View allAll Photos Tagged extrapolated
3 string inversions
Strings 1-2-3 and 2-3-4 major and minor forms
This is a Dmin chord and you can extrapolate other chords using the same fingerings by sliding them up/down the fingerboard
ANW:
Finally I've got something to contribute to the project!
This algorithm uses polynomial extrapolation to generate a heightmap comprising a 2D array of double-precision floating point values. The test program simply converts that into a rough preview of the shape in 256 shades of blue. Bright blue is high ground, black is low ground.
The time to generate a 400x400 point map is about a quarter of a second on average on my laptop!
Design Earth, the creative practice led by El Hadi Jazairy and Rania Ghosn, contributes a project, After Oil. After Oil proposes three speculative tales that explore the geography of the Gulf and its islands in the decades after oil. These stories are also a reflection on the present condition: they stage and extrapolate critical issues of today’s oil landscape to make the public aware of the energy systems on which modern life is dependent and the long-term consequences of current fossil fuel regime.
Design Earth, (El Hadi Jazairy and Rania Ghosn)
The combination of live motion-capture, 3D stereo projection with ballet and contemporary dance transforms choreography into a spectacular 3D event. The creative team at the Deakin Motion.Lab combined the live motion-capture of performers’ movements with 3D images that extrapolated the dancers’ pathways, actions and movement. The technology behind Deakin’s Motion.Lab has many industry applications from animation to human movement, sports, and materials science but its fusion with dance provided an unforgettable audience experience.
For more information, please visit: The Deakin Motion.Lab at www.deakin.edu.au/motionlab
Come and see the beautiful common poppy (Papaver rhoeas) at Kew Gardens.
The association between poppies and the cycle of life has a long history, partly due to the fertile nature of the plant. A single plant can produce up to 60,000 seeds, which extrapolates to hundreds of millions of seeds in a field.
More about this plant species - www.kew.org/plants-fungi/Papaver-rhoeas.htm
What is Balance
Who has not watched intelligent, educated, good-hearted people unable to create the lives they desired, who eventually give up, consumed with despair and anger?
They flail like gorillas on roller skates, with great strength, but no leverage at all.
Why does this happen? One possible answer is that they had theories, models for everything around them in life, but no way to check the accuracy of their ideas.
They failed to grasp that EVERYONE deletes information from their conscious input.
It is simply impossible to take in all the data that streams past our senses.
Note the recent experiments proving that those self-identified with either the political Right or Left can see the flaws in the other party’s arguments, but not in their own.
This is typical of religious or gender bias as well. Men and women, Christian and Moslem, Believer and Atheist…all are vulnerable to this tendency.
If we are to be successful salesmen, artists, leaders, teachers, or simply human beings, we must have a cosmology—a world view.
But we must also have an epistemology—an understanding of the way we gather information, and a method to determine if our methods of gathering or correlation or extrapolation are accurate.
Since experimentation with the outside world is often beyond us, the only laboratory we have to test our ideas is our own lives: our bodies, our careers, our relationships.
3 string inversions
Strings 1-2-3 and 2-3-4 major and minor forms
This is a D major chord and you can extrapolate other chords using the same fingerings by sliding them up/down the fingerboard
I have been listening to Cut Here in my car for the past couple of days, and sobbing my eyes out. This song has a painful resonance with a family situation I am going through and have been for a while. It's not something I talk about a lot, but it is something that has started to haunt me again.
I believe that Cut Here is the best Cure ballad and perhaps the best Cure song, period. It is gut-wrenching lyrically, and vocally. Robert moves through many emotional phases throughout the song: sadness, nostalgic yearning, bitter self-loathing, tenderness... the song is a catharsis for him, and yet, by the end, he remains locked in the prison of his regrets.
This song teaches us the value of friendships - and by extension, we can extrapolate its plaintive plea to the value of family and significant others.
