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Campo della Maddalena, Venezia
Foto leggermente ritoccata
di una natura morta.
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Vendo matte painting visualizzabili su www.flickr.com/photos/polimaurizio/,
a 20 euro l'uno con firma e numero di serie e dimensioni originali.
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Per qualsiasi informazione contattatemi all e-mail maurizio.poli1972@libero.it
New.....Matte Painting....... progetti grafici realizzati da me....!!!
Piccole modifiche dell'immagine in post-produzione......!!!
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The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
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God The Father, The Son and The Holy Spirit as depicted in a new work of prayer by expressionist artist Stephen B. Whatley.
Blessings of Peace, Strength, Love & Hope to all who view this image.
Charcoal on paper,
23.4 x 16.5in/59 x 42cm
Ruins of the Ancient Greek Theatre at Taormina, 1905, Hungarian National Gallery, Budapest
Tivadar Csontváry Kosztka (1853 – 1919), the Hungarian painter loved by Picasso.
"Csontváry’s works were exhibited in Paris in 1948. Picasso spent an hour outside the exhibition’s regular opening hours viewing them, and after emerging, declared “I did not realize there was another great painter in this century aside from myself.”
Csontváry probably would have taken issue with Picasso’s proclamation, arguing that he was a more significant painter even than Raphael."
"On the hot sunny afternoon of 13 October 1880, when Csontvary was 27 years old, he had a mystic vision. He heard a voice saying, 'You will be the greatest Sunway Painter, greater than Raphael!' He took journeys around Europe, visited the galleries of the Vatican, and returned to Hungary to earn money for his journeys by working as an apothecary. From 1890, he traveled around the world. He visited Paris, the Mediterraneum (Dalmatia, Italy, Greece), North Africa and the Middle East (Lebanon, Palestine, Egypt, Syria) and painted pictures. Often his pictures are very large, several metres wide and height is not unusual."
"In recent decades, Tivadar Kosztka Csontváry has become a true national hero. After all, he has all the necessary attributes: he was only celebrated after his time, his canon of work is not only spectacular, but also unique, and his contemporaries in Hungarian society treated him as all future national heroes were: he was mocked and humiliated.
He painted his major works between 1901 and 1909. He had some exhibitions in Paris (1907) and Western Europe. Most of the critics in Western Europe recognized his abilities, art and congeniality, but in the Kingdom of Hungary during his life, he was considered to be an eccentric crank for several reasons, e. g. for his vegetarianism, anti-alcoholism, anti-smoking, pacifism, and his cloudy, prophetic writings and pamphlets about his life (Curriculum), genius (The Authority, The Genius) and religious philosophy (The Positivum). Some of his biographists considered this as a latent, but increasingly disruptive schizophrenia. Although he was later acclaimed, during his lifetime Csontváry found little understanding for his visionary, expressionistic style. A loner by nature, his “failure” impaired his creative power.
His art connects with post-impressionism and expressionism, but he was an autodidact and cannot be classified into one style. He identified as a "sunway"-painter, a term which he created.
The painter, after being derided for decades, ended up starving to death after the Soviet Republic took everything away from him.
He starved to death.
To give us an idea of how his life’s work was rated at the time, his heirs attempted to sell the paintings to delivery men as they were painted on high-quality canvas. Were it not for Gedeon Gerlóczy, who recognized Csontváry’s genius and bought them all up, there would be no paintings surviving to this day.
Today, a Csontváry is worth millions of Euros."
en.wikipedia.org/wiki/Tivadar_Csontv%C3%A1ry_Kosztka
bestbudapest.blog.hu/2015/07/22/csontvary_the_hungarian_p...
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Copyright © 2023 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.
Expressionism can be Viewed Large On Black
This was the first time I tried the random shooting into a stream of people [outside Oxford Street tube station at peak hour], but unlike the later variety [in Bristol - previously posted] where I shot from the chest, this/these were shot with camera to the eye; hence the level feels much more face-on.
An abstract interpretation of a thunderstorm above the TX plains.
Original : 10,800 x 18,000 px
Digital painting
MAMAN by LOUISE BOURGEOIS
Over a career that spanned some seven decades, Louise Bourgeois created a rich and ever-changing body of work that intersected with some of the leading avant-garde movements of the 20th century, including Surrealism, Abstract Expressionism, and Post-Minimalism, while remaining steadfast to her own singular creative vision. While Bourgeois's oeuvre includes painting, drawing, printmaking, and performance, she is best known for her sculptures, which range in scale from the intimate to the monumental and employ a diverse array of mediums, including wood, bronze, latex, marble, and fabric. Her work is at once deeply personal—with frequent references to painful childhood memories of an unfaithful father and a loving but complicit mother—and universal, confronting the bittersweet ordeal of being human.
Almost 9 meters tall, Maman is one of the most ambitious of a series of sculptures by Bourgeois that take as their subject the spider, a motif that first appeared in several of the artist's drawings in the 1940s and came to assume a central place in her work during the 1990s. Intended as a tribute to her mother, who was a weaver, Bourgeois's spiders are highly contradictory as emblems of maternity: they suggest both protector and predator—the silk of a spider is used both to construct cocoons and to bind prey—and embody both strength and fragility. Such ambiguities are powerfully figured in the mammoth Maman, which hovers ominously on legs like Gothic arches that act at once as a cage and as a protective lair to a sac full of eggs perilously attached to her undercarriage. The spider provokes awe and fear, yet her massive height, improbably balanced on slender legs, conveys an almost poignant vulnerability.
Bilbao, Spain
View from Cà d'Oro (Second floor), Venezia
"Cesare, can you hear me? Awaken for a moment from your dark night."
('Cesare' by Aztech Toys / "Silent Screamers")
"Das Cabinet des Dr. Caligari"
German Expressionist silent film (Germany; 1920)
Directed by Robert Wiene
Starring: Werner Krauß (Caligari), Conrad Veidt (Cesare), Friedrich Feher (Franzis) and Lil Dagover (Jane)