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Designer: Mary Anne Enriquez
Fabricated of post consumer plastic bottles, caps, aluminum pull tabs, felt, and adhesives.
One of a kind trashion fashion accessory will be on display at the Hammond Indiana Trashion Exhibit May 31 - July 21, 2011.
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For ten years the annual Trash to Treasure Exhibition featured art pieces made from recycled/reused material.
For 2011, Trash to Treasure is branching into a new direction by featuring TRASHION = artistic fashion with an environmental message.
Trashion will be displayed at the Indiana Welcome Center in the W.F. Wellman Exhibit Hall from May 31 through July 21, 2011. The artists' reception will be held Thursday, June 9th from 5:30-7:30pm.
ARTISTS RECEPTION
June 9th 5:30-7:30pm
Music Provided by The Rub
Indiana Welcome Center
7770 Corinne Dr.
I-80/94 & Kennedy Ave. south
Hammond, IN 46323
www.southshorecva.com/trashtotreasure/
For more on this show that is up until July 21st 2011 go here:
www.flickr.com/photos/urbanwoodswalker/sets/7215762685774...
In Greenlandic Inuit (Kalaallit) traditions, a tupilaq (tupilak, tupilait, or ᑐᐱᓚᒃ) was an avenging monster fabricated by a practitioner of witchcraft or shamanism by using various objects such as animal parts (bone, skin, hair, sinew, etc.) and even parts taken from the corpses of children. The creature was given life by ritualistic chants. It was then placed into the sea to seek and destroy a specific enemy.
The use of a tupilaq was risky, however, because if it was sent to destroy someone who had greater magical powers than the one who had formed it, it could be sent back to kill its maker instead, although the maker of tupilaq could escape by public confession of her or his own deed.
Because tupilaqs were made in secret, in isolated places and from perishable materials, none have been preserved. Early European visitors to Greenland, fascinated by the native legend, were eager to see what tupilaqs looked like so the Inuit began to carve representations of them out of sperm whale teeth.
Today, tupilaqs of many different shapes and sizes are carved from various materials such as narwhal and walrus tusk, wood and caribou antler. They are an important part of Greenlandic Inuit art and are highly prized as collectibles.
Image taken at Greenland National Museum in Nuuk. The museum has exhibitions that cover all of Greenland’s history during 4.500 years. From the first Arctic Stone Age Cultures, the Norse settlements, the arrival of the Thule culture – the ancestors to the present Inuit to the gradual transition to modern Greenland.
Joe Cerniglia offered this Mark 1-41 replicar a few years later from the same address as C&R, having changed the name of the company to Fiberglass Fabricators. Ernest Reeder had apparently dropped out of the picture. I doubt that more than this one prototype was built.
800mm HDPE Main Manifold fabricated by Fusion using a HF1200 butt welding machine in Australia. Find out more about Fusion here: www.fusionaus.com
One of the most common types of arc welding is shielded metal arc welding (SMAW), which is also known as manual metal arc welding (MMAW) or stick welding. An electric current is used to strike an arc between the base material and a consumable electrode rod or stick. The electrode rod is made of a material that is compatible with the base material being welded and is covered with a flux that gives off vapors that serve as a shielding gas and provide a layer of slag, both of which protect the weld area from atmospheric contamination. The electrode core itself acts as filler material, making a separate filler unnecessary. The process is very versatile, requiring little operator training and inexpensive equipment. However, weld times are rather slow, since the consumable electrodes must be frequently replaced and because slag, the residue from the flux, must be chipped away after welding.Wikipedia
Brown and Root Wimpey, AKA Highlands Fabricators, at Nigg, Easter Ross had these two immense pedestal cranes for many years.
Built by American Hoist they were named Big Wolf and Little Wolf.
I have another image, buried in the archives, of them during dismantling by the site's Lampson Transilift.
My grandmother's family had the crofts across the road and I spent many happy summers on the amazing foreshore which became burried when the rig yard and the oil terminal were built on reclaimed land.
Scanned from a slide. Copyright © 2011 Expired_Patent
re-edit of sleeve design for The Fall-Room to Live
en.wikipedia.org/wiki/Room_to_Live#/media/File:Room_to_Li...
I received an email inviting me to come hear Presidential Candidate Mitt Romney speak at RC Fabricators in Wilmington Delaware. This was his first public appearance after Rick Santorum suspended his campaign. So this basically kicks off the contest between him and President Obama
Sterling silver fabricated and oxidized. I'm stoked about this ring. It took WAY longer to make than I had thought it would but I'm very pleased with the result. I love working this way and spent the week soldering, sanding and thinking about more forms this could take. The inspiration for this ring was the beautiful interior of a dried out gourd my daughter and I found on a hike.
The inside of one of the pre-fabricated canteen buildings that used to stand at Warstones Junior School. Looking at the previous picture, this is the white coloured single-storey building that can be seen in the background. There were two canteen halls that were built side-by-side, joined together by a smaller building in the middle, which was the kitchen. The kitchen is behind the serving hatches in this picture. The canteen halls also doubled-up as classrooms outside of meal times.
