S was now producing 180 horsepower.

 

During the 1970 model year, a performance version of the 911S was created by removing amenities and using light-weight material wherever possible. Aluminum was used on the bumper and engine-lid, the interior received light-weight seats, and the door handles were replaced with cords. The result was a 1840 pounds street legal race car.

 

In 1972 a spoiler was standard on the 911 S but was optional on the 911 E and 911 T. In 1973, due to popularity, the spoiler became standard on all 911 models. The stroke of the engine was increased giving the engine a 2.4 liter displacement.

 

Carrera RS

 

In 1973, Porsche wanted to compete in GT competition. In order to qualify, the manufacturer had to satisfy homologation rules for the Group 4 GT class that stated that 500 examples needed to be produced and sold to the public. Porsche knew that it would be difficult to sell 500 race cars so they built street legal race cars and kept the sticker price low. The RS was an immediate popular and at the end of the production run, 1636 examples were produced. Due to the successful sales, the RS was reclassified as a Group 3 series-production GT which required at least 1000 examples be produced.

 

The RS was stripped of nonessential amenities to save weight. A thin-gauge body steel and fiberglass was used for most of the vehicles but the supply ran short and at least 300 cars were outfitted with the normal-weight body parts. When compared with the stock 911S, the RS using the thin-gauge steel weighed 330 pounds less.

 

Wider aluminum wheels, Bilstein shocks, and modified sway bars gave the RS extra handling advantages. A rear spoiler was molded into the engine cover giving the RS the nickname 'ducktail'. This gave the vehicle extra down-force at speed and aided in stability. Other distinguishing features of the RS was its name painted, typically in green, black, red or blue, above the rocker panels. The engine was a modified version of the Porsche 911 2.4 engine. It featured a bigger bore that resulted in greater displacement and horsepower.

 

Carrera RSR 3.0

 

The RSR 3.0 had 20 extra horsepower than the 2.7 version. It had a large front spoiler, large rectangular air intake, 9 inch rear wheels, and 8 inch front wheels. Since the thing-gauge body steel supply had been depleted and larger items had been placed on the RSR vehicle, the vehicle weighed 180 kg more than the 2.7. All this meant that the RSR was not much quicker than the 2.7. However, it did have better road-handling due to the wider tires.

 

During its production lifespan only 109 examples were produced with 60 outfitted as road going machines.

 

911 Weissach

 

The 911 SC Weissach, produced only in 1980, was a limited edition design and only 400 units were constructed (Some sources states 406. In either case, a small amount were constructed and even fewer are known to exist today). All were sold to the United States. 200 were painted in Pongee Beige Metallic while the remaining 200 received a metallic charcoal gray color. The interior had red/burgundy carpet and beige leather seats. An RS wing was placed in the rear while the front received a new spoiler. All of the 911 SC Weissach's were coupes, had normally aspirated engines, and were fitted with the 903 body. They were sold at a price of $32,000, a high price at the time.

 

911

 

In 1973 the 911E, 911T, and 911S used a 2.4 liter six-cylinder engine. In 1974 the Carrera name was added to the line-up and represented the performance option. The 911S became the middle model with its performance and trim equivalent to the former 911E.

 

The Carrera was distinguished by its many exterior components colored in black. For example, the door handles, wipers, and window frames were black.

 

In 1974 the Porsche 911 Turbo was introduced and is credited as being the world's first production turbocharged sports car. Using a 3.0 liter engine and equipped with a turbocharger, it was capable of producing 290 horsepower.

 

In 1976, the Carrera was outfitted with the 3.0 liter engine and produced 200 horsepower.

 

In 1978, there were only two options available for the 911, the Turbo and the SC. The 911 SC used the 3.0 liter engine because it was more reliable and offered more opportunity for tuning in the future. the 3.0 liter engine was rated at 180 horsepower. The 2.7 liter engine was no longer used. When compared to the 1977 Carrera 3.0, the SC was more luxurious but had less horsepower. The luxury items added to the overall weight of the vehicle which decreased the performance. Still, the 911 SC was an extremely popular car. The 911 Turbo received a 3.3 liter engine and was able to produce 300 horsepower.

 

In 1979 the 911 SC's engine received modifications increasing the horsepower rating to 188 while improving fuel economy by 10 percent.

 

In 1980 the entire 911 model-line receive extra power except those slated for exportation to the United States. The 911 SC was now producing 204 horsepower.

 

At the 1981 Frankfurt Auto Show Porsche introduced a four-wheel drive cabriolet version of the 911. A year later, the cabriolet went on sale as optional equipment on the 911 SC. It was the first cabriolet for Porsche since the 356.

 

In 1984 the 911 SC 3.0 engine was replaced by the new Carrera with a 3.2 engine. The 911 Tubro and 911 Carrera were the only bodystyles available however could be ordered in coupe, cabriolet or Targa options. The Carrera was better than its 911 SC predecessor. It offered more luxury and power, and better brakes. The 3.2 Liter engine was used until the 1989 model year. It was replaced by a 3.6 liter version.

 

The 1988 the turbo became standard with a five-speed manual gearbox.

 

In 1989 Porsche introduced the Carrera 3.2 Speedster. The top could fold to the back and be placed beneath a fiberglass cover. The Speedster was void of most electrical options including power seats which made it lighter than the standard car. In total, there were 2065 Speedsters production, 1894 with the turbo-look. The Turbo look gave the vehicle an aggressive stance but it also added weight to the vehicle. It was, however, a very popular option.

 

911 Carrera CS

 

The limited-edition 911 Carrera CS, meaning Club Sport, was introduced in 1987. This version was meant for the race track. This light-weight version was void of amenities and equipped with only the essential items. The CS is distinguished from other 911's by its red wheels and bright graphics. Most were painted in 'Grand-Prix' white and all were coupes, except for one specially-built Targa. At the end of the Carrera CS production run, 340 examples were produced.

 

Carrera 2 and 4

 

In 1989 the 911 was given a 3.6 liter engine, new suspension, new transmission, self-adjusting spoiler, plastic aerodynamic bumpers, and new brakes. It was over 80% different when compared to the previous year. The big news for this year was the introduction of the Carrera 4, a four-wheel drive version of the 911.

 

The 1989 Porsche 911 received major improvements in the performance and handling department. At speeds greater than 50 mph, the rear spoiler would fold out and improving stability. The bigger brakes gave the 911 better stopping power while the suspension held the car in place as it would go through sharp turns.

 

In 1990 the Carrera 2 and Carrera 4 could be purchased in Cabriolet, Targa and Coupe body-styles. A Tiptronic transmission was introduced which is a gearbox that does not require a clutch. The Tiptronic allows the driver to shift manually or have the system automatically shift.

 

Carrera RS

 

In 1990 Porsche introduced the Carrera RS series. It featured a modified version of the Carrera engine now producing 260 horsepower. It had Recaro seats and light-weight material. The interior was void of non-essential items. An aluminum hood, light-weight doors and windows, and various other methods and materials were used to make the vehicle as light as possible. There was an RS touring option which included a few items to make the vehicle more road worthy. In total 2051 Carrera RS models were created with 76 being equipped with the touring option.

 

Carrera RS America

 

In 1993, Porsche created a light-weight, limited edition, performance version of the 911 Carrera. It was dubbed the RS America. The year 1993 was selected because it commemorated the 20th Anniversary of the 911 Carrera RS. 'RS' is German for 'Renn Sport' or 'Race Sport'.

 

The Carrera RS was conceived in 1973 but only available to the European market. The United States had strict safety, emission, and government regulations that made it impossible for the original RS to be sold in America. The 1993 Carrera RS was built to satisfy European regulation while a limited were built for the American regulations. The ones that made it to America were labeled 'RS America.'

 

The RS America was lightweight, contained little luxury features, and highly-modified performance options. The M030 sports suspension package, 17 inch wheels, larger diameter front stabilizer bar, and modified shock absorbers were just a few of the modifications to the 911. By using weight reduction, refinements in the steering, suspension, tires and wheels, the 911 RS America was a high performance racing car.

 

The RS in America was very successful. What was only intended to last for 1993, rolled into the 1994 model year. Vehicles that were sold during 1993 have 'PS' in their VIN numbers, while the 1994 versions have 'RS'. The 1994 models have rear seats while the 1993 versions have dual-storage bins.

 

The RS is distinguished from other 911's by a 'RS' decal located in front of each rear wheel well and an RS America rear deck lid emblem. A large spoiler, commonly referred to as a 'whaletale', was fixed to the rear of the vehicle. Various versions of the 911 had a spoiler that was motor-driven and deployed and stowed at various vehicle speeds.

 

993

 

In 1994 the next generation of the Porsche 911 was introduced and only available in coupe form. Internally it was dubbed the 993. Aesthetically and mechanically, the vehicle was different from its previous versions. The upright headlights were removed; it received a front wing, wider fenders, 16 inch wheels, and new bumpers. Under the hood, the 3.6 liter engine was modified to produce 260 horsepower. A six-speed manual gearbox was all new. The chassis size was increased giving 20% extra interior room. Major improvements were done to the interior giving it new seats, new steering wheel, and making the console, buttons and gauges more driver-friendly.

 

In 1995 a Targa was introduced. But the big news was in 1996 when a Turbo, Carrera 4S, RS, and RS Club Sport became available.

 

996/997

 

In 1998 the next generation of the Porsche 911, the 996 was introduced. A 296 horsepower, water-cooled engine was all new. The new engine was more powerful, fuel efficient, and offered better performance even though it was smaller in size. The length of the car was increased; a new suspension, headlights, and styling modifications have been adapted throughout the vehicle.

 

Shortly after the introduction of the next generation 911, a cabriolet version became available. Instead of the top being folded on-top of the bodywork, it now folded into it.

 

991

 

The best 911 ever? The 2012 model 911, internally called 991, was introduced at the IAA Frankfurt on September 15, 2011. This is 48 years after the first 911 was introduced on September 12, 1963 at IAA Frankfurt.

 

Dimensions

 

The 991 is 5.6 cm / 2.2" longer, has 10 cm / 3.9" longer wheelbase, but width is exactly the same as on 997mk2. The windscreen is more back-tilted and body height is slightly reduced. The 991 Carrera S is 30 kg / 66 lbs lighter than the 997 mk2 Carrera S. Although the 911’s high cockpit has been its trademark, the flatter car does look more sporty.

 

7-speed manual gearbox

 

The manual gearbox is the world’s first 7-speed manual transmission on a passenger car. It is like the 6-speed gearbox in 997 plus a 7th “economy” long ratio gear. Top speed is reached in 6th gear. Thanks to the elevated centre console, the gear lever is within easy reach – ideal for sporty gear changes. A gear indicator in the rev counter reminds you which gear has been selected.

 

Cabriolet roof and WindStop

 

The 911's soft top was completely redesigned for 991, although it looked very good already starting with the 996 Cabriolet. The top is a humpless 3-piece magnesium unit covered with smooth and trim fabric. A water channel on the roof ensures that no rainwater drops into the entry area when the doors are opened. As in previous 911’s, the top is fully electric and can also be opened with the remote control button on the key. The top makes its move in just 13 seconds. And like before, it is operable up to vehicle speeds of 50 km/h / 30 mph.

991 Cabrios have electric wind deflectors as standard equipment. Just press the button and in 2 seconds the wind is stopped.

 

911 generations

 

1. MY1965-1973, introduced 9/1963 as 901, production started ~09/1964 as 901, but was changed to 911 by 1965

 

2. G-model MY1974-1989, pre-production cars from ~07/1973

 

3. 964 MY1989-1994, pre-production cars from ~03/1989

 

4. 993 MY1994-1998, pre-production cars from ~10/1993

 

5. 996 MY1998-2005, pre-production cars from ~07/1997. Mk1 MY1998-2001, Mk2 MY2002-2005.

 

6. 997 MY2005-2012, pre-production cars from ~05/2004. Mk1 MY2005-2008, Mk2 MY2009-2011.

 

7. 991 MY2012-2019, pre-production cars from ~08/2011

 

Since its introduction in 1963 to the present, the 911 has stood the test of time both on the race track and in owner's garages. It is one of the few designs that have had such a long history. It has been offered in over 50 different forms including rear wheel, 4wd, cabriolet, Targa, coupe, Speedsters, light weight, club sport, RS, anniversary editions, limited editions, and multiple other options, designs, and features. The 911 has set and raised the bar in terms of technology, performance, design, and handling.

  

LDV - Reenactors

Local Defense Volunteers - the forerunner of the Homeguard. Although women were not technically part of the Homeguard many wanted to "do their bit"

The forerunner

 

SS (Standard Swallow) didn't quite disappear as its boss, stylist and moving force, William Lyons, renamed it Jaguar after WW2. The first SS1, a small two-seater grew into this larger model without losing any of its elegance. The Four stood for four windows. When the current owner recuperated it in 1993 it was a wreck : he has restored i to its original pristine state.

 

2.663 cc

6 in-line

 

The Former English Marques (Pre-War)

 

Chantilly Arts & Elegance Richard Mille

Château de Chantilly

Chantilly

France - Frankrijk

September 2016

Biennalist :

Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.

-------------------------------------------

links about Biennalist :

 

Thierry Geoffroy/Colonel:

en.wikipedia.org/wiki/Thierry_Geoffroy

 

en.wikipedia.org/wiki/Emergency_Room_(art)

 

www.emergencyrooms.org/formats.html

 

www.colonel.dk/

 

—--Biennale from wikipedia —--

 

The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.

Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).

Characteristics[edit]

According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]

 

The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.

A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.

The Venice Biennale as an archetype[edit]

 

The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.

The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.

Biennials after the 1990s[edit]

The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.

International biennales[edit]

In the term's most commonly used context of major recurrent art exhibitions:

Adelaide Biennial of Australian Art, South Australia

Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)

Athens Biennale, in Athens, Greece

Bienal de Arte Paiz, in Guatemala City, Guatemala[4]

Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)

Bamako Encounters, a biennale of photography in Mali

Bat-Yam International Biennale of Landscape Urbanism

Beijing Biennale

Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)

Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no

Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China

Bienal de Arte de Ponce in Ponce, Puerto Rico

Biënnale van België, Biennial of Belgium, Belgium

BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.

