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The bus carried Fleet Number 66 and was new in 1938. It is a Leyland Tiger S8 with Cravens B32R bodywork.
Seen working Route K to Bedford Circus. Date unknown.
The bus was purchased Privately in the 1950s (1957 I think) and survives to this day, now fully restored and a regular on the rally scene.
Sister vehicles were not so lucky and the chassis were used to make milk lorries for local deliveries.
Note the bus in the background - a true charabanc style vehicle.
Redwoods Travel VDL Jonckheere Mistral 50 coach, reg. no. USV 630, at Rodney Parade, Newport. The coach was being used by Exter City FC for their Sky Bet League Two fixture with Newport County AFC.
The picture was taken on 16 March 2014.
Adromeda and the Sea Monster
Marble
Domenico Guidi (1625-1701)
Italian (Rome), 1694
Andromeda is shown awaiting her delivery by the demigod Perseus from the jaws of the sea monster. The sculpture was commissioned from Guidi by Francesco II d'Este, Duke of Modena, who died before he could acquire it. In 1704, John Cecil, fifth Earl of Exter, took the sculpture to Burghley House in Northamptonshire, where it remained until 1958.
Purchase, Josephine Bay Paul and C. Michael Paul Foundation, Inc, Gift and Charles Ulrick and Josephine Bay Foundation, Inc., Gift, 1967.
67.34
**
Designed as a classical French garden and opened in 1990, the Carroll and Milton Petrie European Sculpture Court serves as a framework for the presentation of large Italian and French sculptures, originally intended for the outdoors, dating from the seventeenth to the early twentieth century. The arcaded south wall of the court was inspired by the Orangerie of Versailles, and the north wall incorporates the Museum's 1888 Italianate facade and carriage entrance of granite and red brick.
The Metropolitan Museum of Art's permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met's holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met's purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America's Favorite Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
mémoire2cité - La construction du Musée d'Art Moderne Contemporain est de 1987. Construit par l'architecte Didier Guichard, il a été inauguré à l'entrée nord de la ville de Saint-Étienne, sur la commune de Saint-Priest-en-Jarez (Loire), le 10 décembre 1987 . Il a été dirigé de 1987 à 1998 par Bernard Ceysson, puis jusqu'en 2003 par Jacques Beauffet, içi le 20 decembre 1986 avec la Visite du chantier du musée d'art contemporain de Saint Etienne. Financé par l'Etat et les collectivités territoriales, l'établissement a signé une convention avec l'entreprise Casino. Interviews de Bernard CEYSSON, conservateur du musée, et de François DUBANCHET, maire de Saint Etienne. www.ina.fr/video/LYC86122009 . Içi le 24 juin 1994 l' on trouve Un contrat entre Casino et le musée d'art moderne de Saint Etienne
www.ina.fr/video/LYC9406269165/un-contrat-entre-casino-et... , Le groupe Casino basé à Saint-Etienne vient de signer pour la troisième fois une convention avec le musée d'art moderne. Le groupe s'engage à épauler financièrement le musée. Cette aide, cumulée aux subventions de l'État, permet l'accroissement des acquisitions d'oeuvres. Le musée d'art moderne et contemporain de Saint-Étienne Métropole détient l'une des plus importantes collection en France d'œuvres des xixe siècle, xxe siècle et xxie siècle et offre l'un des plus riches panoramas de la création artistique internationale du xxe siècle (peinture, sculpture, photographie, design).
Issu des collections du musée d'art et d'industrie puis du musée d'art moderne de la ville de Saint-Étienne créé en 1987, le musée a fait l'objet, au 1er janvier 2001, d'un transfert à la communauté d'agglomération, Saint-Étienne Métropole, dont il dépend désormais5.
La collection constituée et systématiquement enrichie depuis 1947, est l'une des rares qui, du début du siècle aux tendances les plus récentes, soit capable de témoigner de ce qu'a été, dans sa complexité, le développement de l'art occidental à l'ère industrielle.