For those of you who don't know the story of the song, it's about Robert's friendship with Billy Mackenzie of the Associates. He and Robert had not seen each other for a while, and they run into each other one day. Billy wants to have a drink with Robert, but Robert is in too much of a rush. Later, Robert learns of Billy's suicide. Hence, the song.
More about the interpretation of the song can be found here:
www.lyricinterpretations.com/lookat.php/bands/The-Cure/b9...
I dare you to defy the tears when listening to this song. Not only is the story itself heartbreaking beyond fathom, but it induces you to think about your own "missed opportunities."
I really need to resolve that family situation. Thank you, Robert, for reminding me to cherish those I love, and to not squander my time with them.
Design Earth, the creative practice led by El Hadi Jazairy and Rania Ghosn, contributes a project, After Oil. After Oil proposes three speculative tales that explore the geography of the Gulf and its islands in the decades after oil. These stories are also a reflection on the present condition: they stage and extrapolate critical issues of today’s oil landscape to make the public aware of the energy systems on which modern life is dependent and the long-term consequences of current fossil fuel regime.
Design Earth, (El Hadi Jazairy and Rania Ghosn)
My Christmas gifts finally opened and revealed! Thanks to everyone who have given me all these wonderful gifts and goodies! Wishing y'all a very Merry Christmas and a happy new year! (Sunday, December 26, 2021; 12:13 a.m.)
*Did you know? Christmas presents tradition takes its roots in the celebration of the Epiphany. It’s a symbolic way of remembering the gifts the Three Wise Men gave to Jesus when he was born. While the reasons for giving presents vary, this custom has made the Christmas season full of surprises and joy. The tradition of gift giving at Christmas is centuries old, and reminds people of Christ's magical birth in a stable so long ago. By extrapolation, it’s a way of showing our love and appreciation for others. The symbolism of the Christmas presents is often ignored, but it is always fascinating watching people’s happy reactions when they rip off the wrapping paper and see what they got. And that’s what makes it all worth it…
A brief stop-off for lunch on my way home from business yesterday lunch and an unexpected low level fly past by ZZ665
About the RC-135W Rivet Joint
ROLE
RC-135W Rivet Joint is a dedicated electronic surveillance aircraft that can be employed in all theatres on strategic and tactical missions. Its sensors ‘soak up’ electronic emissions from communications, radar and other systems.
CAPABILITY
RC-135W Rivet Joint employs multidiscipline Weapons System Officer (WSO) and Weapons System Operator (WSOp) specialists whose mission is to survey elements of the electromagnetic spectrum in order to derive intelligence for commanders.
TYPE HISTORY
When it flew its Model 367-80 ‘Dash 80’ prototype for the first time on July 15, 1954, Boeing hoped the aircraft would take the airlines by storm. Extrapolating technology used on the B-47 and B-52 jet bombers, the aircraft represented a quantum leap directly into the jet age compared to the company’s piston-engined Model 367 Stratocruiser. With its swept wing and fourjet powerplant, carried in discrete underwing nacelles, the Dash 80 was the most modern commercial transport available.
Yet the airlines were left unimpressed and it was the US Air Force, realising it needed a jet tanker to support its jet bombers, that saw the Dash 80 into production. In September 1955 it ordered its first KC-135A Stratotanker, Boeing modifying the Dash 80 to trial a ‘flying boom’ refuelling system. The Stratotanker entered service on June 28, 1957 and Boeing continued development along this military line under the company designation Model 717.
The airlines had been unimpressed by the Dash 80’s cabin width, which was too narrow for six-abreast seating, and Boeing therefore returned to the Dash 80 concept, widening the cabin and developing a series of successful airliners as the Model 707.
Boeing built 732 KC-135s in different variants, many of them ultimately re-engined with the modern CFM56 turbofan, known as the F108 in military service. These aircraft are designated KC-135R. There was also a line of C-135 transports, EC-135 command posts, RC-135 intelligence gatherers and a host of other variants, with the KC and RC remaining in widespread service.
