View allAll Photos Tagged extented
Number:
197956
Date created:
1948
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Description:
First row, from left to right: 1) Robert E. Kennedy; 2) Samuel D. McPherson, Jr.; 3) Alan C. Woods; 4) William G. Marr; 5) Robert Day.
Second row, from left to right: 1) Robert Haines; 2) P. Thomas Manchester; 3) Walter H. Benedict; 4) Mary G. Bruno; 5) Rufus C. Goodwin; 6) Howard A. Naquin.
Third row, from left to right: 1) Norman C. Davis; 2) Russell T. Snip.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Wilmer Ophthalmological Institute--People
Kennedy, Robert E.
McPherson, Samuel D. Jr.
Woods, Alan C. (Alan Churchill), 1889-1963
Marr, William G.
Day, Robert
Haines, Robert
Manchester, Paul T.
Benedict, Walter H.
Bruno, Mary Grace
Goodwin, Rufus C.
Naquin, Howard A.
Davis, Norman R.
Snip, Russell T.
Ophthalmologists
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Extention tube macro of a cork screw.
Strobist: sb800 to camera right behind diffusion foam. reflector on left, black foam behind, black granite below. Triggered with ebay trigger. Taken in total darkness to not get ambient light at all, had to use a flashlight to focus.
1/125th sec at f13.
Extention tube macro of a cork screw.
image DSC_0292
Regardless of the extent of the ongoing tyranny and oppression I have been forced to deal with in Greece for nearly a decade under the harshest environment, my efforts in finding Justice and Freedom for my life have not stopped and it never will until my last breath.
Hence, on December 23rd, 2022, while enduring day 140th of my 4th Hunger Strike outside the UNHCR office in Athens, I left my shelter again to reach the Indian Embassy and plead for their help in providing urgent Humanitarian aid and mediation with this UN Agency.
Although I managed to speak with two Embassy representatives and even though they said they would help, ultimately they had gotten the Police involved to take me away. This time I was held in Police Custody for 2-hours before being let go.
Watch the video and read in-depth details here: 👇
Please sign the Petition and Donate if you can.
Thank you. 🙏💔🆘
#HumanRights #Justice #Freedom #Immigration #Refugees #Politics #Democracy #Petition #Crowdfunding #Philanthropy #Europe #Greece #Athens #UnitedNations #UNHCR #India #IndiaInGreece
Regardless of the extent of the ongoing tyranny and oppression I have been forced to deal with in Greece for nearly a decade under the harshest environment, my efforts in finding Justice and Freedom for my life have not stopped and it never will until my last breath.
Hence, on December 23rd, 2022, while enduring day 140th of my 4th Hunger Strike outside the UNHCR office in Athens, I left my shelter again to reach the Indian Embassy and plead for their help in providing urgent Humanitarian aid and mediation with this UN Agency.
Although I managed to speak with two Embassy representatives and even though they said they would help, ultimately they had gotten the Police involved to take me away. This time I was held in Police Custody for 2-hours before being let go.
Watch the video and read in-depth details here: 👇
Please sign the Petition and Donate if you can.
Thank you. 🙏💔🆘
#HumanRights #Justice #Freedom #Immigration #Refugees #Politics #Democracy #Petition #Crowdfunding #Philanthropy #Europe #Greece #Athens #UnitedNations #UNHCR #India #IndiaInGreece
Urban extents illustrate the shape and area of urbanized places. Urbanized localities are defined as places with with 5,000 or more inhabitants that are delineated by stable night-time lights. For poorly lit areas, alternate sources are used to estimate the extent of cities.
In this picture you see the flats and burnt-out shop next to the building that has collapsed - the same used to be on the left. Not sure if this building is safe or is going to be demolished.
Number:
198048
Date created:
1951
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Description:
First row, from left to right: 1) Robert Day; 2) Alan C. Woods; 3) Howard A. Naquin.
Second row, from left to right: 1) Robert A. Schimek; 2) James R. Duke; 3) David A. Rosen; 4) Richard E. Hoover; 5) Lawrence T. Post, Jr..
Third row, from left to right: 1) Albert D. Ruedemann; 2) Gardner M. Moulton; 3) W. Jerome Knauer, Jr..
