View allAll Photos Tagged external
Nationwide Louvre Company
Experts for high quality external weather louvres, louvre screens, acoustic louvres, acoustic products/solutions, solar shading / brise soleil, natural ventilation equipment, ventilation, fume extraction, bespoke architectural aluminium fabrications and specialist steel fabrications including, handrails, access platforms and access ladders.
Nationwide Louvre Company Limited, NL Contracts Limited and Naturalvent Limited all go to make up NLC Group of companies based in Aldridge in the West Midlands.
Nationwide Louvre Company construct our louvres from high quality HETF aluminium extrusions, fabricated and tig welded for strength of construction and manufactured to suit varying depths and applications with blade sizes of 34mm, 50mm, 75mm,100mm and 150mm. Specialist louvres are not manufactured to a standard size, and any panel size can be created by joining individual panel modules and then finishing in a full range of powder coatings which are suitable for external mounting. These are applied as an Aluchrome pre-treatment to give a powder coating life expectancy of over 30 years in most cases (subject to location). Other finishes such as PVF2 and Syntha Pulvin are also available. Specialist Louvres can be fixed using various fixing methods, for specific details or a free quote please call us on 01922 457204 or vist the NLC web site.
NLC are able to offer a range of acoustic louvres in three depths, 150mm, 300mm and 600mm. Acoustic louvres are manufactured to the customers required sizes and are avalable in a number of finishes such as milled aluminium, polyester powder coated, stainless steel and plastisol.
Our Brise Soleil – Solar Shading systems incorporates a soft line blade and facia to match modern architectural requirements. The available systems are able to offer a fully adjustable blade pitch and blade angles which allows the ideal combination between light and reductions in solar gain and solar glare.
Blades are available in a number of sizes and shapes including our comprehensive timber range of blades.
Brise Soleil is suitable for factory or site assembly, and its modular design allows for great cost savings and ease of use. Manufactured from high grade HE9TF extrusions which are mechanically joined to avoid distortion and together with our unique ‘snap-in’ fixing cleat, the system also allows easy site assembly.
The APS Wall Panels installed by Nationwide Louvre Company consists of two steel sheets Bonded either side of a high density laminar mineral wool core. The external surface can be galvanized, plastic coated or powder coated, with a perforated internal surface in galvanised mild steel or a polyester powder coated perforated steel. The result is a very strong sandwich construction panel with a non visible fixing joint and superb acoustic performance.
Nationwide Louvre Company
Units 5-7 Beacon Trading Estate
Middlemore Lane
Aldridge
Walsall
West Midlands
WS9 8DU
Tele: 01922 457204
Artist impression of NanoRacks' External Platform on the International Space Station. Read more at: nanoracks.com/products/external-platform/
This would be the external fixator that is drilled into my tibia to keep i from moving before I had my second surgery.
Good times.
In the rural village of Navala, technology is nonexistent and cameras are extremely rare. These little girls asked me to take their picture and then show it to them on the screen of my digital camera. They were so interested in the pictures that we repeated this process over and over. We giggled with delight every time and enjoyed the game immensely. These girls and their families hosted me during my stay in the village, and taught me how to appreciate every little moment. Although I may have shown them how a camera lens views their home, they truly taught me a new way in which to view the world.
President Gayle Hutchinson (left) and other administrators Milton Lang (VPSA), Provost Debra Larson, Ann Sherman (VPBF), and Ahmad Boura (VPUA) (back, left to right) present Emily Zarback (center) with a medallion in recognition for her efforts in performing CPR on a fellow student and bringing attention to the need of improved publicly accessible Automated External Defibrillators (AED) at numerous locations on Monday, February 4, 2019 in Chico, Calif. The campus has made the commitment to help increase survival rates of persons who are stricken with sudden cardiac arrest (SCA) by placing publicly accessible Automated External Defibrillators (AED) at numerous locations on campus.
(Jason Halley/University Photographer/CSU Chico)
©2013 / VG BildKunst
WAGNR RMX - Philipp Geist
WGNR rmx 2013 - PHILIPP GEIST
Light Installation / Video Mapping Installation
New City Hall Bayreuth from July 7th to August 28th On the occasion of Richard Wagner’s 200th birthday the Berlin artist Philipp Geist (1976) develops a comprehensive light and video mapping installation on the external walls of the New City Hall in Bayreuth over a period of 40 nights. The artist dismisses the use of screens and projects his artistic image and light projections directly onto the facade. The projection merges with the location and invites visitors to linger around the New City Hall. The art installation is going to be further developed and enhanced during the mentioned period.