Developed under Boeing’s Model 739 series, the first of a long line of RC-135 variants was ordered in 1962. This photographic reconnaissance RC-135A entered service during the mid-1960s, followed by the first of the electronic intelligence gatherers, the RC-135B. The precedent for modifying KC airframes to RC standard was set in 1972, with the conversion of three KC-135As as RC-135Ds for the Rivet Brass mission. All subsequent RC variants were produced by conversion/upgrade, mostly from C, KC and RC standards, culminating in the RC-135V and RC-135W, operated under the Rivet Joint codename that has become internationally, and officially recognised in USAF parlance, as the type’s name.
In June 2011, 51 Sqn flew the final BAe Nimrod R.Mk 1 sortie of its 37-year association with the type. Plans were under way for the aircraft’s replacement under a project known as Airseeker, which had begun the previous March. It envisaged the acquisition of three RC-135W Rivet Joint aircraft for delivery from 2013. The machines were to be converted from USAF KC-135R airframes and L-3 Communications in Greenville, Texas was chosen to perform the work as the USAF’s experienced Rivet Joint contractor. The work began in March 2011.
On November 12, 2013, No. 51 Sqn took delivery of the UK’s first Rivet Joint, operating its maiden operational sortie on May 23, 2014. The second aircraft arrived in August 2015 and the third on June 8, 2017. For the purposes of sensor and system upgrades, the trio are considered an extension of the USAF Rivet Joint fleet, ensuring they remain at the cutting edge of capability.
Rivet Joint has been deployed extensively for Operation Shader and on other operational taskings. It had been formally named Airseeker, but is almost universally known in service as the RC-135W Rivet Joint.
The chemical structure I referenced was that of Methamphetamines, I believe. I chose this because I keyed in on this concept in my mood board, why couldn't we extrapolate irrationality to our personable lives?
Sing along with the music video of this Hindustani classical music track. In English. Kiran Phatak wants to bring Indian classical music to the global audience. And the best way to do that is to ensure that people around the world and understand the lyrics. Sing along with this karaoke version of his bandish 'What A Cool Pleasant Atmosphere', sung in Raag Kedar.
As a third generation Indian classical musician, Kiran Phatak never really got the lure of musical genres like Rap, Rock, and Pop. Around 5-6 years back realisation dawned upon him and he concluded that it is the English language that these mostly western musical styles are sung in, that stops him from fully appreciating the music. By way of extrapolation, he also inferred that in order for Indian classical music to become relevant and popular amongst the youth of the world, he would need to sing his Bandishes in their language of choice – English. He promptly penned down around 20-25 Bandishes in English; some of them direct translations of traditional ones and a few originals that tackled modern themes such as smartphones running out of battery and putting an end to the nightly conversations between two lovers.
His first rendition of these English Bandishes was a huge hit and the hall where he performed was houseful. Still, there are lot in the music world who oppose his experiment. They believe that he is destroying their centuries old traditions and want him to put an end to this musical Frankenstein. But Mr. Phatak believes that music is a dynamic art and it needs to continually evolve in order to stay relevant. In his words, ‘If we stop new ideas from flowing into the ocean of sounds then it would slowly dry into a puddle of static, muddy water’.
Lyrics:
What a cool pleasant atmosphere here
What a cool pleasant atmosphere here
Warm and cool breeze gives me a pleasure
What a cool pleasant atmosphere here
Sky is black and clouds are rumbling
Sky is black and clouds are rumbling
Sky is black and clouds are rumbling
Sky is black and clouds are rumbling
Darkness occupying
Each and everything
And suddenly started drizzling
Singing Dancing, what a scene all over
What a cool pleasant atmosphere here
What a cool
Pleasant atmosphere
What a cool pleasant atmosphere
What a cool pleasant atmosphere
Atmosphere
Atmosphere
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Norman ROCKWELL •
* 3 February 1894 in New York City, NY.
✝︎ 8 November 1978 in Stockbridge, Massachusetts.