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Wilmer Ophthalmological Institute--People
Day, Robert
Woods, Alan C. (Alan Churchill), 1889-1963
Naquin, Howard A.
Schimek, Robert A.
Duke, James R.
Rosen, David A.
Hoover, Richard E.
Post, Lawrence T. (Lawrence Tyler), 1887-1958
Ruedemann, Albert D., Jr.
Moulton, Gardner N.
Knauer, William J., Jr.
Ophthalmologists
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Urban extents illustrate the shape and area of urbanized places. Urbanized localities are defined as places with with 5,000 or more inhabitants that are delineated by stable night-time lights. For poorly lit areas, alternate sources are used to estimate the extent of cities.
*
this is to wish my dear friend ralph sunshine and flowers on this day, and every day throughout this next year.... happy birthday, ralph. :*
Lavender is a Diluter not a colour. It dilutes Mahogany to such an extent that it turns the colour transparent. Black roosters with gold in hackles were used to breed black birds with green highlights. Breeding black birds, from Black with blue or mauve highlights was frowned upon. ‘Maybe’ they new the birds with the blue highlights were on the way to lavender? They say don't try to breed Lavenders from Buff, this is because the buffs are bred from Mahogany, which has green highlights, the green highlight holds the gold colour in all the areas that the green highlight could be seen on the black birds. The wings of a Mahogany bird especially a Male Bird, have more intense green and black colouring on them ,and more solid Mahogany colour , so these areas are the most resistant to all diluters, to dilute the colour. As seen on a lot of Silver , Blue and Lavender birds. So most black birds will have mahogany genes, so to breed good lavenders you need a black that is not green ,as this transparent causing gene, will get into your breeding program. ‘White’, is said to be ‘no colour’, but transparent, is what I call ‘no colour’ You cant see it, from some angles.White, you can see. A transparent feather, you can only see the outer coating, which seems to have the same colour properties as a piece of glass. The white tips show, all the time on this bird, as other colour doesn't show through the solid white, but the Mahogany and lavender can show other colour through it , which changes the appearance of the colour to the eye from different angles. The density of the colour shining onto the bird doesn't make much difference, only which colour is showing through from underneath, as they move their feathers over the colours that are underneath them. I have some feathers to photograph when I get time, to show this. I had thought some of the boys ,had lost the wide silkie feathers,but on closer examination, they were still as wide as they were long! One feather I found had a white tip, on 2 inches on transparent silk, before the colour stated again, going towards the fluff area.
Lavender as in' Lavender coloured birds' is made by crossing the recognised lavender bird with a black bird. If you look at a lavender feather under a microscope, only the barbs, zips, are lavender ,the side branches are still black, this is what causes the smut marks on the lavender feathers. If you run the smut mark through your fingers, to smooth out the barbs then the marks will disappear. The under side of the quill is still black, but the top side is in the process of being diluted. If they continue to use the same birds in their breeding program, the black branches start to also get diluted, until they are left with just the lavender on its own, and the branches are just the diluted clear shafts, which show, as what ever colour you hold under them. If they looked at the diluted feathers, under a microscope they would see it is still the same lavender colour on the barbs. As the colour 'Lavender Standard'' requires the under branches to still be black, they will have to continually, put the black back into the colour ,as the lavender is a diluter not a colour. Lav to lav will gradually dilute the black under branches and the required dark under quill. The barbs will still be the same colour lavender makes them ,but they won’t have the black branches to show through them. The really diluted birds will look silver, when dry, but lavender when wet. Why not use these birds back to your black, this may give you a better lavender?? Same as blue, is not a colour, as it throws other colours, not blue, if bred together. I think the problem people are having is, they get scared, after a few generations and start again. If you want to know if the bird you bought ,has got lavender in it, wet it, it shows on the under fluff.