L'ouverture, à partir de la fin des années 1980, à de nouveaux domaines de collection consacrés au design et à la photographie font même du musée d'art moderne de Saint-Étienne Métropole l'un des seuls, avec le Musée national d'art moderne, à pouvoir rendre compte de la création plastique au xxe siècle dans toute son étendue et sa diversité.
La collection fait l'objet de nombreux prêts (plus de 600 par an) et d'expositions hors les murs en France et à l'étranger. Elle est exposée par thématique et par roulement dans certaines salles du musée : "Monumental ? [archive]" 2011-2012 ; "Le cortège de l'art [archive]" 2012-2013 ; "USart [archive]" 2014 ; "Arte povera" 2015 ; "Archéologie du présent [archive]" 2016-2017 ; "Considérer le monde [archive]" 2017-2018 pour les 30 ans du Musée.
La plus grande partie des espaces du bâtiment construit par Didier Guichard en 1987 accueille des expositions temporaires d'art contemporain.
Ces dernières années de grands noms de la création contemporaine internationale ont été présentés, certains pour la première fois en France :
Gilbert et George (2005), Yan Pei-Ming (2006), Roman Opalka (2006), le collectif Zéro (2006), Georg Baselitz (2007), Orlan (2007), Zeng Fanzhi (2007), Sean Scully (2008), Antony Gormley (2008), Mario Schifano (2009), Richard Nonas (2010), Dennis Oppenheim (2011), Tony Cragg (2013), Peter Halley (2014), Yannis Kounellis (2014), Jonathan Lasker (2015), Giovanni Anselmo (2015), Jacques Villeglé (2016), Anne et Patrick Poirier (2016), Jaume Plensa (2017), Anish Kapoor en 2017 pour les 30 ans du Musée.
Le musée propose régulièrement une grande exposition collective thématique qui rassemble plusieurs dizaines de jeunes artistes du monde entier (Settlements en 2004, Domicile en 2005, Micro-Narratives en 2008, Fragile en 2009, Îles jamais trouvées en 2010, Passages (Fondation Volume!) en 2015, Intrigantes incertitudes en 2016, POPCORN - Art, design et cinéma en 2017).Le musée possède une collection de peintures anciennes qui n'est pas exposée au public bien que des œuvres importantes en fassent partie. Le musée détient des peintures de Louis Bréa, Charles Le Brun (Entrée du Christ à Jérusalem), Nicolaes Berchem, Willem Claeszoon Heda, Otto Marseus van Schrieck, Antonio Zanchi, Sebastiano Ricci (Abraham et les trois anges), Jean-Baptiste Marie Pierre, Charles Natoire, Théodore Géricault, Gustave Courbet, Hippolyte Flandrin (Polytés fils de Priam observant les mouvements des Grecs vers Troie), Alexandre Séon, Claude Monet, Maximilien Luce ou Armand Guillaumin (Le pin parasol, le Brusc, environs de Toulon). Parmi les sculptures, se trouvent des œuvres de Jean-Baptiste Carpeaux, Jean-Marie Bonnassieux, Auguste Rodin et Antoine-Louis Barye. Les collections du musée contiennent des œuvres de nombreux artistes et designers tels que :Jean Arp
Georg Baselitz
Blanc et Demilly
Christian Boltanski
Günter Brus
Daniel Buren
Anthony Caro
Paul Charavel
Joe Colombo
Jean Couy
Anthony Cragg
Enzo Cucchi
Dado
Wim Delvoye
Jean Dubuffet
Max Ernst
Alexandra Exter
Jean Fautrier
Robert Filliou
Otto Freundlich
Bernard Frize
Salvatore Garau
Ludger Gerdes
Jochen Gerz
Gilbert et George
Dominique Gonzalez-Foerster
Hans Hartung
Jean Hélion
Tamás Hencze
Thomas Hirschhorn
Fabrice Hyber
René Iché
Donald Judd
Wassily Kandinsky
Yves Klein
František Kupka
Bertrand Lavier
Fernand Léger
Jean Legros
Jean Le Moal
Alberto Magnelli
Henri Matisse
Mario Merz
Joan Miró
Robert Morris
Claes Oldenburg
Roman Opalka
Dennis Oppenheim
Orlan
Yan Pei-Ming
Giuseppe Penone
Francis Picabia
Pablo Picasso
Pascal Pinaud
Sigmar Polke
Adrian Ludwig Richter
Georges Romathier
Roland Sabatier
Kurt Schwitters
Alain Séchas
Alexandre Séon
Gino Severini
Pierre Soulages
Frank Stella
Thomas Struth
Lee Ufan
Bram van Velde
Claude Viallat
Andy Warhol
Ossip Zadkine
D'un siècle à l'autre, catalogue de la collection du musée d'art moderne de Saint-Étienne Métropole, édition Skira, 2007, édition française et édition anglaise. 272 pages - 285 illustrations - Format 24 X 28 cm.