Biennial of Hawaii Artists

Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]

Biwako Biennale [ja], in Shiga, Japan

La Biennale de Montreal

Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola

Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal

Bucharest Biennale in Bucharest, Romania

Bushwick Biennial, in Bushwick, Brooklyn, New York

Canakkale Biennial, in Canakkale, Turkey

Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]

Changwon Sculpture Biennale in Changwon, South Korea

Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal

Documenta, contemporary art exhibition held every five years in Kassel, Germany

Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France

EVA International, biennial in Limerick, Republic of Ireland

Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]

Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan

Gwangju Biennale, Asia's first and most prestigious contemporary art biennale

Havana biennial, in Havana, Cuba

Helsinki Biennial, in Helsinki, Finland

Herzliya Biennial For Contemporary Art, in Herzliya, Israel

Incheon Women Artists' Biennale, in Incheon, South Korea

Iowa Biennial, in Iowa, USA

Istanbul Biennial, in Istanbul, Turkey

International Roaming Biennial of Tehran, in Tehran and Istanbul

Jakarta Biennale, in Jakarta, Indonesia

Jerusalem Biennale, in Jerusalem, Israel

Jogja Biennale, in Yogyakarta, Indonesia

Karachi Biennale, in Karachi, Pakistan

Keelung Harbor Biennale, in Keelung, Taiwan

Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India

Kortrijk Design Biennale Interieur, in Kortrijk, Belgium

Kobe Biennale, in Japan

Kuandu Biennale, in Taipei, Taiwan

Lagos Biennial, in Lagos, Nigeria[10]

Light Art Biennale Austria, in Austria

Liverpool Biennial, in Liverpool, UK

Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]

Manifesta, European Biennale of contemporary art in different European cities

Mediations Biennale, in Poznań, Poland

Melbourne International Biennial 1999

Mediterranean Biennale in Sakhnin 2013

MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada

MOMENTUM [no], in Moss, Norway[12]

Moscow Biennale, in Moscow, Russia

Munich Biennale, new opera and music-theatre in even-numbered years

Mykonos Biennale

Nakanojo Biennale[13]

NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia

October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]

OSTEN Biennial of Drawing Skopje, North Macedonia[15]

Biennale de Paris

Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]

São Paulo Art Biennial, in São Paulo, Brazil

SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]

Prospect New Orleans

Seoul Biennale of Architecture and Urbanism

Sequences, in Reykjavík, Iceland[18]

Shanghai Biennale

Sharjah Biennale, in Sharjah, UAE

Singapore Biennale, held in various locations across the city-state island of Singapore

Screen City Biennial, in Stavanger, Norway

Biennale of Sydney

Taipei Biennale, in Taipei, Taiwan

Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)

Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.

Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]

Dream city, produced by ART Rue Association in Tunisia

Vancouver Biennale

Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]

Venice Biennale, in Venice, Italy, which includes:

Venice Biennale of Contemporary Art

Venice Biennale of Architecture

Venice Film Festival

Vladivostok biennale of Visual Arts, in Vladivostok, Russia

Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA

Web Biennial, produced with teams from Athens, Berlin and Istanbul.

West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.

WRO Biennale, in Wrocław, Poland[22]

Music Biennale Zagreb

[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.

 

—---Venice Biennale from wikipedia —

 

The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]

Organization[edit]

Art Biennale

Art Biennale

International Art Exhibition

1895

Even-numbered years (since 2022)

Venice Biennale of Architecture

International Architecture Exhibition

1980

Odd-numbered years (since 2021)

Biennale Musica

International Festival of Contemporary Music

1930

Annually (Sep/Oct)

Biennale Teatro

International Theatre Festival

1934

Annually (Jul/Aug)

Venice Film Festival

Venice International Film Festival

1932

Annually (Aug/Sep)

Venice Dance Biennale

International Festival of Contemporary Dance

1999

Annually (June; biennially 2010–16)

  

International Kids' Carnival

2009

Annually (during Carnevale)

  

History

1895–1947

On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]

A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]

The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.

The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).

During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.

1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.

In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.

In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.

During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]

1948–1973[edit]

The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.

1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.

In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.

1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.

The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]

In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").

Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]

1974–1998[edit]

1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.

On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]

In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.

In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]

The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.

For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]

1999–present[edit]

In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.

In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).

The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.

The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.

In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.

Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".

The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".

The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]

Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]

The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]

The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]

The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]

The Biennale has an attendance today of over 500,000 visitors.[30][31][32]

Role in the art market[edit]

When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]

Central Pavilion and Arsenale[edit]

The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.

Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]

A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi.[37]

National pavilions[edit]

Main article: National pavilions at the Venice Biennale

The Giardini houses 30 permanent national pavilions.[13] Alongside the Central Pavilion, built in 1894 and later restructured and extended several times, the Giardini are occupied by a further 29 pavilions built at different periods by the various countries participating in the Biennale. The first nation to build a pavilion was Belgium in 1907, followed by Germany, Britain and Hungary in 1909.[13] The pavilions are the property of the individual countries and are managed by their ministries of culture.[38]

Countries not owning a pavilion in the Giardini are exhibited in other venues across Venice. The number of countries represented is still growing. In 2005, China was showing for the first time, followed by the African Pavilion and Mexico (2007), the United Arab Emirates (2009), and India (2011).[39]

The assignment of the permanent pavilions was largely dictated by the international politics of the 1930s and the Cold War. There is no single format to how each country manages their pavilion, established and emerging countries represented at the biennial maintain and fund their pavilions in different ways.[38] While pavilions are usually government-funded, private money plays an increasingly large role; in 2015, the pavilions of Iraq, Ukraine and Syria were completely privately funded.[40] The pavilion for Great Britain is always managed by the British Council[41] while the United States assigns the responsibility to a public gallery chosen by the Department of State which, since 1985, has been the Peggy Guggenheim Collection.[42] The countries at the Arsenale that request a temporary exhibition space pay a hire fee per square meter.[38]

In 2011, the countries were Albania, Andorra, Argentina, Australia, Austria, Bangladesh, Belarus, Belgium, Brazil, Bulgaria, Canada, Chile, China, Congo, Costa Rica, Croatia, Cuba, Cyprus, Czechia and Slovakia, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia, Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore, Slovenia, South Africa, Spain, Sweden, Switzerland, Syrian Arab Republic, Taiwan, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Wales and Zimbabwe. In addition to this there are two collective pavilions: Central Asia Pavilion and Istituto Italo-Latino Americano. In 2013, eleven new participant countries developed national pavilions for the Biennale: Angola, Bosnia and Herzegowina, the Bahamas, Bahrain, the Ivory Coast, Kosovo, Kuwait, the Maldives, Paraguay, Tuvalu, and the Holy See. In 2015, five new participant countries developed pavilions for the Biennale: Grenada,[43] Republic of Mozambique, Republic of Seychelles, Mauritius and Mongolia. In 2017, three countries participated in the Art Biennale for the first time: Antigua & Barbuda, Kiribati, and Nigeria.[44] In 2019, four countries participated in the Art Biennale for the first time: Ghana, Madagascar, Malaysia, and Pakistan.[45]

As well as the national pavilions there are countless "unofficial pavilions"[46] that spring up every year. In 2009 there were pavilions such as the Gabon Pavilion and a Peckham pavilion. In 2017 The Diaspora Pavilion bought together 19 artists from complex, multinational backgrounds to challenge the prevalence of the nation state at the Biennale.[47]

The Internet Pavilion (Italian: Padiglione Internet) was founded in 2009 as a platform for activists and artists working in new media.[48][49][50] Subsequent editions were held since,[51] 2013,[51] in conjunction with the biennale.[52]

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وینسVenetsiya

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Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia

 

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#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial

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Carlton North, Victoria

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on authentic facts. BEWARE!

  

Some background:

The forerunners of the Philippine Air Force was the Philippine Militia, otherwise known as Philippine National Guard (PNG). On March 17, 1917 Senate President Manuel L. Quezon enacted a bill (Militia Act 2715) for the creation of the Philippine Militia, in anticipation that there would be an outbreak of hostilities between United States and Germany.

 

The early aviation unit was lacking enough knowledge and equipment to be considered as an air force and was then limited only to air transport duties. In 1935, Philippine Military Aviation was activated when the 10th Congress passed Commonwealth Act 1494 that provided for the organization of the Philippine Constabulary Air Corps (PCAC). PCAC was renamed as the Philippine Army Air Corps (PAAC) in 1936 and started with only three planes on its inventory. In 1941, PAAC had a total of 54 aircraft including fighters and light bombers, reconnaissance aircraft, light transport and trainers. They later engaged the Japanese when they invaded the Philippines in 1941–42, and were reformed in 1945 after the country's liberation.

 

The PAF became a separate military service on July 1, 1947, and the main aircraft type became the P-51 Mustang, flown from 1947 to 1959. Ground attack missions were flown against various insurgent groups, with aircraft hit by ground fire but none shot down. The Mustangs would be replaced by the jet-powered North American F-86 Sabres in the late 1950s, assisted by Lockheed T-33 Shooting Star and Beechcraft T-34 Mentor trainers.

 

During the 70s, the PAF was actively providing air support for the AFP campaign against the MNLF forces in Central Mindanao, aside from doing the airlifting duties for troop movements from Manila and Cebu to the warzone. In late 1977, the Philippine government purchased 35 secondhand U.S. Navy F-8Hs that had been stored at Davis-Monthan AFB in Arizona. Twenty-five of them were refurbished by Vought and the remaining 10 were used for spare parts. As part of the deal, the U.S. would train Philippine pilots in using the (only) TF-8A, and they were mostly used for intercepting Soviet bombers. The F-8s were grounded in 1988 and were finally withdrawn from service in 1991 after they were badly damaged by the Mount Pinatubo eruption, and have since been offered for sale as scrap.

This left the PAF with the F-5 Freedom Fighter as the only jet-powered combat aircraft. The Philippine Air Force acquired 37 F-5A and F-5B from 1965 to 1998 (from Taiwan and South Korea). The F-5A/Bs were used by the 6th Tactical Fighter Squadron (Cobras) of the 5th Fighter Wing and the Blue Diamonds aerobatic team. The F-5s also underwent an upgrade which equipped it with surplus AN/APQ-153 radars with significant overhaul at the end of the 1970s to stretch their service lives another 15 years.

 

Since the retirement of the Northrop F-5s in September 2005, the Philippine Air Force was left without any fighter jets and thus also without any serious air cover, considerably weakening the countries position in the region. Financial constraints prevented the procurement of refurbished F-16A/Bs from US surplus stocks, so that the PAF initially resorted to Aermacchi S-211 trainer jets to fill the void left by the F-5's. These S-211's were later upgraded to light attack capability and used for air and sea patrol and also performed counter-insurgency operations from time to time. Apart from these trainers, the only active fixed wing aircraft to fill the roles were SF-260 trainers with light attack capability, and a handful of obsolete OV-10 Bronco light attack and reconnaissance aircraft.

 

With rising tensions and frequent incidents with Chinese forces, however, the PAF settled upon the “Flight Plan 2028”, a long-term modernization and procurement plan. One of the first investments in order to re-build the PAF’s jet fighter force was eventually settled in 2010, when the Philippines started negotiations with Israel to purchase refurbished IAI Kfir fighter-bombers. In August 2012 Israel Aerospace Industries officially announced that it would deliver twenty-one pre-owned Kfir fighter jets to the Philippines, with a 40-year guarantee and a supply of Python 4 IR-homing AAMs, at a rumored unit price of USD $20 million - a price that represents 1/3 the cost of a brand new fighter with similar capability, but without the weaponry.

 

These machines were Kfir C.10s, a variant developed especially for export, basically an updated C.7. The aircraft for the Philippines received the designation C.10P in order to reflect the new operator’s specifications. The most important changes of the C.10 update were the adaptation of an Elta EL/M-2032 multi-role radar and the integration of two 127×177mm MFDs in the cockpit.

The EL/M-2032 is an advanced Multimode Airborne Fire Control Radar designed for multi-mission fighters, oriented for both air-to-air and strike missions. Modular hardware design, software control and flexible avionic interfaces ensure that the radar can be installed in a wide range of existing fighter aircraft (such as F-16, F-5, Mirage, Harrier variants, F-4, MiG-21, etc.), and it can be customized to meet specific user requirements.

The EL/M-2032 greatly enhances the Air-to-Air, Air-to-Ground and Air-to-Sea capabilities of the aircraft, even though the PAF’s machines did not feature the optional Helmet Mounted Display System (as installed on board of the upgraded Ecuadorean Kfir C.10s). In the Air-to-Air modes, the radar enables long-range target detection and tracking for weapon delivery or automatic target acquisition in close combat engagements. The EL/M-2032 has a maximum range of 150 km and can detect and track an aerial target with a 1m² radar reflection surface equivalent at 100 km. Up to 64 aerial targets can be tracked at the same time, and this information can be shared with other aircraft, including the status which aircraft actually tracks which target.

In Air-to-Ground missions, the radar provided very high-resolution mapping (SAR), surface target detection and tracking over RBM, DBS and SAR maps in addition to A/G ranging. In Air-to-Sea missions, the radar provided long-range target detection and tracking, including target classification capabilities (RS, ISAR).

 

The first Kfir C.10Ps were quickly delivered, and in September 2014 the PAF’s 6th Tactical Fighter Squadron “Cobras” at Basa AB was reformed, the unit which had formerly operated the country’s last F-5s until 2005. Despite the type’s multirole capability, the Filipino Kfirs primarily fulfill interceptor and air patrol tasks against intrusions into Philippine airspace. Their prime task is to act as a general repellant against Chinese aggressions in the South China Sea, esp. in defense of the Scarborough Shoal fishing ground that Manila claims as part of its territorial waters.

Since 2015, the PAF’s jet fighter force has also been augmented by supersonic FA-50 trainers, procured from South Korea, and the PAF’s updated “Flight Plan 2028” lists another 16 Kfirs C.10Ps (including four TC.10P two-seaters), as well as more FA-50s, planned for the future.

 

Since their introduction the FAP’s Kfirs frequently intercepted Chinese and Russian reconnaissance aircraft (typically Y-8 maritime patrol aircraft, but also H-6 missile strike bombers and reconnaissance aircraft) over the Spratly Islands in the South China Sea, even though with no serious confrontations so far.

Beyond these standard duties, the PAF’s new type also took part in several other deployments: On 26 January 2017, two Philippine Air Force Kfir C.10s demonstrated their strike capabilities for the first time and conducted a nighttime attack on terrorist hideouts in Butig, Lanao del Sur province in Mindanao, the first “hot” combat sortie flown by these aircraft. In June 2017, Kfirs and FA-50s were sent out to conduct airstrikes against Maute terrorists entrenched in the city of Marawi, starting in May 2017.

