View allAll Photos Tagged fool
1. Snoozer, 2. coffee time, 3. mums, 4. chickdees and a cardinal, 5. bottons, 6. Snoozer2, 7. look at me, 8. up close,
9. a touch of red, 10. Lunch at Depot, 11. what is it?, 12. rascal and chance, 13. , 14. looking for dave, 15. back to the camera, 16. kisses,kisses,
17. spanning the rock river, 18. board, 19. yellow center, 20. fishermen, 21. the shadow knows!, 22. , 23. green in november in wisconsin, 24. looking through the wheel,
25. more mums, 26. come here boy!, 27. new girlfriend, 28. smoke stack, 29. behind bars, 30. across the river, 31. dam, 32. limb caught on dam,
33. a walk way to nowhere, 34. near the dam, 35. what is it?, 36. , 37. bolt holding what?, 38. waiting for the train, 39. gateway to the park
Created with fd's Flickr Toys.
Photo Credit: Frank Mullin Use should be cleared by photographer Frank Mullin, please contact AS220's Communications Director with your reasons for use.
Martyr De Mona + The Black Hounds + Fool's Glory + Lightfire @ The Wulfrun Hall, Wolverhampton, Sunday 20th April 2014.
Photographs by Tony Gaskin for Midlands
Rocks
© 2014 Tony Gaskin - Stagedive Photography
Martyr De Mona + The Black Hounds + Fool's Glory + Lightfire @ The Wulfrun Hall, Wolverhampton, Sunday 20th April 2014.
Photographs by Tony Gaskin for Midlands
Rocks
© 2014 Tony Gaskin - Stagedive Photography
In everything one must consider the end.
— Jean De La Fontaine
Typeface: Burbank
Merchandise available: www.redbubble.com/shop/ap/84999756
Fool’s Gold is so hot right now! This stone also known as Pyrite has often mistaken for gold because of it shiny golden metallic luster, which makes it so beautiful. These rough cut cubes of pyrite are linked together on an antique brass chain with a brass hook clasp. This bracelet is very rough and tumble but has an odd elegance in its simplicity.
Photo from the UW Drama production "Fool for Love", the story of two battle-weary lovers meeting for a final conflict.
Directed by Catherine Seeback.
The production ran from February 3-6 and 10-13 in 1999 in n Studio 180, Hagey Hall at the University of Waterloo.