L'Art ancien au musée d'art moderne de Saint-Étienne Métropole, Un, Deux… Quatre éditions, 2007, 336 pages
DESIGN, collection du musée d'art moderne de Saint-Étienne Métropole, Cité du Design éditions, 2008, 510 pages
La photographie en dialogues, catalogue des collections de l'IAC-Frac Rhône-Alpes et du musée d'art moderne et contemporain de Saint-Étienne Métropole, Iac éditions, 2005, édition bilingue : français et anglais, 207 pages
MAMC+ Saint-Étienne Métropole, auteur : Martine Dancer-Mourès, édition : Nouvelles éditions Scala, collection : L'esprit du lieu.Notices d'autorité : Fichier d’autorité international virtuel • International Standard Name Identifier • Bibliothèque nationale de France (données) • Système universitaire de documentation
Ressource relative au tourisme : Muséofile [archive]
Site officiel [archive]
Présence sur un réseau social : Twitter [archive]
Collection des peintures, sculptures et installations du musée d'art moderne de Saint-Étienne Métropole [archive] (Base de données Navigart)
Les collections design [archive] (Base de données Navigart)
Base documentaire sur le fonds photographique des Éditions Paul-Martial [archive] ↑ a et b « Chiffres clé du Tourisme dans la Loire » [archive], sur Loire Tourisme (consulté le 13 août 2017)
↑ « Casino, mécène du musée d'art moderne de Saint-Etienne » [archive], sur fresques.ina.fr, 24 juin 1994 (consulté le 6 avril 2017)
↑ « L'histoire du Musée d'art moderne et contemporain de Saint-Étienne Métropole » [archive], sur mam-st-etienne.fr (consulté le 6 avril 2017)
↑ >« Aurélie Voltz prend la tête du musée d’art moderne et contemporain de Saint-Étienne » [archive], sur connaissancedesarts.com, 19 septembre 2017 (consulté le 20 septembre 2017)
↑ « Présentation du Musée dans MUSEOFILE » [archive], sur culture.gouv.fr (consulté le 6 avril 2017)
↑ Les tableaux de fréquentation musées, sites, activités et manifestation, 2005 à 2014, SPOT Loire Tourisme, p.16 [archive]. Consulté le 20 mai 2017
Musée d'art moderne et contemporain de Saint-Étienne Métropole (Saint-Priest-en-Jarez) • Musée des beaux-arts et d'archéologie Joseph-Déchelette (Roanne) • Musée d'Allard (Montbrison) • Musée des civilisations de Saint-Just-Saint-Rambert • Musée d'Assier d'archéologie (Feurs) • Musée municipal de Saint-Germain-Laval (Saint-Germain-Laval)Blason de la Loire
HistoireMusée de la mine de Saint-Étienne • Musée des Verts (Saint-Étienne) • Musée hospitalier (Charlieu) • Musée Alice-Taverne (Ambierle) • Écomusée des Monts du Forez (Usson-en-Forez) • Musée d'histoire du XXe siècle, de la résistance et de la déportation (Estivareilles) • Musée du vieux Saint-Étienne
Musées-ChâteauxChâteau de Bouthéon (Andrézieux-Bouthéon) • Château de la Bâtie d'Urfé (Saint-Étienne-le-Molard) • Château de La Roche (Saint-Priest-la-Roche)
Savoir-faire & TraditionsMusée d'Art et d'Industrie de Saint-Étienne • Atelier-Musée du Chapeau (Chazelles-sur-Lyon) • Moulin des Massons (Saint-Bonnet-le-Courreau) • Musée de la Soierie (Charlieu)
Sciences et TechniquesLa Rotonde (Centre) (Saint-Étienne) • Planétarium de Saint-Étienne
Exter was active in helping organize exhibits of current avant-garde French, German and Russian art, exposing the Ukrainin public to current art trends in Europe.