  

General characteristics:

Crew: One

Length: 15.65 m (51 ft 4¼ in)

Wingspan: 8.22 m (26 ft 11½ in)

Height: 4.55 m (14 ft 11¼ in)

Wing area: 34.8 m² (374.6 sq ft)

Empty weight: 7,285 kg (16,060 lb)

Loaded weight: 11,603 kg (25,580 lb) two 500 L drop tanks, two AAMs

Max. takeoff weight: 16,200 kg (35,715 lb)

 

Powerplant:

1× IAl Bedek-built General Electric J-79-J1E turbojet with a dry thrust of 52.9 kN (11,890 lb st)

and 79.62 kN (17,900 lb st) thrust with afterburner

Performance:

Maximum speed: 2,440 km/h (2 Mach, 1,317 knots, 1,516 mph) above 11,000 m (36,000 ft)

Combat radius: 768 km (415 nmi, 477 mi) in ground attack role, with, hi-lo-hi profile, seven 500 lb

bombs, two AAMs, two 1,300 L drop tanks

Maximum range: 3,232 km (2,008 miles, 1744 nm), high profile, with two 1,300 L drop tank

Service ceiling: 22,860 m (75,000 ft)

Rate of climb: 233 m/s (45,950 ft/min)

 

Armament:

2× Rafael-built 30 mm (1.18 in) DEFA 553 cannons, 140 RPG

9× hardpoints for a total payload of 5,775 kg (12,730 lb), including an assortment of unguided

air-to-ground rockets, guided missiles (AIM-9 Sidewinders, Shafrir or Python-series AAMs; Shrike

ARMs and AGM-65 Maverick ASMs) or bombs such as the Mark 80 series, Paveway and Griffin

LGBs, SMKBs,TAL-1 OR TAL-2 CBUs, BLU-107 Matra Durandal, reconnaissance pods or Drop tanks

  

The kit and its assembly:

Like many of my what-if models, this one is rooted in real life. AFAIK, the PAF actually considered the procurement of refurbished, ex-Israeli Kfirs after the purchase of 2nd hand F-16s had turned out to be too costly – but even the Kfir deal did not materialize due to budgetary restrictions. However, whifworld can change this… And eventually, the PAF procured the South Korean FA-50 Golden Eagle multi-role advanced trainer.

 

The kit is the Italeri Kfir C.2/7, a sound and priceworthy offering, but it comes with some inherent flaws - the alternative Hasegawa kit is IMHO much easier to build, even though it is not much more detailed. Problem zones of the Italeri kit include the complex intersection between the air intakes, wings and the fuselage (nothing fits well, gaps galore!), ejector pin markings on the landing gear and on the wheels, sinkholes on the wings’ upper side towards the leading edges and the cockpit tub as a whole, which seems to stem from a different kit - including the dashboard, which is too wide, too.

 

In order to keep things simple and plausible, the kit was mostly built OOB, which is in itself enough work, with only a few cosmetic changes:

- a new nose section with a bigger radome from the scrap box and transplanted chines and pitot

- replacement of the early OOB Shafrir AAMs with Python AAMs, left over from a Trumpeter J-8

- additional/modified antennae and air sensors, including a RHAWS sensor at the top of the fin

- a refueling probe above the right air intake, from a Harrier GR.3, modified

- a Martin Baker ejection seat and some cockpit interior details

  

Painting and markings:

Since the fictional PAF Kfirs were to be primarily operated in the interceptor role, I gave the aircraft an air superiority scheme. Inspiration was taken from the type’s predecessor, the PAF’s F-8 Crusaders and their late Eighties livery, a wraparound scheme in two grey tones, coupled with low-viz (black) markings.

 

I actually used the F-8 camouflage pattern as benchmark and tried to adapt it to the delta-wing Kfir, but this eventually ended in almost complete improvisation. The colors are – based on visual impressions of some PAF Crusaders rather than on hard facts (since these turned out to be quite contradictive and/or implausible) – FS 36440 and 36270, Humbrol 129 and 126, respectively. The result appears a bit pale and reminds a lot of the French air superiority scheme (which is more bluish, though), but it does not look bad at all.

The radome and other dielectric fairings were slightly set apart from the camouflage tones (with Revell 47). The landing gear as well as the air intake interior were painted in gloss white (Humbrol 22), while the cockpit was painted in Sea Grey (Humbrol 27).

 

The model only received a light weathering treatment through a black ink washing and some post-shading with slightly lighter tones, since the aircraft would be relatively new in service – even though I have the impression that any PAF aircraft’s exterior quickly suffered under the local climate?

 

The national markings belong to a Philippine F-5 (a late camouflaged aircraft, hence the insignias’ small size), taken from an Aztec Decal sheet. The modex was created from code markings for a Bréguet Alizé and the cobra emblems on the fin belong to a Malaysian MiG-29 (Begemot sheet). The contemporary USAF-style BuNo for PAF aircraft was created with single decal letters – a fiddly affair.

Only a few stencils were actually taken from the OOB sheet and many of the original red markings were replaced. Most stencils became black and the walkway markings on the wings were replaced by segmented lines from a Mirage 2000.

After some final, very light weathering with graphite the kit was finally sealed with a coat of matt acrylic varnish (Italeri) and completed.

  

Nothing spectacular, but rather an exotic and still plausible what-if build, rooted in real life. While the paint scheme as such is not outstanding, I must say that the two-tone grey scheme suits the Kfir well, esp. together with the subdued markings.

 

A very elegant looking aircraft and a forerunner of the American B2 Stealth bomber.

02/09/2022, departing from Parkeston Quay, Harwich, England, for Hook of Holland, Netherlands.

 

Keel laid on 27/12/2000, launched on 26/04/2001 and entered into service on 29/08/2003, by Dalian Shipyard Co., Dalian, China (ro123-3)

24,688 g.t and 12,300 dwt., as:

'Stena Forerunner'.

My Toyota Forerunner must have looked like a food wagon to this burro and her young as they chased after me as I left Oatman, Arizona. They chased after the vehicle for several hundred yards before I stopped.

The Flajole Forerunner at the Techno Classica Essen.

 

Based on a Jaguar XK120.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

Shortly after the end of World War II, the South Korean Air Construction Association was founded on August 10, 1946, to publicize the importance of air power. Despite the then-scanty status of Korean armed forces, the first air unit was formed on May 5, 1948, under the direction of Dong Wi-bu, the forerunner to the modern South Korean Ministry of National Defense. On September 13, 1949, the United States contributed 10 L-4 Grasshopper observation aircraft to the South Korean air unit. An Army Air Academy was founded in January 1949, and the ROKAF was officially founded in October 1949.

 

The 1950s were a critical time for the ROKAF as it expanded tremendously during the Korean War. At the outbreak of the war, the ROKAF consisted of 1,800 personnel but was equipped with only 20 trainers and liaison aircraft, including 10 North American T-6 Texan advanced trainers purchased from Canada. The North Korean air force had acquired a considerable number of Yak-9 and La-7 fighters from the Soviet Union, dwarfing the ROKAF in terms of size and strength. However, in the course of the war the ROKAF acquired 110 aircraft from the USA which equipped three fighter squadrons and one fighter wing. The first combat aircraft received were North American F-51D Mustangs, along with a contingent of US Air Force instructor pilots, as part of Bout One Project.

 

From the start of the Korean War, the Mustang proved useful. A "substantial number" of stored or in-service F-51Ds were shipped, via aircraft carriers, to the combat zone, and were used by the USAF, the South African Air Force, and the ROKAF. The F-51 was used for ground attack, fitted with rockets and bombs, and photo reconnaissance, rather than as interceptors or "pure" fighters. However, the losses of the rather fragile Mustang due to AA fire and even through small caliber weapons were high – especially the ventral radiator for the liquid-cooled engine turned out to be highly vulnerable.

After the first North Korean invasion, USAF units were forced to fly from bases in Japan and the F-51Ds, with their long range and endurance, could attack targets in Korea that short-ranged F-80 jets could not. Due to its lighter structure and a shortage of spare parts, the newer, faster F-51H was not used in Korea, and the F-47 Thunderbolt, which would have been better suited for most typical missions over the Korean peninsula, was not available in sufficient numbers to employ them overseas.

 

Nevertheless, the ROKAF participated with its F-51s in bombing operations and flew independent sorties. The only other suitable piston engine aircraft at hand and available in sufficient numbers was the Vought F4U Corsair. As ROKAF F-51 losses rose, a handful of F4U-4s were transferred in 1952 to fill these operational gaps. These were revamped USN and USMC aircraft from local field workshops that had been damaged and grounded through enemy fire or accidents, replaced in American service with new machines from overseas.

The F4U-4 was the last Corsair variant that had been introduced during WWII, but it only saw action during the final weeks of the conflict. At the outbreak of the Korean War, it was the USN and USMC’s most common carrier-borne aircraft. It had a 2,100 hp (1,600 kW) dual-stage-supercharged -18W engine, and when the cylinders were injected with the water/alcohol mixture, power was boosted to 2,450 hp (1,830 kW). The aircraft required an air scoop under the nose and the unarmored wing fuel tanks of 62 US gal (230 L) capacities were removed for better maneuverability at the expense of maximum range. The partly fabric-covered outer wings from the former Corsair versions were retained. To better cope with the additional power, the propeller was changed to a four-blade type. Maximum speed was increased to 448 miles per hour (721 km/h) and climb rate to over 4,500 feet per minute (1,400 m/min) as opposed to the 2,900 feet per minute (880 m/min) of the F4U-1A. Other detail improvements were introduced with the F4U-4, too: The windscreen was now flat bullet-resistant glass to avoid optical distortion, a change from the curved Plexiglas windscreens with the internal plate glass of the earlier Corsairs. The cockpit hood was furthermore without bracing and slightly bulged, similar to the P-51B/Cs’ Malcolm hood, to give the pilot a better field of view, esp. backwards.

 

The "4-Hog" retained the original armament of six 0.5” machine guns and had all the external load (i.e., drop tanks, bombs) capabilities of the F4U-1D. A major sub-type, the F4U-4B, was the same but featured an alternate gun armament of four 20 millimeters (0.79 in) AN/M3 cannon, 300 were built. The F4U-4P was a rare photo reconnaissance variant (only eleven were built) with an additional camera compartment in the rear fuselage, but fully combat-capable. The F4U-4 was the oldest active Corsair variant during the Korean War, and new post-WWII variants like the AU-1 for the USMC, optimized for ground attacks and low-level operations, or the F4U-5 and its F4U-5N night fighter sub-variant with onboard radar, were exclusively used by American forces.

 

The ROKAF Corsairs were constantly and heavily used. They operated primarily as fighter bombers because of the type’s ability to absorb a lot of damage and to carry up to 4,000 lb of ordnance on centerline and underwing pylon racks. The machines, all standard F4U-4s with six machine guns to maintain ammunition commonality with the F-51Ds, were allocated to ROKAF 1 Squadron. They equipped a dedicated attack wing within the unit and were flown by both South Korean and American pilots. To differentiate them from American machines, the first Korean F4U-4s were stripped off of their characteristic allover dark blue paint, received large ROKAF roundels on fuselage and wings and colorful ID-markings. These included a yellow band around the fuselage, a large “K” on the fin, and a red ring around the cowling as a unit identifier. Some machines featured additional individual highlights, like colored fin tips and tail sections, some had the canopy frame painted in individual colors, too, or had taglines (in Hangul writing) added on the flanks.

Major maintenance and repairs were, however, still carried out by American personnel at USMC workshops, so that transfer flights were common practice and limited the number of operational machines to only about half a dozen at a time. As battle damage and losses were frequent, repairs with cannibalized parts from American aircraft and full replacements with revamped or operational American F4U-4s were common – resulting in a large variety of liveries within the unit, as some machine retained the American all-blue paint scheme or received blue replacement parts to speed up repairs.

Due to this practice the exact number of ROKAF Corsairs until the end of hostilities in mid-1953 remains uncertain. However, less than 25 documented complete airframes were supplied in total, and no more than 15 machines were active at any time.

 

Together with Mustangs, the Corsairs continued flying with USAF, USN, USMC and other ROKAF fighter-bomber units on close support and interdiction missions in Korea until July 1953, when the fighting ended and the Korean Armistice Agreement was signed. By then, most piston engine fighter bombers had been largely replaced by USAF F-84s and by United States Navy (USN) Grumman F9F Panthers. After the war, the ROKAF quickly switched to F-86 Sabre fighters and all ROKAF F4Us were scrapped by late 1953 as they were regarded as outdated and disposable.

  

General characteristics:

Crew: One

Length: 33 ft 8 in (10.26 m)

Wingspan: 41 ft 0 in (12.50 m)

Height: 14 ft 9 in (4.50 m)

Wing area: 314 sq ft (29.17 m²)

Empty weight: 9,205 lb (4,238 kg)

Gross weight: 14,670 lb (6,654 kg)

Max takeoff weight: 14,533 lb (6,592 kg)

 

Powerplant:

1× Pratt & Whitney R-2800-18W radial engine with 2,100 hp (1,600 kW),

temporary 2,450 hp (1,830 kW) output when boosted with water/alcohol injection,

driving a 4-bladed propeller

 

Performance:

Maximum speed: 446 mph (717 km/h, 385 kn) at sea level

Cruise speed: 215 mph (346 km/h, 187 kn) at sea level

Stall speed: 89 mph (143 km/h, 77 kn)

Range with internal fuel, clean: 1,005 mi (1,617 km, 873 nmi)

Combat range with max. ordnance: 328 mi (528 km, 285 nmi)

Service ceiling: 41,500 ft (12,600 m)

Rate of climb: 4,360 ft/min (22.1 m/s)

 

Armament:

6× 0.5 in (12,7 mm) M2 Browning machine guns in the outer wings, 400 RPG

11× hardpoints under the wings and the fuselage for a total ordnance of 4,000 pounds,

including drop tanks, up to 8× 5 in (12.7 cm) high velocity aircraft rockets and/or bombs or

napalm tanks of up to 1.000 lb (454 kg) caliber

  

The kit and its assembly:

This what-if model was spawned from a leftover decal sheet from an Academy F-51D kit, which features markings for South Korean aircraft from the Korean War. This made me wonder if there could have been another type supplied to the South Korean forces beyond the Mustang? A fighter bomber would have made sense, and the P/F-47 was an immediate favorite. However, this was quickly discarded since maintenance and supplies for another type in the theatre would have been very complicated, and the potential, small number would also make no sense. So, I looked for alternatives and eventually settled upon the F4U from American sources. The F4U-4 was chosen because it was the oldest type in service at the time, and from there the model unspun almost naturally.

 

Another selling point for the F4U-4 was that I had a respective Hobby Boss kit in store without a proper plan yet. Since I did not want to change much about the aircraft to represent a former USN/USMC aircraft, I built the simple Hobby Boss kit almost OOB. Purists will certainly look down upon the toylike Hobby Boss offering – and you must not take a close look, esp. at the interior details. But when you only want a “canvas”, the kit is not too bad. You get fine recessed panels, a clear canopy (over a rudimentary cockpit without leg room but with separate gunsight!) in two pieces and a closed single-piece alternative, and the kit’s construction with good fit leaves almost no seam to sand or fill. The fabric-covered outer wing panels are there, but they are IMHO exaggerated and very deep, as if they had been made from corrugated sheet metal?