It is all these cast-offs that is putting the lavender gene in so many Silkier colours, as the breeder cant see Lavender gene, when they first buy the birds. You can see the lavender gene colour in black if you wet it , but you can't do that at a auction sale. The blue colour is always in the under fluff ,when wet. Is a shiny pearl colour. It makes recessive white mottling, dominant,, by changing the white mottle tips to blue, so you always get blue mottled birds even if put with say a Mahogany roo. But if you put the blue mottled cross x mahogany bird, back to mahogany, that has lavender gene also, then the resulting progeny will turn a pretty even clear pearl/light grey/smokey colour, loosing the mottled
and dark colours, making a totally new colour. A breeder in her 80s, told me you never told anyone you have lavender in your stock in the early days ,when they first started experimenting with the diluter,' as they didn't know what it would do in the long run'. Well it turns feathers transparent like glass, take it from me, this is what it is doing. This would explain the problem with having these birds in the sun, as being wet or under glass, you get feather damage.
Kept in a breeding cage 'Snowgirl' has never had the problem, she had in her first 2 years of life, so it wasn't the bugs and dust, but the sun! As the pure bred Silkie has very short and sparsely spaced barbs ,on their feathers above the fluff areas, i.e. ‘Silk’, this is why the lavender colour, as we would like it to look, is not as evident, as the lavender cross birds, start to become pure bred Silkies, without the abundance of longer closer together barbs( Zips), that the other breeds have. I think this is why the original breeders in Australia ,put the checker gene into the lavender birds, as it is ‘dominant’ which would keep the black shafts on the bird as well, to allow the reflection of the black through the Lavender colour.
This hen constantly throws lavender coloured chick by 'Srawberry' with just a pale yellow over colour like her, but their wings are pure plain lavender colour with the longest side branches I have seen on chicks wings.
Regardless of the extent of the ongoing tyranny and oppression I have been forced to deal with in Greece for nearly a decade under the harshest environment, my efforts in finding Justice and Freedom for my life have not stopped and it never will until my last breath.
Hence, on December 23rd, 2022, while enduring day 140th of my 4th Hunger Strike outside the UNHCR office in Athens, I left my shelter again to reach the Indian Embassy and plead for their help in providing urgent Humanitarian aid and mediation with this UN Agency.
Although I managed to speak with two Embassy representatives and even though they said they would help, ultimately they had gotten the Police involved to take me away. This time I was held in Police Custody for 2-hours before being let go.
Watch the video and read in-depth details here: 👇
Please sign the Petition and Donate if you can.
Thank you. 🙏💔🆘
#HumanRights #Justice #Freedom #Immigration #Refugees #Politics #Democracy #Petition #Crowdfunding #Philanthropy #Europe #Greece #Athens #UnitedNations #UNHCR #India #IndiaInGreece
This is my first attempt at macro shooting with a set of Phottix Extension Tubes... I tried stacking all three tubes on a 50mm f/1.8 but that gave me unusable DOF so I settled for using only the 36mm tube on a Nikkor 105mm DC f/2.0... It did not get me the ultra macro close-ups but gave enough working space and acceptable DOF... Phottix Extention Tubes highly recommended for people who don't or can't buy a dedicated micro/macro lens !
Malo Elelei my name is Sela and I go to pt england school. This is a great school to go to. These four symbols show you what I like and where I come from, and it also represents me Sela. So hope you loved these four symbols.
Regardless of the extent of the ongoing tyranny and oppression I have been forced to deal with in Greece for nearly a decade under the harshest environment, my efforts in finding Justice and Freedom for my life have not stopped and it never will until my last breath.
Hence, on December 23rd, 2022, while enduring day 140th of my 4th Hunger Strike outside the UNHCR office in Athens, I left my shelter again to reach the Indian Embassy and plead for their help in providing urgent Humanitarian aid and mediation with this UN Agency.
Although I managed to speak with two Embassy representatives and even though they said they would help, ultimately they had gotten the Police involved to take me away. This time I was held in Police Custody for 2-hours before being let go.
Watch the video and read in-depth details here: 👇
Please sign the Petition and Donate if you can.
Thank you. 🙏💔🆘
#HumanRights #Justice #Freedom #Immigration #Refugees #Politics #Democracy #Petition #Crowdfunding #Philanthropy #Europe #Greece #Athens #UnitedNations #UNHCR #India #IndiaInGreece
Every year in London there is one singular opportunity to get caffeinated in a style and to an extent that is far beyond any other. Part festival, part industry gathering and ALL coffee - The London Coffee Festival is, as far as I can tell, the biggest java palaver / caffeine powered and related event in our glorious capital. I look forward to it every year...