Oil on canvas, Museo Thyssen-Bornmisza, Madrd.
From Amazons of the Avant-Garde, edited by John Bowlt and Matthew Druit.
edited by Marvin Sackner & Ruth Sackner.
Miami Beach (USA), The Ruth & Marvin Sackner Archive Of Concrete And Visual Poetry, may 1986. 5oo copies numbered & signed in black ink by both editors at colophon rear.
8-1/2 x 11, 668 sheets white xerographic bond, all but 5 pp printed black photocopy, perfectbound in offwhite coated card covers printed 4-colour process offset outer covers only, with plain acetate front cover overlay & cream leatherette rear cover with spine wraparound printed black offset spine only & glued to spine & cover acetate.
cover by Tom Phillips.
221 contributors ID'd, in varying states of visibility:
Douglas Abdell, Vincenzo Accame, Jeremy Adler, Pierre Albert-Birot, Adele Aldridge, Annalisa Alloatti, Roberto Altman, Miekal And, Carl Andre, Yuri Annenkov, David Antin, Guillaume Apollinaire, Shusaku Arakawa, Alain Arias-Misson, Michael Badura, Vittore Baroni, Susan Barron, Jennifer Bartlett, Klaus Basset, Andrew Behar, Nikki Bell, Bernard Benes, Max Bense, Mirella Bentivoglio, Bill Bissett, Julien Blaine, Jean-François Bory, Joaquim Branco, Jonathan Brannen, John-Eric Broaddus, Joan Brosso, Bob Brown, Ernst Buchwalder, Ugo Carrega, Ulises Carrion, Barbara Caruso, Luciano Caruso, Henri Chopin, Stathis Chrissicopoulos, Bob Cobbing, David Cole, Geoffrey Cook, Kenneth Coutts-Smith, Robin Crozier, E.E.Cumming, jwcurry, Jean-Paul Curtay, Simon Cutts, Nat Dean, Augusto De Campos, Cozette De Charmoy, Guy De Contet, Ernesto De Melo E Castro, Klaus Peter Dencker, Paul De Vree, Klaus Peter Dienst, Johanna Drucker, Jas Duke, Albert Dupont, Jacob ElHanani, Timothy Ely, Max Ernst, Loris Essary, Alexandra Exter, Dikko Faust, Raymond Federman, P.C.Fencott, Jackie Ferrara, Ian Hamilton Finlay, Jane Freeman, Ken Friedman, Astrid Furnival, John Furnival, Bill Gaglione, Philip Gallo, Heinz Gappmayr, Dominique Gauthier, Rimma Gerlovin, Valery Gerlovin, Jochen Gerz, Paul-Armand Gette, Michael Gibbs, Abraham Lincoln Gillespie, Madeline Gins, John Giorno, Glenn Goluska, Eugen Gomringer, Coco Gorden, Klaus Groh, Rolf Gunter, Victor Hartmann, Ana Hatherly, Raoul Hausmann, Ric Haynes, Bernard Heidsieck, Scott Helmes, Bob Heman, George Hermes, Dick Higgins, Charles Christopher Hill, Jack Hirschman, Michael Horowitz, Dom Sylvester Houédard, Joel Hubaut, Georges Hugnet, Norman Ives, Sandra Jackman, Ruth Jacoby, Tim Jahns, Ernst Jandl, Richard Johns, Gunnar Kaldeway, Vasily Kamensky, Michael Kasper, Karl Kempton, Frieder Kerler, Alison Knowles, J-H.Kocman, Jiri Kolar, Begonia Korta-Zaharra, Richard Kostelanetz, Ferdinand Kriwet, Barbara Kruger, Sally