 

The weakest point is the kit’s HVAR armament: It comes with eight unguided missiles that are molded onto their launch rails (with separate tail fins, though), and the gap between the two small pylons that hold the rail under the wing in real life are molded into a single massive and deep piece. These pylons are to be mounted into 2mm wide and just as deep “slots” in the lower wing surface – a very crude and toylike solution. Even though I’d have liked to use the HVARs on the model (after all, it’s supposed to be a fighter bomber), I omitted them altogether and filled up the slots. To keep the attack profile visible, I cut the small pylons off from the OOB drop tanks and replaced them with American 750 lb (340 kg) M117 bombs from the spares bin – they look modern, but they were actually introduced during the Korea War.

  

Painting and markings:

Well, F4Us handed over from American to Korean units would certainly have left them in their typical all-blue paint scheme, with the “Stars and Bars” simply replaced by the South Korean “yin-yang” symbol and former tactical markings painted over. The ex-American F-51s were handled in a similar fashion, just that they came from overstock in bare metal finish.

To provide the ROKAF F4U with an individual touch I decided to strip the original Navy paint off and give it an NMF with colorful markings similar to the Mustangs. And for a weirdo touch the outer foldable wings would become blue donor parts from an American Corsair, together with a single rudder on the stabilizer.

 

The bare metal fuselage was painted with Revell 99 (Aluminum), post-shaded with Humbrol 27001 (Matt Aluminum MetalCote); the dark blue sections, including the landing gear, were painted with FS 35042 (Modelmaster 1718), the fabric-covered rudders on the tail with Humbrol 56 (Aluminum Dope). The landing gear wells and the cockpit were painted with Humbrol 80 (Grass Green) to simulate Zinc Chromate primer. To hide the lack of space inside of the cowling its interior walls were painted in a darker shade of green, with a dark grey engine block.

An olive drab anti-glare panel was added in front of the windscreen, the red unit markings on cowling, fin and tail tip were painted with Humbrol 19. The yellow ID fuselage band was created with decal sheet.

The ROKAF roundels came from the aforementioned Academy Mustang kit – and, yes, some ROKAF machines had national markings in six places instead of the US-style four. The tagline on the cowling comes from the same sheet, and it might read “I fly with confidence!” (uncertain, though). The tactical codes were created with single USAF 45° numbers from Superscale aftermarket sheets.

 

Graphite was used to create soot stains around the gun and the exhaust areas, and Tamiya “Smoke” was used to mimic oil spills from the engine around the forward fuselage. Finally, the kit was sealed with acrylic varnish; the bare metal sections became semi-gloss, the blue areas and the fabric-covered tail sections a slightly more matt finish.

  

An interesting result – an F4U in NMF looks pretty odd, and with the red and blue sections the Corsair somehow looks like a Reno Racer or a Red Bull heritage aircraft? But the ROKAF Corsair appears pretty plausible in its role and in the Korean War’s time frame: a whif nicely shoehorned into a historic framework. The simple Hobby Boss kit is certainly not the best model of the Corsair, but for a simple “livery variant” it was an O.K. basis, and the result is quite presentable. Just do not look into the cockpit or the landing gear wells.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

Shortly after the end of World War II, the South Korean Air Construction Association was founded on August 10, 1946, to publicize the importance of air power. Despite the then-scanty status of Korean armed forces, the first air unit was formed on May 5, 1948, under the direction of Dong Wi-bu, the forerunner to the modern South Korean Ministry of National Defense. On September 13, 1949, the United States contributed 10 L-4 Grasshopper observation aircraft to the South Korean air unit. An Army Air Academy was founded in January 1949, and the ROKAF was officially founded in October 1949.

 

The 1950s were a critical time for the ROKAF as it expanded tremendously during the Korean War. At the outbreak of the war, the ROKAF consisted of 1,800 personnel but was equipped with only 20 trainers and liaison aircraft, including 10 North American T-6 Texan advanced trainers purchased from Canada. The North Korean air force had acquired a considerable number of Yak-9 and La-7 fighters from the Soviet Union, dwarfing the ROKAF in terms of size and strength. However, in the course of the war the ROKAF acquired 110 aircraft from the USA which equipped three fighter squadrons and one fighter wing. The first combat aircraft received were North American F-51D Mustangs, along with a contingent of US Air Force instructor pilots, as part of Bout One Project.

 

From the start of the Korean War, the Mustang proved useful. A "substantial number" of stored or in-service F-51Ds were shipped, via aircraft carriers, to the combat zone, and were used by the USAF, the South African Air Force, and the ROKAF. The F-51 was used for ground attack, fitted with rockets and bombs, and photo reconnaissance, rather than as interceptors or "pure" fighters. However, the losses of the rather fragile Mustang due to AA fire and even through small caliber weapons were high – especially the ventral radiator for the liquid-cooled engine turned out to be highly vulnerable.

After the first North Korean invasion, USAF units were forced to fly from bases in Japan and the F-51Ds, with their long range and endurance, could attack targets in Korea that short-ranged F-80 jets could not. Due to its lighter structure and a shortage of spare parts, the newer, faster F-51H was not used in Korea, and the F-47 Thunderbolt, which would have been better suited for most typical missions over the Korean peninsula, was not available in sufficient numbers to employ them overseas.

 

Nevertheless, the ROKAF participated with its F-51s in bombing operations and flew independent sorties. The only other suitable piston engine aircraft at hand and available in sufficient numbers was the Vought F4U Corsair. As ROKAF F-51 losses rose, a handful of F4U-4s were transferred in 1952 to fill these operational gaps. These were revamped USN and USMC aircraft from local field workshops that had been damaged and grounded through enemy fire or accidents, replaced in American service with new machines from overseas.

The F4U-4 was the last Corsair variant that had been introduced during WWII, but it only saw action during the final weeks of the conflict. At the outbreak of the Korean War, it was the USN and USMC’s most common carrier-borne aircraft. It had a 2,100 hp (1,600 kW) dual-stage-supercharged -18W engine, and when the cylinders were injected with the water/alcohol mixture, power was boosted to 2,450 hp (1,830 kW). The aircraft required an air scoop under the nose and the unarmored wing fuel tanks of 62 US gal (230 L) capacities were removed for better maneuverability at the expense of maximum range. The partly fabric-covered outer wings from the former Corsair versions were retained. To better cope with the additional power, the propeller was changed to a four-blade type. Maximum speed was increased to 448 miles per hour (721 km/h) and climb rate to over 4,500 feet per minute (1,400 m/min) as opposed to the 2,900 feet per minute (880 m/min) of the F4U-1A. Other detail improvements were introduced with the F4U-4, too: The windscreen was now flat bullet-resistant glass to avoid optical distortion, a change from the curved Plexiglas windscreens with the internal plate glass of the earlier Corsairs. The cockpit hood was furthermore without bracing and slightly bulged, similar to the P-51B/Cs’ Malcolm hood, to give the pilot a better field of view, esp. backwards.

 

The "4-Hog" retained the original armament of six 0.5” machine guns and had all the external load (i.e., drop tanks, bombs) capabilities of the F4U-1D. A major sub-type, the F4U-4B, was the same but featured an alternate gun armament of four 20 millimeters (0.79 in) AN/M3 cannon, 300 were built. The F4U-4P was a rare photo reconnaissance variant (only eleven were built) with an additional camera compartment in the rear fuselage, but fully combat-capable. The F4U-4 was the oldest active Corsair variant during the Korean War, and new post-WWII variants like the AU-1 for the USMC, optimized for ground attacks and low-level operations, or the F4U-5 and its F4U-5N night fighter sub-variant with onboard radar, were exclusively used by American forces.

 

The ROKAF Corsairs were constantly and heavily used. They operated primarily as fighter bombers because of the type’s ability to absorb a lot of damage and to carry up to 4,000 lb of ordnance on centerline and underwing pylon racks. The machines, all standard F4U-4s with six machine guns to maintain ammunition commonality with the F-51Ds, were allocated to ROKAF 1 Squadron. They equipped a dedicated attack wing within the unit and were flown by both South Korean and American pilots. To differentiate them from American machines, the first Korean F4U-4s were stripped off of their characteristic allover dark blue paint, received large ROKAF roundels on fuselage and wings and colorful ID-markings. These included a yellow band around the fuselage, a large “K” on the fin, and a red ring around the cowling as a unit identifier. Some machines featured additional individual highlights, like colored fin tips and tail sections, some had the canopy frame painted in individual colors, too, or had taglines (in Hangul writing) added on the flanks.

Major maintenance and repairs were, however, still carried out by American personnel at USMC workshops, so that transfer flights were common practice and limited the number of operational machines to only about half a dozen at a time. As battle damage and losses were frequent, repairs with cannibalized parts from American aircraft and full replacements with revamped or operational American F4U-4s were common – resulting in a large variety of liveries within the unit, as some machine retained the American all-blue paint scheme or received blue replacement parts to speed up repairs.

Due to this practice the exact number of ROKAF Corsairs until the end of hostilities in mid-1953 remains uncertain. However, less than 25 documented complete airframes were supplied in total, and no more than 15 machines were active at any time.

 

Together with Mustangs, the Corsairs continued flying with USAF, USN, USMC and other ROKAF fighter-bomber units on close support and interdiction missions in Korea until July 1953, when the fighting ended and the Korean Armistice Agreement was signed. By then, most piston engine fighter bombers had been largely replaced by USAF F-84s and by United States Navy (USN) Grumman F9F Panthers. After the war, the ROKAF quickly switched to F-86 Sabre fighters and all ROKAF F4Us were scrapped by late 1953 as they were regarded as outdated and disposable.

  

General characteristics:

Crew: One

Length: 33 ft 8 in (10.26 m)

Wingspan: 41 ft 0 in (12.50 m)

Height: 14 ft 9 in (4.50 m)

Wing area: 314 sq ft (29.17 m²)

Empty weight: 9,205 lb (4,238 kg)

Gross weight: 14,670 lb (6,654 kg)

Max takeoff weight: 14,533 lb (6,592 kg)

 

Powerplant:

1× Pratt & Whitney R-2800-18W radial engine with 2,100 hp (1,600 kW),

temporary 2,450 hp (1,830 kW) output when boosted with water/alcohol injection,

driving a 4-bladed propeller

 

Performance:

Maximum speed: 446 mph (717 km/h, 385 kn) at sea level

Cruise speed: 215 mph (346 km/h, 187 kn) at sea level

Stall speed: 89 mph (143 km/h, 77 kn)

Range with internal fuel, clean: 1,005 mi (1,617 km, 873 nmi)

Combat range with max. ordnance: 328 mi (528 km, 285 nmi)

Service ceiling: 41,500 ft (12,600 m)

Rate of climb: 4,360 ft/min (22.1 m/s)

 

Armament:

6× 0.5 in (12,7 mm) M2 Browning machine guns in the outer wings, 400 RPG

11× hardpoints under the wings and the fuselage for a total ordnance of 4,000 pounds,

including drop tanks, up to 8× 5 in (12.7 cm) high velocity aircraft rockets and/or bombs or

napalm tanks of up to 1.000 lb (454 kg) caliber

  

The kit and its assembly:

This what-if model was spawned from a leftover decal sheet from an Academy F-51D kit, which features markings for South Korean aircraft from the Korean War. This made me wonder if there could have been another type supplied to the South Korean forces beyond the Mustang? A fighter bomber would have made sense, and the P/F-47 was an immediate favorite. However, this was quickly discarded since maintenance and supplies for another type in the theatre would have been very complicated, and the potential, small number would also make no sense. So, I looked for alternatives and eventually settled upon the F4U from American sources. The F4U-4 was chosen because it was the oldest type in service at the time, and from there the model unspun almost naturally.

 

Another selling point for the F4U-4 was that I had a respective Hobby Boss kit in store without a proper plan yet. Since I did not want to change much about the aircraft to represent a former USN/USMC aircraft, I built the simple Hobby Boss kit almost OOB. Purists will certainly look down upon the toylike Hobby Boss offering – and you must not take a close look, esp. at the interior details. But when you only want a “canvas”, the kit is not too bad. You get fine recessed panels, a clear canopy (over a rudimentary cockpit without leg room but with separate gunsight!) in two pieces and a closed single-piece alternative, and the kit’s construction with good fit leaves almost no seam to sand or fill. The fabric-covered outer wing panels are there, but they are IMHO exaggerated and very deep, as if they had been made from corrugated sheet metal?

 

The weakest point is the kit’s HVAR armament: It comes with eight unguided missiles that are molded onto their launch rails (with separate tail fins, though), and the gap between the two small pylons that hold the rail under the wing in real life are molded into a single massive and deep piece. These pylons are to be mounted into 2mm wide and just as deep “slots” in the lower wing surface – a very crude and toylike solution. Even though I’d have liked to use the HVARs on the model (after all, it’s supposed to be a fighter bomber), I omitted them altogether and filled up the slots. To keep the attack profile visible, I cut the small pylons off from the OOB drop tanks and replaced them with American 750 lb (340 kg) M117 bombs from the spares bin – they look modern, but they were actually introduced during the Korea War.

  

Painting and markings:

Well, F4Us handed over from American to Korean units would certainly have left them in their typical all-blue paint scheme, with the “Stars and Bars” simply replaced by the South Korean “yin-yang” symbol and former tactical markings painted over. The ex-American F-51s were handled in a similar fashion, just that they came from overstock in bare metal finish.

To provide the ROKAF F4U with an individual touch I decided to strip the original Navy paint off and give it an NMF with colorful markings similar to the Mustangs. And for a weirdo touch the outer foldable wings would become blue donor parts from an American Corsair, together with a single rudder on the stabilizer.

 

The bare metal fuselage was painted with Revell 99 (Aluminum), post-shaded with Humbrol 27001 (Matt Aluminum MetalCote); the dark blue sections, including the landing gear, were painted with FS 35042 (Modelmaster 1718), the fabric-covered rudders on the tail with Humbrol 56 (Aluminum Dope). The landing gear wells and the cockpit were painted with Humbrol 80 (Grass Green) to simulate Zinc Chromate primer. To hide the lack of space inside of the cowling its interior walls were painted in a darker shade of green, with a dark grey engine block.

An olive drab anti-glare panel was added in front of the windscreen, the red unit markings on cowling, fin and tail tip were painted with Humbrol 19. The yellow ID fuselage band was created with decal sheet.

The ROKAF roundels came from the aforementioned Academy Mustang kit – and, yes, some ROKAF machines had national markings in six places instead of the US-style four. The tagline on the cowling comes from the same sheet, and it might read “I fly with confidence!” (uncertain, though). The tactical codes were created with single USAF 45° numbers from Superscale aftermarket sheets.