Founded back in 2011 and attracting a âmereâ 7,500 visitors, the festival has grown, year on year, with over 23,500 coffee aficionados, neophytes (and everything inbetween) making their way to the legendary Truman Brewery (on Brick Lane) last year. They come for many reasons, amongst these (presumably); the specialty teas, artisan foods, educational seminars, live music/DJs, and a predictably insane combination of coffee - in all its myriad and magical forms. The festival also serves as the focal point/launch for UK Coffee Week, and is the host of the Coffee Masters Competition - where 16 top notch baristas compete for the title, the fame and a £5000 cash prize.
This year saw over 250 stalls - everything from an espresso bar set up by Illy and Campari to chocolate tastings/pairings with Hotel Du Chocolat and tastings of unusual blends from independent coffee roasters such as Caravan and Origin. Asides from this, thereâs an area called Milk & Sugar dedicated to coffee related design and fashion (and restaurants). âBasicâ tickets start at £14.50 - you can quite happily spend no money, floating around purely on a haze of free espressos and cold brew (though youâll have to get in line for most of theseâ¦). That said, half of the proceeds from ticket sales go to the excellent Project Waterfall, a charity that brings sanitation and clean water to coffee-growing communities in Rwanda, Tanzania and Ethiopia.
Bodmin is a civil parish and historic town in Cornwall, England, United Kingdom. It is situated south-west of Bodmin Moor.
The extent of the civil parish corresponds fairly closely to that of the town so is mostly urban in character. It is bordered to the east by Cardinham parish, to the southeast by Lanhydrock parish, to the southwest and west by Lanivet parish, and to the north by Helland parish.
Photograph by James Russiello, September 8, 2010
The town of Bodmin has played a central role in the development of Christianity in Cornwall, and tradition, legend and history combine to suggest that the area around the Berry Tower was an early focus of settlement. The 12th century ‘life’ of St Petroc states that the saint built two habitations in the place that was later to become Bodmin: one in the valley where the parish church now is, and the other on the hill to the north – at the Berry. Here may also have been the seat of the Cornish bishop Kenstec in the 10th century. The site is located on a prominent spur overlooking the modern town and may have been fortified, as the names Berry, derived from Anglo-Saxon burh, and Dinuurin, which contains Cornish dyn, both suggest. No remains survive to substantiate this however.
The focus of mediæval Bodmin was a long main street stretching west from the parish church. This was a thriving, busy place, with markets, fairs, and many religious institutions including a Priory, a Friary, a hospital, and 13 chapels. There were also numerous guilds – associations formed for social, religious or economic purposes whose activities might include charitable works, raising money for various causes or building projects, and alms giving. By 1470 there were three guilds based at the Berry, the main one being the Guild of the Holy Rood. This guild was associated with a chapel here and at the beginning of the 16th century was responsible for building this tower.
Remarkably, accounts relating to the building of the tower still survive and provide a fascinating insight into the methods, materials and processes involved in such a project. The income for the work came mainly from local donations and gifts, all of which are recorded in the accounts. From the accounts we know that work on the tower commenced in 1501 and that it took ten years to build, growing at a rate of about 6 feet per year. Granite for windows and quoins came from St Austell or Bodmin Moor, but the slate was from a local quarry. During the last four years the furnishings like floors, a bell, lead roof and window fixings were provided. At the same time as the tower was raised, the chapel was extended with a south aisle, whose walls were decorated with murals of St Christopher and St Petroc.
Although work was completed in 1514, the newly refurbished chapel was only in use for just over three decades before the cataclysmic changes of the Reformation forced it to close. By the 18th century, only the tower remained with the chapel reduced to foundations. The present cemetery was established on the site by Bodmin Town Corporation in the 19th century. An interpretation board on the site provides detailed information about the building of the tower.
Standing in front of Berry tower is a mediæval wheel-headed cross of perhaps 12th or 13th century date. This was moved here in 1860 from its original site on Cross Lane at the junction of Berry Lane.