18th January 2000.
A series of shots taken during the 1970's and 1980's in the Highlands Fabricators yard at Nigg Bay, Scotland.
Two American Crane and Hoist Co. Sky Horse 11250 counterbalance cranes.
Thanks to Billy Winton for allowing me to post these.
Detail of the pre-fabricated Stainless steel Toilet and stair pods on the Lloyd's of London building by Richard Rogers.
Back in 1989 when I was asked during my Architecture Degree Application interview I was asked which buildings I admired. Lloyds of London was one of my answers, though it didn't go down too well as Hi-tech was already out of fashion. I remember being asked how they were meant to clean all those exposed services, pipes etc. Given it's now over 25 years old I'd say it still looks surprisingly good.
Unisphere showing "Escorters". These taxis are for hire and hold four persons with driver-guides. The Unisphere is the largest structure in the world fabricated entirely of stainless steel (470 tons were used).
New York World's Fair Corp.
Dexter Press
W-71
CAPA-003179
My brother Jesse Velasquez
Hobbiest costume fabricator
community.zooppa.com/en-us/contests/everyday-humans-2017/...
Black seamless background
36" octagon softbox with alien bees each side behind subject, feathered towards camera. Alien bee with strip soft box in front of subject, camera left. Pocket wizard triggers. Manual power adjustments
Photoshop enhanced
A series of shots taken during the 1970's and 1980's in the Highlands Fabricators yard at Nigg Bay, Scotland.
This would be early 70's possibly 1973.
I think this is Highland One, destined for the then new Forties Field. The spherical tanks were to aid the up ending of the platform during installation offshore.
Thanks to Billy Winton for allowing me to post these.
Painted White fabricated logo letters, custom font, with Cool White LED halo lighting, Interior Office Sign
HKBC is a manufacturer of Pre-fabricated House, and also deals with wall panels, vehicles, forklifts and wheel loaders. We know the needs of Africa customers and design to our clients according to the local weather condition and available materials.
Pastel, with fabricated black chalk and stumping on tan wove paper, edge mounted on millboard; 68.5 x 54.8 cm.
Suzanne Valadon, original name Marie-clémentine Valadon, was a French painter noted for her robust figures and bold use of color. She was the mother of the painter Maurice Utrillo. She was the illegitimate daughter of a laundress, and, even before reaching her teens, she was surviving without her mother’s support. She took a variety of jobs, including those of waitress and circus acrobat. In the early 1880s she became an artist’s model, posing for such artists as Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Pierre-Auguste Renoir. By observing the artists for whom she modeled, she began to learn technique and to draw and produce pastels. About 1890 she met Edgar Degas, who admired and purchased her work and whose friendship she won. Her first paintings date from about 1892 and her prints from about 1894. She married a businessman in 1896, but she continued to exhibit and produce art. In 1909 she ended her marriage, and about that time her mature style began to emerge. Her subjects were nudes, still-lifes, portraits, and landscapes. Her sensitive observation combined with bold line work and patterns won her much acclaim. She exhibited frequently and in the 1920s and ’30s became internationally known.
A Fusion fabricated polypropylene chemical dosing panel with self-closing doors and lockable handles mounted inside a PE, extrusion welded bund. Find out more about Fusion here: www.fusionaus.com
A series of shots taken during the 1970's and 1980's in the Highlands Fabricators yard at Nigg Bay, Scotland.
Highlands Fabricators Lampson Transi-Lift. The Atkinson 400 in this shot is still there and belongs to Isleburn now. I can confirm, being the last truck I drove, that this Rolls-Royce engined tug still goes well...lol.
Thanks to Billy Winton for allowing me to post these.
Porcelain tile, fabricated by Sarah Sze Studio, Alcalagres, and Estudio Cerámico.
Sarah Sze’s artwork at 96th Street profoundly impacts the station, as her imagery is applied directly on over 4,300 unique porcelain wall tiles, spanning approximately 14,000 square feet. The designs feature familiar objects –sheets of paper, scaffolding, birds, trees, and foliage –caught up in a whirlwind velocity that picks up speed and intensity as the composition unfolds throughout the station with references to energy fields and wind patterns. Each entrance features a different shade of blue and a blueprint-style vector line design, a visual theme that is integrated with the architecture, creating one of the most dynamic stations in the MTA system.
Sarah Sze represented the United States at the Venice Biennale in 2013, and was awarded a MacArthur Fellowship in 2003. She has exhibited her intricate sculptural installations in museums worldwide, and her works are held in the permanent collections of prominent institutions, including Museum of Modern Art, the Guggenheim Museum, and the Whitney Museum of American Art. Sze has been featured in international Biennials and has created public works for MIT, Walker Art Center, the High Line and the Public Art Fund in New York. She was born in Boston and lives and works in New York.
Photo: Metropolitan Transportation Authority