 

Graphite was used to create soot stains around the gun and the exhaust areas, and Tamiya “Smoke” was used to mimic oil spills from the engine around the forward fuselage. Finally, the kit was sealed with acrylic varnish; the bare metal sections became semi-gloss, the blue areas and the fabric-covered tail sections a slightly more matt finish.

  

An interesting result – an F4U in NMF looks pretty odd, and with the red and blue sections the Corsair somehow looks like a Reno Racer or a Red Bull heritage aircraft? But the ROKAF Corsair appears pretty plausible in its role and in the Korean War’s time frame: a whif nicely shoehorned into a historic framework. The simple Hobby Boss kit is certainly not the best model of the Corsair, but for a simple “livery variant” it was an O.K. basis, and the result is quite presentable. Just do not look into the cockpit or the landing gear wells.

VSTOL aircraft built in 1964 , the forerunner to the Harrier. One of nine aircraft built to be evaluated by RAF, French Air Force and USAF. Designated FGA.1 by RAF and marked XS690, transferred to USAF as XV-6A and marked 64-18264. In Pima Air & Space Museum in Tucson, AZ, USA 19. October 2017. On loan from National Museum of USAF.

DBU's forerunner, Decatur Baptist College, was founded in 1898 as the first junior college in Texas. For years, the school called the small town of Decatur home, producing outstanding young men and women who filled churches, classrooms, hospitals, and businesses around the nation.

 

In 1965, the school relocated to the scenic foothills of southwest Dallas, becoming a four-year institution and eventually being renamed Dallas Baptist University when it began offering graduate-level degrees.

 

Today, DBU has a variety of degrees on the undergraduate, master's, and doctoral levels. Well into our second century, DBU continues to press forward in our mission to produce servant leaders who will transform the world.

 

The Dallas Baptist Patriots baseball team represents Dallas Baptist University, which is located in Dallas, Texas. The Patriots are an NCAA Division I college baseball program that competes in the Missouri Valley Conference.

 

- 10 years after DBU won the 2011 Fort Worth Regional, the Patriots clinched the 2021 Fort Worth Regional to send DBU to their second trip to the Super Regionals in school history. DBU's win over Oregon State on June 7 came 10 years and one day after their regional title win over Oral Roberts on June 6, 2011, at Lupton Stadium.

 

- With DBU's trip to the postseason in 2021, DBU is making their seventh consecutive trip to the NCAA Regionals (excluding the 2020 canceled season). The Patriots are just one of six teams in the country to reach the postseason each year since 2014 joining the likes of Florida, Florida State, LSU, Oklahoma State, and Vanderbilt.

 

- DBU joined the NCAA Division I ranks in 2004 and became eligible for the postseason in 2006. During that 15-year span (excluding the 2020 season due to COVID), the Patriots have reached the NCAA Regionals 10 times beginning with their first trip in 2008.

 

- The Patriots have reached the finals in each of their last six trips to the NCAA Regionals beginning with the 2015 Dallas Regional. DBU also reached the finals of the Fort Worth Regional (2017 and 2021), the Lubbock Regional (2016 and 2019), as well as the 2018 Fayetteville Regional.

 

- The only other time DBU reached the field of 16 came when the Patriots faced the Cal Bears in the 2011 Santa Clara Super Regionals. DBU dropped both games to Cal, ending their dream season just two wins shy of reaching the College World Series.

 

- DBU will face Virginia for the second time in the postseason. In 2017, the Patriots and Cavaliers met in the Fort Worth Regional. After dropping their first game to the Cavaliers, 6-3, DBU bounced back to eliminate Virginia, 11-8. With the win, the Patriots reached the finals against TCU.

W29

 

Sensation of the 1935 Berlin Auto Show, Mercedes-Benz's legendary pre-war 500 K supercar cost a small fortune when new and today commands a king's ransom, such is its rarity. The 1930s decade was a period of unprecedented fertility in motor car styling, of which the sublime 500 K represented the very pinnacle of excellence. Its timeless appeal endures to this day.

 

The 500 K, which boasted an ingenious swing-axle independent rear suspension layout, was created by Hans Nibel, who having started with Benz in the early years of the 20th Century, succeeded Marius Barbarou as chief engineer in 1904 and designed (and raced) the huge Benz cars of the period, culminating in the 200hp 'Blitzen' Benz. After the merger with Mercedes he replaced Ferdinand Porsche and created the most sophisticated chassis of their day for road and track, including the first of the 'Silver Arrow' racers. The supercharged road-going Mercedes of the 1930s are a wonderful tribute to his engineering skills.

 

The 500 K's immediate forerunner was the 380. Introduced at the 1933 Berlin Auto Show, the 380 K was powered by a 3.8-litre supercharged straight eight and took its place at the head of Mercedes-Benz's model range alongside the ageing SS. Developed and refined on the earlier S series, Mercedes-Benz's forced induction technology enabled the driver to engage the supercharger for short bursts of enhanced acceleration.

 

There were also strong visual links to the S series in the form of the massive V-shaped radiator, set well back on the chassis, and imposing Bosch headlights. With its all-round independent suspension and four-wheel hydraulic brakes, the chassis represented the very best of modern automotive technology, endowing the 380 with class-leading ride, handling, and braking. These characteristics, coupled with the effortless power of the blown straight eight, made the 380 ideally suited to exploit the extensive Autobahn network then under construction in Germany.

 

Whereas in the past such exclusive and expensive cars would have been chauffeur driven, the 380 was designed with the enthusiastic and mechanically knowledgeable owner/driver in mind, reflecting the changing social and economic conditions of the 1930s. Its many technological advances notwithstanding, the 380 was deemed insufficiently powerful to provide the required level of performance when called upon to carry large enclosed-limousine bodies, although these were now the exception rather than the norm. Mercedes-Benz lost no time in developing its successor: the 500 K.

 

Together with the succeeding 540 K, the magnificent Mercedes-Benz 500 K was arguably the most noteworthy production model offered by the Stuttgart firm during the 1930s. Introduced at the Berlin Auto Show, a mere 13 months after the 380's arrival, the 500 K was powered by a 5,018cc overhead-valve straight-eight engine that featured the company's famous Roots-type supercharger system in which pressing the accelerator pedal to the end of its travel would simultaneously engage the compressor and close off the alternative atmospheric intake to the carburettor. This system had been thoroughly proven on the preceding series of Dr. Porsche-conceived S-Type cars, and in effect the 500/540 K was the last supercharged production Mercedes until relatively recent times. The 380 continued in production but by the end of 1934 had gone, leaving the 500 K unchallenged at the top of the Mercedes-Benz range.

 

Generously braced, the 500 K's box-section chassis boasted independent suspension all round: by wishbones and coil springs at the front and swing axles at the rear, with damping by hydraulic lever-type shock absorbers. Horizontal camber compensating springs were a later addition to the swing axles, further refining wheel control. Standard equipment included two spare wheels, safety glass, electric windscreen wipers, centralised lubrication, and a central fog light.

 

Beneath its impressing bonnet, the 500 K's eight-cylinder pushrod engine developed 100bhp un-supercharged or 160bhp at 3,400rpm with the compressor engaged. Cast as one in steel, the combined crankcase/cylinder block was topped by a cast-iron head, while the oil supply was contained within an aluminium sump. The gearbox was a four-speeder with direct (1:1) 3rd gear and overdrive top ratio, the latter engaged via a pre-selector mechanism.

 

With the supercharger engaged via its multi-plate clutch, the 500 K had a top speed approaching 177km/h (110mph), which was matched by servo-assisted hydraulic braking. Its performance potential was such that Mercedes-Benz in the UK retained the Italian racing driver Goffredo 'Freddy' Zehender as technical adviser and demonstration driver, since the supercharged Mercedes was one of the few genuine 100mph road cars available in the 1930s. After testing an open-top 500 K in 1936, The Autocar declared: 'This is a master car, for the very few. The sheer insolence of its great power affords an experience on its own.'

 

Although the 500K/540 K chassis attracted the attention of many of the better quality bespoke coachbuilders of the day, the company's own Sindelfingen coachwork left little room for improvement. With a lengthy wheelbase of almost 3.3 metres, and a tall engine, the 500 K must have been a challenge to body in sporting style, yet few would deny that with the Roadster version, as seen here, master stylist Hermann Ahrens and the craftsmen at Sindelfingen succeeded brilliantly.

 

The Roadster was offered in two versions, '105380' being an example of the 1st Series that was characterised by the absence of windup windows, a fully folding convertible hood, and twin spare wheels mounted on the short, tapered tail, which featured chromed, stalk-mounted tail lights. Today finished in a rich shade of red, with interior upholstery in tan leather and a matching cloth convertible hood, the car boasts an impressive array of features that includes chromed wire wheels, twin windscreen-mounted spotlights, and chromed exhaust pipes.

 

The manufacturing record of the 500 K reveals its exclusive nature: 105 being produced in 1934, 190 in 1935 and 59 in 1936 making a total of 354 cars, of which it is estimated that only 29 were completed with Roadster or Spezial Roadster coachwork. In recent years, the rarity, style and performance of these big supercharged Mercedes have made them one of the most sought-after of all classic cars on the few occasions they have come on the open market.

 

The imposing and supremely elegant 500 K roadster we offer here, chassis number '105380', was completed by Sindelfingen on 6th February 1935; the car was finished in green, the paint being an early form of metallic. Following completion, '105380' was immediately despatched to Berlin where it occupied centre stage on the Mercedes-Benz stand at that year's Motor Show, held between 14th and 24th February. A photograph of '105380', taken on the Mercedes-Benz stand, is reproduced in Jan Melin's book, 'Mercedes-Benz 8 - The Supercharged 8-Cylinder Cars of the 1930s' (page 182).

 

The 500 K remained in Berlin until 22nd March. Purchased there by businessman Hans Friedrich Prym of Stolberg it was despatched to the Mercedes-Benz agency in Aachen, Germany. The Kommission document records the date of the transaction as 25th April 1935.

Prym is Germany's oldest family-owned company and still has its global headquarters in Stolberg. For more than 400 years Prym has been known for metal products of the highest quality, ranging from press-stud fastenings to superfine electro-mechanical components.

 

The car's subsequent history is not known prior to its appearance in the 1970s, still in excellent condition, in the collection of late Russell Strauch of Toledo, Ohio. A pioneer collector, Mr Strauch's world-class collection of coachbuilt classic automobiles included fine examples by the likes of Mercedes-Benz, Duesenberg, Packard and many more. How the 500 K came to the USA is not known. It disappeared overnight from the Prym premises. All that is known is, that it was stolen that night. In any case, the Mercedes resurfaced decades later in the USA at a collector named Russel Strauch.

 

Russell Strauch died in 1976, by which time the 500 K moved to the collection of Don Dickson, where it remained until 1988. The next custodian of '105380' was Richie Clyne for the Imperial Palace Collection. While there the car was treated to a cosmetic restoration, which was carried out by Mike Fennell Enterprises of Saugus, California in 1991.

Subsequently, the 500 K passed into the fastidious care of the Lyon Family Collection where it formed one of the highlights for many years, representing the very best of the marque in terms of both performance and style.

 

In August 2011, '105380' was auctioned at Pebble Beach in Monterey, California to a car collector from Europe. In March 2012 the Mercedes was exhibited at the Techno Classica show in Essen where the heirs of Hans Prym were able to catch hold of their car. On the basis of confirming interim orders by the competent German courts the parties involved entered into negotiations, which lead to a final and comprehensive settlement on the restitution of the car. Therefore, seventy years after its disappearance, the car returned to its lawful

owners. Thus, we are proud to say: This rare vehicle comes along with a thoroughly documented history and is offered by the family of the very first and sole owner.

 

This wonderful 500 K is offered for sale today by the Prym family and comes with the all-important Mercedes-Benz Classic certification and a detailed condition report (in German) compiled by independent Mercedes specialists. Representative of the very best that money could buy in the mid-1930s, '105380' is an excellent example of this classic and much sought after German model."

 

The Chantilly Sale

Bonhams

Sold for € 5.290.000

 

Chantilly Arts & Elegance Richard Mille

Château de Chantilly

Chantilly

France - Frankrijk

September 2016

Inbound for the Port of Rotterdam

Aerial from a drone

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

  

Some background:

In September 1939, the US Army was ill-prepared as far as armored vehicles, training and tactics went. Soon, it became clear that a new model, which could be favorably compared to the European models, had to be studied for mass production. The very early M1 Combat Car was nothing more than a very small tank with two machine guns. Its main purpose was scouting and as such ordered for “cavalry” units. This was in 1937, and became the forerunner of all light tanks to come.

In 1935, a new model, the M2 Light Tank, was designed. At first, it was an immediate upgrade of the M1, but with the heavier .50 (12.7 mm) caliber machine gun, immediately followed by the M2A2 with twin turrets equipped with .30 (7.62 mm) caliber M1919 machine guns. The “Mae West” gave way in 1938 to a small series of M2A3 37 mm (1.45 in) single turret tanks, and then to the final M2A4 in 1940, with improved armor, motorization and equipment. These fought at Guadalcanal with the US Marine Corps, and with the British Army through Lend-Lease, performing well in Burma and India against the Japanese, despite being obsolete.

 

The following M3 was built under the light of recent events in France. The quick fall of France, due to inadequate tactics, quickly led the US Army Corps to think about a new doctrine, which led to an independent US armored force. From the material point of view, the latest M2A4 and the M3 were both designed to be more effective than only infantry support units, their main duty was scouting and screening.

The M3 was, at first, a simple upgrade of the last M2, with a more powerful Continental petrol engine, a new vertical volute spring suspension system and up to four machine guns in addition to a main, quick-firing M5 (and later M6) 37 mm (1.45 in) anti-tank gun, with a new gun recoil system.

 

Most of the initial M3 tanks were provided to the British and Commonwealth forces through Lend-Lease. Some were immediately thrown into action in Northern Africa, where they immediately became popular for their speed, sturdiness and reliability. Although the official British designation was “Stuart”, paying homage to Civil War Confederate general J.E.B. Stuart, they found themselves affectuously dubbed “Honey”, because of their smooth ride.

Beyond British and Commonwealth forces, the US Forces used many M3s in their first major operation in the west, the North African invasion in November 1942 (Operation Torch). They had some success against Italian tanks, but were butchered by German 88 mm (3.46 in) artillery and the up-gunned Panzer IIIs and IVs. It was clear that their high profile and the flat squared hull was too vulnerable. However, the M3 was popular, reliable and mobile, and the introduction of a diesel engine in the M3A1 made the small tank even more suitable for reconnaissance missions, so that the British Army asked by late 1941 for a dedicated scout variant that would trade-in the weak cannon armament (and the fourth crewman associated with it) for more mobility and range. This led to the M3A2, better known under the British name “Parsival”, because it was never adopted and operated by the U.S. Army.