At the foot of the hill on which Berry Tower stands is Bodmin parish church, dedicated to St Petroc, the most important Celtic saint in mediæval Cornwall, whose relics survive in the church, in a 13th century ivory casket. This is one of the largest parish churches in Cornwall, reflecting the importance of Bodmin in the Middle Ages. Here also can be seen the holy well of St Guron, a pillar from the Friary, a good collection of coffin slabs from both the Priory and the Friary and the remains of another guild chapel, that of St Thomas. In the nearby Shire Hall is Bodmin’s Museum, with displays of finds from all these sites.
Surrounding building elements can to some extent protect “sea shell” augmented evacuated glass tube collectors from flying debris during extreme windstorms.
CPC computer model references:
A Kreith and Kreider mathematical computer model accurately predicted CPC performance of CPC field testing at Argonne National Laboratory, Chicago, c1975 (1).
Hour-to-hour annual computer simulation modeling of ± 35 deg. CPCs with ±10 deg. misalignment had less than 3% loss for Phoenix, Boston and Miami (3).
(1) Giugler, Raymond M., Ari Rabl, K. Reed, V. Sevcik,, and Roland Winston, Compound Parabolic Concentrators for Solar Thermal Power, Semiannual progress report Jan.-June 1975, Argonne National Lab., ANL-75-52, US ERDA Contract W-31-109-Eng-38, 1975
(2) Rabl , Ari, V. Sevcik, M Giugler, Roland Winston, Use of compound parabolic concentrators for solar energy, Argonne Nat Lab, Rep ANL-75-42 , semiannual progress report, Jan 1975
(3) O’Gallagher, Joseph J., Nonimaging Optics in Solar Energy, (Synthesis Lectures on Energy and the Environment: Technology, Science, and Society), Morgan and Claypool, 2008
Sailors' Snug Harbor, Snug Harbor, Staten Island
This monumental building is one of five which form one of the most notable groups of Greek Revival buildings in the United States. Such unified results were rarely achieved in this country. In scale, extent, quality and in use of materials, only the building group at Girard College in Philadelphia may be compared with it.
Building "C", the central building of the group, is the administration building. It is two stories high with an attic and a high basement. This structure is a long rectangular building with an eight columned (octastyle) portico of stone. A handsome flight of steps leads up to the portico. An imposing classic pediment crowns the main fa$ade and reflects the gabled form of the roof over the remainder of the structure. The proportions of the portico are exceptionally fine. Here the beautifully designed Ionic columns support the pedimented roof in a manner which closely reflects the design of a classic Greek temple.
The difference fronts of the five buildings contribute significantly to the success of the group. Each one of the three designs relates will to the others, while giving some variety to the overall picture. The five buildings are parallel and are joined in an interesting manner by enclosed galleries which link the buildings and form interior corridors form end to end of the group. The porticos of the central and end buildings are aligned with each other, while the two intermediate buildings which have only small porches seem to be set back. In reality the front walls of all five buildings are in
approximately the same plane. This variation lends increased interest to the entire scheme.
At the public hearing, the representative of the New York Chapter of the Society of Architecture Historians said, "These distinguished buildings form a Greek Revival group composition of preeminent interest in the United States. Its loss, in whole or in part, would be a matter of major national landmark concern."
The representative of the Architects' Council of New York City testified, "In pleading for the preservation of the buildings, we also speak for the site as a whole. For here we have, in metropolitan New York, an unusual and most significant total environment of the last century. The simple, restrained buildings.. .still achieve a totality of environmental experience, that needs to be preserved with respect."
The representative of the New York Chapter of the American Institute of Architects evaluated the buildings as follows: "This grouping is a rare example of architectural excellence. . . . The elimination of two or three buildings from the group would destroy the entire reason for being. Each building by itself is a pleasant architectural achievement, but the real significance of the complex is its success as a unified group of buildings.
As the five main buildings of Sailors' Snug Harbor were built over a considerable period of time, it is remarkable to not the strict adherence to the original style approved by the trustees. Such foresight has produced the uniform architectural quality which makes Sailors' Snug Harbor such a priceless part of our heritage today. For over a century these buildings not only have provided a home for sailors but also have constituted a great and enduring architectural masterpiece.
- From the 1965 NYCLPC Landmark Designation Report
Urban extents illustrate the shape and area of urbanized places. Urbanized localities are defined as places with with 5,000 or more inhabitants that are delineated by stable night-time lights. For poorly lit areas, alternate sources are used to estimate the extent of cities.
