View allAll Photos Tagged expressionism

Das Cabinet des Dr. Caligari in Den Bosch

Oil stick, oil pastel, crayon, charcoal, graphite on Canson watercolor paper

 

24x18 in.

 

Original for sale at AlanTaylorJeffries.ugallery.com

September 21 - November 20, 2012, Leech Gallery

Oil on canvas

by Milton Avery

  

Taken in the Exhibition

  

By 1926 Avery was living in New York and working full-time as an artist. Avery took advantage of the access to art offered by the city, and he and his wife, Sally, spent every Saturday visiting galleries and museums. In 1929 the Museum of Modern Art opened, allowing Avery’s interest in European Modernism to grow as he saw more examples of the movement’s works.

In addition to using the sketches he had executed throughout the summer months, Avery also turned to the city for inspiration for his paintings, in particular to its human activity and crowds.

[Royal Academy]

 

Milton Avery: American Colourist

(July — October 2022)

 

Recognised as an important and influential twentieth-century American artist, Milton Avery’s entry into the art world was somewhat unconventional. Born in 1885 in Altmar, New York, into a working-class family that finally settled in Connecticut, near Hartford, Avery left school at sixteen to work in a factory. Four years later, in an attempt to improve his earning potential, he enrolled in an evening class in ‘commercial lettering’ at the Connecticut League of Art Students and soon after transferred to drawing, so commencing a fifteen-year part-time study of art and a lifetime dedicated to drawing and painting.

Avery’s work spanned and, to some extent, became the link between two significant movements in the United States in the twentieth-century, American Impressionism and Abstract Expressionism, with both having an impact on his oeuvre. Through his close association with some of the younger key exponents of Abstract Expressionism, Avery’s early work played an influential role in how the movement later developed and unfolded. Never affiliated to any particular group or tendency, Avery followed his own artistic inclination. With his steadfast adherence to representation and the innovative ways in which he balanced colour and form within his compositions, he often appeared to be running counter to the prevailing trends of the time.

In 1926 Avery was married and living in New York, where he was to three months every summer at different locations of natural beauty, where he documented the landscape, providing material and inspiration for the later studio paintings.

This retrospective survey presents a selection of Avery’s finest work from across his career and charts his constant development, revealing his unique ability to create exquisitely balanced poetic compositions of colour and form.

[Royal Academy]

gouache on 9x12 paper

Acrylic on wood A4 dec 2012. Trying out a different painting style.. Abstract/figurative expressionism.

  

I made these imaginal portraits of the rock bands CHICOSCI, FASPITCH, DEATH BY STEREO, SIN, and SWITCH by commission from Pulp magazine.

 

Original concept was to tie the entire feature with a big nod to German Expressionist cinema.

  

PULP Magazine

AUGUST 2006 issue

Php 120

 

Photography by WAWI NAVARROZA

Concept: Wawi Navarroza & Wincy Ong

Styling: Liz Anne Bautista

Makeup: Bea Rivera of Basement Salon

  

.......................................................................

 

PULP magazine August 2006 issue features 15 exceptional Filipino rock bands who will compete for the WORLD BATTLE OF THE BANDS 2006.

 

Only one band will make it to the World Grand Finals to be held in Hongkong late this year.

 

After Pollock. (Bird muck on concrete).

12 x 12 o/c

Painted as a present for a friend.

Artwork by David Paul Mesler. Pianist, Vocalist, Composer, Songwriter. Seattle, Washington USA. 2012.

 

SITES: www.davidpaulmesler.com, www.ihearamericasing.com

ALBUMS: www.cdbaby.com/artist/davidpaulmesler

PHOTOS: www.flickr.com/photos/davidpaulmesler

VIDEOS: www.youtube.com/doublepianomaniac

 

ALL FOR THE GLORY OF GOD.

 

modern art contemporary postmodern moody surreal abstract expressionism impressionism colorful picture photo graphic photographer animation cell image fantasy film cinematic artwork painting photoshop manipulation illustration male portrait man masculine face “close up” close-up detailed interesting dutch scandinavian christian spiritual representational american “united states” holland netherlands norwegian swedish “modern art” “expressionist portrait” drawing watercolor “abstract painting” “abstract art” “on black” digital texture color colors “photo art” photoart landscape arte “vivid colors” photomanipulation “digital art” light dark moment lumiere couleurs day night surrealism saturation photomorphing best artistic tone colorgrading fullcolor techniques multicolor technicolor “generative art” contrast sketch artista artiste portraiture illusion effect virtual fun abstrait cg figurative self me “david paul mesler” “david paul” “david mesler” david paul mesler jazz classical music “singer songwriter” instrument musical musician composer artist singer pianist songwriter vocalist bluecentaur “blue centaur” doublepianomaniac “double piano maniac”

An artwork by David Paul Mesler. Pianist, Vocalist, Composer, Songwriter. Seattle, Washington USA. 2013.

 

MUSIC ON I-TUNES: itunes.apple.com/us/artist/david-paul-mesler/id251806549

MUSIC ON CDBABY: www.cdbaby.com/artist/davidpaulmesler

JAZZ BANDLEADER WEBSITE: www.davidpaulmesler.com

I HEAR AMERICA SINGING: www.ihearamericasing.com

ARTWORK ON FLICKR: www.flickr.com/photos/davidpaulmesler

VIDEOS ON YOUTUBE: www.youtube.com/doublepianomaniac

REVIEWS: www.davidpaulmeslerreviews.blogspot.com

FACEBOOK: www.facebook.com/davidpaulmesler

TWITTER: twitter.com/davidpaulmesler

TUMBLR: nomadblue.tumblr.com

PINTEREST: pinterest.com/davidpaulmesler

SOUNDCLOUD: soundcloud.com/davidpaulmesler

 

FOR GOD'S GLORY.

 

modern art contemporary postmodern moody surreal abstract expressionism impressionism colorful picture photo graphic photographer animation cell image fantasy film cinematic artwork painting photoshop manipulation illustration male portrait man masculine face “close up” close-up detailed interesting dutch scandinavian christian spiritual representational american “united states” holland netherlands norwegian swedish “modern art” “expressionist portrait” drawing watercolor “abstract painting” “abstract art” “on black” digital texture color colors “photo art” photoart landscape arte “vivid colors” photomanipulation “digital art” light dark moment lumiere couleurs day night surrealism saturation photomorphing best artistic tone colorgrading fullcolor techniques multicolor technicolor “generative art” contrast sketch artista artiste portraiture illusion effect virtual fun abstrait cg figurative self me “david paul mesler” “david paul” “david mesler” david paul mesler jazz classical music “singer songwriter” instrument musical musician composer artist singer pianist songwriter vocalist bluecentaur “blue centaur” doublepianomaniac “double piano maniac”

 

One in a series of abstracts and in-camera double exposures of boat hulls in Toronto.

Abstract Expressionism, MoMA, Starry Night

Photo Expressionism, ICM, Olympus E-P2, pinhole lens, Albany OR, 2013

 

An abstract expressionism painting that sold immediately at one of my gallery shows.

22x28 oil on canvas

(l to r) Chrissie Harms, Michael McElroy, Mark Robson, Erin Read, Jennifer Nehila, and Amanda Grove in a scene from Gas. 2008 Philly Fringe Festival

One in a series of abstracts and in-camera double exposures of boat hulls in Toronto.

Almost all of the artwork I have been working on for the past half year has ended up focusing on gaining more control and precision. While some of the results have been good, I also suddenly realize that I have been giving up something portion of the magic that only happens through uncontrolled spontaneity.

 

This painting is an attempt to force myself to lose control and gain some of that magic.

oil and bees wax painting

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