 

The Parsival Mk. I used the standard M3 hull, but the lateral sponsons that formerly housed fixed machine guns were outright deleted in order to save weight and to reduce manufacturing effort as well as frontal area. Another major modification concerned the running gear: in order to improve speed and handling at higher speed, the M3’s vertical springs were replaced by a modified Christie running gear, which consisted of the standard drive wheel at the front, four large road wheels and three return rollers per side. The last pair of road wheels was mounted on trailing swing arms for increased ground contact and also acted as idler wheels. The M3A1’s optional 9-cylinder Guiberson T-1020 diesel became the Parsival’s standard engine, and, beyond the internal tanks, two additional external fuel drums could be mounted to the rear hull, extending range from 100 to 150 miles.

 

A new cast turret, similar in shape to the airborne M22 Locust tank, was mounted, which had a much lower profile and offered better ballistic protection than the M3’s original turret with vertical side walls. The reduced height was a trade-off for firepower, though: the turret did not carry a full-fledged cannon anymore, only a medium 0.5” (12.7 mm) machine gun as well as a light, coaxial 0.303” (7.62 mm) machine gun, all operated by the commander. The machine gun in the front bow, handled by the radio operator, was retained, and another light machine gun could optionally be mounted on top of the turret against aircraft. The turret was furthermore equipped with a set of two smoke grenade launchers.

 

Through the different weight saving measures, the Parsival’s weight could be reduced from 12.7 to 10.8 tons, resulting in a slight improvement in overall performance but with a much better handling, esp. when moving off-road.

 

In the summer of 1942, the first Parsival Mk. Is arrived in the North African theatre of operations where they excelled in their dedicated reconnaissance role. Concerning the standard M3, the British usually kept the Stuarts out of direct tank-to-tank combat, using them primarily for reconnaissance, too. In consequence, the turret was removed from some British M3 examples to save weight and improve speed and range, but these were inferior to the Parsival and became known as "Stuart Recce". Some others were converted to armored personnel carriers known as the "Stuart Kangaroo", and some were converted into command vehicles and known as "Stuart Command".

After the Africa campaign, British Stuarts and Parsival took successfully part in the liberation of Italy. About 500 were produced, 160 of them were delivered to the Soviet Union under Lend-Lease, the rest was exclusively operated by the British Army in Europe. Parsivals, M3s, M3A3s, and M5s continued in British service until the end of the war.

  

Specifications:

Crew: Three (commander, driver, radio operator)

Weight: 10.8 tons

Length: 14ft 2in (4.33 m)

Width: 7ft 4in (2.33 m)

Height: 2.49 metres (8 ft 1 1/2 in)

Suspension: Christie system

Ground clearance: 16.5" (419 mm)

Fuel capacity: 54 US gal (200 l)

Armor:

0.52 - 2 in (13 - 51 mm)

 

Performance:

Speed:

- Maximum, road: 40 mph (65 km/h)

- Cross country: 22 mph (36 km/h)

Climbing capability:

- 40% side slope and 60% max grade

- Vertical obstacle of 24 inches (61 cm)

- 72 inches (1,8 m) trench crossing

Fording depth: 36 inches (91 cm)

Operational range: 100 ml (160 km) on road with internal fuel

Power/weight: 23.1 hp/t

 

Engine:

1× Guiberson T-1020 9-cylinder radial diesel engine with a 1,021 cu in (16.73 l) displacement,

delivering 250 hp (190 kW)

 

Transmission:

Hydramatic, 4 speeds forward, 1 reverse

 

Armament:

1× 0.5” (12.7) mm M2 machine gun with 900 rounds

3× 0.303” (7,62 mm) M1919A4 machine guns

(co-axial in the turret, in the front bow and as an AA weapon on top of the turret)

with a total of 6,750 rounds

2× smoke dischargers on the turret’s right side

  

The kit and its assembly:

This M3 conversion was spawned by the idea of a dedicated recce variant of the popular Stuart tank. Originally, I just planned to use the chassis from a Hasegawa 1:72 kit and replace the turret with a smaller option (including lighter armament), I already had organized a resin turret for/from an American T17 “Staghound” WWII recce car. But, as always, you can drive a simple idea easily further, so that I also thought about a different suspension and other modifications that would improve the tank’s agility. This led to a Christie-style running gear and the deletion of the M3’s machine gun sponsons, which were in practice used as storage space after the machine guns had been deleted.

 

The Staghound turret came from a ModelTrans/Silesian Models conversion set, which also includes a nice commander figure as well as two fuel drums. The sponsons were simply cut away and the gaps filled with 0.5 mm styrene sheet – a small modification, and thanks to the M3’s boxy hull design a simple affair. Only some small PSR on the side wall implants as well as on the mudguards (which are segmented) was necessary, and this modification changes the M3’s look considerably!

 

The running gear was scratched and more complicated, in particular because assembly and painting had to go hand in hand. The eight road wheels actually come from a 1:72 T-72 tank from ModelCollect, their width perfectly matched the track’s and they had the same size as the M3’s large idler wheel at the rear. The road wheels’ depth just looks a little disturbing, but not implausible. The trailing idler wheel (using the original suspension arm) defined the stance and the other wheels were mounted on plastic rods to the hull, with simulated suspensions arms (styrene profile) behind them. Since the drive and idler wheels’ position effectively remained unchanged, I was able to use the OOB vinyl tracks, which are really smooth and easy to handle. However, this move necessitated to retain the return wheels – I wanted to omit them, for an even more Christie-esque look, but without them the track would have been too long and slacked through, with a lot of space between the tracks and the mudguards. Nevertheless, the return wheels’ position was slightly changed, in order to reflect the modified road wheels’ position. And the whole affair simply looks different from the original, so I am fine with it.

 

In order to liven the small tank up, I added the fuel drums from the Staghound set to the rear fenders and added some more boxes and folded tarpaulins (made from paper tissue drenched in thinned white glue) on the mudguards, somewhat masking the new side walls from sight. I also mounted the M3’s OOB AA machine gun to the turret.

  

Painting and markings:

I wanted a Northern Africa paint scheme and at first considered the iconic Caunter scheme, but then I thought that, since this livery was also used on the real British Stuarts, I rather wanted something different.

I eventually settled for a simple two-tone scheme, used on British cruiser tanks like the Crusader as well as on M3 Lee medium tanks of American origin. The basic colors I used are Humbrol 168 (Hemp) for the Light Stone tone, and Humbrol 98 (Chocolate) for the dull, dark brown.

 

As common practice, the basic colors were separated with thin, white lines in order to emphasize the contrast between them. Sometimes in practice, an additional black line was added, too, but due to the model’s small size I just painted a white line.

Another common practice of the British army, esp. on cruiser tanks with large wheels, was to paint the front and rear road wheels in a uniform, light color, while the wheels between them became dark – an attempt to mimic a lorry, esp. when a light “Sunshield” canopy was mounted over the hull that resembled a truck’s outline.

 

The model received a light wash with a mix of black, grey and brown, the decals (taken from the OOB sheet) were applied next. Over this came some dry-brushing with light grey and ochre and the kit was sealed with matt acrylic varnish (from the rattle can). Once the tracks were mounted, the lower areas of the tank were finally dusted with a mix of sand and light grey pigments.

  

Even though the Hasegawa M3 was a simple basis to start with, the conversions, esp. the running gear, were quite challenging. But I like the result a lot: the Parsival looks like a slimmed-down race variant of the M3, just what I wanted to achieve, and the British camouflage suits the small tank well, too – the white contrast line adds an exotic touch.

 

Coachwork by Pininfarina

Chassis n° 12031

 

'Pininfarina clothed it all in a beautifully refined bodyshell employing the nose lines of the 500 Superfast and the tail treatment of the contemporary 275 GTS. It was built at Grugliasco by Pininfarina themselves...' - Hans Tanner & Doug Nye, 'Ferrari', 1984.

 

In essence a closed version of the 275 GTS, the 330 GTC – immediate forerunner of the 365 GTC - was first shown at the Geneva Motor Show in March 1966. Beneath the understated Pininfarina coachwork there was the 4.0-litre version of Ferrari's familiar Colombo-designed two-cam 60-degree V12 (as used in the 330GT 2+2) mated to a five-speed all-synchromesh transaxle. The chassis was of relatively short wheelbase (2,400mm) and the suspension independent all round by wishbones and coil springs. Naturally, there were disc brakes on all four wheels.

 

Introduced late in 1968 as a replacement for the 330 GTC and given its first public airing at Geneva in March 1969, the 365 GTC was virtually identical in appearance apart from engine cooling vents relocated in the bonnet, a feature it shared with last of the 330s. Installing an 81mm-bore 4.4-litre V12 in place of the 300 GTC's 4.0-litre unit boosted mid-range torque and flexibility while maximum power was raised to 320bhp at 6,600rpm; acceleration improved markedly and the luxury coupés top speed increased to over 150mph. Less obvious to the eye were the refinements made to the drive-train that achieved a marked reduction in cabin noise, a sign that Ferrari understood that 365 GTC customers valued comfort as well as high performance. A sumptuous leather-trimmed interior, electric windows, and heated rear screen were standard equipment, while air conditioning could be ordered as an option. Like so many European sports cars, the 365 GTC (and convertible 365 GTS) would fall victim to increasingly stringent US safety and emissions legislation, production ceasing after less than one year during which time around 150 GTC and 20 GTS models left the factory.

 

The example offered here was delivered new in June 1969 to Mr Edouard Washer via Jacques Swaters' Garage Francorchamps, the official Ferrari importer for Belgium. The 20th 365 GTC built, chassis number '12031' was delivered finished in Grigio Mahmoud with beige leather interior, the latter equipped with a Voxson 'Sonar' radio with electric antenna. Mr Washer kept the Ferrari for a few years before trading it back to Garage Francorchamps in the mid-1970s. Garage Francorchamps then sold it to the next owner, in the Netherlands.

 

By 1982, '12031' was owned by one H L E Swarts in the Netherlands, who in March of that year advertised the car for sale, describing it as red with black interior and with 75,000 kilometres recorded. Around 1987, the car was sold to Fritz Kroymans, the Dutch Ferrari importer/collector, who kept it until 2004 when it was sold to Hans Jungblut of Maastricht, Netherlands. While in Mr Jungblut's care, the Ferrari was completely restored to its factory original colour, Grigio Mahmoud, in the Netherlands by marque specialists Garage Roelofs (restoration photographs on file), with the beige leather interior re-trim being entrusted to HVL Exclusive Italian Interiors.

From 2004 to 2014, the Ferrari was maintained by Forza Service and stayed in Holland. Later, in April 2014, the car was sold to the current owner in Belgium. Since, this stunning 365 GTC has been carefully looked after by its passionate Ferrari owner/collector. The most recent service was carried out in May 2017, by Ferrari Specialists L'Officina in Overijse, Belgium.

 

The car comes with an original sales brochure; copies of the original factory paperwork; a copy of the old Dutch registration papers (cancelled); Belgian registration papers; restoration invoices from Ferrari Garage Piet Roelofs; invoices for work carried out in 2004-2008 by Forza Service in Holland; and HVL Exclusive Italian Interiors' certificate (2008) confirming the interior was professionally restored using mostly original parts. The all-important Ferrari Classiche has been applied for and is currently in progress for this matching numbers 365 GTC; the file is still in production and will follow after the sale. Prospective purchasers should be aware that this process can take a few months to complete.

 

Examples of this strikingly handsome, startlingly fast, and much under-rated Ferrari Gran Turismo model rarely appear at auction. Well documented, professionally restored, and with Ferrari Classiche granted, '12031' represents an opportunity for the discerning collector to acquire one of these exclusive and ultra-desirable models, which are rare even by Ferrari standards.

 

Bonhams : the Zoute Sale

Sold for € 805.000

 

Zoute Grand Prix 2017

Knokke - Zoute

België - Belgium

October 2017

The Volkswagen Type 2, known officially (depending on body type) as the Transporter, Kombi or Microbus, or, informally, as the Bus (US) or Camper (UK), is a forward control panel van introduced in 1950 by the German automaker Volkswagen as its second car model. Following – and initially deriving from Volkswagen's first model, the Type 1 (Beetle) – it was given the factory designation Type 2.

 

As one of the forerunners of the modern cargo and passenger vans, the Type 2 gave rise to forward control competitors in the United States in the 1960s, including the Ford Econoline, the Dodge A100, and the Chevrolet Corvair 95 Corvan, the latter adopting the Type 2's rear-engine configuration.

 

European competition included the 1947-1981 Citroën H Van, the 1959-1980 Renault Estafette (both FF layout), and the 1953-1965 FR layout Ford Transit.

 

Japanese manufacturers also introduced the platform in different configurations, such as the Nissan Caravan, Toyota LiteAce and the Subaru Sambar.

 

Like the Beetle, the van has received numerous nicknames worldwide, including the "microbus", "minibus", and, because of its popularity during the counterculture movement of the 1960s, Hippie van/wagon, and still remains iconic for many hippies today.

 

Brazil contained the last factory in the world that produced the T2. Production in Brazil ceased on December 31, 2013, due to the introduction of more stringent safety regulations in the country. This marks the end of an era with the rear-engine Volkswagens manufactured (after the 2002 termination of its T3 successor in South Africa), which originated in 1935 with their Type 1 prototypes.

 

HISTORY

The concept for the Type 2 is credited to Dutch Volkswagen importer Ben Pon. (It has similarities in concept to the 1920s Rumpler Tropfenwagen and 1930s Dymaxion car by Buckminster Fuller, neither of which reached production.) Pon visited Wolfsburg in 1946, intending to purchase Type 1s for import to the Netherlands, where he saw an improvised parts-mover and realized something better was possible using the stock Type 1 pan. He first sketched the van in a doodle dated April 23, 1947, proposing a payload of 690 kg and placing the driver at the very front. Production would have to wait, however, as the factory was at capacity producing the Type 1.

 

When capacity freed up, a prototype known internally as the Type 29 was produced in a short three months. The stock Type 1 pan proved to be too weak so the prototype used a ladder chassis with unit body construction. Coincidentally the wheelbase was the same as the Type 1's. Engineers reused the reduction gear from the Type 81, enabling the 1.5 ton van to use a 25 hp (19 kW) flat four engine.