“Bottom of the Sixth” | “Three Umpires”
Cover design for The Saturday Evening Post
April 23, 1949 issue.
Print signed at lower right border (8/10) by the artist.
Dimensions are 22x18"
📍Private collection
Photo credit: Heritage Auction ⓒ
⋯
Tough Call – also known as Game Called Because of Rain, Bottom of the Sixth, or The Three Umpires – is considered the best known of Rockwell's baseball-themed works, and appears in at least ten Rockwell commentary books.
The painting features five people, standing from left to right, who each posed for reference photographs
— base umpire Larry Goetz
— home plate umpire Beans Reardon, holding his outside chest protector
— base umpire Lou Jorda
— Brooklyn coach Clyde Sukeforth, holding his hat and largely obscured by the umpires
— Pittsburgh manager Billy Meyer.
Three Pittsburgh fielders are visible in the distance. While lacking reference photographs, they are identified, standing from left to right, as :
— second baseman Danny Murtaugh, with arms akimbo
— center fielder Johnny Hopp
— right fielder Dixie Walker.
On the scoreboard, part of the Brooklyn batting order can be seen, and number 20 is listed as being at bat, while the line score shows just a single run in the game, scored by Pittsburgh in the top of the 2nd inning.
Not all details of the painting match actual game events of September 14, such as:
— Pittsburgh did not have a 1–0 lead in either game of the doubleheader
— Johnny Hopp played first base in both games
— no Brooklyn player wearing number 20 played that day
The cover image was well received by the public. It has been the subject of confusion, however, and it caused some controversy between Rockwell and the Post.
The source of confusion is the depiction of Sukeforth and Meyer, and the score, which has Pittsburgh leading. If the game is ended by the umpires due to rain, Pittsburgh will win, given that they have the lead with five innings already completed. If so, why does Sukeforth (Brooklyn coach) look happy, while Meyer (Pittsburgh manager) appears unhappy? The Post provided an explanation for their readers;
In the picture, Clyde Sukeforth, a Brooklyn coach, could well be saying, ‘You may be all wet, but it ain’t raining a drop!’ The huddled Pittsburgher—Bill Meyer, Pirate manager—is doubtless retorting, ‘For the love of Abner Doubleday, how can we play ball in this cloudburst?'
Other explanations are also possible; since the manually operated scoreboard at Ebbets Field was only updated after each team had batted, it's possible that Brooklyn is actually leading (due to scoring two or more runs in the bottom of the 6th inning), yet the score hasn't been updated yet. Ultimately, the painting is open to interpretation as "a fictional creation intended to do nothing other than elicit emotions of the moment, leaving the viewer to extrapolate various scenarios."
The source of controversy was changes the Post made to the image, without Rockwell's consent. The Post used an artist to adjust illustrations prior to publication; for example, to remove brand names. That artist adjusted Rockwell's original image to lighten the sky, and also darken the Pirates' uniforms. This upset Rockwell, who complained that the Post "had the piece of sky added when I still feel it was better as I conceived and painted it" in a letter to their art editor. After a total of four Rockwell paintings were adjusted by the Post in 1948 and 1949, Rockwell's objections resulted in the Post changing its policy.
Norman ROCKWELL •
* 3 February 1894 in New York City, NY.
✝︎ 8 November 1978 in Stockbridge, Massachusetts.
“Bottom of the Sixth” | “Three Umpires”
Cover design for The Saturday Evening Post
April 23, 1949 issue.
Print signed at lower right border (8/10) by the artist.
Dimensions are 22x18"
📍Private collection
Photo credit: Heritage Auction ⓒ
⋯
Tough Call – also known as Game Called Because of Rain, Bottom of the Sixth, or The Three Umpires – is considered the best known of Rockwell's baseball-themed works, and appears in at least ten Rockwell commentary books.
The painting features five people, standing from left to right, who each posed for reference photographs
— base umpire Larry Goetz
— home plate umpire Beans Reardon, holding his outside chest protector
— base umpire Lou Jorda
— Brooklyn coach Clyde Sukeforth, holding his hat and largely obscured by the umpires
— Pittsburgh manager Billy Meyer.