Urban extents illustrate the shape and area of urbanized places. Urbanized localities are defined as places with with 5,000 or more inhabitants that are delineated by stable night-time lights. For poorly lit areas, alternate sources are used to estimate the extent of cities.
The extent of the state of dereliction of ex Royal Navy Percival Sea Prince WM735/G-RACA at Long Marston is brought home with some impact in this view of the cockpit.
200_2_P1130461EM
The extent of my Pride celebrations. I inadvertently wore my rainbow Denver Nuggets T. I also started watching Queer as Folk from the beginning.
The extent of my Christmas decorating- I bought a little wreath of pine today. Put a purple ribbon around it (in honor of the Prince of Peace!) and found a little Jesus card and taped Him in the middle. Voila!
This shot shows his maximum extent of retreat inside the shell, when I first approached him.
Was surprised to encounter this box turtle up on the path here, ~30 meters from the lake and a good 10 meters above it, on a rainy spring day. But apparently box turtles are quite terrestrial. When he first saw me, he started to pull his head in. But, again to my surprise, he quickly seemed to decide I wasn't all that scary and came back out. He started walking away from me, but never hid in his shell, even when I picked him up.
I wonder if he might have been a pet at some time in his life, and thus used to people? Or is this pretty typical behavior for a wild box turtle?
Thank you to meijerhans22 for an expert answer: "Most
box turtles are shy as they are little; as they become big
and do not have many predators they become less shy, although
some stay shy. Your male was not shy at all. It's their
active season and he probably was thinking he liked going on
the move again."
He's also got something dangling off the left side of his face. Maybe he's just shedding a scale?
The extent of the tools of the blacksmith are wide. Varying pins of all widths and heights help get the perfect shape they desire.
I recently dyed al my hair green and ive been trying to get my extentions and hair to match the same colour, finally got them to match but want the colour to be a little more pastely, like a mermaidy green. ive been using so many different mixes of dyes, white toner to lighten it, aswell as silver shampoo, then mixing alpine green and turquoise together to try get that green with a hint of blue...so difficult. by the time i get the colour i want i'll want to change it all completely.
Every year in London there is one singular opportunity to get caffeinated in a style and to an extent that is far beyond any other. Part festival, part industry gathering and ALL coffee - The London Coffee Festival is, as far as I can tell, the biggest java palaver / caffeine powered and related event in our glorious capital. I look forward to it every year...
Founded back in 2011 and attracting a âmereâ 7,500 visitors, the festival has grown, year on year, with over 23,500 coffee aficionados, neophytes (and everything inbetween) making their way to the legendary Truman Brewery (on Brick Lane) last year. They come for many reasons, amongst these (presumably); the specialty teas, artisan foods, educational seminars, live music/DJs, and a predictably insane combination of coffee - in all its myriad and magical forms. The festival also serves as the focal point/launch for UK Coffee Week, and is the host of the Coffee Masters Competition - where 16 top notch baristas compete for the title, the fame and a £5000 cash prize.
This year saw over 250 stalls - everything from an espresso bar set up by Illy and Campari to chocolate tastings/pairings with Hotel Du Chocolat and tastings of unusual blends from independent coffee roasters such as Caravan and Origin. Asides from this, thereâs an area called Milk & Sugar dedicated to coffee related design and fashion (and restaurants). âBasicâ tickets start at £14.50 - you can quite happily spend no money, floating around purely on a haze of free espressos and cold brew (though youâll have to get in line for most of theseâ¦). That said, half of the proceeds from ticket sales go to the excellent Project Waterfall, a charity that brings sanitation and clean water to coffee-growing communities in Rwanda, Tanzania and Ethiopia.
The information on the state of biodiversity from 22 Central and Eastern European and former Soviet countries was assembled on the occasion of the 5th Conference of Parties of the Convention on Biological Diversity in Nairobi May 15-26, 2000. It is a collaborative effort of the ENRIN national focal points of UNEP-GRID. This graphic shows forest extent in Europe and Central Asia.
For any form of publication, please include the link to this page:
This photo has been graciously provided to be used in the GRID-Arendal resources library by: Philippe Rekacewicz