 

Although the aerodynamics of the first prototypes were poor (with an initial drag coefficient of Cd=0.75), engineers used the wind tunnel at the Technical University of Braunschweig to optimize the design. Simple changes such as splitting the windshield and roofline into a "vee" helped the production Type 2 achieve Cd=0.44, exceeding the Type 1's Cd=0.48. Volkswagen's new chief executive officer Heinz Nordhoff (appointed 1 January 1948) approved the van for production on 19 May 1949 and the first production model, now designated Type 2, rolled off the assembly line to debut 12 November. Only two models were offered: the Kombi (with two side windows and middle and rear seats that were easily removable by one person), and the Commercial. The Microbus was added in May 1950, joined by the Deluxe Microbus in June 1951. In all 9,541 Type 2s were produced in their first year of production.

 

An ambulance model was added in December 1951 which repositioned the fuel tank in front of the transaxle, put the spare tire behind the front seat, and added a "tailgate"-style rear door. These features became standard on the Type 2 from 1955 to 1967. 11,805 Type 2s were built in the 1951 model year. These were joined by a single-cab pickup in August 1952, and it changed the least of the Type 2s until all were heavily modified in 1968.

 

Unlike other rear engine Volkswagens, which evolved constantly over time but never saw the introduction of all-new models, the Transporter not only evolved, but was completely revised periodically with variations retrospectively referred to as versions "T1" to "T5" (a nomenclature only invented after the introduction of the front-drive T4 which replaced the T25). However, only generations T1 to T3 (or T25 as it is still called in Ireland and Great Britain) can be seen as directly related to the Beetle (see below for details).

 

The Type 2, along with the 1947 Citroën H Van, are among the first 'forward control' vans in which the driver was placed above the front roadwheels. They started a trend in Europe, where the 1952 GM Bedford CA, 1958 RAF-977, 1959 Renault Estafette, 1960 BMC Morris J4, and 1960 Commer FC also used the concept. In the United States, the Corvair-based Chevrolet Corvan cargo van and Greenbrier passenger van went so far as to copy the Type 2's rear-engine layout, using the Corvair's horizontally opposed, air-cooled engine for power. Except for the Greenbrier and various 1950s–70s Fiat minivans, the Type 2 remained unique in being rear-engined. This was a disadvantage for the early "barndoor" Panel Vans, which could not easily be loaded from the rear because the engine cover intruded on interior space, but generally advantageous in traction and interior noise.

 

VARIANTS

The Type 2 was available as a:

 

Panel van, a delivery van without side windows or rear seats.

Double-door Panel Van, a delivery van without side windows or rear seats and cargo doors on both sides.

High Roof Panel Van (German: Hochdach), a delivery van with raised roof.

Kombi, from German: Kombinationskraftwagen (combination motor vehicle), with side windows and removable rear seats, both a passenger and a cargo vehicle combined.

Bus, also called a Volkswagen Caravelle, a van with more comfortable interior reminiscent of passenger cars since the third generation.

Lotação (share-taxi), a version exclusive to Brazil, with 6 front-hinged doors for the passenger area and 4 bench-seats, catering to the supplemental public transport segment.[citation needed] Available from 1960 to 1989, in both the split-window and "clipper" (fitted with the bay-window front panel) bodystyles.

Samba-Bus, a van with skylight windows and cloth sunroof, first generation only, also known as a Deluxe Microbus. They were marketed for touring the Alps.

Flatbed pickup truck, or Single Cab, also available with wider load bed.

Crew cab pick-up, a flatbed truck with extended cab and two rows of seats, also called a Doka, from German: Doppelkabine.

Westfalia camping van, "Westy", with Westfalia roof and interior. Included optional "pop up" top.

Adventurewagen camping van, with high roof and camping units from Adventurewagen.

Semi-camping van that can also still be used as a passenger car and transporter, sacrificing some camping comforts. "Multivan" or "Weekender", available from the third generation on.

 

Apart from these factory variants, there were a multitude of third-party conversions available, some of which were offered through Volkswagen dealers. They included, but were not limited to, refrigerated vans, hearses, ambulances, police vans, fire engines and ladder trucks, and camping van conversions by companies other than Westfalia. There were even 30 Klv 20 rail-going draisines built for Deutsche Bundesbahn in 1955.

 

In South Africa, it is known as a well-loved variation of the ice cream van (first, second and third generations). The mere sight of one (in South Africa) sparks the familiar rhyme: I scream, We scream, We all scream for Ice-Cream!

 

FIRST GENERATION (T1; 1950–1967)

The first generation of the Volkswagen Type 2 with the split windshield, informally called the Microbus, Splitscreen, or Splittie among modern fans, was produced from 8 March 1950 through the end of the 1967 model year. From 1950 to 1956, the T1 (not called that at the time) was built in Wolfsburg; from 1956, it was built at the completely new Transporter factory in Hanover. Like the Beetle, the first Transporters used the 1100 Volkswagen air-cooled engine, an 1,131 cc, DIN-rated 18 kW (24 PS; 24 bhp), air-cooled flat-four-cylinder 'boxer' engine mounted in the rear. This was upgraded to the 1200 – an 1,192 cc 22 kW (30 PS; 30 bhp) in 1953. A higher compression ratio became standard in 1955; while an unusual early version of the 30 kW (41 PS; 40 bhp) engine debuted exclusively on the Type 2 in 1959. This engine proved to be so uncharacteristically troublesome that Volkswagen recalled all 1959 Transporters and replaced the engines with an updated version of the 30 kW engine. Any 1959 models that retain that early engine today are true survivors. Since the engine was totally discontinued at the outset, no parts were ever made available.

 

The early versions of the T1 until 1955 were often called the "Barndoor" (retrospectively called T1a since the 1990s), owing to the enormous rear engine cover, while the later versions with a slightly modified body (the roofline above the windshield is extended), smaller engine bay, and 15" roadwheels instead of the original 16" ones are nowadays called the T1b (again, only called this since the 1990s, based on VW's retrospective T1,2,3,4 etc. naming system.). From the 1964 model year, when the rear door was made wider (same as on the bay-window or T2), the vehicle could be referred to as the T1c. 1964 also saw the introduction of an optional sliding door for the passenger/cargo area instead of the outwardly hinged doors typical of cargo vans.

 

In 1962, a heavy-duty Transporter was introduced as a factory option. It featured a cargo capacity of 1,000 kg instead of the previous 750 kg, smaller but wider 14" roadwheels, and a 1.5 Le, 31 kW (42 PS; 42 bhp) DIN engine. This was so successful that only a year later, the 750 kg, 1.2 L Transporter was discontinued. The 1963 model year introduced the 1500 engine – 1,493 cc as standard equipment to the US market at 38 kW (52 PS; 51 bhp) DIN with an 83 mm bore, 69 mm (2.72 in) stroke, and 7.8:1 compression ratio. When the Beetle received the 1.5 L engine for the 1967 model year, its power was increased to 40 kW (54 PS; 54 bhp) DIN.

 

German production stopped after the 1967 model year; however, the T1 still was made in Brazil until 1975, when it was modified with a 1968–79 T2-style front end, and big 1972-vintage taillights into the so-called "T1.5" and produced until 1996. The Brazilian T1s were not identical to the last German models (the T1.5 was locally produced in Brazil using the 1950s and 1960s-era stamping dies to cut down on retooling, alongside the Beetle/Fusca, where the pre-1965 body style was retained), though they sported some characteristic features of the T1a, such as the cargo doors and five-stud 205 mm Pitch Circle Diameter rims. Wheel tracks varied between German and Brazilian production and with 14-inch, 15-inch and 16-inch wheel variants but commonly front track varied from 1290 mm to 1310 mm and rear track from 1370 mm to 1390 mm.

 

Among American enthusiasts, it is common to refer to the different models by the number of their windows. The basic Kombi or Bus is the 11-window (a.k.a. three-window bus because of three side windows) with a split windshield, two front cabin door windows, six rear side windows, and one rear window. The DeLuxe model featured eight rear side windows and two rear corner windows, making it the 15-window (not available in Europe). Meanwhile, the sunroof DeLuxe with its additional eight small skylight windows is, accordingly, the 23-window. From the 1964 model year, with its wider rear door, the rear corner windows were discontinued, making the latter two the 13-window and 21-window respectively. The 23- and later 21-window variants each carry the nickname 'Samba', or in Australia, officially 'Alpine'.

 

SAMBA

The Volkswagen Samba, in the United States also known as Sunroof Deluxe, was the most luxurious version of the T1. Volkswagen started producing Sambas in 1951.

 

Originally Volkswagen Vans were classified according to the number of windows they had. This particular model had 23 and later 21 windows including eight panoramic windows in the roof. To distinguish it from the normal 23 or 21-window Volkswagen van the name Samba was coined.

 

Instead of a sliding door at the side the Samba had two pivot doors. In addition the Samba had a fabric sunroof. At that time Volkswagen advertised with the idea of using the Samba to make tourist trips through the Alps.

 

Sambas were painted standard in two colors. Usually, the upper part was colored white. The two colored sections were separated by a decorative strip. Further the bus had a so-called "hat": at the front of the van the roof was just a little longer than the car itself to block the sun for the driver. The windows had chrome tables and the van had a more comprehensive dashboard than the normal T1.

 

When Volkswagen started producing the successor of the T1 (the T2) the company also stopped producing the Samba so there are no Sambas in later versions of the Transporter.

 

US CHICKEN TAX

Certain models of the Volkswagen Type 2 played a role in a historic episode during the early 1960s, known as the Chicken War. France and West Germany had placed tariffs on imports of U.S. chicken. Diplomacy failed, and in January 1964, two months after taking office, President Johnson imposed a 25% tax (almost ten times the average U.S. tariff) on potato starch, dextrin, brandy, and light trucks. Officially, the tax targeted items imported from Europe as approximating the value of lost American chicken sales to Europe.

 

In retrospect, audio tapes from the Johnson White House, revealed a quid pro quo unrelated to chicken. In January 1964, President Johnson attempted to convince United Auto Workers' president Walter Reuther not to initiate a strike just before the 1964 election, and to support the president's civil rights platform. Reuther, in turn, wanted Johnson to respond to Volkswagen's increased shipments to the United States.

 

The Chicken Tax directly curtailed importation of German-built Type 2s in configurations that qualified them as light trucks – that is, commercial vans (panel vans) and pickups. In 1964, U.S. imports of automobile trucks from West Germany declined to a value of $5.7 million – about one-third the value imported in the previous year. After 1971, Volkswagen cargo vans and pickup trucks, the intended targets, "practically disappeared from the U.S. market". While post-1971 Type 2 commercial vans and single-cab and double-cab pickups can be found in the United States today, they are exceedingly rare. Any post-1971 specimen found ostensibly has had its import tariff paid. As of 2013, the "chicken tax" remains in effect.

 

SECOND GENERATION (T2; 1967–1979)

In late 1967, the second generation of the Volkswagen Type 2 (T2) was introduced. It was built in Germany until 1979. In Mexico, the Volkswagen Kombi and Panel were produced from 1970 to 1994. Models before 1971 are often called the T2a (or "Early Bay"), while models after 1972 are called the T2b (or "Late Bay").

 

This second-generation Type 2 lost its distinctive split front windshield, and was slightly larger and considerably heavier than its predecessor. Its common nicknames are Breadloaf and Bay-window, or Loaf and Bay for short. At 1.6 L and 35 kW (48 PS; 47 bhp) DIN, the engine was also slightly larger. The battery and electrical system was upgraded to 12 volts, making it incompatible with electric accessories from the previous generation. The new model also did away with the swing axle rear suspension and transfer boxes previously used to raise ride height. Instead, half-shaft axles fitted with constant velocity joints raised ride height without the wild changes in camber of the Beetle-based swing axle suspension. The updated Bus transaxle is usually sought after by off-road racers using air-cooled Volkswagen components.

 

The T2b was introduced by way of gradual change over three years. The first models featured rounded bumpers incorporating a step for use when the door was open (replaced by indented bumpers without steps on later models), front doors that opened to 90° from the body, no lip on the front guards, unique engine hatches, and crescent air intakes in the D-pillars (later models after the Type 4 engine option was offered, have squared off intakes). The 1971 Type 2 featured a new, 1.6 L engine with dual intake ports on each cylinder head and was DIN-rated at 37 kW (50 PS; 50 bhp). An important change came with the introduction of front disc brakes and new roadwheels with brake ventilation holes and flatter hubcaps. Up until 1972, front indicators are set low on the nose rather than high on either side of the fresh air grille – giving rise to their being nicknamed "Low Lights". 1972's most prominent change was a bigger engine compartment to fit the larger 1.7- to 2.0-litre engines from the Volkswagen Type 4, and a redesigned rear end which eliminated the removable rear apron and introduced the larger late tail lights. The air inlets were also enlarged to accommodate the increased cooling air needs of the larger engines.

In 1971 the 1600cc Type 1 engine as used in the Beetle, was supplemented with the 1700cc Type 4 engine – as it was originally designed for the Type 4 (411 and 412) models. European vans kept the option of upright fan Type 1 1600 engine but the 1700 Type 4 became standard for US spec models.

 

In the Type 2, the Type 4 engine was an option for the 1972 model year onward. This engine was standard in models destined for the US and Canada. Only with the Type 4 engine did an automatic transmission become available for the first time in the 1973 model year. Both engines displaced 1.7 L, DIN-rated at 49 kW (67 PS; 66 bhp) with the manual transmission and 46 kW (63 PS; 62 bhp) with the automatic. The Type 4 engine was enlarged to 1.8 L and 50 kW (68 PS; 67 bhp) DIN for the 1974 model year and again to 2.0 L and 52 kW (71 PS; 70 bhp) DIN for the 1976 model year. The two-litre option appeared in South African manufactured models during 1976, originally only in a comparably well-equipped "Executive" model. The 1978 2.0 L now featured hydraulic valve lifters, eliminating the need to periodically adjust the valve clearances as on earlier models. The 1975 and later U.S. model years received Bosch L-Jetronic electronic fuel injection as standard equipment; 1978 was the first year for electronic ignition, utilizing a hall effect sensor and digital controller, eliminating maintenance-requiring contact-breaker points. As with all Transporter engines, the focus in development was not on power, but on low-end torque. The Type 4 engines were considerably more robust and durable than the Type 1 engines, particularly in Transporter service.

 

In 1972, for the 1973 model year, exterior revisions included relocated front turn indicators, squared off and set higher in the valance, above the headlights. Also, square-profiled bumpers, which became standard until the end of the T2 in 1979, were introduced in 1973. Crash safety improved with this change because of a compressible structure behind the front bumper. This meant that the T2b was capable of meeting US safety standards for passenger cars of the time, though not required of vans. The "VW" emblem on the front valance became slightly smaller.

 

Later model changes were primarily mechanical. By 1974, the T2 had gained its final shape. Very late in the T2's design life, during the late 1970s, the first prototypes of Type 2 vans with four-wheel drive (4WD) were built and tested.