Kuhn, Jean-Clarence Lambert, Ben Langland, Warren Lehrer, Maurice Lemaitre, Françoise Letaillieur, D.A.Levy, Roy Lichtenstein, Jackson Maclow, Bernard Maisner, F.T.Marinetti, Jurgen Mau, Hansjörg Mayer, Peter Mayer, Brenda Miller, Joan Miro, Franz Mon, Peter Murphy, Maurizio Nanucci, bpNichol, Ann Noel, Tom Ockerse, Jurgen Olbrich, Luciano Ori, Kenneth Patchen, Tom Phillips, Jennifer Pike, Julio Plaza, Elena Presser, Mehdi Qotbi, George Quasha, Bernard Quentin, Robert Rehfeldt, Lee Rickles, Tom Rickles, Ernest Robson, Marion Robson, Marilyn Rosenberg, Dieter Roth, Erica Rothenberg, Jerome Rothenberg, Edward Ruscha, Eino Ruutsalo, Betye Saar, Deborah Sackner, Jonathan Sackner, Marvin Sackner, Ruth Sackner, Sara Sackner, Roberto Sanesi, Sarenco, Aram Saroyan, Alain Satie, Claire Satin, Robert Saunders, Konrad Balder Schauffelen, Siegfred J.Schmidt, Wolfgang Schmidt, Carolee Schneeman, Schuldt, Kurt Schwitters, George Segal, Alex Selenitsch, Gino Severini, Paul Sharits, Joyce Cutler Shaw, Barbara Siegel, Nicholas Sloan, William Jay Smith, Kenneth Snelson,Ardengo Soffici, Gerd Stein, Shohachiro Takahashi, Simon Teilengater, Franciszka Themerson, Stefan Themerson, Richard Tipping, Karel Trinkowitz, Ian Tyson, Timm Ulrichs, Paul Van Ostayen, Reginald Walker, Elizabeth Was, Christina Weiss, Emmett Williams, Jonathan Williams, Arne Wolf, Ruth Wolf-Rehfeldt, Joseph Wolman, Melanie Wygonik, Constantine Xenakis, William Xerra, Purvis Young, Ilia Zdanevich, Paul Zelevansky, Ludwig Zeller, Nicholas Zurbrugg.
Nichol contributes:
i) [blues, as typeset by Vivien Halas] (concrete poem, p.1o6, reduced from the cover of love: a book of remembrances)
ii) calendar (concrete poem, p.1o8, reduced from its Openings Press Publication)
also includes:
iii) FORMING A COLLECTION, by Marvin Sackner (prose introduction in 17 parts, pp.1>176; with a paragraph on Nichol in part 11, 1981, p.1o7)
iv) G (bibliographical listings, entries for various Ganglia series pp.374>376, grOnk pp.4o1>4o5)
v) M (bibliographical listings, collaborations with Steve McCaffery p.561)
vi) N (bibliographical listings, Nichol section pp.618>622)
edited by Marvin Sackner & Ruth Sackner. Miami Beach (USA), The Ruth & Marvin Sackner Archive Of Concrete And Visual Poetry, may 1986. 5oo copies #d & signed in black ink by both editors at colophon rear.
8-1/2 x 11, 668 sheets white xerographic bond, all but 5 pp printed black photocopy, perfectbound in offwhite coated card covers printed 4-colour process offset outer covers only, with plain acetate front cover overlay & cream leatherette rear cover with spine wraparound printed black offset spine only & glued to spine & cover acetate.
cover by Tom Phillips.