The subject of the artistic installation is Richard Wagner and his works; images, words, quotes, and associations from his operas are artistically interpreted and incorporated into the installation. These terms and quotations from Wagner's operas are projected in a "carpet of words" and abstract verbal images on the facade. With his pictorial language the artist Philipp Geist develops his own artistic interpretation of Wagner's themes. Geist creates a dialog between the location, i.e. the New City Hall, the visitors, and the artistic works of Richard Wagner. In the process, the access to the "Wagner" topic is complex: On a first direct level, concepts and images of his major works will be displayed on the facade by means of the visual language of Philipp Geist. Visitors will be inspired by individual characters and scenes from the rich repertoire of fine arts, from paintings and illustrations, especially from the 19th century. However, the characters and scenes will be alienated and integrated into the abstract structures of Philipp Geist’s worlds of images. Known Wagner themes, such as fire, natural phenomenons, and symbols like the ring, the sword, and the storm as a mirror for the inner turmoil, can be re-experienced and emerge as quotes in the form of images. In this way the installation demonstrates connections in a non-narrative manner and thus admits a different modern and contemporary access to Wagner’s works.
In this manner the radiant face of the hero appears in order to darken and vanish in the next moment. The great void comes into sight through the building bathed in darkness symbolizing the fraud, the vile and the dark side existing in men.
A scenery appears for an instant to dissolve in a flash into a graphic pattern again. Pristine landscapes turn into pixels and remind the viewer of the actual romantic ideal.
The Rheingold shines and sparkles through a hinted blue surface of water to crumble to dust a moment later. Gray and white particles float over the facade; the material transience is almost palpable.
The symbolism of the colors is adopted from the works: white sails become black, and vice versa; for the contemporary video projection technology it is easy to decide instantly on fateful questions. The sails may also turn into colorful triangles and fly away over the facade as a graphic pattern. At the same time, it is the random and ludic character of the installation that lures out the tragic and borne nature of the Wagner pathos and allows viewers of any age to envision uncountable points of contact. The installation celebrates Wagner, but it also uncovers critical voices: polarizations like genius and kitsch clash together and cover the building as one, quotes as Wagner’s "Aber, aber, was sollen die Sentimentalitäten" [But for all that, what’s the point of all these sentimentalities] wander along the facade.
On another level the approaches followed by Wagner matter for Geist’s installation: Wagner crossed the boundaries between the different arts and contents. He allied image and sound, music and stories, symphony and legends. Also Geist’s installation is influenced by Crossover: the multimedia artist creates a synergetic work on the City Hall giving rise to images from texts and mixing the analog with the digital by painting with light and his computer
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
WAGNR RMX - Philipp Geist
Lichtinstallation / Video-Mapping-Installation
Bayreuth Neues Rathaus 20.07.2013 bis 28.08.2013
KONZEPT PHILIPP GEIST
Anlässlich des 200. Geburtstags von Richard Wagner entwickelt der Berliner Künstler Philipp Geist (1976) über den Zeitraum von 40 Abenden eine flächendeckende Licht- und Video-Mapping-Installation auf das Neue Rathaus in Bayreuth. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert seine künstlerischen Bild- und Lichtprojektionen direkt auf die Fassade. Die Projektion verschmilzt mit dem Ort und lädt Besucher zum Verweilen am Neuen Rathaus ein. Über den Zeitraum der Installation wird die künstlerische Installation weiterentwickelt und ergänzt. Inhalt der künstlerischen Installation ist Richard Wagner und sein Werk; Bilder, Begriffe, Zitate und Assoziationen aus seinen Opern werden künstlerisch interpretiert und in die Installation eingebaut. Dabei werden Begriffe und Zitate aus Wagners Opern als Wörterteppich und abstrakten Wort-Bilder auf die Fassade projiziert. Der Künstler Philipp Geist entwickelt mit seiner Bildsprache seine eigene künstlerische Interpretation der Wagner-Themen. Geist entwickelt einen Dialog zwischen dem Ort, also dem Neuen Rathaus, den Besuchern und dem künstlerischen Werk von Richard Wagner. Der Zugang zum Thema „Wagner“ ist dabei vielschichtig. Zum Einen auf einer ersten, direkten Ebene, werden Begriffe und Bilder seiner Hauptwerke in der Bildsprache von Philipp Geist auf der Fassade zu sehen sein. Einzelne Figuren und Szenen aus dem reichen Repertoire der Bildenden Kunst, aus Gemälden und Illustrationen v.a. aus dem 19. Jahrhundert werden dem Besucher begegnen. Sie werden jedoch verfremdet und in die abstrakten Strukturen von Philipp Geists Bilderwelten integriert. Bekannte Wagner-Themen wie das Feuer, Naturereignisse und Symbole wie der Ring, das Schwert, und den Sturm als Spiegel für die innere