 

T2c

The T2c, with a roof raised by about 10 cm was built starting in the early 1990s for the South American and Central American markets. Since 1991, the T2c has been built in México with the water-cooled 1.8 L inline four-cylinder 53 kW (72 PS; 71 bhp) carbureted engine - easily identified by the large, black front-mounted radiator - and since 1995 with the 1.6 L air-cooled engines for the Brazilian market.

 

Once production of the original Beetle was halted in late 2003, the T2 was the only Volkswagen model with an air-cooled, rear-mounted boxer engine, but then the Brazilian model shifted to a water-cooled engine on 23 December 2005. There was a 1.6 L 50 hp (37 kW; 51 PS) water-cooled diesel engine available from 1981 to 1985, which gave fuel economy of 15 km/l to 18 km/l - but gave slow performance and its insufficient cooling system led to short engine life.

 

The end of the Volkswagen air-cooled engine on a worldwide basis was marked by a Special Edition Kombi. An exclusive Silver paint job, and limited edition emblems were applied to only 200 units in late 2005, and were sold as 2006 models.

 

Stricter emissions regulations introduced by the Brazilian government for 2006 forced a shift to a flexible-fuel water-cooled engine[citation needed] able to run on petrol or alcohol. Borrowed from the Volkswagen Fox, the engine is a rear-mounted EA-111 1.4 L 8v Total Flex 1,390 cc, 58 kW (79 PS; 78 bhp) on petrol, and 60 kW (82 PS; 80 bhp) when run on ethanol, and 124 N·m (91 lbf·ft) torque. This version was very successful, despite the minor changes made to the overall T2-bodied vehicle. It still included the four-speed transmission, but a new final-drive ratio enabled cruising at 120 km/h (75 mph) at 4,100 rpm. Top speed was 130 km/h (81 mph). 0 to 100 km/h (0 to 62 mph) acceleration took 22.7 seconds (vs. 29.5 seconds for the last air-cooled version). Other improvements included 6.6% better fuel economy, and nearly 2 dB less engine noise.

 

The Volkswagen Type 2 is by far the longest model run in Brazil, having been introduced in September 1950 as the Volkswagen "Kombi", a name it has kept throughout production.[citation needed] Only produced in two versions, bus (nine-seater or 12-seater – a fourth row is added for metro transportation or school bus market) or panel van, it offers only one factory option, a rear window defogger.[citation needed] As of June 2009, the T2 was being built at the Volkswagen Group's São Bernardo do Campo plant at a rate of 97 per day.

 

The production of the Brazilian Volkswagen Kombi ended in 2013 with a production run of 600 Last Edition vehicles.[28] A short movie called "Kombi's last wishes" was made by VW Brazil.

 

POST_TYPE 2 GENERATIONS

THIRD GENERATION (T3; 1979–1992)

The Volkswagen Type 2 (T3) also known as the T25, (or Vanagon in the United States), the T3 platform was introduced in 1980, and was one of the last new Volkswagen platforms to use an air-cooled engine. The Volkswagen air-cooled engine was phased out for a water-cooled boxer engine (still rear-mounted) in 1984. Compared to its predecessor the T2, the T3 was larger and heavier, with square corners replacing the rounded edges of the older models. The T3 is sometimes called "the wedge" by enthusiasts to differentiate it from earlier Kombis.

 

FOURTH GENERATION (T4; 1990–2003)

Since 1990, the Transporter in most world markets has been front-engined and water-cooled, similar to other contemporary Volkswagens, almost two decades later than it did for the passenger cars. T4s are marketed as Transporter in Europe. In the United States, Volkswagen Eurovan is the brand name.

 

FITH GENERATION (T5; 2003–2015)

The Volkswagen Transporter T5 range is the fifth generation of Volkswagen Commercial Vehicles medium-sized light commercial vehicle and people movers. Launched 6 January 2003, the T5 went into full production in April 2003, replacing the fourth generation range.

 

Key markets for the T5 are Germany, the United Kingdom, Russia, France and Turkey. It is not sold in the US market because it is classed as a light truck, accruing the 25% chicken tax on importation. The T5 has a more aerodynamic design. The angle of the windshield and A-pillar is less; this makes for a large dashboard and small bonnet.

 

In June 2009, Volkswagen Commercial Vehicles announced the one-millionth T5 rolled off the production line in Hanover.

 

T5 GP introduced in 2010. Heavily face-lifted with some new power plants including the 180 bi-turbo range topper. These new engines saw the demise of the now "dirty" 5 cylinder units.

 

Late 2015 will see the arrival of the "Neu Sechs", the New 6. The T6 will offer further engine changes in early 2016, but will launch with the previous generation engines. The new engines will see the introduction of Ad-Blu to meet with euro 6 emission compliance. The new 6 was expected by many to be more than just a face lift.

 

With the T6 now hitting the roads it is very clear it would appear to be just a face lift. New front, new tailgate and a new dash. There are quality improvements, sound deadening, new colours and improved consumption, but many believe VW have missed an opportunity to go back to the top.

Sixth generation (T6; 2015–)

 

The new T6 will launch with the old Euro 5 non AdBlue power-plants, but will be offered with a Euro 6 diesel engine with 204bhp and AdBlue. Three further Euro 6 Adblue diesel power-plants with 84ps, 102ps and 150ps will also be offered.

 

There is some debate in the community over whether the T6 is a new model, or simply a face-lift. There are obvious external changes to the nose and tailgate, while internally there is a new dash in 2 versions. Volkswagen are claiming refinement to ride, handling and noise levels.

 

ADDITIONAL DEVELOPMENTS

In 2001, a Volkswagen Microbus Concept was created, with design cues from the T1 generation in a spirit similar to the New Beetle nostalgia movement. Volkswagen planned to start selling it in the United States market in 2007, but it was scrapped in May 2004 and replaced with a more cost-effective design to be sold worldwide.

 

NAMES AND NICKNAMES

Like the Beetle, from the beginning, the Type 2 earned many nicknames from its fans. Among the most popular,[citation needed] at least in Germany, are VW-Bus and Bulli (or Bully) or Hippie-van or the bus. The Type 2 was meant to be officially named the Bully, but Heinrich Lanz, producer of the Lanz Bulldog farm tractor, intervened. The model was then presented as the Volkswagen Transporter and Volkswagen Kleinbus, but the Bully nickname still caught on.

 

The official German-language model names Transporter and Kombi (Kombinationskraftwagen, combined-use vehicle) have also caught on as nicknames. Kombi is not only the name of the passenger variant, but is also the Australasian and Brazilian term for the whole Type 2 family; in much the same way that they are all called VW-Bus in Germany, even the pickup truck variations. In Mexico, the German Kombi was translated as Combi, and became a household word thanks to the vehicle's popularity in Mexico City's public transportation system. In Peru, where the term Combi was similarly adopted, the term Combi Asesina (Murdering Combi) is often used for buses of similar size, because of the notorious recklessness and competition of bus drivers in Lima to get passengers. In Portugal it is known as Pão-de-Forma (Breadloaf) because its design resembles a bread baked in a mold. Similarly, in Denmark, the Type 2 is referred to as Rugbrød (Rye bread). Finns dubbed it Kleinbus (mini-bus), as many taxicab companies adopted it for group transportation; the name Kleinbus has become an appellative for all passenger vans. The vehicle is also known as Kleinbus in Chile.

 

In the US, however, it is a VW bus, a "vee-dub", a minibus, a hippie-mobile, hippie bus, or hippie van, "combie", Microbus or a Transporter to aficionados. The early versions produced before 1967 used a split front windshield (giving rise to the nickname "Splitty"), and their comparative rarity has led to their becoming sought after by collectors and enthusiasts. The next version, sold in the US market from 1968 to 1979, is characterised by a large, curved windshield and is commonly called a "bay-window". It was replaced by the Vanagon, of which only the Westfalia camper version has a common nickname, "Westy".

 

It was called Volksie Bus in South Africa, notable in a series of that country's TV commercials. Kombi is also a generic nickname for vans and minibuses in South Africa and Swaziland, often used as a means of public transportation. In Nigeria it was called Danfo.

 

In the UK, it is known as a "Campervan". In France, it was called a "camping-car" (usually hyphenated) though this has been expanded to include other, often more specialized vehicles in more recent times.

 

MEXICAN PRODUCTION

T2 production began in 1970 at the Puebla assembly factory.

 

Offered initially only as a nine-passenger version called the Volkswagen Kombi, and from 1973 also its cargo van version called the Volkswagen Panel, both variants were fitted with the 1.5 L air-cooled boxer engine and four-speed manual gearbox. In 1974, the 1.6 L 44 bhp (33 kW; 45 PS) boxer engine replaced the 1.5 previous one, and production continued this way up to 1987. In 1987, the water-cooled 1.8 L 85 bhp (63 kW; 86 PS) inline four-cylinder engine replaced the air-cooled 1.6 L. This new model is recognisable by its black grille (for its engine coolant radiator), bumpers and moldings.

 

In 1975, Volkswagen de Mexico ordered two specially made pickups from Germany, one single cab and one double cab, for the Puebla plant. These were evaluated for the possibility of building pickups in Mexico, and were outfitted with every option except the Arctic package, including front and rear fog lights, intermittent wipers, trip odometer, clock, bumper rubber, PVC tilt, and dual doors on the single cab storage compartment. VW de Mexico was interested in having the lights, wiring, brake systems and other parts manufactured in Mexico. Ultimately, VW de Mexico declined to produce pickups, and the pickups were sold to an Autohaus, a Volkswagen dealer in San Antonio, Texas, since they could not be sold in Mexico. By law, no German-made Volkswagens were to be sold in Mexico. These are probably the only pickups that were produced in Germany for Mexican import, and have the "ME" export code on the M-code plate. The green double cab was sold to a new owner in New York, and has been lost track of. The light gray (L345, licht grau) single cab still exists. Pickups were not manufactured in Mexico, nor were they imported into Mexico from Germany, save for these two examples.

 

In 1988, a luxury variant – the Volkswagen Caravelle – made its debut in the Mexican market to compete with the Nissan Ichi Van, which was available in cargo, passenger and luxury versions.

 

The main differences between the two are that the Caravelle was sold as an eight-passenger version, while the Combi was available as a nine-passenger version, the Caravelle was only painted in metallic colors, while the Combi was only available in non-metallic colors, and the Caravelle was fitted with an AM/FM stereo cassette sound system, tinted windows, velour upholstery, reading lights, mid and rear headrests, and wheel covers from the European T25 model.

 

In 1991, the 10 cm higher roof made its debut in all variants, and the Combi began to be offered in eight- or nine-passenger variants. In 1991, since Mexican anti-pollution regulations required a three-way catalytic converter, a Digifant fuel injection system replaced the previous carburetor. The three variants continued without change until 1994.

 

In 1994, production ended in Mexico, with models being imported from Brazil. The Caravelle was discontinued, and both the Combi and the Panel were only offered in white color and finally in 2002, replaced by the T4 EuroVan Pasajeros and EuroVan Carga, passenger and cargo van in long wheelbase version, inline five-cylinder 2.5 L 115 bhp and five-speed manual gearbox imported from Germany.

 

WIKIPEDIA

c/n C.56

Built 1922

The Bellanca CF was the forerunner of the many cabin monoplanes built by Bellanca during the 1920’s and 30’s including the Pacemaker, Skyrocket and Cruisair. It had closed accommodation for four passengers while the pilot sat in an open cockpit behind the cabin. It first flew on 8th June 1922 and was reported to be both stable and manoeuvrable as well as aerobatic. A week later it took part in the Midwestern Flying Meet at Monmouth, Illinois, and won speed, gliding endurance and time to climb events. It then won more events at the Tarkio Aero Meet and the Interstate Aero Meet, with further publicity coming from two aerial marriages which took place in the cabin while in flight.

Unfortunately, this excellent aircraft predated the private airmail contracts authorised by the government which would kick-start the aviation industry and as a result only the one machine was built. It was sold to the Yellow Aircab Company of New York in 1924 and they modified it for use as a taxi, but went out of business and sold it to the Continental Aircraft Corporation in 1925. They too went bankrupt and in 1928 it was bought by student pilot William Stanley Smith for $150. He modified it for longer range and registered it as NR11036. Following his death in another aircraft, the CF became part of the Roosevelt Field Air Museum on Long Island and they kept it airworthy until it was returned to the ownership of the Bellanca family. When Giuseppe Bellanca died in 1960 the family donated the aircraft to the Smithsonian Institute. Restored between January 1979 and May 1980, it is seen on display at the Steven F. Udvar Hazy Center as part of the National Air and Space Museum.

Washington Dulles International Airport, Chantilly, Virginia

7th May 2015

The Wuppertal Suspension Railway had a forerunner: in 1824, Henry Robinson Palmer of England presented a railway system which differed from all previous constructions.

 

It was basically a low single-rail suspension railway on which the carriages were drawn by horses. Friedrich Harkort, a Prussian industrial entrepreneur and politician, loved the idea.

 

He saw big advantages for the transportation of coal to the early industrialised region in and around the Wupper valley. Harkort had his own steel mill in Elberfeld; he built a demonstration segment of the Palmer system and set it up in 1826 on the grounds of what is today the Wuppertal tax office.

 

He therefore tried to attract public attention to his railway plans.

 

On 9 September 1826, the town councillors of Elberfeld met to discuss the use of a "Palmer's Railway" from the Ruhr region, Hinsbeck or Langenberg, to the Wupper valley, Elberfeld, connecting Harkort's factories. Friedrich Harkort inspected the projected route with a surveyor and a member of the town council. The plans never went ahead because of protests from the transport branch and owners of mills that were not on the routes.

 

In 1887 the cities of Elberfeld and Barmen formed a commission for the construction of an elevated railway or Hochbahn. In 1894 they chose the system of the engineer Eugen Langen of Cologne, and in 1896 the order was licensed by the City of Düsseldorf.

 

In 2003, the Rhine Heritage Office (Rheinische Amt für Denkmalpflege des Landschaftsverbandes Rheinland or LVR) announced the discovery of an original section of the test route of the Wuppertal Suspension Railway.

 

Construction on the actual Wuppertal Suspension Railway began in 1898, overseen by the government's master builder, Wilhelm Feldmann. On 24 October 1900, William II, German Emperor participated in a monorail trial run.

 

In 1901 the railway came into operation. It opened in sections: the line from Kluse to Zoo/Stadion opened on 1 March, the line to the western terminus at Vohwinkel opened on 24 May, while the line to the eastern terminus at Oberbarmen did not open until 27 June 1903.

 

Around 19200 tonnes of steel were used to produce the supporting frame and the railway stations.

 

The construction cost 16 million Goldmark. Since its first opening, the railway has closed once owing to severe damage from World War II, but managed to open as early as 1946.

 

The platform was rebuilt in 1982.