221 contributors ID'd, in varying states of visibility:
Douglas Abdell, Vincenzo Accame, Jeremy Adler, Pierre Albert-Birot, Adele Aldridge, Annalisa Alloatti, Roberto Altman, Miekal And, Carl Andre, Yuri Annenkov, David Antin, Guillaume Apollinaire, Shusaku Arakawa, Alain Arias-Misson, Michael Badura, Vittore Baroni, Susan Barron, Jennifer Bartlett, Klaus Basset, Andrew Behar, Nikki Bell, Bernard Benes, Max Bense, Mirella Bentivoglio, Bill Bissett, Julien Blaine, Jean-François Bory, Joaquim Branco, Jonathan Brannen, John-Eric Broaddus, Joan Brosso, Bob Brown, Ernst Buchwalder, Ugo Carrega, Ulises Carrion, Barbara Caruso, Luciano Caruso, Henri Chopin, Stathis Chrissicopoulos, Bob Cobbing, David Cole, Geoffrey Cook, Kenneth Coutts-Smith, Robin Crozier, E.E.Cumming, jwcurry, Jean-Paul Curtay, Simon Cutts, Nat Dean, Augusto De Campos, Cozette De Charmoy, Guy De Contet, Ernesto De Melo E Castro, Klaus Peter Dencker, Paul De Vree, Klaus Peter Dienst, Johanna Drucker, Jas Duke, Albert Dupont, Jacob ElHanani, Timothy Ely, Max Ernst, Loris Essary, Alexandra Exter, Dikko Faust, Raymond Federman, P.C.Fencott, Jackie Ferrara, Ian Hamilton Finlay, Jane Freeman, Ken Friedman, Astrid Furnival, John Furnival, Bill Gaglione, Philip Gallo, Heinz Gappmayr, Dominique Gauthier, Rimma Gerlovin, Valery Gerlovin, Jochen Gerz, Paul-Armand Gette, Michael Gibbs, Abraham Lincoln Gillespie, Madeline Gins, John Giorno, Glenn Goluska, Eugen Gomringer, Coco Gorden, Klaus Groh, Rolf Gunter, Victor Hartmann, Ana Hatherly, Raoul Hausmann, Ric Haynes, Bernard Heidsieck, Scott Helmes, Bob Heman, George Hermes, Dick Higgins, Charles Christopher Hill, Jack Hirschman, Michael Horowitz, Dom Sylvester Houédard, Joel Hubaut, Georges Hugnet, Norman Ives, Sandra Jackman, Ruth Jacoby, Tim Jahns, Ernst Jandl, Richard Johns, Gunnar Kaldeway, Vasily Kamensky, Michael Kasper, Karl Kempton, Frieder Kerler, Alison Knowles, J-H.Kocman, Jiri Kolar, Begonia Korta-Zaharra, Richard Kostelanetz, Ferdinand Kriwet, Barbara Kruger, Sally Kuhn, Jean-Clarence Lambert, Ben Langland, Warren Lehrer, Maurice Lemaitre, Françoise Letaillieur, D.A.Levy, Roy Lichtenstein, Jackson Maclow, Bernard Maisner, F.T.Marinetti, Jurgen Mau, Hansjörg Mayer, Peter Mayer, Brenda Miller, Joan Miro, Franz Mon, Peter Murphy, Maurizio Nanucci, bpNichol, Ann Noel, Tom Ockerse, Jurgen Olbrich, Luciano Ori, Kenneth Patchen, Tom Phillips, Jennifer Pike, Julio Plaza, Elena Presser, Mehdi Qotbi, George Quasha, Bernard Quentin, Robert Rehfeldt, Lee Rickles, Tom Rickles, Ernest Robson, Marion Robson, Marilyn Rosenberg, Dieter Roth, Erica Rothenberg, Jerome Rothenberg, Edward Ruscha, Eino Ruutsalo, Betye Saar, Deborah Sackner, Jonathan Sackner, Marvin Sackner, Ruth Sackner, Sara Sackner, Roberto Sanesi, Sarenco, Aram Saroyan, Alain Satie, Claire Satin, Robert Saunders, Konrad Balder Schauffelen, Siegfred J.Schmidt, Wolfgang Schmidt, Carolee Schneeman, Schuldt, Kurt Schwitters, George Segal, Alex Selenitsch, Gino Severini, Paul Sharits, Joyce Cutler Shaw, Barbara Siegel, Nicholas Sloan, William Jay Smith, Kenneth Snelson,Ardengo Soffici, Gerd Stein, Shohachiro Takahashi, Simon Teilengater, Franciszka Themerson, Stefan Themerson, Richard Tipping, Karel Trinkowitz, Ian Tyson, Timm Ulrichs, Paul Van Ostayen, Reginald Walker, Elizabeth Was, Christina Weiss, Emmett Williams, Jonathan Williams, Arne Wolf, Ruth Wolf-Rehfeldt, Joseph Wolman, Melanie Wygonik, Constantine Xenakis, William Xerra, Purvis Young, Ilia Zdanevich, Paul Zelevansky, Ludwig Zeller, Nicholas Zurbrugg.
