View allAll Photos Tagged fathomity
I can’t fathom that camera manufactures use such an ambiguous format as the 1.5:1. The dictates of film should be long gone, yet still in this digital age, we are trapped in the 35mm format. Really, squares are the best format for imaging sensors. It amazes me that the camera companies don’t cater to this. One loses less area on the sensor cropping from a 1:1 frame to a standard 1.5:1 than the other way around. Also, one can use either vertical or horizontal orientation without ever rotating the camera, which is pretty useful to anyone without an integrated vertical grip. The problem is even worse with computer screens. At least with a camera you can rotate the body when you want to shoot horizontally, but a computer screen is fixed horizontally. That means vertical images always appear annoyingly small comparatively. Of course with photography the end result is print anyways, so it’s less of a problem once the image is off the computer, but the same does not work for video, which is trapped on monitors. I think this discourages videographers tremendously from trying unique frames for their projects. Of course they can always experiment with ever wider frames, but there may never be a production of a vertically framed movie solely because of the way computers are manufactured. I am eager to someday see squares become the standard format we use, because until them, art will continue to be cramped by technology.
Name: Fathom
Length: 45m
World's largest yacht number: >200
Shipyard: Miss Tor Yachts & Sea Dreams
Price: 6 500 000€
Top ic. Rodney Fox with one of his .303 power headed sharks, a large whaler.
Bottom left, his shark bite the day after stitches were removed, (a Ron Taylor picture).
Lower centre, Henri Bource had a leg chewed off by a white pointer yet continued to go diving. He even later made a movie about sharks.
Bottom right. Wally Gibbins with the 11foot tiger shark from Sykes Reef, south of Heron Island - for years the largest shark by a diver in Australia.
This is my c.a.m. sea monster Briney Fathom ( or as she has become known in my house Pubearella ) I made her outfit hair and head wear, she is wearing Lagoonas spare Scaris shoes
I did this then though about re-arranging them to do all the other numbers, for birthday cards. but given the age range that might appreciate cards with roses on thought they might look a bit Funereal, so i didn't.
Gifts From Enola - 2009 - From Fathoms
Mylene Sheath
1st Press
Half Swamp Green / Half Navy Blue | /300
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FATHOM is an Adaptive Fish Farm Hub & Research Facility which would promote a healthy aquaculture environment which consists of three primary programmatic components; research space, public space, and marine life space. The combination of these elements manifests into a hub for people, technology, research and marine biodiversity. Small scale urban fish farms will inevitably become increasingly more relevant in the near future as local food sourcing becomes a dire necessity in order to create a sustainable human lifestyle. Aquaculture facilities today inadequately address the context of our ever growing urban fabric and the redefinition of the architecture of these types of facilities has been marginally explored.
Behaving as a coral reef for humans, FATHOM is a biological natural system which provides water, energy, food and flexible social spacial qualities as the rise and fall of tides dictate where people, fish and water flows through the building. The industrial mood of the steel superstructure composed of a space frame takes form in an exotic appearance which is en-wrapped by an opaque skin capturing the organic nature of deep sea creatures that generates a layered blurred cohesion of artificial and natural spacial environments.
-akmartin808@gmail.com
Paying homage to one of my favorite comic book artists (R.I.P Michael Turner). This piece was created entirely with the use of individual letters.
Following are three covers of Aspen in a later state of her evolution.
[Variant Cover Aspen Extended Edition WW]