Aufruhr werden neu erfahrbar gemacht und tauchen als Bildzitate in der Installation auf. Die Installation zeigt so in nicht narrativer Art Zusammenhänge auf und lässt somit einen anderen modernen und zeitgenössichen Zugang zu dem Werk Wagners zu. So erscheint das strahlende Gesicht des Helden, um sich im nächsten Moment zu verdüstern und zu verschwinden. Die große Leere erscheint durch das in Dunkel getauchte Gebäude und symbol- isiert den Betrug, das Niederträchtige und Düstere im Menschen. Eine Szenerie taucht auf, um gleich wieder in ein grafisches Muster zu zerfließen. Unberührte Landschaften werden zu Pixeln und führen dem Betrachter vor Augen, dass es sich um ein romantisches Ideal handelt. Das Rheingold strahlt und funkelt durch die blaue angedeutete Wasseroberfläche hindurch, um im nächsten Moment zu Staub zu zerfallen. Graue und weiße Partikel schweben über die Fassade, die materielle Vergänglichkeit wird geradezu greifbar. Die Symbolik der Farben wird aus dem Werk übernommen, weiße Segel werden zu schwarzen und umgekehrt, es ist der zeitgenössichen Videoprojektionstechnik ein Leichtes, ganze Schicksalsfragen zu entscheiden. Vielleicht werden die Segel auch zu bunten Dreiecken und fliegen als grafisches Muster über die Fassade davon. So ist auch das Zufällige und Spielerische Merkmal der Installation, die das Tragische und Getragene des Wagner-Pathos herausfordert und eine Vielzahl von Anknüpfungspunkten für das Publikum jeden Alters ermöglicht. Die Installation feiert Wagner, macht aber auch kritische Stimmen sichtbar: Polarisierungen wie „Genie“ und „Kitsch“ treffenen aufeinander und ziehen sich gemeinsam über das Gebäude, Zitate wie Wagners: „Aber, aber, was sollen die Sentimentalitäten“wandern die Fassade entlang. Auf einer weiteren Ebene werden die Ansätze, welche Wagner verfolgte, auch für Geists Installation von Bedeutung sein: Wagner überschritt die Grenzen der verschiedenen Künste und Inhalte. Er brachte Bild und Ton, Musik und Geschichten, Symphonie und Sagen zusammen. Auch die Installation von Geist ist geprägt vom Crossover: Der Multimedia-Künstler erschafft ein synergetisches Werk auf dem Rathaus, lässt aus Texten Bilder entstehen und mischt Analoges mit Digitalem, indem er mit Licht und dem Computer malt.
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
Studio Philipp Geist
Post Box (Postfach) 080311
10003 Berlin/ Germany
Leipziger Str. 6610117 Berlin Studio PHILIPP GEIST - Leipziger Str. 66 - 10117 Berlin
An MV-22B Osprey with Special Purpose Marine Air-Ground Task Force-Crisis Response-Africa 20.2, Marine Forces Europe and Africa, hoist a cargo net of tires during an external-lift exercise aboard at Morόn Air Base, July 9, 2020. SPMAGTF-CR-AF 20.2 is deployed to conduct crisis-response and theater-security operations in Africa and promote regional stability by conducting military-to-military training exercises throughout Europe and Africa. SPMAGTF-CR-AF 20.2 continues to work closely with the relevant medical agencies and military organizations to minimize risk of COVID-19 exposure. (U.S. Marine Corps photo by Cpl. Antonio F. Garcia)
The Camp Zama Military Police recently equipped all of their patrol vehicles
with Automated External Defibrillators (AEDs). While the MPs were already
trained in CPR and First Aid, their life saving training didn't include how
to use an AED. So on March 19th and April 7th, the American Red Cross
trained the MPs on how to use the Automated External Defibrillators (AEDs).
The classes were led by Red Cross Instructor Donna Butler. She certified all
of the MPs in their use of the AEDs, as well refreshed their CPR and First
Aid skills. (Courtesy photos)
About the United States Army Garrison Japan:
The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.
The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.
Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.
We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.
-----
To learn more about USAG Japan, please visit:
Official Website - www.usagj.jp.pac.army.mil
Facebook - www.facebook.com/usagj
Google+ - plus.google.com/111160599639559783562#1111605996395597835...
Flickr - www.flickr.com/usagj
YouTube Channel - www.youtube.com/usagjapan
Vimeo - www.vimeo.com/usagj
Twitter - www.twitter.com/usagjapan
Pinterest- www.pinterest.com/garrisonjapan/
Slideshare - www.slideshare.net/usagj