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I've been in the process of re-watching all 9 seasons of X-Files over the past couple of weeks. I couldn't resist the urge to set up a Strobist-style X-scene. Seemed perfect to use a Dave Hill treatment on this one as well.
Strobist:
Key (Alien) Light: Mono strobe, 1/2 power, gelled red & bare on stand off to camera right
Rim (Face) Light: Snooted SB600, 1/64 power, 50mm zoom, camera left
Camera: 1/160th at f/5.6, tungsten WB, triggered with remote & Cactus V2's for lights
In my dad's shed 3
(min fars standardkommentar til min uddannelse er: "jeg er da også cand. phil - kan fil, høvl og rasp") (I'm sorry, I don't think it's possible to translate this properly - it's a pun)
ROTAR filing system with rotary shelves for the storage of documents or light material with small/medium dimensions; it is the ideal solution to operate in limited spaces and in ergonomics, when a quick file consultation is required.
The main feature of this system consists in fact in providing the operator with the document or the material requested, in the consultation area with high speed, as the rotary shelves always follow the shortest path to reach the operator.
روتار نظام حفظ الملفات بأرفف دوارة على تخزين الوثائق أو المواد الخفيفة بأبعاد صغيرة ومتوسطة فهو أنسب حل للعمل في مساحات محدودة، ويتم الوصول السريع للملفات عند الحاجة إليها.
ومن الخصائص الرئيسية لهذا النظام أن الأرفف الدوارة تسلك اقرب طريق للوصول إلى المشغل
Oops!
This is too corny to think of a proper description ... But Amy here is 'from the files'. She's one of 33 models who's pictures have to be ready by tomorrow afternoon ... whaaaaa ....
:)
12 March 2010
In a desperate move to get a photo in before the end of the day, I pretend to look at everyday things in a new way. These are the ends of my 'in use' files.
To talk about the image is to talk about meaningful surfaces, interpretable maps that represent the world.
The technical reproduction of these images is presented to us today as simple pieces of the visible, shown by means of screens via television and internet in a continuous and unstoppable flow.
Our position as a spectator puts us in a sea of information and disinformation, that causes rejection on the one hand, on the other alienation and conformity.
This project works between this insensitivity to the representation and the
predisposition to believe nothing we see.
*File_món* is a series of images generated on the computer desktop through the distribution of icons and files arranged over images, which are downloaded from the internet and set as wallpaper. The computer screen is used as a canvas for a critical collage. It appraises the potential of creating new images on the computer without using any image authoring software.
credit: César Escudero Andaluz