curry contributes:
i) metropoliseeeze (poemdrawing, p.138)
ii) The Evolution Of English (concrete poem, p.138)
iii) These (poemdrawing, p.138)
also includes:
iv) FORMING A COLLECTION, by Marvin Sackner (prose introduction in 17 parts, pp.1>176; with a paragraph on curry in part 14, 1984, p.141)
v) C (bibliography, pp.126>224; with 17 curry titles listed pp.2o3>2o4 & an extensive Curvd H&z section pp.2o5>219, as well as other references throughout)
I took these two shots last night. Kiwi was having a grand ol' time eating seeds out of my hand, and would fly to it, eat a few seeds, then get kicked out by his good friend Sugar.
So, which of the two shots is the better one? I'm having a tough time deciding.
Exeter is a city in Devon, England, 36 miles from Plymouth and 65 miles from Bristol.
It is the county town of Devon,
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
Back row: Angus Riseley, Lance Dawson, Carson Clennett, Monty Stubbs, Bert Johnson, Walter Drysdale, Ralph Stubbs, Ian Clayton, Bill Woolley, Lloyd Owens, Henry Palmer, Noel King.
Second row: Dolly Exter, Jean Lester, Dulcie Rickards, Hazel Woolley, Nita Francis, Lila Riseley, Beryl Brown, Laura Latham, Myrtle Lockley, Alice Drysdale, Connie Pare, Belle Lockley.
Third row: Daisy Batchelor, Ida Francis, Maggie Balcombe, Lettie Watts, Dorothy Latham, Sylvia Palmer, Gertrude Dawson, Kathleen Lovett, Bessie Palmer, Mollie King.
Front row: Rita Clennett, Alma Reeve, Joyce Carmichael, Mollie Glass, Grace Drysdale, Dorothy Reeve, Kath Barrett, Mavis Hardy, Annie Clennett.
This is a view looking north down the old West Pittston and Exeter RR, more recently used by the PNER and L&S to service the Celotex plant. Celotex closed and the building was demolished, I'd say maybe the late 1990's.
The Lehigh Valley passed overhead to cross the Susquehanna and reach Coxton Yard. The bridge and river are to the right in this photo. This area is near Forest Castle Junction. If anyone has more info about the name of this area, please leave a comment or send me an e-mail. Photo taken May 8, 2007. The rails were removed in 2008.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
www.dongardner.com/plan_details.aspx?pid=2674
With Old World charm, this house plan features stone and cedar shake with stylish dormers. Inside, the gathering rooms are open to each other, individually distinguished by columns and ceiling treatments. The breakfast nook includes two pantries, and a cook-top island completes the kitchen. Upstairs, a bonus room awaits expansion.
Converted from NF11 in 1961 for use at Exeter with 3 CAACU, and retired on 10 December 1971 and used for ground instruction as 8189M at Cosford until 1973. After a spell with 2030 Squadron ATC at Sheldon, West Midlands it was preserved at Manston Painted as NF11 WD615.
Exeter Cathedral and the surrounding cathedral precint on a gloriously warm and sunny September afternoon. Notice the ice-cream vendor in front of the statue of the father of the Anglican Church, William Hooker.
Q.E.P.D primita se que alla arriba estaras en paz como tanto querias , solo el de arriba sabe lo que ase (L)
New to collection 5" Exposed Damaged Commissioned Dalek, Made by Professional Model Maker Simon John Osbourn
Part of the Guinness World Records collection.....1202 and counting?