Three Pittsburgh fielders are visible in the distance. While lacking reference photographs, they are identified, standing from left to right, as :
— second baseman Danny Murtaugh, with arms akimbo
— center fielder Johnny Hopp
— right fielder Dixie Walker.
On the scoreboard, part of the Brooklyn batting order can be seen, and number 20 is listed as being at bat, while the line score shows just a single run in the game, scored by Pittsburgh in the top of the 2nd inning.
Not all details of the painting match actual game events of September 14, such as:
— Pittsburgh did not have a 1–0 lead in either game of the doubleheader
— Johnny Hopp played first base in both games
— no Brooklyn player wearing number 20 played that day
The cover image was well received by the public. It has been the subject of confusion, however, and it caused some controversy between Rockwell and the Post.
The source of confusion is the depiction of Sukeforth and Meyer, and the score, which has Pittsburgh leading. If the game is ended by the umpires due to rain, Pittsburgh will win, given that they have the lead with five innings already completed. If so, why does Sukeforth (Brooklyn coach) look happy, while Meyer (Pittsburgh manager) appears unhappy? The Post provided an explanation for their readers;
In the picture, Clyde Sukeforth, a Brooklyn coach, could well be saying, ‘You may be all wet, but it ain’t raining a drop!’ The huddled Pittsburgher—Bill Meyer, Pirate manager—is doubtless retorting, ‘For the love of Abner Doubleday, how can we play ball in this cloudburst?'
Other explanations are also possible; since the manually operated scoreboard at Ebbets Field was only updated after each team had batted, it's possible that Brooklyn is actually leading (due to scoring two or more runs in the bottom of the 6th inning), yet the score hasn't been updated yet. Ultimately, the painting is open to interpretation as "a fictional creation intended to do nothing other than elicit emotions of the moment, leaving the viewer to extrapolate various scenarios."
The source of controversy was changes the Post made to the image, without Rockwell's consent. The Post used an artist to adjust illustrations prior to publication; for example, to remove brand names. That artist adjusted Rockwell's original image to lighten the sky, and also darken the Pirates' uniforms. This upset Rockwell, who complained that the Post "had the piece of sky added when I still feel it was better as I conceived and painted it" in a letter to their art editor. After a total of four Rockwell paintings were adjusted by the Post in 1948 and 1949, Rockwell's objections resulted in the Post changing its policy.
We would point out that a little extrapolation may be needed to interpret that notice to "customer" ...
Casa de Pilatos - Seville, Spain
By McCalister Russell
This photo reminded me that at times the framework is better than the view. While abroad it is always key to capture the breathtaking views. In this photo, I found the framework of these arched windows to be even more amazing than the dark room behind. It was interesting to extrapolate more from this photo and apply it to the broader theme of studying abroad. So much of the country that I experienced was more than the photos and the views, it was about the people, language, food, and customs that made the country unique, not only the amazing things I could ever capture on a camera.
This design was inspired by another poster here at the WAREHOUSE.
Thanks to Warren Lynn at Allisonville Christian Churcn In Indianapolis. Pentacost flames www.flickr.com/photos/warrenlynn/3626870317/in/pool-92415...
I really liked the twisted effect and extrapolated it out...
details on creative fuZion lab. designingforphilistines.blogspot.com/2009/07/creative-fuz...
3 string inversions
Strings 1-2-3 and 2-3-4 major and minor forms
This is a Dmin chord and you can extrapolate other chords using the same fingerings by sliding them up/down the fingerboard
What Can we Learn from a Conversation with Three Mythological Beings from the Futures?
Image taken by Paul Pibernigg for AIL
3 string inversions
Strings 1-2-3 and 2-3-4 major and minor forms
This is a Dmin chord and you can extrapolate other chords using the same fingerings by sliding them up/down the fingerboard